PORTRAIT OF AN ADORABLE UNDERAGE DRIVER AND HIS PEDAL CAR (1937)

pedal car 3This vintage real photo postcard is charming. The postcard features a portrait of an adorable little boy sitting in his pedal car. This underage driver’s car has a license plate for the year 1937. This photograph was likely taken at or around that year. The photographer, the subject, and the location where this photo was taken, are all unidentified. This photograph of a boy and his toy, is in very good condition (see scans).

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Published in: on December 11, 2018 at 12:00 pm  Comments (2)  
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PORTRAIT OF A FATHER AND SAILOR BOY SON IN AALBORG, DENMARK

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This carte de visite photograph features a father and son posing for their portrait at the studio of Ernst Gopel. The boy is wearing a nautical style outfit. The studio was located in Aalborg, Denmark. Aalborg is the fourth to largest city in Denmark. This cdv is in very good condition (see scans).

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Published in: on December 9, 2018 at 2:23 pm  Leave a Comment  
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TWO PRETTY YOUNG WOMEN ON A TOBOGGAN

sled This vintage photo postcard features two pretty young women sitting on a wooden sled. The women are flashing beautiful smiles. They are dressed for winter and fun in the snow. Note their high boots. Printed on the postcard is the Dutch phrase “Gelukkig Nieuwjaar”. The English translation is “Happy New Year”. The postcard has a Dutch stamp and is addressed to someone living in Liwwadden, Netherlands. Liwwadden is the capital of the States of Friesland and has been inhabited since the tenth century. This postcard was published circa 1930 and is in very good condition (see scans).

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2615

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$24.50

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DOLLY BABCOCK: BEAUTIFUL VAUDEVILLE PERFORMER

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This photograph features a beautiful young woman in a theatrical costume. Written on the reverse of the image is the name “Dorilda (Dolly)”  This pretty woman is Dolly (Tetreault) Babcock. She and her husband performed on the Keith Orpheum Vaudeville Circuit playing all over the United States. They were active from the early 1920’s through the early 1930’s” and performed under the stage name of  “Babcock and Dolly”. She was known for her beauty and fantastic costumes, many of which she made for herself. Arthur died in 1953 and Dolly lived until 1965. This vintage photo measures about 4 1/2″ x 6″ and is in good condition (see scans)

Buy this original Vintage Photograph (includes shipping within the US) #2614

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$50.00

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$58.00

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Published in: on December 8, 2018 at 12:01 am  Comments (2)  
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THE RAILROAD WORKER AND THE NURSE: A UNIFORMED COUPLE

uniformsThis vintage real photo postcard features a couple in uniform. I believe that the gentleman is a railroad worker and the woman is a nurse. The message on the reverse of the postcard indicates that the couple are named Harry and Grace. The pair look quite dour. This postcard is in excellent condition (see scans).

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2612

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Published in: on December 7, 2018 at 12:00 am  Leave a Comment  
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TRUUS VAN AALTEN: PRETTY, SPUNKY, AND FUNNY DUTCH/GERMAN ACTRESS

tua & dog POSTCARD 1

tua & dog 1 POSTCARD 1 (CLOSE-UP)

 

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trus 2 1 POSTCARD 2 (CLOSE-UP)

The top vintage real photo postcard features Dutch actress, Truus van Aalten (1910-1999). She appeared in many German films in the 1920’s and 1930’s. She is flashing a wonderful smile as she holds a cute little dog. Truus worked as a milliner after finishing school and then worked as a salesgirl in a clothing store in Amsterdam. What she really wanted to do, was to become a movie actress. Unfortunately, at the time,  the movie industry was not producing many films in the Netherlands. In 1896, Truus entered a beauty contest sponsored by a Dutch magazine. The winner of this contest would be given the opportunity to audition for a film role. Truus was selected and joined about two hundred other women in Berlin to try out for the film part. She excelled on the screen test and won the role. The movie was being produced by Ufa, a German film company. The cast of the film included Betty Balfour and Willy Fritsch. Three photos of Miss Balfour can be found in the Cabinet Card Gallery by searching for “Balfour”. The name of Truus’s first movie was “A Sister of Six” (1926). Keep in mind, Truus had no training or experience as an actress. Even though Truu’s command of the German language was weak, Ufa offered her a contract and promised to train her and offer her opportunities in other films. The Ufa executives appreciated her sparkly and funny personality as well as her photogenic appearance. Truus’s father signed the contract and she moved to Berlin. The celebrated actress Olga Tschechowa took Truus under her wing and became her unofficial mentor and mother figure in the film industry. Olga nicknamed the young actress “Trulala”. Truus second film appearance was in “His Late Excellency” (1927). This movie included Willy Fritsch and Olga Tschechowa among it’s stars. Truus appeared in five movies that were released in 1928. She was certainly a busy actress. As Truus started to appear in more and more silent films, it became clear that she was talented; pretty, spunky, and funny. Truus’s greatest talent was seen in her comedic roles. She slowly became a fan favorite. She was the subject of interviews and photos in movie magazines. She also got work appearing in advertisements.  Truus had “a look” of her own. She was described in one article as having a “mixture of boyish yet feminine energy”. Her bobbed hair and her uninhibited style was similar to actress Colleen Moore. Truus made a successful transition into “talkies”, despite her Dutch accent. By 1930, she was a very well known actress. Her photograph appeared in many postcards and tobacco cards. As Nazism rose in Germany, members of the film industry felt extremely vulnerable. Her film appearances became less frequent, partially because the parts written for females, during the Hitler era,  were not particularly desirable to Truus. In 1934, she starred in her only film in Dutch and she was well received. Her next film wasn’t until 1939 and it turned out to be her final film appearance. In 1940, she returned to live in German occupied Netherlands. She was offered movie roles there, but refused them, because they were propaganda films. After the war, there was little activity in film production in Germany or Netherlands. Finding roles in English or American movies was unsuccessful. In 1954, Truus established a successful importing and exporting business in the Netherlands. The IMDb credits Truus with 28 film appearances from 1926 to 1939. The YouTube video below demonstrates just how cute and engaging Truus was as an actress. She was incredibly adorable.                                                                                                        Postcard  1 was published by Ross Verlag. The postcard is part of a series (no. 4184/1). Miss van Aalten’s portrait was taken by photographer Alex Binder, who operated a studio in Berlin. He was one of Berlin’s premier photographers and photographed many stars of the stage and film. This postcard is in excellent condition (see scans).                                       Postcard 2 was also published by Ross Verlag. The card is part of a series (no. 3884/1). The portrait was taken by photographer Hanni Schwarz of Berlin. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. Before becoming a photographer, she was a teacher at her father’s school in Basel. In 1904 , she and Anna Walter took over the photo studio of Johannes Hulsen in Berlin. In 1908, she and Wilhelm von Gloeden presented nude photographs at an exhibit in Berlin. Sometime around 1909 she ran her studio with photographer Marie Luise Schmidt. During the Brussels World’s Fair in 1910, Schwarz exhibited nudes In 1914, she began working with color photography. In 1919 the studio’s name only included Miss Schwarz, and she was reported to specialize in portrait and dance photography. The last known year of Schwarz’s work was 1930. This vintage postcard is in excellent condition (see scans).

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2610 (Postcard 1)

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Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2611 (Postcard 2)

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tua & dog 2                           Postcard 1 

trus 2 2 POSTCARD 2                                                                      

PORTRAIT OF FOUR LOVELY SIBLINGS IN NEVADA, IOWA

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This cabinet card photograph features a lovely group of siblings posing at the Reynolds studio in Nevada, Iowa. The children are nicely dressed. They are not members of a poor family. Preliminary research did not identify any biographical information about the photographer, However, the cabinet card gallery does exhibit another cabinet card image from a photographer in Iowa. J. H. Reynolds was a photographer who operated out of Burlington, Iowa. Perhaps he also had a studio in Nevada. This cabinet card portrait is in very good condition (see scans).

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Published in: on December 5, 2018 at 12:00 pm  Leave a Comment  
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THREE GORGEOUS BULLDOGS REPRESENTING ENGLAND, IRELAND, AND SCOTLAND

bull dogs

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This vintage real photo postcard features three gorgeous bulldogs. The caption beneath the photo indicates that the dogs represent England, Ireland, and Scotland The postcard is published by Rotary Photo and is part of the Rotary Photographic Series (no. P 530). This vintage postcard is in very good condition (see scans).

Buy this original Vintage Real Photo Postcard (include shipping within the US) #2609

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$41.50

bull dogs 2

 

Published in: on December 4, 2018 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A U.S. CAVALRYMAN OR INFANTRYMAN IN KNOXVILLE, TENNESSEE (FEMALE PHOTOGRAPHER)

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I like and value this vintage photograph but it causes me much confusion. At first, I believed that this young man was a sergeant in the cavalry. Now, I have my doubts about him being in the cavalry, and entertain the possibility that he was actually a member of the infantry. What is the reason for my indecisiveness? The soldier is wearing what looks to be a western cavalry hat. It may even be a Stetson hat. However, the badge on his hat has crossed rifles, which is a symbol for the infantry. Cavalrymen wore hat badges that showed crossed sabres. This soldier’s badge indicates that he was in Company M of the regiment number seen above the crossed rifles. I find the number too difficult to decipher. I am not sure how to understand the polka-dot scarf peaking out of the sergeant’s jacket. Neck handkerchiefs were definitely worn by soldiers of the era that this photograph was taken, but why a polka dot one? Research revealed that early on, no specific color bandana was designated by the military. When soldiers needed a bandana, they got whatever the local sutler could procure. Colonel Teddy Roosevelt and his regiment of Rough Riders were famous for wearing unauthorized items of clothing and incorrect insignia. A photograph below shows Colonel Roosevelt wearing a blue polka-dot scarf with his uniform. There is another possible story behind this photograph. Perhaps the man in the uniform is simply an actor dressed for his roll in a theater production. I hope that a visitor to the cabinet card gallery, who has much militaria knowledge,  will be generous enough to leave a comment revealing more information about this photograph. This photograph was taken by the Weiser studio in Knoxville, Tennessee. Langdon Road, an online photography directory, provides a glimpse of the biographical information concerning the proprietors of the Weiser studio. Miss Alice Patton Weiser (1860-1945) and Anna B Weiser (1867-1948) were the photographers who operated the studio that took this photograph. At the time the photo was taken, the pair conducted their business from 119 1/2 Gay Street in Knoxville. Business directories indicate that they occupied this address in 1894 through1903.  A George W. Weiser (1825-1903) also was a photographer in Knoxville between at least 1888 and 1903. He was the father of Alice and Anna. During part of his career he worked in the 119 1/2 Gay Street location. The 1910 census reported that sisters, Alice and Anna, were both working as photographers. By 1920, both had exited the profession. It appears that the sisters not only worked together; they lived together for decades. This vintage photograph is in very good condition (see scans).

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Published in: on December 3, 2018 at 12:00 pm  Comments (1)  
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SEXUALLY CHARGED AND SENSUAL PORTRAIT OF A COUPLE IN LOVE

girl on lap

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This vintage real photo postcard can be described as sensual, or even, sexually charged. A pretty in woman in a short dress and dark stockings sits on the lap of a tuxedoed man, and the two stare intently into each others eyes. The photo begs the observer to question the relationship of this lovely couple. Are they lovers? Are they performers, perhaps dance partners? The man and woman in this photograph are beautifully dressed. However, there is one infraction that needs the attention of the fashion police. The gentleman’s light colored striped socks deserve a citation. Dark socks would be more appropriate. The photographer of this portrait postcard is Georg Schoppmeyer who operated a photography business in Leipzig-Schonefeld, Germany. This vintage postcard is in very good condition (see scans).

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girl on lap 3

girl on lap 2

Published in: on December 2, 2018 at 12:00 pm  Comments (3)