This antique mounted photograph, measures approximately 6 x 5 inches, and shows a posed family group outside a wooden farmhouse or homestead. The scene includes two women standing near the center, a seated man in a bowler-style hat at right, a young girl seated on a donkey at left, and another young girl seated in a chair near the center. The girl on the donkey appears to be holding a doll, while the seated girl appears to be holding a small dark dog, possibly a pug or pug-like dog, which adds great charm and personality to the image. Behind the group is a small stand or table holding what appears to be household or garden items, possibly a pail, planter, or container. The seated girl’s chair may have a textile or throw on it, but from the image it is difficult to say for certain; the bold patterned area may be part of the standing woman’s skirt or apron rather than a quilt on the chair. The photograph has a great rural domestic quality, with the clapboard house, bay window, family members, donkey, doll, and dog all contributing to a memorable turn-of-the-century homestead scene. SOLD
These two real photo postcards features stage beauty, Maie Ash (1888-1923). She was an English comedy actress and dancer. She made her London debut in 1902 at Shaftesbury Theatre. The next year she played the title role in Cinderella in Southampton. Other appearances include “Goody Two Shoes” (1904), “Yellow Fog Island” (1907), and “My Darling” (1907). Ash played Miss Gibbs in “Our Miss Gibbs” (1911). A reviewer of the play, writing for the “Playgoer Weekly”, suggests that Ash was charming in her role and that her singing voice resembled that of popular actress, Miss Ellaline Terriss. The reviewer added that her singing and dancing brought the audience much pleasure and that she demonstrated herself to be a “most finished musical comedienne”. She married actor Stanley Brett in 1909. He was the brother of celebrated actor Seymour Hicks. The pair divorced in 1913, and in 1915, she married comedian Fred Allandale. Apparently, Miss Ash and Mr. Allandale didn’t wait for their divorces before getting involved romantically. Ash was named by Allandale’s wife and Allandale was named by Ashe’s husband in their respective divorce petitions. So much for impulse control. Ash was the sitter for six portraits in Britain’s National Portrait Gallery.
Postcard 1 features a fetching portrait of Maie Ash. She is wearing a beautiful smile and has pretty eyes. The card was published by Ralph Dunn & Company which operated in London, England. The post card is part of a series (no. A 105). The card has a 1905 postmark. The message on this postcard wishes the recipient “Many happy returns of the day”. According to Wikipedia, this 18th century greeting is meant to offer the hope that each happy day is repeated by other happy days, The saying was often used on birthdays, and in particular, as a response to “Merry Christmans” and “Happy New Year” wishes. The word “returns” also was used to wish a person that their day yields much happiness.(SOLD)
Postcard 2 presents a close-up photograph of Miss Ash. The postcard is a bit risque for it’s time. Her low cut dress and her coy expression accentuate the beauty of the alluring actress. This postcard was published by the Rotary Photo Company as part of their “Rotary Photographic Series (No. 1831K)”.This photo of Maie Ash was taken by the Johnston & Hoffmann studio. Theodore Julius Hoffmann and P. A. Johnston established a commercial photography studio in Calcutta (1882) and Darjeeling (1890). They also operated a studio in Simla. Johnston and Hoffmann’s photography business was the second largest commercial photography studio in India in that period. Many of their images were of North and Northeast India as well as Sikkim and Nepal. Johnston & Hoffmann produced many photographs of actors and actresses. It is certain that these performers did not travel to India to have their photo taken. It seems likely that Johnston & Hoffmann also had a studio in England during some part of their careers. It is also possible that there were to separate studios that coincidentally shared the same name. This postcard was postmarked in 1906 in Southampton, England. The postcard is in very good condition (see scans). (SOLD)
Postcard 3This postcard shows Miss Ash in a charming theatrical portrait, smiling warmly with her chin resting on her folded hands. She wears an ornate jeweled headdress or costume headpiece, with dramatic puffed sleeves and a soft studio-lit presentation by Dover Street Studio / Rotary Photo (no.1831Q). (SOLD)
This scallop edged cabinet card was photographed by the esteemed John Fletcher Ford, a Pacific Northwest photographer associated with Ilwaco, Washington and Portland, Oregon. Oregon State University’s Archives West identifies Ford as a preacher and photographer who lived in Ilwaco from 1893 until his death in 1914. He operated a Portland photography studio from 1900 to 1908. His known work includes logging, fishing, landscapes, and lower Columbia River / Oregon-Washington subjects, which fits the wooded outdoor setting of this photograph very well. This is a striking antique cabinet card photograph by Ford, showing two well-dressed young men posed outdoors in a wooded setting, likely in the Pacific Northwest. The men stand beside a rustic wooden bridge or fence, surrounded by ferns, mossy branches, evergreens, and dense forest growth. Both wear dark suits with vests, ties, and broad-brimmed hats; one holds a walking stick or cane, while each has a decorative boutonniere or lapel ornament. The image has a strong turn-of-the-century outdoorsman / fraternal / friendship portrait quality, combining formal dress with a rugged woodland setting. SOLD
This vintage real photo postcard features American actress, singer, pianist and composer August Zuckerman (1885-1981). She was also known as Mana-Zucca. She was born in New York City to Polish immigrants. She was a child prodigy and began composing music at a young age. She gave her first recital at three and a half years of age and received a scholarship to at age four to the National Conservatory of Music (New York City). At age seven she studied with celebrated Polish pianist, Alexander Lambert. He taught at the New York College of Music. He was also her mentor and concert manager. While studying with Lambert, she also studied harmony and and composition with with Herman Spielter. Her first published work was at age seven. At eight years of age she performed a piano solo with the New York Symphony. Her stage debut came in 1914. In her early teens she played throughout Europe. In time she began singing in several musical comedies including “The Geisha” and “The Count of Luxembourg”. In 1921 she married lyricist, Irwin M. Cassel. The pair lived in New York City and Miami until 1925 when Miami became her permanent home.. She composed music and taught piano there. During the course of her career, she composed over a thousand works, including two operas, orchestral works, a ballet, three chamber works and a collection of 366 piano pieces. The postcard was published by Georg Gerlach & Co.. The firm was a real photo card publisher and printer based in Berlin, Germany. SOLD
These images feature American silent and sound film actress, Carmel Myers (1899-1980). Carmel Myers was an extraordinary actress who captivated audiences during the early years of Hollywood. She had striking beauty, magnetic screen presence, and versatile talent. Myers was born in San Francisco to Jewish immigrants. Her father was a Rabbi from Russian and her mother was from Austria-Hungary. She grew up in a theatrical household and was exposed to the performing arts from a young age. She participated in both school plays and local theater productions. At the age of 16, Carmel Myers made her professional debut on stage, impressing both critics and audiences with her natural talent. It wasn’t long before she gained the attention of film producers. In 1916 she made her screen debut in the silent film “The House of Mystery”. This was the start of a more than twenty year career in the film business. During the silent film era, Carmel Myers became one of the most sought-after actresses in Hollywood. Known for her expressive eyes, graceful movements, and remarkable versatility, she effortlessly transitioned between comedic and dramatic roles. Her notable films during this period include “Ben-Hur” (1925), where she portrayed the seductive courtesan Iras. Many of her early roles were playing a “vamp”. Carmel Myers was also an early advocate for actors’ rights and was instrumental in establishing the Motion Picture Artists Association. She fought for fair wages, better working conditions, and creative control for performers, contributing to the formation of movie industry unions. With the advent of sound in films, Carmel Myers smoothly made the transition from silent movies to “talkies.” Her resonant voice and impeccable timing added another dimension to her performances. She starred in a range of films throughout the 1930s, including comedies, dramas, and musicals, collaborating with renowned directors and actors of the time. her most popular sound films were “Svengali” (1931) and “The Mad Genius” (1931). Her final film appearance was in the 1945 production of “Blonde Ransom,” marking the end of her illustrious acting career. However, Myers remained involved with both radio and television. Carmel Myers lived a private life outside of the spotlight, rarely divulging details about her personal affairs. She was married three times, first to an attorney and song writer in 1919, in 1929, she married a second attorney, and thirdly, she married a Paramount Pictures executive in 1951. Her first two marriages ended in divorce, and her third marriage ended with her husband’s death. After her husband’s death, she wrote a book about handling grief effectively. After retiring from acting, Carmel Myers devoted herself to philanthropy and community work. She supported various charitable organizations and advocated for social causes.
Image 1 was published by A. Noyer and is of French origin. The card has the MGM logo on it’s front. (SOLD)
Image 2 is a vintage ink blotter that advertises the Frog Switch & Manufacturing Company, located in Carlisle, Pennsylvania. The blotter has a calendar for January, 1923. The blotter also features a photograph (litho) of Carmel Myers. (SOLD)
Image 3 This press photo shows Myers in a classic glamour pose, her head turned slightly with a dramatic upward gaze that conveys both elegance and intensity. Her dark hair is softly styled with curls around her face, and she is draped in a fur wrap that slips over her shoulder, adding to the sense of sophistication and allure. In the lower left corner appears the photo’s numbering “V111-1”, while the lower right bears the imprint AFEDA, N.Y., the New York studio known for high-quality publicity portraits of stage and film stars of the era. Apeda was a photography studio in New York City. It was founded in 1906 by Alexander W. Dreyfoos, Sr. (1876–1951) and Henry Obstfield. The studio was known for pursuing two business strategies: shooting original portraiture and reproducing uncopyrighted images by other photographers of newsworthy scenes or celebrities under its own trade name. The second strategy resulted in them being brought to court for copyright infringement. They won the case. Dreyfoos was the head photographer and his focus was on sports, theatre and celebrity portraiture. (SOLD)
This truly unique vintage real photo postcard features a pretty young woman peering out of a roof top trap door. The town/city can be seen below. It appears that the woman is at the top of a multiple floor building. There is a message on the reverse of the card. The following is a rough translation. “I want to see Portugal for once! Who do I see? It’s Graça. I think I would make such a face if I saw you once. for my Graca, von Sfrer girlfriend, 1938. Pricajeras SOLD
This unusual early advertising paper item promotes Social Delights, “a delicious assortment of sandwich cakes” made by the National Biscuit Company, advertised here under the familiar “Uneeda Bakers” name. The colorful front shows a box of Social Delights surrounded by several individual sandwich cakes. Visible names include Social Tea, Doris, Triton, Oreo, and Manor. The presence of Oreo is especially significant, as Oreo was introduced by the National Biscuit Company in 1912, making this a very early piece of Oreo-related advertising. The reverse is printed as a request slip for the National Biscuit Company booklet “Biscuit in Choice Recipes.” The text states that a copy would be sent free on request to the Advertising Department in New York City. This is best described as a thin paper advertising insert or recipe-booklet request slip, rather than a standard trade card. It is thin card (paper) stock. It was likely distributed as a small advertising giveaway, package insert, store counter handout, or recipe-booklet request form. This is a wonderful early food advertising item with strong appeal to collectors of Nabisco / National Biscuit Company, Uneeda Bakers, early Oreo advertising, antique grocery advertising, and American food-brand history. This advertising item is from circa 1912–1915. The style, typography, product presentation, and National Biscuit Company wording all suggest the early 1910s. The item measures approximately 4 x 2½ inches. SOLD
This striking circa-1885 cabinet card presents American stage actress Ida Lillian Olcott (1861–1888) in an elegant profile portrait. She wears an elaborate floral headpiece, dangling earrings, a multi-strand pearl necklace and an ornately decorated theatrical costume. The restrained profile pose emphasizes her classical features and is particularly appropriate for an actress best remembered for performing dramatic and tragic roles. Born in Brooklyn in 1861, Olcott was the daughter of prominent Brooklyn physician Dr. Cornelius Olcott. She first attracted attention as an amateur actress, playing Juliet with the Williamsburg Amateur League in 1882. She subsequently appeared professionally at the Brooklyn Theatre, again portraying Juliet. In 1884, she toured as the star of the melodrama Dark Days. Olcott’s most important role was the title character in Victorien Sardou’s spectacular historical drama Theodora. She traveled to Paris in 1885 and purchased the American performance rights to the play, achieving considerable artistic success with it during the following two seasons. Her ownership of the American rights led to a serious dispute when Sarah Bernhardt was permitted to perform Theodora in the United States. Olcott sued the Franco-American Dramatic Agency for $25,000, alleging that it had violated the exclusive rights she had purchased. The litigation contributed to her company being disbanded in Chicago shortly before her death. Olcott’s promising career ended tragically on April 8, 1888, when she died at New York’s Westminster Hotel at only 26 or 27 years of age. Contemporary accounts reported that she had contracted a severe cold after exposure during the great New York blizzard and subsequently developed an intestinal inflammation. She initially concealed the seriousness of her illness from her parents because she did not wish to worry them; only her maid was with her until her condition worsened. She was buried at Green-Wood Cemetery in Brooklyn. I have a few cabinet cards of actor and song writer Chauncy Olcott and I wondered if he and Lilian were related. I found no evidence that the two were related. This cabinet card comes from the studio of Charles Eisenmann (1855-1927). He was German born and a well known celebrity photographer during the 1880’s and 1890’s in New York City’s Bowery District. Not only did he photograph celebrities (ie Mark Twain and Annie Oakley) but he also was known for his portraits of “human oddities” (ie. side show acts and people with birth defects). His son in-law, Frank Wendt, took over his studio in 1898. He later became the director of photography for Dupont. His work is very collectible. SOLD
This original vintage black-and-white photograph was taken by noted Cleveland photographer Jimmy Baynes, whose stamp appears on the reverse. The photograph shows a group of well-dressed men posed inside what appears to be a community hall, social club, church hall, lodge room, or performance space. The men, all African American, are dressed in dark suits with white shirts and narrow ties, suggesting a date in the late 1950s or early 1960s, most likely circa 1960. There is a strong musical element to the scene. Several musicians can be seen in the background holding instruments, including saxophones and guitars. An American flag is visible at the far left, and seated attendees appear along the side of the room. The photograph may document a civic, musical, fraternal, church, political, or community event in Cleveland, although the people and specific occasion are unidentified. The composition has a wonderful mixture of formality and warmth. Some of the men face the camera in a formal pose, while others smile broadly or lean toward one another. The man near the center places his arm around another man’s shoulder, giving the image a feeling of camaraderie. Jimmy Baynes was a prolific photojournalist and chronicler of Cleveland’s African American community during the mid-20th century. His work documented civic events, political gatherings, cultural programs, entertainment, and the everyday lives of African Americans in Cleveland. Originally a postal worker, Baynes pursued photography as a passion and ultimately founded Baynes Foto Service. His photographs captured the vibrancy of African American social life from the 1950s through the 1980s, including intimate gatherings, beauty contests, live music performances, political events, and community celebrations. Baynes photographed major figures in music and entertainment, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His work is recognized today as an important visual record of Cleveland’s African American community and is valued by collectors of African American history, press photography, entertainment photography, and local Cleveland history. The Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland holds a collection of Baynes photographs, especially relating to music and entertainment. The candid but posed composition reflects Baynes’s ability to capture people within civic and cultural spaces, preserving not only the appearance of an event but also its social energy. SOLD
This advertising postcard was published for Bebe. The sexy rare card shows a beautiful blonde woman wearing clothing from the fashion house Bebe. The fashion model is dressed in a beautiful blue sleeveless dress with a studded collar. Bebe Stores Inc. is a women’s retail brand that was founded in 1976. SOLD