PRETTY WOMAN WITH OPEN PAJAMA TOP SMOKING A CIGARETTE

This vintage real photo postcard features a young woman wearing pajamas and slippers. Her pajama top is wide open exposing one of her breasts. She is smoking a cigarette. Her body language exudes confidence, perhaps even sassiness. This risque postcard was published by Leo of Pradot and manufactured by A. Lochard & Co. in Paris, France. This postcard is part of a series (no. 68). The Leo firm operated in the mid 1920’s and published many types of real photo postcards. They were especially noted for producing a large amount of nude postcards. Postcards such as this one were considered art during the time that they were published. This vintage postcard is in very good condition (see scans).

Buy this original Real Photo Postcard (includes shipping to the US) #2431

To purchase this item, click on the Pay with PayPal button below.

$38.50

 

Buy this original Real Photo Postcard (includes International shipping outside the US) #2431

To purchase this item, click on the Pay with PayPal button below.

$46.50

 

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Published in: on June 7, 2018 at 12:00 pm  Leave a Comment  
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PRETTY WOMAN WEARING NEGLIGEE APPLIES LIPSTICK IN FRONT OF A MIRROR (FRENCH BOUDOIR POSTCARD)

This vintage real photo postcard features a pretty woman applying lipstick in front of a large mirror. The woman is wearing a negligee. It is uncertain whether she is getting ready to go to bed with a lover, or if she is just getting dressed and applying make-up upon rising. This risque photograph was taken by Julian Mandel (1872-1935). He was one of the most famous photographers of female nudes during the early twentieth century. He worked in Paris, France and his photographs became well known in the 1910’s through the 1930’s. His images were published by such firms as Alfred Noyer, Les Studios, P-C Paris, and the Neue Photographische Gesellschaft (NPG). Mandel produced many erotic postcards. He photographed his models indoors as well as outdoors. He often posed his models in classical poses and he was a master at utilizing toning and soft lighting. It is reported that Mandel participated in the German avant-garde (new age outdoor) movement. Mandel, as well as other photographers of nude models, produced photographs that were postcard sized, but never meant to be sent through the mail. In fact, it was illegal to post these nude images. These nude photographs tended to be privately collected. Although Mandel listed his name on his nude photographs, most photographers chose to remain anonymous. Experts compare Mandel’s work to that of photographer Julian Walery, another avant-garde artist who was known for his deco style nudes produced in the 1920’s. A photograph of Mandel can be seen below. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name, while others are simply marked “AN”.

PORTRAIT OF A PRETTY SEMI NUDE WOMAN ADMIRING SELF IN THE MIRROR

This vintage real photo postcard features a beautiful semi-nude woman sitting on a stool and admiring herself in a mirror. This risque postcard is tastefully done. The postcard was published by a French firm known as “P.C.” from Paris. The P. C. logo is an abbreviation for Papeteries de Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of women, nudes, views, and holiday cards. The company was active in the 1920’s.

Published in: on March 30, 2018 at 12:00 pm  Leave a Comment  
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TWO PORTRAITS OF PROVOCATIVE GERMAN SILENT FILM STAR RUTH WEYHER

POSTCARD 1

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POSTCARD 2       SOLD

weyher 1

POSTCARD 2     SOLD

This vintage real photo postcard features German silent film actress, Ruth Weyher (1901-1983). She was born in Neumark, East Prussia, Germany.  Weyher grew up in Danzig where she studied painting until she switched to a conservatory to study singing. An illness robbed her of her singing voice and in 1919 she travelled to Berlin where she studied a Max Reinhardt’s theatre school. Reinhardt was a well known director and producer. She appeared in 48 films between 1920 and 1930. She starred in director Georg Wilhelm Pabst’s film “Secrets of the Soul” (1926). She also produced a film in 1929. During her career, Weyher only appeared in a few sound movies and she abandoned acting after marrying publisher Hans Geiselberger in 1932. It is reported that she retired at her husband’s request. The video clip below features Miss Weyher in her appearance in the film “Shadows: A Nightly Hallucination” (1923). The film title translation was done by “google translate”. Weyher’s costar in this film was Austrian stage and film actor Fritz Kortner (1892-1970). A review of this film describes Weyher as “beautiful and passionate”.  Ruth Weyher’s appearance in this film can be described as risque or provocative. One of the themes of this film is infidelity. This postcard was published by Ross Verlag and is part of a series (no. 3529/1). The portrait of Miss Weyher was taken by Alex Schmoll, a photographer located in Berlin, Germany. There is Italian print on the reverse of the postcard that roughly translates as “Exclusive sale publisher: Ballerini and Fratini, Firenze (Florence, Italy). A bit of research reveals that the publishing house, Ballerini & Fratini Montespertoli began in Florence in the year 1912.                                     The second postcard featuring Ruth Weyher was also published by Ross Verlag. The postcard is part of a series (no. 3089/1). This portrait of Miss Weyher  has her posed in position to display her bare back. She has an engaging smile and holds a large fan of dark feathers. Some may find this image somewhat sexually provocative. The photographer of this photograph is Kiesel of Berlin, Germany.

POSTCARD 1

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POSTCARD 2

GORGEOUS WOMAN HOLDS VASE ATOP HER HEAD (VINTAGE REAL PHOTO POSTCARD)

This vintage real photo postcard features a portrait of a most gorgeous woman posing with a vase atop her head. The woman is absolutely beautiful and her eyes are amazingly seductive. She is dressed in a tight gown and exposing a small amount of her ankle. The postcard was produced by the German company G. Gerlach.

Published in: on January 6, 2018 at 12:00 pm  Leave a Comment  
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PRETTY NUDE MODEL WITH INVITING GAZE POSES FOR PORTRAIT (P C PARIS 1920’S)

I am hoping that Cabinet Card Gallery visitors are not offended by this tastefully done vintage nude real photo postcard. Postcards of nudes were a popular collectors item during the late 1800’s and early 1900’s. They were considered to be artistic and not pornographic, although most photographers and nude models did not allow their names to be printed on the postcards. In addition, some retail outlets (Photo Galleries) for these nude postcards kept them under the counter. Clearly, many of those involved with creating and selling these postcards, had fears of being prosecuted. Buyers of these postcards did not mail them. They were strictly collectibles. There is some disagreement about the women who posed for these photographs. Originally, many believed that the women were either local prostitutes, artist models, or actresses. However, there is a growing belief that most of the models were working women who modeled to supplement their income. This particular nude postcard was published by a French firm known as “P.C. from Paris. The P. C. logo is an abbreviation for Papeteries de Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of women, nudes, views, and holiday cards. The company was active in the 1920’s. The lovely model seen in this postcard was a popular one. She modeled for many of the firm’s nude postcards. This postcard is part of a series (#1887). She appears to be of Spanish origin and is casting an inviting gaze. She is wearing a “piano shawl”. Normally these shawls are used to decorate the top surface of a grand piano.  Piano shawls were also used as an accessory in women’s fashion.

Published in: on December 26, 2017 at 12:00 pm  Comments (2)  
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MISS PAULETTE: RISQUE PORTRAIT OF AN EXTREMELY BEAUTIFUL ACTRESS

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The beautiful woman seen on this vintage real photo postcard is Miss Paulette. I have been unable to find biographical information about her. The former owner of this photo postcard identified her as Miss Paulette and stated she performed in Paris at the Folies Bergere, a cabaret music hall established in 1869. This portrait of the actress is risque for it’s era but it is certainly tastefully done. In an attempt to identify this actress, I came across the five postcards seen below. I believe that the pretty woman seen in the postcard above is Paulette Del Baye although I lack any concrete convincing evidence. This postcard has a German stamp that is postmarked in Rixdorf (a neighborhood in Berlin). The card was postmarked 1912.  The postcard was published by Neue Photographische Gesellschaft (NPG) which was located in Berlin and Stuttgart, Germany.The company was in business between 1894 and 1948. It was founded by Arthur Black (1862-1943) and it became one of the most well known and largest companies involved in the production of postcards.

 

Vintage French RPPC Postcard Artist Stage Star Miss Paulette   Paulette

Image result for postcard Miss paulette  Paulette

Image result for postcard Miss paulette  Paulette Del Baye

Image result for postcard Miss paulette  Paulette Del Baye

c-1907-French-Theater-Beauty-Mlle-DEBRIVES-fashion-tinted-photo-postcard  Paulette Debrives

Paulette Debrives

PRETTY ITALIAN ACTRESS AND WRITER MARCELLA ALBANI

 

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Marcella Albani (1899-1959) was an Italian film actress that appeared in 50 films between 1919 and 1936. Albani was “discovered” by writer/director Guido Parish (Schamberg) when she was twenty years old. They became a very successful film couple until 1924 when they parted ways. Their movies were predominately tear jerkers and adventure stories. The actress also worked with other famous directors such as Joe May, Friedrich Zelnik, and Wilhelm Dieterle. Albani was a major star in the European cinema in the late 1920’s. Her films were made in five different European countries. Many of Albani’s roles were portraying elegant Latin beauties. She certainly looks elegant and beautiful in this postcard portrait. She is dressed exquisitely and her hat is a fashion statement in itself. At the advent of sound movies, Miss Albani turned to writing. One of her several novels was turned into a movie. She continued to act until 1936. Albani was married to director Mario Franchini in 1931. The top vintage real photo postcard is of German origin by Ross Verlag of Berlin. The postcard is part of a series (no. 1521/1). The photo is by Aafa film. According to one reliable source, the postcard was issued sometime between 1927 and 1928. The bottom postcard features a beautiful risque portrait of Miss Albani. The publisher of this postcard is also Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 596/3). Printed on the postcard is the name “Albani Film”. The company was a film production and distribution firm and was active in 1934.

                                                          Reverse of Top Postcard

albani 2                                                     Reverse of Bottom Postcard

 

THE SAD STORY OF VILMA BANKY: BEAUTIFUL SILENT FILM STAR

 

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This vintage real photo postcard features beautiful and sensuous actress Miss Vilma Banky (1901-1991). She was born in Hungary but was an American silent film actress. She began her acting career in Budapest and later France, Austria, and Germany. In 1925, Banky was plucked from Europe by Hollywood film producer Samuel Goldwyn. American audiences fell in love with her and she earned the moniker of “The Hungarian Rhapsody”. In a review of her first film, “The Dark Angel” (1925), the New York Times (1925) described Banky as “a young person of rare beauty”. In the mid and late 1920’s she was Goldwyn’s biggest money maker. Some of her most famous roles were in the films “The Eagle” (1925) and the “The Son of the Sheik” (1926). She played romantic roles opposite Ronald Coleman and Rudolph Valentino. The advent of sound films is believed to have short circuited her acting career. Apparently her thick Hungarian accent was unacceptable. However, around the time of the introduction of sound films, it is thought that she had lost her enthusiasm about films and was more interested in settling down with actor Rod La Rocque (1898-1969), whom she married in 1927. Goldwyn gave the bride away and Cecil B. DeMille was the best man. By 1928, she was talking of retirement. In all, she made 24 films of which only eight remain in existence in their complete form. Her filmography begins in 1919 and ends in 1933. After leaving filmdom, she and her husband had a career in real estate and she pursued the sport of golf. The Chicago Tribue (1993) entitled Banky’s obituary “Silent Film Star Makes Dramatic Exit”. It is interesting to note that the article appeared nearly two years after her death. It seems that the press and Hollywood watchers never noticed her death. Apparently she lay sick in bed for the last ten years of her life, at home, and later in a nursing facility, without any visitors. The author of the article asserts “She died the nightmare death of every elderly person, alone, her life unremembered, her passing unlamented”. Banky was upset and angry about being abandoned, that she instructed her attorney to inform no one, including the newspapers, upon her passing. The attorney followed her instructions but when the press eventually learned of her death, the lawyer stated to reporters that Banky had no visitors because none of her friends or family still survived. She left a $600,000 trust fund to her sister’s two children in Hungary. After a difficult search the attorney found the two nieces in rural Hungary “living in peasant squalor”. The women had never met their Aunt and the last letter exchanged with Banky had been thirty years earlier. Banky’s lawyer had his hands full because a German heir hunting company had found them first and got them to sign over twenty percent of their inheritance for a finding-fee. At the time of the articles publication, the lawyer planned to pay off the company with a smaller fee and set up distant banking for the nieces who lived in an area that had no banks. Although after her death, the lawyer turned out to be a committed and wonderful friend to Vilma Banky and her family. This vintage postcard was produced by the Iris Verlag company. Iris Verlag was the most important Austrian publisher of film star postcards. It operated from Vienna during the 1920’s and 1930’s. The postcard is part of a series (no.695/3). The photographer of this portrait of Banky is Halasz of Budapest. The postcard was made for Fanamet-film which was a Austrian film distribution company.

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MOLLIE FULLER: STAGE ACTRESS AND VAUDEVILLE PERFORMER

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This cabinet card is a portrait of Mollie (Molly) Fuller (1868-1933), a Boston born stage and vaudeville performer. She appeared in two Broadway plays but is better known for her vaudeville career. She was the second wife of Frederick Hallen (1859-1920) and the couple were a popular team on the vaudeville stage for nearly twenty-five years. They were known for their short comedic plays. Mollie’s resume includes performances in “Adonis” and in “Evangeline”, both plays by  Edward Rice. He biggest hit was her starring role in “The Twentieth Century Girl” (1895). When producer Edward Albee learned Mollie was near blind an impoverished in Chicago, he arranged to bring her to New York. He commissioned a theater piece to be written for her to perform in. She returned to the stage to perform in the resulting playlet “Twilight”. Mollie was the sister of Loie Fuller (1862-1928). Loie was a pioneer of modern dance and theatrical lighting techniques. Among Loie’s skills was her talent as a “skirt dancer”. She died in Hollywood, California, at the age of 68 in 1933. At the time of her death she was receiving assistance from “Troupers”, a national vaudeville players association. This cabinet card was issued by “Newsboy” which was a tobacco company that used cabinet cards as premiums to encourage sales of their tobacco products. This image is number forty-one of a series.