RISQUE PORTRAIT OF A DANCER FROM THE PARIS FEMALE REVUE (GEORGIGUST)

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This vintage real photo postcard features one half of the dance partners from the “Duo Georgigust”. The pair were a popular dance couple during the 1910’s. Judging by the dancer’s tight clothing and revealing top, there must have been a sexual tone to her dance routine. This is a relatively risque photograph for it’s time.  The reverse of this postcard is an advertisement for Georgigust’s act. Georgigust is described as a “modern duo” and promises that they will perform 15 transformations (different dances?, different acts?) and a “new number” in a wonderful bright decor. This postcard is an advertisement for the “Paris Female Revue”. The photo postcard below, shows the duo reunited and dancing together. The postcard seen above, featuring just the female dancer, is in very good condition (see scans).

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2648

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$28.50

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Buy this original Vintage Real Photo Postcard (includes international shipping outside the US) #2648

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$36.50

 

2duo_georgigust1 Georgigust as a Duo (Not for Sale)

georgigust 2

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Published in: on January 18, 2019 at 12:00 pm  Leave a Comment  
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TWO PROVOCATIVE PHOTOGRAPHS OF A WOMAN AT THE WATER’S EDGE (RISQUE RPPC)

POSTCARD 1

POSTCARD 1 (CLOSE-UP)

bathing beauty

POSTCARD 2

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POSTCARD 2 (CLOSE-UP)

These vintage real photo postcards are meant to be provocative. Risque photos must have boosted postcard seller’s sales. Although these images are rather tame by today’s standards, they are not so tame for their time (early 1900’s). The model photographed for these postcards is shapely and has a pleasant smile. The postcards were published by well known photographer, Alfred Noyer. They are part of a series (no. 2916).  The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of his early postcards were reproductions of artworks. He also produced illustrated patriotic postcards during World War I. With the onset of the 1920’s he began producing postcards of children and women. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name while others are simply marked “AN”.   These  postcards were produced in France. They have excellent clarity and are in very good condition (see scans).

Buy this original Real Photo Postcard (includes shipping within the US) #2511 POSTCARD 1

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$25.50

Buy this original Real Photo Postcard (includes International shipping outside the US) #2511 POSTCARD 1

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$33.50

 

Buy this original Real Photo Postcard (includes shipping within the US) #2301 POSTCARD 2

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$25.50

Buy this original Real Photo Postcard (includes International shipping outside the US) #2301 POSTCARD 2

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$33.50

POSTCARD 1

bathing beauty 2

POSTCARD 2

Published in: on November 7, 2018 at 1:00 pm  Leave a Comment  
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GORGEOUS WOMAN HOLDS VASE ATOP HER HEAD (VINTAGE REAL PHOTO POSTCARD)

This vintage real photo postcard features a portrait of a most gorgeous woman posing with a vase atop her head. The woman is absolutely beautiful and her eyes are amazingly seductive. She is dressed in a tight gown and exposing a small amount of her ankle. The postcard was produced by the German company G. Gerlach.   (SOLD)

Published in: on January 6, 2018 at 12:00 pm  Leave a Comment  
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LADY BALL WALKER: CIRCUS BALANCING ACT PERFORMER IN BUFFALO, NEW YORK

ball walker

This cabinet card portrait features a pretty young woman who likely performed in a balancing act for an unidentified circus. She has one foot on a ball that was used for balancing feats. The photograph is a bit risque for it’s era. The young lady is displaying a bit of a devilish grin. Note the upside down ghost image at the top of this image. The logo of the McDannell studio in Wattsburg, Pennsylvania is visible and the cause of this phenomenon is that this cabinet card was likely stored face-to-face with the McDannell cabinet card and The McDannell logo was pressed printed onto this circus performer photograph. It is worth mentioning that one of Mcdannell’s photographs is a resident of the Cabinet Card Gallery collection. The above cabinet card image was produced by the Rykert studio in Buffalo, New York. Chauncy W. Rykert and William Rykert were both photographers in Buffalo. Both men shared a studio on Buffalo’s Jefferson Street in the late 1870’s. Chauncy is the most likely one who produced this image as he remained a photographer in Buffalo for many more years than William.

Published in: on October 4, 2015 at 12:00 pm  Leave a Comment  
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PAULINE HALL (1860-1919): BEAUTIFUL MUSICAL THEATRE STAR

pauline hall

The top cabinet card features Pauline Hall (1860-1919), one of the most popular turn of the century prima donnas. She began her career as a dancer in Cincinnati, Ohio at age 15. She joined the Alice Oats Opera Company but left to tour in plays with famed actress Mary Anderson. By 1880, she worked for well known producer Edward Everett Rice in musical productions. Early in their association, he gave her a role in “Evangeline”. Her shapely figure allowed her to take male roles as she did in “Ixion” (1885). Her greatest success came in the title role of the first American production of  “Erminie” (1886). She played in more than two dozen Broadway operettas. Her final role was in the “Gold Diggers” (1919). This photograph was taken by famed celebrity photographer, Elmer Chickering of Boston, Massachusetts. Other photographs by Chickering can be seen by clicking on Cabinet Card Gallery’s category of “Photographer: Chickering, E.”. The second cabinet card, photographed by B. J. Falk, of New York City, captures Pauline Hall in stage costume. The photograph is #305 in a series from Newsboy. The tobacco company (Newsboy) gave away cabinet cards as a premium with the purchase of their products. This cabinet card shows a copyright date in the 1890’s. The exact date has become illegible over time. To view other Newsboy or Falk cabinet cards, click on the categories “Photographer: Falk” or “Photographer: Newsboy”. The third cabinet card portrait was also photographed by Falk. Ms. Hall looks quite beautiful in this image. She is wearing earrings and an interesting hat. The photograph is a bit risque. Much of her neck and shoulders are exposed. In addition, her dress accentuates and reveals significant cleavage. Is the material at the base of her scoop neckline part of her dress; or was it added in order to make the photograph less provocative? Perhaps a visitor to the cabinet card gallery will be able to provide an explanation. The fourth cabinet card image, once again photographed by B J Falk, features Miss Hall wearing a dark dress, long gloves, a lovely hat, and a purse. Pauline Hall certainly was a stage beauty as attested by this photograph.

Published in: on July 11, 2015 at 7:44 pm  Comments (4)  
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A PRETTY WOMAN WITH A FAR-AWAY LOOK, A FAN, AND A RAISED GLASS

fan girl

This carefully posed vintage real photo postcard begs the viewer to hypothesize about what’s happening in this photograph. A pretty young woman displaying a far-away look holds an open fan in one hand and a glass of champagne in the other. Her dress and appearance could be described as risque. The top part of her dress is sheer and beaded in places. She has a beautiful hat and wearing a fancy hair ornament. The woman is well dressed and stylish. What is this lovely lady thinking about? Any guesses? The preprinted message on the bottom of the postcard, “prosit neujahr” is German for “Happy New Year”. This postcard was published by Neue Photographische Gesellschaft (NPG) in Berlin, Germany. The postcard was part of a series and was mass produced for sale. It was likely published in the 1910’s.

Published in: on June 24, 2015 at 11:45 am  Comments (8)  
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ROSE ZAZEL: PRETTY AND EXPLOSIVE YOUNG WOMAN (FIRST FEMALE HUMAN CANNONBALL)

HUMAN CANON BALL_0005This cabinet card portrait features a pretty young woman who was quite a daredevil. She was the first female canonball. Her stage name was Rose Zazel. In this photograph she is wearing her namesake rose as well as a necklace, bracelet, and earrings. She is also wearing a risque costume. Miss Zazel’s act involved being shot from a spring loaded cannon invented by “The Great Farini”. Zazel’s given name was Rossa Matilda Richter and she was just 14 years of age when she was engaging in this exciting but reckless behavior. At one point, she toured with the PT Barnum Circus. Eventually she suffered a career ending injury when she missed a safety net and suffered a broken back. The information I cited about Rose Zazel comes from an interesting article on Scribol.com. The article is entitled “Seven Most Mind Blowing She-Daredevils in History” and it was written by Karl Fabricus. The article included the image below which is a poster advertising an appearance of “Zazel the Human Projectile”.  This cabinet card image was photographed by Marc Gambier, a well known photographer of celebrities. You can view more of his images and learn more about him in the category “Photographer: Gambier”.

Zazel_The_Human_Projectile_vintage_poster_on_display_at_the_Circus_World_Museum_in_Baraboo,_Wisconsin.

Published in: on June 14, 2015 at 8:33 am  Comments (4)  
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ACTRESS ON A SWING IN PARIS, FRANCE (PORTRAIT BY SAZERAC)

SAZERAC FRONT

This cabinet card portrait features an unknown actress in a provocative pose sitting on a swing. An exposed leg and lacy undergarments propel this photograph into risque territory. The curly haired young woman flashes a terrific smile at the camera. The photographer of this image is the Sazerac studio which was located at the “Hotel Prive” in Paris, France. No information could be located about Mr. Sazerac but one can easily find real photo postcard portraits of French show girls that were produced by his studio. Sazerac cabinet cards are less common.

 

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Published in: on May 8, 2014 at 12:01 pm  Comments (2)  
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PORTRAIT OF BEAUTIFUL ACTRESS HELEN STANDISH (PHOTOGRAPHED BY B J FALK)

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This cabinet card portrait features pretty actress Helen Standish. Famed celebrity photographer B J Falk produced this image and Miss Standish’s choice to wear a dress showing some cleavage, makes this photograph somewhat risque for it’s era. In addition, her expression can be interpreted as being enticing. Research revealed very little about Helen Standish or her career. She appears in number of cigarette card series including one produced by Dukes Cigarettes (“Leading Actors and Actresses”) which can be seen below. Her name appears in the New York Times (1887) review of the play “The Pyramid” which appeared at the Star Theater. The reviewer states that Miss Standish and another actress in the play “were not equal to the demands of their roles”. Ouch! The reverse of the cabinet card has a stamp from “Culver Service” which was a New York City company that charged the media for the use of photographs coming from their vast image archives. The reverse of the photograph also has the stamp of photographer J. M. Russell, 126 Tremont Street, in Boston, Massachusetts. Russell was a well known music publisher in Boston and it is possible that he also was involved in the sale of celebrity cabinet  cards.

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Published in: on February 17, 2014 at 11:35 am  Comments (1)  
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WOMAN ON A PEDESTAL: LOTTIE GILSON (THE LITTLE MAGNET)

tilson gilson

This cabinet card portrait of actress Lottie Gilson was produced by celebrated New York City photographer, Aime Dupont. Gilson  is perched on a pedestal and this image is a bit risque for its era. Note Miss Gilson’s coy smile, her exposed neck, relativesly low cut dress, the straps on her arms, and the leggy view. Gilson’s nickname, “the little magnet” is written on the reverse of the photograph. Also on the back of the cabinet card is a stamp from “Culver Pictures” which was a company that supplied photographs to the media for a price. Lottie Gilson (1871-1912)  was a popular comedienne and vaudeville singer born in Basil, Switzerland. She was called “the little magnet” because of her popularity with audiences and her ability to propel the sales of sheet music. Her musical hits included “The Sunshine of Paradise Alley” and “The Little Lost Child”. The date of her theatrical debut is unknown but it is certain that she performed at the Bowery’s Old National Theatre in 1884. She later performed in many of New York’s theaters and was the top soubrette of her day. She is noted as the originator of the stunt of having a boy come out of the balcony singing along with one of her songs. This became a common vaudeville routine. The San Francisco Call (1900) reported Gilson’s third wedding (she was only twenty nine at the time). The article also mentioned that her first husband was sent to the penitentiary for setting her hat on fire. The New York Times (1912) printed an obituary for Gilson. They reported that she had been out of the public eye for five years prior to her sudden death. Another source states that she died after years of self destructive behavior, illness, and depression. To view other photographs by Dupont, click on the category “Photographer: Dupont”.

Published in: on September 18, 2013 at 12:01 am  Leave a Comment  
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