OCTAVIA KENMORE :BRITISH THEATER ACTRESS: SHAKESPEARE : BROADWAY : CLAUDE HARRIS

This vintage real photo postcard features British actress, Miss Octavia Kenmore. Kenmore was an actress who performed in many productions of Shakespeare’s and Ibsen’s plays. She also was a Broadway actress. She was in eight Broadway shows from 1921 through 1947. Her appearances included a role in Hedda Gabler. Kenmore received many fine reviews in her long theatrical career. In a review of her London debut performance, one critic was not totally impressed. He states that she had a pleasing voice, intelligent and pretty features, and a good presence. He continues with the comment that she should have had more experience before taking on the difficult role in W. S. Gilbert’s fairy comedy, “The Palace of Truth” (1888). The critic’s final assessment of Miss Kenmore was biting. He declared that “Her performance was emphatically one of promise, not of fulfillment.” This vintage portrait postcard is unique in that the reverse of the postcard has a message from Kenmore. She has also signed the postcard. Her signature has not been authenticated. The photograph of Miss Kenmore seen on this card, was taken by Claude Harris (1883-1961). He has 61 photographs in the collection of the National Portrait Gallery. His studio was located in London. He fought in the Boer War and World War I.  He produced and directed a film “The Sanctuary” (1916). He photographed many celebrated theater celebrities. Harris was considered a master of lighting.

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GERALDINE FARRAR : PRETTY AMERICAN OPERA SINGER AND SILENT FILM STAR

This vintage real photo postcard features Geraldine Farrar (February 28, 1882 – March 11, 1967). She was an American soprano opera singer and film actress. She was one of the most popular singers of the early 20th century and she appeared in several silent films as well as on stage. She was also a successful recording artist and a leading figure in the world of opera. She was known for her beauty, as well as her powerful and expressive voice. She was also known for her striking stage presence and her ability to convey emotion through her singing. Farrar had a particularly successful career at the Metropolitan Opera in New York City, where she performed for many years. She also performed in many other major opera houses around the world including La Scala (Milan), The Royal Opera House (London), and the Opera-Comique (Paris). Geraldine Farrar was born in Melrose, Massachusetts, in 1882. She began her career as a singer in vaudeville and later studied voice in Paris. In 1902, she made her debut at the Metropolitan Opera in New York City, where she quickly became one of the most popular singers of her time. Farrar retired from the opera stage in 1922 and settled in New York City. She continued to perform in concerts and recitals for several more years. She also appeared in a few films, including a silent film version of Carmen, in which she played the title role. This postcard photo of Geraldine Farrar was taken by Julius Cornelius Schaarwachter (1847-1904). The photographer has five portraits in Britain’s National Portrait Gallery. Farrar is dressed in costume for her performance in the opera “Faust”, by composer, Charles Gounod. This vintage postcard is in very good condition (see scans).

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DEBORAH VOLAR : IN MERVEILLEUSES : THE MARVELLOUS WOMEN : RPPC

This vintage real photo postcard features singer and actress, Deborah Volar. Navy and Army magazine (1905) has an article about the performer in which she is described as a young “prima dona” (she was 21). The article reports that Volar was appearing at the Apollo Theater, and that she had made her debut two years earlier in “The Country Girl” at the Daly Theater. This postcard photo shows Volar in costume for her role in “The Merveilleuses”. The title can be translated as “The Marvellous Women”. Historically, these women lived at the end of the 18th century and were known for their outrageous style of fashion and behavior. Their fashion style was neo-classical and naked legs and toes challenged the mores of the day. These women were expressing their freedom through fashion.  “The Merveilleuses” was a musical play that can be categorized as a love story. Twelve photographs of Deborah Volar can be found in Great Britain’s National Portrait Gallery. This vintage postcard was published by Rotary Photo as part of a series (No.1730G). The card was printed in England and is in fair condition (see scans).

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IRIS HOEY : STAGE AND FILM ACTRESS : ROTARY PHOTO : RPPC : (1907)

The pretty actress seen on this vintage real photo postcard is Iris Hoey (1885-1979). She has a beautiful smile. Hoey was a British actress who performed in the first half of the twentieth century. She appeared in both stage and movie roles. Iris was born in London. Her father was a professor of economics. She began her career in straight theater and in musical comedies. Her first film appearance was in 1922. She was very active in the 1930’s working in film but still found time for theater. Th IMDb credits her with 20 acting roles in films. They range from 1922 to 1954. The IBDb reports that Hoey performed in two Broadway shows. Twelve portraits of Iris Hoey are part of the collection of Great Britain’s National Portrait Gallery. Hoey is considered to be among the prettiest actresses of her era. This postcard was published by Rotary Photo and is part of a series (no.2010 J).  (SOLD)

MADGE SAUNDERS : ENGLISH STAGE AND FILM ACTRESS : REAL PHOTO POSTCARD

This vintage real photo postcard features theater actress and singer, Madge Saunders (1894-1967). She was born in South Africa. She was married twice, both times to actors. She appeared in two film (1918, 1930). There are 47 portraits of Saunders in England’s National Portrait Gallery. This photo portrait of Miss Saunders is one of the images in the gallery’s collection. This photograph was published by J. Beagles & Co. as part of a series (no.253A). Saunders was photographed by a celebrated female photographer, Rita Martin. This portrait postcard is in very good condition (see scans).

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MISS RUTH LYTTON : ENGLISH STAGE AND MUSIC HALL ACTRESS

This vintage real photo postcard features pretty actress, Miss Ruth Lytton (1875-1939). She sat for two portraits in England’s National Portrait Gallery’s collection. Lytton was an English born stage and music hall actress. She was active in the early 1900’s. Lytton was the daughter of a goldsmith/jewelrer. She was married twice, first to a well known comedian (George Henry Bastow), and second, to a salesman. This postcard was published by Empire Series, Pictorial Postcard Company Ltd, London, England. The card is part of a series (no.1029). This divided back vintage postcard is color tinted and is in very good condition (see scans).

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KARINA AND HER DOG : PREMIERE BALLET DANCER AT THE ROYAL OPERA HOUSE : LONDON

Karina. She was celebrity enough to use only her first name. More modern performers who are recognized by just one name include Elvis, Madonna, and Adele. Who was Karina? As the caption on the postcard asserts, Karina was the premiere dancer at the Royal Opera House and the founder of Madame Karina’s Royal School of Dancing. The school was under the patronage of Queen Alexandra (of Denmark). The Queen was a staunch supporter of the opera ballet from 1913 through the 1920’s.  Karina was Danish and active in the 1910’s and 1920’s. Two portraits of Karina can be found in Great Britain’s National Portrait Gallery. The photograph seen on this postcard was taken by the esteemed studio of Elliott & Fry. This Victorian photographic studio and photographic film manufacturer was founded in 1863 by Joseph John Elliott and Clarence Edmund Fry. For an entire century the studio took and published images of leading Victorian luminaries from the fields of science, public service, art, politics, as well as celebrities of the day. This vintage real photo postcard has some corner and edge wear and is in overall very good condition (see scans).

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MURIEL FOSTER : ENGLISH OPERA SINGER : PORTRAIT BY ERNEST WALTER HISTED

This vintage real photo postcard features English contralto, Muriel Foster (1877-1937). Foster and her twin sister, Hilda, were trained at the Royal College of Music in London. In 1896, he made her debut in the production of “King Saul”. In 1899, the sisters performed in a series of duets. In 1900, Hilda retired after getting married. Muriel, who had the command of several languages, continued her singing and had a very successful international opera career. Muriel was photographed for this portrait by Ernest Walter Histed (1862-1947). Histed was born in England but achieved his success as a photographer in Chicago, and later, in Pittsburgh. He then returned to England and opened a photography studio there. His subjects there included Clara Butt (Opera Star) Pope Pius X, and the Empress of Germany. Histed returned to the US and opened a studio on Fifth Avenue in New York City. He later moved to Palm Beach, Florida and continued his profession until 1934. The Museum of the City of New York has a large collection of his work. The National Portrait Gallery (England) has 32 of his photographs in their collection. This postcard was published by London’s J. Beagles & Co. as part of a series (No. G386).The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued as J. Beagles & Co. until it closed in 1939. SOLD

MISS ELIZABETH FIRTH : SINGER, ACTRESS, AND PHILANTHROPIST (1908)

This vintage real photo postcard features soprano, actress, and philanthropist, Elizabeth Firth (1880-1960). Although she was born in Phillipsburg, New Jersey, she became an accomplished singer and actress on the English stage. When she lived in Phillipsburg, she was known as “Jimmy” Firth. The nickname, Jimmy, came courtesy of her beloved father. She went by this moniker with her most intimate friends as well as among those in her theatre world. “Jimmy” graduated from high school in New Jersey and sang as a soprano soloist in the choir of her church. She then entered the New York Conservatory of Music. At a concert at New York City’s Waldorf-Astoria, she came to the attention of a leading London musical directress. Miss Firth then appeared in a few theatrical productions, including a small part in a play starring Viola Allen. In 1903 she accepted an offer to do an English concert tour. Before she could return to the United States, she was signed to a three year contract to act and sing on the English stage. She experienced a great deal of success in Gaiety theatre productions. Among her major roles was her appearance as Natalie, in the “Merry Widow”. The production was in 1907 at the Daly Theatre. Other actors in the play included Lily Elsie and Gabrielle Ray. Five portraits of the actress can be found in England’s National Portrait Gallery. She was known as a beautiful woman. One writer described her as “tall and slender” and that she had a “clear blond complexion along with blue eyes”. She was also considered one of the best dressed women in London. While in England, the actress visited her parents in the US annually and also engaged in theatrical tours there. “Jimmy” was a charitable woman and she established the “Elizabeth Firth Wade Foundation Endowment Fund”. Among the groups work was the building a a Youth Center in Phillipsburg. The foundation is still operating. Firth was married to a widower from Cleveland, Ohio. They wed in New York City in 1931. Miss Firth’s photo portrait was taken by the Foulsham & Banfield studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio from the 1900’s through the 1920’s.. The postcard was published by Rotary Photo as part of a series (no.4829 B). This postcard was postmarked in 1908 and is in very good condition (see scans). (SOLD)

CLARA JECKS : PRETTY AND TALENTED ENGLISH MUSICAL COMEDY ACTRESS

The pretty woman seen in this vintage photograph is English musical comedy actress, Clara Jecks (1854-1951). She was born in London, England. Her father was an actor and theatrical manager (Adelphi Theatre). Her mother was a popular actress. It is unsurprising that Clara began her stage career when she was a baby. She first appeared on the stage as a toddler. Growing up, she received the music, dance, and voice training needed to prepare her for a performing career. Her London stage debut was in 1873, at about the age of nineteen. Clara’s specialty was playing soubrettes (lively flirtatious roles) and boy roles. In fact, she once said, “I am never so really happy as when acting as a lad”. Clara was mentored by talented actress, Miss Nellie Farren. There is a portrait of Clara in Great Britain’s National Portrait Gallery. In fact, the portrait is identical to the photograph seen above. The NPG reports that this image appeared in “The Theatre” magazine in 1892. She was photographed, for this image, playing her role in “Richard II”, written by William Shakespeare. The photographer of the photo was Alfred Ellis (1854-1930). Ellis was an active photographer between 1884 and 1899. He operated a studio on Upper Baker Street in London. He specialized in theatrical photography and sometimes photographed whole scenes inside his studio. He later went to theaters to photograph performers and play scenes. Now, back to Clara’s career. In 1878, she and her mother toured together with the Comedy Opera Company. A few of Clara’s notable performances were in “Formosa” (1877), “The Black Domino” (1893), Cinderella (1893), and “A Merry Madcap” (1896). Her final London performance was in “The Critic” (1911). In an interview appearing in “The Sketch” (1893), Clara was asked the reason why she never toured America. She answered that she received many good offers to appear there, but preferred to perform in London, “Where I am at home with my audiences”. She then added, as if to change the subject, the following observation. She asserted, “You should see what funny letters I sometimes get from little boys in front, who can hardly believe I’m not one of themselves”. During her career, she appeared in over two hundred opera, drama, and pantomime roles. This image features Clara holding a wine pitcher in one hand, and a wine cup in the other. This photograph measures about 4″ x 5″, has excellent clarity, and is in excellent condition.

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