This uncommon vintage real photo postcard features American theater actress, Grace Elliston (c1881-1950). Her original name was “Grace Rutter” and that is the name used in the caption seen on this postcard. Elliston was a noted Broadway actress. The IBDb reveals that she appeared in 22 Broadway shows between 1899 and 1922. Her plays included “The Ambassador” (1900), “Her Husband’s Wife” (1910), “The Country Cousin” (1917) ” and a number of productions of Shakespeare. Elliston appeared with many noted performers including Julia Marlowe, Ethel Barrymore, William Farnum, and Viola Allen. She appeared in one silent film, “Black Fear” (1915). Elliston was a native of Memphis, Tennessee and came to New York as a young woman and went to work as a chorus girl. A successful Broadway career followed. This postcard was published by Rapid Photo as part of a series (no.1084). The card was printed in London. This vintage photo portrait postcard is in good condition (see scans).
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This vintage real photo postcard features German film actress, Christa Tordy (1904-1945). She was the cousin of silent film star Mady Christians. In fact, she was “discovered” while visiting her cousin who was working on a film at the time. Tordy was a leading star in German film but she abruptly ended her screen career after marrying celebrated actor, Harry Liedtke. He was twenty years her senior. Tordy and her husband were murdered at their home by the Russian Red Army during its invasion of Germany in World War II. Tordy must have been a very bright woman based on her educational resume. She graduated high school at seventeen and then moved on to college in Berlin and Munich where she studied art history, archaeology, philosophy and literature. When she completed her academic studies, she was awarded a doctorate. While in school she also took part in student theater. Tordy’s film debut was in 1926. The IMDb reports that she had eight film appearances between 1926 and 1928. Her final film was “Love on Skis” and she costarred in the film with her husband. Tordy and Liedtke met a tragic end at the hands of the Red Army. Liedtke was clubbed to death trying to defend his wife from violence and rape. Before their murder, the pair had attempted suicide. This card was published by Ross Verlag as part of a series (No.1947/1). Tordy’s photograph was taken by Rembrandt. This portrait postcard is in good condition.
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This postcard is a vintage real photo card featuring stunning French actress, Martine Carol (1920-1967). She was France’s major sex symbol of the early 1950’s. “Sex Symbol” is an awful term, but it certainly was spoken without much controversy when this postcard was published. Her popularity was short term. She was succeeded by another beautiful French actress, Brigitte Bardot. Little is known about Carol’s childhood. A random encounter with French film and stage actor, Andre Luguet, led her to seek a career in the theatre. She made her stage debut in 1940. Her first film role was in Wolf Farm (1943) and although she was a photogenic beauty and was at ease in front of the camera; her acting ability was limited. Throughout the 1940’s Martine acted in supporting roles and became a popular pin-up. She also appeared in stage roles. Martine was often considered the French version of American actress, Marilyn Monroe. After an affair with married actor Georges Marechal ended poorly, Martine attempted suicide by overdosing on alcohol and drugs, and jumping into the Seine River. The taxi cab driver that took her to the river, rescued her. The unhappy business of her suicide attempt resulted in renewed fan interest in the actress. In 1950, she had her first major film success in “Caroline Cherie”. At least part of her success was attributed to her semi-nude scenes and displays of “seductive sexuality”. She continued to appear in several films that IMDb refers to as “costumed teasers”. Her last popular role was starring in “Lola Montes” (1955). Later roles failed to peak moviegoers interests and Martine became depressed. A severe accident, and substance abuse in the 1960’s, sabotaged her career. At age 46, Martine died of cardiac arrest in the bathroom of a Monaco hotel. News accounts suggested that she died of a drug overdose but the story was never confirmed. Martine was married and divorced three times and left her fourth husband a widower. Her longest marriage was just short of five years duration. An interesting side note is that she was once kidnapped by French gangster, Pierre Loutrel (AKA Crazy Pete). The kidnapping was brief, and the kidnapper sent her roses the next day as a gesture of apology. Martine Carol’s filmography, according to IMDb, includes 50 film credits between 1941 and 1967. The photographer of this portrait photo is Sam Levin (1904-1992). He was born in the Ukraine but emigrated to France when he was two years of age. He is famous for his stage photographs and his portraits of movie stars. His studio was in Paris. Levin was a film photographer for 75 films. He was arrested by the Nazis during World War II and was sent to a camp. His crime was, being Jewish. The fact that he was sent to a detention camp rather than a death camp, indicates there was a high ranking Nazi official acting as his guardian angel. He photographed nearly all the major French and European movie stars of the 1950’s and 1960’s. He is particularly celebrated for his photos of Brigitte Bardot. Levin did over 180 magazine covers in the United States. This postcard was published by the Globe Edition (Paris) and is part of a series (no. 132). The card is in good condition (see scans). SOLD
This uncommon vintage real photo postcard features actress, Laura Russell. Very little biographical information about Miss Russell could be found during my preliminary research. I was able to find her image on three different tobacco cards. The Metropolitan Museum of Art has at least two of them in their collection. This is an undivided back postcard. It was likely published between 1901 and 1908. The card was published by Neue Photographische Gesellschaft AG,(Berlin) as part of a series (No.A 14). This portrait postcard is in very good condition (see scans).
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“The Illustrated Sporting and Dramatic News (1903) has a short article about Miss Fyfe Alexander. The magazines theater critic writes about her after seeing her perform in J M Barrie’s comedy “Little Mary”. The writer describes Alexander as “a pretty and charming young actress” and “she has the good qualities that go towards the making of a good actress, and is likely to take a prominent place in her profession”. She was not yet twenty years old at the time of this review. The article also reveals that Alexander was from a theatrical family and that she made her stage debut in 1901. The message on this postcard is interesting. The writer states that “Oh! How the tears did come” when she read a book entitled “The Blunders of a Bashful Man” (1881). This postcard was published by Rapid Photo and Miss Alexander’s photo was taken by female photographer, Lizzie Caswall Smith. The card was postmarked in 1906. (SOLD)
This vintage real photo postcard features British actress, Miss Octavia Kenmore. Kenmore was an actress who performed in many productions of Shakespeare’s and Ibsen’s plays. She also was a Broadway actress. She was in eight Broadway shows from 1921 through 1947. Her appearances included a role in Hedda Gabler. Kenmore received many fine reviews in her long theatrical career. In a review of her London debut performance, one critic was not totally impressed. He states that she had a pleasing voice, intelligent and pretty features, and a good presence. He continues with the comment that she should have had more experience before taking on the difficult role in W. S. Gilbert’s fairy comedy, “The Palace of Truth” (1888). The critic’s final assessment of Miss Kenmore was biting. He declared that “Her performance was emphatically one of promise, not of fulfillment.” This vintage portrait postcard is unique in that the reverse of the postcard has a message from Kenmore. She has also signed the postcard. Her signature has not been authenticated. The photograph of Miss Kenmore seen on this card, was taken by Claude Harris (1883-1961). He has 61 photographs in the collection of the National Portrait Gallery. His studio was located in London. He fought in the Boer War and World War I. He produced and directed a film “The Sanctuary” (1916). He photographed many celebrated theater celebrities. Harris was considered a master of lighting.
This vintage real photo postcard features American silent and sound film actress, Lois Wilson (1894-1988). She also directed two films and performed on the stage. She appeared on Broadway three times between 1937 and 1968. Her 1968 appearance was in “I Never Sang For My Father”. She was born in Pittsburgh, Pennsylvania but she and her family moved to Alabama when she was quite young. She graduated from Alabama Normal College and became a school teacher before venturing out to pursue a film career. In 1915, after winning the equivalant of the Miss Alabama beauty contest, she headed for Hollywood. She was quickly hired by Victor Film Company for a number of small roles. In 1916, she worked in a minor film role for female director Lois Weber. Weber took an interest in Wilson and began preparing her for future stardom. Wilson appeared in a number of films for various studios until she was signed by Paramount in 1919. She remained with the company until 1927. She was a WAMPAS Baby Star of 1922. WAMPAS Baby Stars were projected to become future major Hollywood stars. The IMDb credits Wilson with 159 screen appearances between 1915 and 1963. Her most noted roles were in “The Covered Wagon” (1923) and “The Great Gatsby (1926). She played opposite major leading men including Rudolph Valentino, John Gilbert and Ronald Reagon. She made a successful transition to sound movies. However, she became disappointed with many of the roles she played in the 1930’s, and retired in 1941. Wilson also performed on television and played roles in soap operas such as “The Guiding Light”, “The Secret Storm”, and the “Edge of Night”. Lois Wilson never married. This vintage postcard was published by Cinemagazine (Paris) as part of a series (No.237). The card is in good condition (see scans).
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Lillian Russell (1860-1922) is pictured in this vintage lithographic postcard by famed New York celebrity photographer, B. J. Falk. Lillian Russell is captured in costume. Russell was a very famous American actress and singer who was known for her beauty, style, voice and stage presence. Her theater career began with roles in comic operas including the work of Gilbert and Sullivan. She married composer Edward Solomon in 1884 and two years later, he was arrested for bigamy. She performed in New York and elsewhere in starring roles in comic opera and musical theatre. In 1904 she switched to dramatic roles due to voice problems. She later also appeared in vaudeville. She retired from the stage in 1919. She later wrote newspaper columns, advocated for women suffrage, and was a popular lecturer. She married four times and her longest marriage was to Diamond Jim Brady who supported her extravagant lifestyle for four decades. It is interesting to note that the New York Times (4/2/1886) reported that during the performance of “Pepita”, an opera by her husband, Edward Solomon; there were obvious signs of marital discord observed on stage. The newspaper blamed issues revolving around Russell’s interfering mother, as well as, issues pertaining to Russell’s sudden prosperity. The newspaper article correctly predicted that there would soon be a divorce. This postcard portrait was published by Bamforth & Company, headquartered in both England and New York. SOLD
A young girl, buttoned up in her fur trimmed winter jacket, poses with her sled in front of a painted winter scene. She is wearing a cute cap with a tassel and is pulling her sled by a rope. The photographer of this image is S. J. Dixon. Dixon’s Electric Light Photo Gallery was located in Toronto, Canada. The studio was established in 1872. Dixon was very involved in the Photographic Association of Canada, holding a number of offices on the executive committee. He became the organization’s President in 1889. Dixon was a noted athlete and acrobat. The Photographic Times (1891) reported that he walked a three quarter-inch wire stretched across the Whirlpool Rapids at Niagara. “The cable was from 300 to 400 feet above the torrent, and stretched about 400 feet in length”. He completed the “perilous journey” in about 17 minutes. During his tight rope walk, he performed various antics, including lying at full length across the wire. Not surprisingly, Mr. Dixon insured that his feat would be recorded for posterity. J. C. Hemment, a well known instantaneous photographer, photographed Dixon during his mid-air walk.
Real photo postcard #1 features Anglo-German actress and singer, Lillian Harvey (1906-1968). Her acting base was in Germany. Harvey was born in Hornsey, England to an English mother and a German father. During World War I her family was “trapped” in Magdeburg, Germany and Harvey was sent to live with her Swiss aunt. After the war she finished school in Berlin and than studied voice and dance at the Berlin State Opera. In 1924 she earned a role as a revue dancer in Vienna. This was followed by her first movie role which was in an Austrian film named “The Curse”. Thereafter, she starred in multiple silent films. Her first leading role was in “The Passion” (1925). Because of her voice training, Harvey was able to make the transition into “talkies”. She and actor Willy Fritsch became the “dream couple” of German movies. The pair acted together in eleven movies. In the 1930’s Harvey’s films appeared in both German and English and she became popular outside of Germany. She went to Hollywood and made four movies for the Fox Film Corporation (this postcard is from that period). In 1935, Harvey returned to Germany. She appeared in several more films and soon she was under the watchful eye of the Gestapo. Harvey had many Jewish friends in the film industry and she was supportive of them. By 1939, Miss Harvey was forced to leave Germany, leaving behind valuable real estate holdings. She went to France where, in 1940, she made two movies for director Jean Boyer. In 1943 she was stripped of her German citizenship because she had performed for French troops. When southern France was occupied by the Nazis in 1942, she emigrated to the United States. During the war she did some theatre acting and also worked as a homeside volunteer nurse. After the war, Harvey relocated to Paris. She went on a world tour as a singer and in 1949 made appearances in West Germany. She spent her retirement on the French Riviera (Antibes) where she had a souvenir shop and raised snails for escargot. Harvey was married one time. Her four year marriage to theater director Hartvig Valeur-Larsen ended in divorce. Eventually she settled down with her female partner Else Pitty Wirth (1907-2007). Interestingly, the two women are buried together in Antibes. The imdb gives Harvey 54 acting credits between 1925 and 1940. Interestingly, Lillian Harvey’s name is mentioned in Quentin Tarantino’s film “Inglorious Bastards” (2009). One of her songs is played on a phonograph and in addition one of the characters in the film mentions liking Harvey’s performance in a film and Joseph Goebbels becomes angry and insists her name never be mentioned in his presence. Click on the link below to hear the Lillian Harvey/Willy Fritsch duet used in the Tarantino movie. The 1936 song is titled “Ich Wollt Ich War Ein Huhn” (I Wish I Was A Chicken). Now would be a good time to discuss this postcard portrait of Miss Harvey. She is looking quite decorated in this photograph. She is wearing a garland of leaves in her hair, a very ornate necklace, a number of large bracelets, two giant rings, and a jeweled clasp on her dress near her cleavage. Note her very notable eye lashes. She is wearing a somewhat provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. The postcard was published by the German firm Ross Verlag and was part of a series (no. 8679/1). The postcard credits Fox films. SOLD
The second postcard (postcard 2) features Miss Harvey in a risque costume. She is showing a “lot of leg” which is quite provocative for her time. It is likely that this image captures her in one of her film roles. The postcard was published by Argenta, which was located in Munich, Bavaria. SOLD
The third postcard (postcard 3) presents Miss Harvey is a sexy pose. Note her dark gloves and large hoop earrings. The postcard was published by Ross Verlag and is part of a series (no. 4288/1). Note the advertising logo for the German film company UFA, located on the bottom right hand corner of the image.
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The fourth postcard (postcard 4) showcases Lillian Harvey’s beautiful smile. Miss Harvey’s not quite plunging neckline was clearly aimed to add a bit of a risque element to the photograph. This postcard was published by Ross Verlag (Berlin) and is part of a series (no. 1019/2). This portrait was taken by the talented photographer, Alex Binder. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937.
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The fifth real photo postcard (postcard 5) features Miss Harvey wearing a bathing suit and sitting in a beach chair. Her shoes and stockings don’t seem very appropriate for the beach so it is a good thing that she is actually in a photographer’s studio and sitting in front of a beach backdrop. Obviously, the mission of the photographer was not to convince viewers that Miss Harvey was at the beach. The intent of photographer Alexander Binder was to present Lilian Harvey in a provocative and sexy pose. Mr. Binder certainly succeeded in accomplishing his goal. This photo postcard was published by Ross Verlag. (SOLD)
Postcard #6 features a hand colored portrait of Miss Harvey published by Ross Verlag. The postcard is part of a series (no. 3543/4). She looks fantastic wearing her print dress and plaid long scarf. I’m not convinced the dress and scarf are matching, but her beauty overcomes any mismatch. As in Postcard #3, the logo for the German film company UFA, can be seen on the lower right hand corner of the image. This photo postcard is from the 1930’s and is in very good condition (see scans).
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Postcard #7 features Lillian Harvey leaning forward as she looks into a hanging bird cage. The photographer likely chose this pose to inject some sexuality into the image. The pose reveals a small amount of the actress’s cleavage. She is wearing a relatively low-cut dress for this time period. Print on the reverse of the postcard reveals that the photograph of Miss Harvey comes from the film “Congress Dances” (1931). Her costar in the film was Willy Fritsch. The postcard was published by Ross Verlag and is part of a series (no. 6738/1). On the right hand bottom corner of the postcard is the logo for “UFA”, a German film company. This postcard is in excellent condition.
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Postcard 8 was photographed by Alexander Binder and published by Ross Verlag as part of a series (no.1019/4). Ballerini & Fratini (Florence, Italy) are credited on the reverse of this postcard. (SOLD)
Postcard 9 offers a pretty portrait of Lilian Harvey that was published by Ross Verlag as part of a series (no.5016/2). Note the logo for UFA, the German film company, in the bottom right hand corner of the image. This vintage postcard is in very good conditon (see scans).
Postcard 10 is meant to be risque. Harvey is wearing a provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. This card has the logo of Fox Films. She made four films for the company beginning 1931. Lillian Harvey was a popular postcard model and there are many postcard images of her in existence. However, this particular card is very uncommon and one of the more suggestive photographs of Miss Harvey published on a postcard. This postcard portrait was published by Ross Verlag (Germany) as part of a series (No.8000/1). SOLD
Postcard 11 was published by the German firm Ross Verlag and was part of a series (no. 1393/4). Eichberg Films is credited on the bottom right hand corner of the image. The company was located in Germany. Richard Eichberg was a moderately successful actor who became a director/producr in 1915. (SOLD)
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This postcard features a portrait of American film actress, Colleen Moore (1899-1988). She began her career in the silent film era. She was a fashionista and one of the highest paid stars of her time. She is also noted for popularizing the “dutchboy bobbed haircut”. Like many silent film stars, she was unable to adapt to “talkies” and decided to retire after just making a few sound films. Upon retirement, Moore focused on investing, and was quite talented in that realm. She became a partner at Merrill Lynch and wrote a book about how to invest in the stock market. One of her hobbies involved dollhouses. In the early 1950’s, she helped design and curate “The Colleen Moore Dollhouse” which is still exhibited at the Museum of Science and Industry, in Chicago, Illinois. The dollhouse is 9 square feet and worth millions of dollars and has been seen by millions of museum goers. Moore was born in Michigan and her family relocated to Atlanta around 1908.They then moved on to Pennsylvania and finally, Tampa, Florida. At fifteen years of age, Moore had a screen test with director D. W. Griffith. Griffith owed a debt to Moore’s uncle, a successful newspaper man in Chicago. Moore must have done well on the screen test since she soon found herself playing heroines in Westerns. She signed a contract with Triangle-Fine Arts and for the first few years she appeared in minor supporting roles. When the Triangle Company folded she signed with Selig Polyscope. She appeared in “A Hoosier Romance” and “Little Orphant Annie”. They were popular films and Moore achieved some celebrity. When Selig closed their doors, Moore went to work on films from various companies. Her star kept rising. In 1922, Moore was named a WAMPAS Baby Star (honor for actresses on the threshold of fame). The IMDb credits Moore with 65 film appearances between 1918 and 1934. At the height of her career, she was earning over twelve thousand dollars a week. This vintage portrait postcard features Colleen Moore with her trademark dutch boy bobbed haircut. The card was published by Ross Verlag. Note the logo for First National Pictures in the lower right hand corner of the image. The card has a 1926 postmark. Moore was about 27 years old when the photograph was taken. SOLD
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