Evelyn Holt (3 October 1908 – 22 February 2001) was a German actress. Her father was a journalist. Her film career began with UFA, a German film company. It did not take long for her to become a film star. She was popular in the 1920’s and early 1930’s. Holt was blond and blue eyed. In 1931 she became a soubrette at the Grosses Schauspielhaus (a popular theatre) in Berlin. Her film career came to an abrupt end when the Nazis’ took power. It was alleged that Holt was half Jewish, and she was banned from films. The ban was based on her being born with a Jewish sounding last name. Holt married Jewish publisher Felix Guggenheim (1904-1976) in 1936. Two years later the couple emigrated to Switzerland, then England, then the United States. She remained in the U.S. and never returned to acting.
Postcard 1 reveals that Evelyn Holt was quite pretty. She looks very confident in this image. Her dress is shiny. Is it silk? This postcard was published by Ross Verlag, a firm located in Berlin. The card was part of a series (no.6509/2). The photographer of this portrait is Walther Jaeger and the photograph was taken in Berlin, Germany. (SOLD)
Postcard 2 was published by Iris Verlag. Iris Verlag in Vienna was the most important Austrian publisher of film star postcards. The logo for “Lux Film” can be seen in the lower left hand corner of the image. The company was an Italian Film distribution and production company. This card is part of a series (no.946). (SOLD)
Postcard 3 was published by Ross Verlag, a firm located in Berlin. The card was part of a series (no.3553/1). The photographer of this portrait is Ernst Schneider and the photograph was taken in Berlin, Germany. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s). He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography, and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. The card was postmarked in 1928 in the city of Riga, Latvia. (SOLD)
This vintage real photo postcard (Postcard 1) features pretty German film actress, Erna Morena (1885-1962). In addition to being a performer, she was also a film producer and screen writer during the silent era. The IMDb reports that Morena appeared in 122 films between 1913 and 1951. Morena grew up in a middle-class family in Bavaria. At age 17, she attended applied art school in Munich. In 1909, after a short stint in Paris, she moved to Berlin where she worked as a nurse. She became a student at the German Theater’s drama school and in 1910 was hired as an actress by Max Reinhardt, Austrian-born theater and film director. She played a number of small theater roles and in 1913, Morena made her film debut in “The Sphinx”, produced by Leteraria Film. She was a “big time” actress. She worked under many well known directors and with some of the most well known actors in German film. Morena made a bid to become a film producer and formed her own film company which produced films in 1918 and in 1920. By the mid 1920’s, she was considered one of the biggest stars in German films. With the advent of talkies, her career declined. However, she did appear in supporting roles during the 1930’s. Between 1915 and 1921, Morena was married to the German writer, Wilhelm Herzog. He was a historian of literature and culture, a dramatist, the author of an encyclopedia, and a well known pacifist. Their marriage ended in divorce. Morena appeared in the 1940 film “Jud SuB”. The movie was a Nazi Germany historical drama propaganda film. The film was produced on the order of Joseph Goebbels, the Nazi politician and trusted aide to Adolph Hitler. The movie is considered one of the most anti-semitic films of all time. Postcard 1 was published by Ross Verlag and is part of a series (no.1752/1). The company was located in Berlin, Germany. Morena was photographed by the German photographer, Ernst Schneider. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. This postcard, a former resident of a postcard album, is in very good condition (see scans below).
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Postcard 2POSTCARD 2 (CLOSE-UP)
Postcard 2 also features the lovely Miss Morena. This postcard was published by Photochemie, located in Berlin, Germany. The card is part of a series (no.k149). Photochemie published postcards of only German film stars or European performers performing in German films. The postcards were published between 1914 and 1919. The firm also produced postcards of other subjects. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company. This postcard has a Hamburg, Germany postmark and is dated 1918. The postcard is in very good condition (see scans)
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3253
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This vintage real photo postcard is one of the more risque Ross Verlag postcards in the Cabinet Card Gallery. The postcard is of German origin and is part of a series (no. 1581/1). It was published between 1927 and 1928. Preliminary research found little information about Inez Van Bree. A defunct University of Toronto website labels Miss Bree as a silent movie siren/star. The photographer of this portrait appears to be Ernst Schneider and the photograph was taken in Berlin, Germany. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. SOLD
POSTCARD 1
POSTCARD 1 (CLOSE-UP)
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