This carte de visite photograph features two adorable sisters sitting on a studio bench in Nerac, France. The two girls are wearing identical dresses, both accessorized with lace. The children are also wearing hair bows. Interestingly, one child is wearing the bow on the left side of her head while the second child’s bow is on the right side of her head. I suppose this was the work of the photographer who was intent on creating symmetry in this image. Take note of the ornate carvings on the legs of the bench. This photograph was taken at the Tuja studio. As stated earlier, the studio was located in Nerac, France. Nerac is located in southwestern France. This carte de visite photograph is in excellent condition (see scans).
Buy this Carte de Visite Photograph (includes shipping within the US) #3211
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37.50 $
Buy this Carte de Visite Photograph (includes International shipping outside the US) #3211
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46.00 $
This carte de visite photo is special because it is an occupational photograph. Many vintage image collectors search for and value occupational photographs. This CDV features a man at work but what is his occupation? It is clear that a clamp vice is one of the tools that he utilizes. There are strips of some material on the table in front of the vice. Are they strips made from medal? The worker appears to be wearing a uniform. I wish I knew his story? The photographer of this image is named Vaino Anshelm Rautell. As a photographer, he went by the name of VA Rautell. He was born in Lahti, Finland in 1875, and died there in 1942. Rautel studied art (painting) in Helsinki during the early 1890’s. He worked as a photographer in Lahti from about 1895 through 1927. In 1918, he photographed events of the Finnish civil war in Lahti. Teresia Dahlbom, his wife (m.1905) , worked with him in his studio. The couple divorced in 1927 and it appears they both ended their photography careers that same year. The pair had two children. At least one of Rautell’s photographs can be found in the collection of the Finnish Museum of Photography in Helsinki. This carte de visite photograph is in very good condition (see scans)
This carte de visite photograph features a lovely little girl wearing unusual attire. I would guess that her dress is indicative of a specific ethnic group. I do not know what ethnicity that might be. The detailed stitching on her dress is pretty. Note the striped accessory (scarf?) on the side of her dress, as well as her feathered headband. Her ringlet curls are adorable. This cdv was taken at the R. A. Lord studio in New York City. He operated his studio in the 1860’s. He photographed civil war soldiers and civil war era citizens during the conflict. A couple of his photographs are in the collection of California’s J. Paul Getty Museum. This vintage image is over 150 years old and is in very good condition (see scans).
This carte de visite photograph features an impeccably dressed adolescent boy. He is decked out in a three piece suit and has a pocket watch, walking stick, and long coat. This fashionista fellow looks like he walked off the pages of “Gentleman’s Quarterly”. The photographer of this exceptional CDV is Heinrich E. Herkner. He operated a studio in the city of Gablonz, which is the German name for a city located in present day Czechoslovakia. The city is now named Jablonec. SOLD
 This fantastic carte de visite features an adorable little boy and his toy teddy bear. The toy bear is on a string leash and on four wheels for easy walking. The child’s outfit, including his matching socks, are very stylish. The photograph was taken at the studio of Adolf Bruns in Hamburg, Germany. This larger than usual cdv measures about 2 1/4″ x 4 1/2″ and is in excellent condition.
This carte de visite portrait features a well-dressed and distinguished looking gentleman posing for his portrait at the Crosby studio in Lewiston, Maine. He has piercing eyes and a wiry beard and mustache. The photographer of this image is A B Crosby (1836-1879). Crosby worked alone during his career but he was also involved in two partnerships. He had a brief partnership with George W Barnes in Topsham, Maine. He also was in business in Lewiston with C W Curtis. Both of these business relationships occurred in the 1870’s. The earliest record I could find of Crosby working as a photographer was in an 1864 Lewiston business directory. Crosby’s life was cut short when he succumbed to brain disease at the age of 43. He was married at the time of his death. I have seen a number of Crosby’s photographs and it is clear that he was a talented lensman. The carte de visite’s bottom is trimmed. The portrait has excellent clarity and is in very good condition (see scans).
