This vintage real photo postcard features a portrait of a finely dressed pretty young woman. This beautiful postcard was published in 1903 by Raphael Tuck (Paris) as part of a six card series (Serie 138) entitled “Artistes Americaines”. I have seen three other postcards from the series, and this one, in my opinion, is the nicest. Note the Tuck logo at the bottom left hand corner of the image. This photograph was taken by New York City celebrity photographer Jacob Schloss. SOLD
This vintage real photo postcard features American stage and film actress, Mayo Methot (1904-1951). Until encountering this postcard, I had never heard of Miss Methot. However, a Hollywood historian would easily recognize her name. The exact reason for her name recognition will become apparent in just a bit. Methot’s acting career spanned between 1909 and 1940. She was married three times and divorced three times. Her third husband was actor Humphrey Bogart. Their seven year marriage, beginning in 1938, is one of the reasons she is known by Hollywood aficionados. Their marriage was turbulent. The press reported many of their violent fights. The press called them the “Battling Bogarts”. Methot struggled with alcoholism and was diagnosed as a paranoid schizophrenic after she attempted suicide in 1943. Methot appeared in over 30 films, as well as many Broadway productions. The IBDb credits her with 11 appearances in Broadway shows. She was raised in Portland, Oregon, where she began her theater career at the age of 5. She was a prolific child actress and continued to perform in Portland through the 1910’s and 1920’s. In 1922 she moved to New York to pursue a career in Broadway theater. After starring in more than ten Broadway shows, she relocated to Los Angeles in 1930. She emigrated to the west coast to begin a film career. She was signed by Warner Brothers and appeared in a variety of supporting roles. She often portrayed hard edged women. The IMDb credits Methot with 28 film appearances between 1930 and 1940. After divorcing Bogart, Methot’s film career stalled and she returned to Portland. Her drinking and depression worsened and she died there from complications from alcoholism. This card was published by Societe Industrielle de Photograpie (SIP) of Rueil, France. It is part of the 77 series (no.5). Methot’s photograph was taken by celebrity photographer Jacob Schloss (1856-1938) in his Manhattan studio. Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s. This postcard formerly resided in a postcard album. SOLD
This vintage real photo postcard features French stage actress Gertrude Bonnette. Initial research revealed no information about this pretty theater actress. Bonnette was photographed by the well known celebrity photographer Jacob Schloss (1856-1938) of New York City. Schloss was will known for his portraits of beautiful woman. He was also known as a photographer activist for working hard to gain certain rights for photographers. This photo postcard is published by Societe Industrielle de Photograpie (SIP) of Rueil, France and is part of a series (76 Serie no. 15).
This cabinet card portrait features stage performer and playwright Grace Heyer. The Internet Broadway Data Base lists Miss Heyer as performing in eleven Broadway shows. Her “Great White Way” career began with “Cyrano de Bergerac” (1900) and ended with “Great Gatsby” (1926). Her photo appears in Munsey’s Magazine (1899) and she is credited with appearing in “The Wife”. Her portrait also appears in Theatre Magazine (1904) where she is described as a “young emotional actress” who has headed her own theater company. The Greenback Magazine (1914) describes Heyer as a “formerly well known actress” whose new play “The Philosopher” was to be introduced by the “Liebler Company”. Miss Heyer looks quite beautiful in this cabinet card image. The photograph is subtly provocative. The profile portrait reveals her partially bare back and her bare neck and in the image her expression can be described as being sultry. This photograph was taken by celebrity photographer Jacob Schloss (1856-1938) in his Manhattan studio. Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s. To view other photographs by this photographer, click on the category “Photographer: Schloss”.
This cabinet card has a lot to say. First, the photograph features an actress named Villa Knox. She appeared in productions in the United States, England, and probably a number of other places. She acted in at least two Broadway shows. She appeared in the musical comedy “Boccaccio” (1898) and in “Apollo, or, The Oracle of Delphi” (1891). Second, the photographer of this image is the well known celebrity photographer, Jacob Schloss. At the time that this photograph was taken, the Schloss studio was located at 467 and 469 Fifth Avenue, between 40th and 41st Streets in New York City.. To view more of his photographs click on the category “Photographer: Schloss”. A third aspect of this photograph is that it has the pencilled name “Daisy Blossom” on the front of the card. Thanks to a little luck in my research, I learned that “Daisy Blossom” is a character in a play called “London Day by Day” (1893) which was reviewed by The Sydney Mail. This portrait likely captures Miss Knox in costume for that role. The fourth interesting fact about this image is the stamp appearing on the front of the card that states “Vignettes All Around For Segar Label”. It appears that this photograph was used as a vignette photograph for a cigar box label. The last feature I will mention concerning this image is that it has all the signs of once residing in someones photograph album. The cabinet card truly tells a number of stories and is in good condition. SOLD
Celebrity photographer Jacob Schloss captures actress Mabel Potter in this cabinet card portrait. For the time period, Miss Potter is assuming a rather risque position. Schloss operated his studio in New York City. This cabinet card holds a copyright from 1894. To view other photographs by Schloss, click on the category “Photographer: Schloss”. The New York Times (1892) has a brief article with the theatrical news that Miss Potter was about to appear in “The Vice Admiral” which was a “nautical comedy” scheduled to run at the Casino Theater. A photograph of Potter, very similar to the one above (likely taken at the same sitting), appears in Munsey’s Magazine (1895). Schloss is given credit as the photographer. It is announced that she was appearing in “Little Christopher Columbus” as one of Captain Slammer’s daughters. The article adds that she first appeared on the stage four years earlier with the McCaull Company in “Boccaccio” at Palmer’s Theater.
This cabinet card features a pretty young woman in a risque pose. She is identified on the reverse of the image as Netty Hunter. The previous owner of this portrait reported that Miss Hunter was a theater actress but a search found no evidence to support the notion that she had a stage career. In fact, no biographical information could be found about her. The photographer of this image was Jacob Schloss. Schloss photographed many theater celebrities from his studio in New York City. A notation on the lower left corner of the image shows that the copyright date of this photograph is 1895. A fading stamp on the back of this cabinet card indicates that it was formerly part of a collection belonging to Charles L. Ritzman (943 Broadway, New York City) who collected among other things, photographs of theater actors and actresses. In sum, although there is evidence that Netty Hunter was a theater actress; the evidence is not conclusive.
Photograph 1 is a cabinet card portrait of Minnie Dupree (1873-1943). She was an American stage and film actress. She was born in La Crosse, Wisconsin. She made her acting debut in a touring company in 1887. In 1888, she was a sensation in a small role in William Gillette’s New York play. “Held by the Enemy”. This role propelled her into a number of supporting roles with the some of the leading actors of the day. She finally got a starring role in the 1900 production of “Women and Wine”. Many other leading roles followed as well as a number of notable successes. However, critics agreed that her later career was less successful than her early and middle career. Dupree also made a small number of films including “The Young in Heart” (1938). Costars in this film included Janet Gaynor, Douglas Fairbanks Jr., Billie Burke, and Paulette Goddard. This cabinet card photograph captures Miss Dupree holding her had and looking dreamily away from the camera. The photograph was taken by celebrity photographer, B. J. Falk. Falk’s address is listed as 949 Broadway, New York City. However, there is a light stamp over the Broadway address indicating that the studio had “removed” to 13 & 15 West 34th Street, New York City. To see other photographs by Falk, click on the category “Photographer: Falk”.
Photograph 2 is a vintage real photo postcard featuring Miss Dupree. The image provides a wonderful close-up view of the actress. She is wearing a fancy dress that is low-cut. Note her pearl necklace. Her hair is styled perfectly, providing a very fresh and clean look. The photographer credited with this fine portrait is celebrity photographer, Jacob Schloss (1856-1938). His studio was located in New York City (Manhattan). He received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was an active participant in national photographer associations and was an worked as a photographer until the 1910’s. The photograph was published by the Rotograph Company as part of the “Rotograph Series” (no.B1844). The postcard has a stamp stating “From Robert S. Simmons”, whom I believe, but can not confirm, was a well known collector of photographs. (SOLD)
Kate Claxton (1848-1924) is the subject of this cabinet card portrait. Claxton was an American stage actress who made her first appearance in Chicago with Lotta Crabtree in 1870. That same year she joined Augustin Daly’s Fifth Avenue Theatre in New York. In 1872, she became a member of A. M. Palmer’s Union Square Theatre in New York. She played mostly in comedic roles. She began starring in theatrical tours in 1876. In 1876 she was performing the play “The Two Orphans” at the Brooklyn Theatre (in New York City) when a fire broke out killing 278 people. Soon after the tragic fire, she was in a St. Louis hotel when it caught fire and she made a narrow escape. After the two fires, Claxton was viewed by some audiences and theater professionals, as bad luck and a performer to be avoided. There are some interesting asides about Claxton. First, the town of Claxton, Georgia was named after her in 1911, Second, her father was Colonel Spencer W. Cone, who was the commander of the 61st New York Regiment in the American Civil War. This cabinet card was photographed by Schloss, a famous New York celebrity photographer. To view other photographs by Schloss, click on this site’s category “Photographer: Schloss”. The reverse of this card has a hand written notation stating “Empire Theatre”. Perhaps this photograph captures Kate Claxton in costume for a role she played at the Empire. The second cabinet card captures Claxton sitting on the ground during a snow storm. The staged scene in this image is likely from one of Claxton’s performances. This photograph is by Sarony, famed New York City photographer. To view other images by Sarony, click on Cabinet Card Gallery’s category “Photographer: Sarony”.
Dorothy (Agnes) Donnelly (1880-1928) was an actress, lyricist, and a librettist. She was the daughter of the manager of New York City’s Grand Opera House. She made her acting debut in the stock company of her brother, Henry V. Donnelly at the Murray Hill Theatre in New York City. She became a well known performer in 1903 when she played title roles in Yeat’s “Kathleen ni Houlihan” and Shaw’s “Candida” in their first American performances. Her most celebrated performance was in the title role of “Madame x” (1910). She acted for another decade but after the success of her book and lyrics for Sigmund Romberg’s adaptation of Schubert’s melodies in “Blossom Time” (1921), she gave up performing and concentrated on her writing. Donnelly was married to Sigmund Romberg. The photographer of this cabinet card was celebrity photographer, Schloss. The photograph captures Donnelly in costume for “Soldiers of Fortune” (1902); so the image is a portrait representing the very early part of her theatrical career. The cabinet card comes from the Oral M. Heffner Theatrical Collection and was formerly the property of the Franklin County Historical Society. To learn more about the Heffner collection, click on the Cabinet Card Gallery category of “Oral M. Heffner Theatrical Collection”.
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THE CABINET CARD GALLERY 