CECILIA LOFTUS : BROADWAY AND FILM ACTRESS : SHAKESPEARE : STAGE BEAUTY : RPPC

This vintage real photo postcard features a stage beauty named Cecilia Loftus (1876-1943). She was a Scottish actress, singer, mimic, vaudevillian, and music hall performer. Her career spanned the late 19th and early 20th centuries. She was a product of parents who were performers. Her father was a member of a successful variety group and her mother was an actress, music hall performer, and burlesque star. At age seventeen, Cecilia (Cissy) made her debut at the Oxford Music Hall in London. She began her career in Music Halls and then appered in musical comedy at the Gaiety Theatre. In 1894, she appeared in Vaudeville at the Lyceum Theatre in New York City. She joined the Ada Rehan Company, and then the Augustin Daly Company. In 1898, she began to appear in legitimate theatre. She toured with actor Sir Henry Irving. In 1905 she had success appearing in Henrik Ibsen’s “A Doll’s House”. Later that same year, she received much acclaim for her portrayal of Peter Pan. Loftus had a successful career in burlesque as well as on Broadway. The IBDb credits Loftus with appearing in 39 different Broadway productions between 1900 and 1941. Many of her roles were in Shakespeare plays. She also appeared in 14 films from the 1910’s to the 1940’s. Cecilia had a tumultous personal life. She eloped at 17 with an Irish writer, twice her age. The marriage failed. In 1908 she married an American doctor. Within six years, her marriage and health were in bad shape. She divorced her husband. Healthwise, she became dependent on alcohol and pain killers. In 1922, she was arrested for possession of morphine. She received probation from an English court and in 1923, she permanantly left Great Britain and returned to New York City to pursue her career on Broadway and in Hollywood.  The message on this postcard is very interesting. It is a note from a daughter to her mother. Although it is only a hypothesis, the daughter appears to be at the Good Shepherd Convent, in Cork, Ireland. This vintage postcard was published by the Rotary Photo Company as part of a series (no.235 E).  SOLD

1st DOROTHY IN WIZARD OF OZ : ANNA LAUGHLIN :AMERICAN STAGE & SILENT FILM STAR

This vintage real photo postcard features American stage and silent film actress, Anna Laughlin (1885-1937). One of her major claims to fame is that she was the first actress to play Dorothy in the Wizard of Oz. She was born in California and began her stage career as a “child elocutionist” (public speaker). At age six, she started acting in vaudeville and later, in touring theater companies. When she was a young teenager, she began appearing on Broadway. In 1900, she was in the Belle of Bohemia and in 1903 she performed in the Wizard of Oz. According to the IBDb, Laughlin appeared in eight Broadway shows between 1900 and 1914. The IMDb reports that Laughlin acted in 14 silent films between 1913 and 1915. She is most well known for her roles in “Northern Lights” (1914), “The Greyhound” (1914), “The Amazing Mr. Fellman” (1915) and “What Happened to Father” (1915). She quit show business in 1915 to focus on raising her daughter. Laughlin was married in 1904 (age about 19) to a jeweler. She was widowed in 1925. Laughlin’s daughter became a noted singer. Anna Laughlin died by suicide in 1937. Her cause of death was gas poisoning. She turned the gas on in her apartment because she was very depressed about being estranged from her daughter. They had previously been very close. According to the IMDb, the following words were found in her three page suicide note. “This is good-bye. People are dreadful. I love my child. I have given all I have in the world to put her where she is now … Lucy is never coming back. I am so afraid. Where did I fail?” This postcard was published in Germany by NPG (Neue Photographische Gesellschaft) as part of a series (no.1098). A. G. Steglitz is also listed as a publisher. The postcard is an “Oranotypie” and was published in 1904. An oranotype is a trade name for a type of glossy real photo postcard published by NPG. The company was a leading bromide photo printing company for many years at the beginning of the 20th century. This card has a French stamp and was postmarked in 1907. SOLD

RENEE ADOREE : HOLLYWOOD SILENT & “TALKIE” FILM STAR : TRAGIC DEATH AT 35

This vintage real photo postcard features French stage and film actress, Renee Adoree (1898-1933). She also appeared in silent movies produced by Hollywood in the 1910’s. Her most well known film was the melodramatic romance and war epic, “The Big Parade”. She played the love interest of John Gilbert. Renee’s parents were circus artists. She would perform with them at times. She was a dancer, acrobat artist, and bareback rider. She perfomed throughout Europe. She made her movie debut in 1918. In 1919, she went to New York City and played in a vaudeville-style musical. Several other stage appearances followed. In 1920, she began to perform in movies again. In total, Renee performed with John Gilbert nine times. She appeared with actor Ramon Novarro four times. In a 1928 Howard Hughes film, “The Mating Call”, Renee had a brief scene in which she swam in the nude. This act created much controversy. Renee’s personal life included two marriages and two divorces between 1921 and 1929. Renee, unlike many other actresses of her time, was successful in making the transition to sound film. She appeared in four “talkies” before her early death. In all, by the end of 1920, Renee had appeared in forty-five films. The IBDb reports that she appeared in two Broadway productions, both occurred in 1919, It was in 1930 that Renee was diagnosed with tuberculosis. Despite her doctor’s advice, she continued her participation in the filming of a movie. After completing the movie, she was rushed to an Arizona sanitorium. She was flat on her back for two years during her recovery. Post discharge, Renee’s health began to deteriorate until she died in 1933. She was only about 35 years old at the time of her death. This vintage postcard features Renee standing in front of a horse. She is holding the horse’s harness. Apparently, she liked animals and possessed a sense of humor. She had a dog named “Useless”, and a cat named “Worthless”. The logo for MGM can be seen in the lower right hand corner of the image. She was under contract with MGM from 1930 until her death. This postcard was published by “Ross Verlag” as part of a series (No.4350/1). Note sticker on reverse of card. This vintage postcard is in overall good condition. (see scans).

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Buy this Vintage Real Photo Postcard (includes shipping within the US) #5137

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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5137

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LEILA HYAMS : PRETTY FILM ACTRESS : FAMOUS MODEL : LISTERINE : “FREAKS” : RPPC

This vintage real photo postcard features American film and stage actress, model and vaudeville player, Lila Hyams (1905-1977). Her parents were vaudeville comedy performers and her mother was also a well thought of actress. Her parents also appeared together in a number of films. Leila began acting on stage as a child. In her teenage years, she worked as a model and became nationally known. She modelled for the first ad for Listerine. Leila’s film career was during the silent film and early talkie era and spanned from 1924 through 1936. Often playing leading lady roles, she appeared in more than fifty films. “Freaks” (1932)  was one of best known movies. Leila married her talent agent in 1927 and they stayed together for 50 years. The New York Times wrote in her obituary that she was “an attractive blonde actress who was eminently successful at playing ingenues.  This vintage postcard portrait is in very good condition (see scans). SOLD

CARRIE PERKINS : RISQUE PHOTO : WORE THE TIGHTEST DRESSES IN VAUDEVILLE

The pretty woman seen in this cabinet card portrait is actress, Carrie Perkins. Her acting included productions on Broadway, as well as, appearances on the Burlesque and Vaudeville stage. One of Perkins’s claims to fame, is that she was considered to be the actress that wore the tightest fitting costumes in all of vaudeville. She appeared in much advertising such as premium cards for cigarette brands. The website, “Broadway Photographs” provides a biography of Miss Perkins. She is described as “a vaudevillian with a trim body and a smart tongue”. The site states that “she plied both the visual and verbal dimensions of entertainment”. Although she was known for her tight gowns, the biographer states that “it was her urban girl wit that won her a ticket to Broadway”. She became known to the theatrical world in Garrick’s burlesque “Thrilby” (1895). She wasn’t considered beautiful enough to play lead roles. Instead she played roles that showcased “feminine audacity”. She appeared in nineteen Broadway productions according to the Internet Broadway Database (IBDB). These appearances occurred between 1888 and 1911. These performances included “Jack and the Beanstalk (1898), “The Casino Girl” (1901), and “The Merry Shop Girl’s” (1905). Her final show was “The Fascinating Widow”. which was a touring production with the popular actor and female impersonator Julian Eltinge. There seems to be agreement that Perkins was long on personality and appearance, but short on talent. Perkins rarely received praise from theatre critics. She found her place on the stage as a supporting actress/dancer/singer. This cabinet card photograph was taken by the Sparks Photo-Publishing Company. The studio was located in Philadelphia, Pennsylvania. The artist/manager of the studio was Elliott Houseworth. The 1880 census lists Elliott A. Houseworth as being born in 1855, residing in San Francisco, California, and working as a photographer. Houseworth also appears in the 1900 census as living in Norwood, Pennsylvania and working as a manager. These demographics fit the photographer of this image, since Houseworth managed Sparks Photography Studio and Norwood is only about eleven miles from Philadelphia. A stamp on the reverse of the image states “Russell Brothers, 126 Tremont Street, Boston”. Perhaps the Russell Brothers were photograph collectors or a photo gallery that sold celebrity photographs. Photographs of Miss Perkins are rare and this image is beautiful remnant of turn of the century Broadway theater. SOLD

LUCY GERARD : BEAUTIFUL FRENCH STAGE AND FILM STAR : (AKA LUCY MAREIL)

IMAGE 1  (SOLD)

IMAGE 1 CLOSE-UP      (SOLD)

IMAGE 2 SOLD
IMAGE 2 CLOSE-UP SOLD

Image 1 is a vintage postcard that features French actress Lucy Gerard (1872-1941). She appeared both on stage and in film. She began her stage career in 1888 at the Theatre de la Renaissance and continued her career in France through 1900. She was absent from the performance scene for quite awhile until she returned to the stage with a “new” name, Lucy Mareil. During her stint away from the stage, she became an antique dealer. Equipped with her new name, Gerard landed numerous roles in theater and cinema from 1911 to 1923. In  The IMDb credits Gerard with 24 film roles. The IBDb reports that she appeared in one Broadway play, “A Night with the Pierrots / Sesostra / The Whirl of Society” (1912). Lucy Gerard was a very pretty actress and her photo on this postcard shows her in what appears to be a Middle Eastern costume. On the top left hand corner of the front of the card is the word “Vaudeville”. At the time that this photo was taken, Miss Gerard was appearing at the “Theatre du Vaudeville” in Paris. The photographer of this postcard photo was Charles Pierre Ogerau (1868-1908). He was a Frenchman and was considered an excellent photographer. He was also known to be an anarchist activist at the beginning of the twentieth century. Ogerau opened his photographic studio on boulevard Montmartre in around 1885. He specialized in photographing actresses and his subjects included Cleo de Merode and Emma Calve. This vintage postcard portrait is uncommon.   (SOLD)

Image 2 is a Cabinet Card portrait of the Miss Girard. She looks beautiful in this photograph. She is dressed in a fancy gown. This photo was taken at the celebrated Reutlinger studio. The Reutlinger Photography Studio was opened by Charles Reutlinger in Paris in 1850. Reutlinger was of German descent. The studio took portraits of many of the world’s beautiful, rich and famous people of the era. In 1880, Charles’ brother, Emile (1825-1907) took over operation of the studio. He was joined by his son Leopold (1863-1937) in 1883. Leopold began running the studio in 1890 and operated the business until 1930 when he lost an eye in an accident involving a champagne cork. A stamp on the reverse of  this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City. (SOLD)

IMAGE 1  (SOLD)

IMAGE 2: REVERSE SOLD

BETTY COMPSON : PROLIFIC AND PRETTY AMERICAN FILM ACTRESS : SITS IN SPORTS CAR

This vintage real photo postcard features American actress and film producer, Betty Compson (1897-1974). She was nicknamed “the prettiest girl in pictures”. Compson was born in a mining camp in Beaver, Utah. Her father was a mining engineer, a gold prospector, and grocery store owner. Her mother was a maid in hotels and private homes. Betty graduated from Salt Lake High School. She was hired as a violinist at age 16 in a theater in Salt Lake City. She then played in vaudeville touring companies and it was during this stint she was discovered by a film producer (Al Christie) who signed her to a contract. She began her career during Hollywoods’s silent film era. Her debut film was “Wanted, a Leading Lady” (1915). After this film, her career rocketed. She appeared in 25 film in 1916. All but one, were shorts. In 1918 she was offered a contract by studio head Mack Sennett. She rejected the offer because the salary was too low. She continued to make numerous short films until the middle of 1918. She was frequently paired with Roscoe “Fatty” Arbuckle. She started making only feature films. She became a rising star after appearing opposite Lon Chaney in “The Miracle Man” (1919). Paramount became interested in her and signed her to a five year contract. In 1921, Compson established her own production company in order to have creative control over screenplays and financing. The first movie she produced was “Prisoners of Love” (1921). After she completed acting in “The Woman With Four Faces” (1923), Paramount refused to give her a raise. She wanted an increase in her $2500 per week salary. Compson was angry enough at Paramount, to leave the company, and sign with a British film company. She made four films in England, two of them were films penned by Alfred Hitchcock. Paramount lured her back to Hollywood from England by offering her a top dollar contract. She then appeared in a movie by director, James Cruze. The pair married in 1924, but divorced four years later. The divorce from Cruze nearly ruined her financially because of debt accrued by Cruze. After Paramount did not offer her a contract renewal, she began freelancing in lower budget films. In 1928 she appeared in a “part talkie” called “The Barker”. She played a manipulative carnival girl. She was nominated for a “Best Actress” for this role by the Academy Awards. In 1929, she gained much recognition for her role in “The Docks of New York”. She played a suicidal prostitute. These two films resulted in her popularity returning to it’s previous high level. She appeared in many “talkie” films. Unlike a lot of silent film stars, Compson made a successful transition into sound films. In fact, she even appeared in a number of early musicals. When she played singing parts, her voice was dubbed. Her career flourished. In 1930, she appeared in 9 films. Her last “hit’ was in “The Spoilers”. Her costar was Gary Cooper. Her popularity waned and she only got roles in low budget, less successful studios. Her last film was in 1948. After retiring from her movie career, she started a cosmetic line and assisted her husband in a business named “Ashtrays Unlimited”. In total Compson was married three times. Her second marriage, to agent/producer Irving Weinberg ended in divorce after four years. Her third marriage was to a professional boxer. The marriage lasted 18 years and ended upon his death in 1962. She had no children. She died in 1974 after suffering a heart attack. She had much impact on the early movie industry. The IMDb reports 209 film credits between 1915 and 1948. This vintage postcard is in excellent condition (see scans). Take a look at the YouTube video below. The video features Betty Compson appearing in the silent film, “The Docks of New York” (1928). The music accompanying this video is obviously modern, but, in my opinion, it is excellent. Compson demonstrates incredible acting ability. Her facial expression and her eyes speak for her. SOLD

Betty Compson in “The Docks of New York” (1928)
Music: “Marry Me” By Dave Pagett and Viv Jones (Sax)