GENTLEMAN WITH MUTTON CHOPS POSING WITH HIS WIFE IN LOWELL, MASSACHUSETTS (CIVIL WAR VETERAN PHOTOGRAPHER)

This cabinet card features a well dressed couple posing for their portrait at the Hayden studio in Lowell, Massachusetts. The gentleman has wonderful mutton chops with a connecting mustache. The photographer of this photograph is Marshall M. Hayden (1847-1928). He operated a studio in Lowell between 1867 and 1900, according to one Massachusetts historical site. However, my preliminary research found that he actually is listed as a photographer in the 1880 through 1920 US census. Interestingly, he was also listed in the 1926 Lowell business directory as a photographer (he was 79 years old). Earlier in his career he worked as a bread deliveryman (1870 US Census). Hayden was a veteran of the Civil War. He served in Company H of the 6th Massachusetts Infantry. He served nine months in 1862 and 1863. He was a private and a musician.

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PORTRAIT OF “MISS DIX” IN ROCHESTER, NEW YORK (CIVIL WAR VETERAN PHOTOGRAPHER)

A young woman poses for her photograph at the Gregg Studio in Rochester, New York. She is wearing flowers pinned to her dress, as well as earrings and a nice smile. An inscription on the reverse of this cabinet card photograph reveals that the subject is named “Miss Dix”. The photographer of this image is Sherman Gregg (1838-1891). He is listed as a photographer in the 1865 New York State Census. The year before, (1864), he entered and left the Union Army. During the Civil War he served as a First Lieutenant in the 3rd Regiment, of the New York Cavalry. He is cited in the Photographic Times and American Photographer (1884). Gregg was listed in Rochester Directories as a photographer until 1890. He died in 1891 and is buried in Rochester’s Mt. Hope Cemetery.

PORTRAIT OF A WELL DRESSED MAN TAKEN IN A RAILROAD PHOTO CAR BY A CIVIL WAR VETERAN KNOWN TO BE “ECCENTRIC IN HIS HABITS”

A well dressed man poses for this cabinet card portrait taken by photographer J. B. Shane in a railroad photo car. The gentleman is dressed in his fancy clothes. He is wearing a suit with a vest and a pocket watch. He is also wearing a wide brim hat and is holding an umbrella.The photographer of this image is Captain James Boucher Shane (1840-1913). He earned the rank of captain in the Civil War where he served with distinction in the 16th Kentucky Infantry (Company D). He entered the Union Army as a Sergeant and mustered out as a First Lieutenant. After the war, he was promoted to Captain. It is my hypotheses that he suffered from Post Traumatic Stress Disorder from his experiences in the war. My reasons for diagnosing him 104 years after his death will become apparent later in this story. After the war Capt. Shane moved his family to Abilene, Kansas. He tried his hand at a number of businesses including farming, In 1878, he moved to Lawrence, Kansas and operated a photo studio from a railroad car as well as studios in the town of Lawrence. In 1902 he was convicted of murder and was sent to the state penitentiary until his parole in 1912. Shane’s daughter, Juno Belle Shane, operated the studio after Shane went to prison. Her husband, Herbert Thompson eventually took over the business and renamed it to the Thompson studio.  The gallery continued to do business until 1953. A collection of Shane’s and Thompson’s papers and photographs are kept by the University of Kansas libraries. I was curious about the details of Shane’s crime and further research found details about his offense. The Journal of the Annual Encampment of the Grand Army of the Republic (1911) has a brief article about J. B. Shane. The journal explains that the Kansas Department of the GAR had proposed and passed a resolution to appeal to the Kansas Governor (W. R. Stubbs) to get Shane out of jail. The appeal was based on the fact that Shane was not allowed to testify on his own behalf during his trial. The appeal states that if he had been allowed to testify, charges would have been lowered to manslaughter, which had a shorter prison term than murder. He would have had to serve a maximum term of ten years for the lower charge. The appeal also explained the details of Shane’s crime. The article states that after the war, Shane had bad fortune in his photography business and became “eccentric in his habits”. It seems that the young boys in the town made sport of harassing Capt. Shane. They would annoy him by putting graffiti on his building and throwing sticks into his studio. The appeal declares that Shane was “a man of irritable temper” and reports that one day the boys threw sticks into his studio and Shane reacted by fatally shooting one of them. This occurred before the invention of the term “PTSD”, but rest assured that such a condition existed among the veterans of the civil war. It is likely that Capt. Shane was a victim of this disorder.

A PROFILE PORTRAIT OF A PRETTY WOMAN IN KANSAS CITY, MISSOURI (PHOTOGRAPHED BY A CIVIL WAR PHOTOGRAPHER)

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This cabinet card photograph features a profile view of a pretty young woman. She is wearing a high collar blouse and jacket. The young lady’s hair is worn up in a sweep and she is wearing earrings. The photograph was produced by the Carpenter Photographic Rooms in Kansas City, Missouri. Marion S. Carpenter was a daguerreotypist in Dayton, Ohio in 1850. He than conducted his photography business in Cincinnati at the Palace Art Studio between 1857 and 1865. During the Civil War he was a staff photographer for the United States Government. He photographed Abraham Lincoln on three occasions. After the war he went to Kansas City, Missouri where he continued to operate a photography business. The Bulletin of Photography (1913) notes his passing at age 84 while living in Kansas City. The notification indicates that he was still actively involved in business in 1913, the year of his death.

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PRETTY TEENAGE GIRL IN DETROIT, MICHIGAN

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This carte de visite portrait features a pretty teenage girl who seems to be pursing her lips to hold back a smile. She has less success hiding her “smiling eyes”. The teenager is wearing jet earrings and a jet necklace. Her hairstyle includes a braided pony tail and curly bangs. The photographer of this image is the Bigelow studio in Detroit, Michigan. The reverse of this cdv advertises that Mr Edwin Burnham Bigelow (1838-1916) was a medal winner in a number of photography exhibitions. These medals were awarded in 1872 and 1876 which obviously lets us know that this cdv was produced in or shortly after 1876. A photo of Mr. Bigelow can be seen below. He is listed in the Detroit Business Directory (1879)  as being a photographer at the same Woodward Avenue address as listed on this cdv. At the time of the directory entry he had a partner (Elmer Taylor) in the ownership of his studio. Bigelow was a civil war veteran. He served with the 5th Michigan Cavalry (Company B). He enlisted as a Sergeant and served between 1862 and 1865. He was captured by the Confederates at the Battle of Buckland Mills (Virginia). He was a prisoner for about nine months. An interesting side note is the lettering “NPA” seen on the center bottom of the cdv. NPA is the abbreviation the “National Photographic Association” which was a photographers fraternal organization that convened for the first time in Boston in the year 1869. The organization was involved in arranging exhibitions, education, and lobbying for laws that would protect their profession. In the 1870’s the organization had more than 1,000 members. The organization dissolved in 1876 due to internal disputes. In 1880 a new version of the association was born in the form of the “Photogaphers Association of America” (PAA). This Carte de Visite is the first one that I’ve seen with the “NPA” initials and I have seen many Carte de Visites.

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PORTRAIT OF A PRETTY TEENAGE GIRL IN MARLBORO, MASSACHUSETTS

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A pretty teenage girl poses for her cabinet card portrait at the Richardson studio in Marlboro, Massachusetts. She is wearing a thick chained necklace and has flowers pinned to her collar. She is wearing her hair down and has pretty curls as her bangs. The photographer, E. P. Richardson was a civil war veteran from a Massachusetts regiment. He is listed as a photographer in a Boston directory (1871) as well as in a Marlboro directory (1894).

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Published in: on March 8, 2016 at 5:52 pm  Leave a Comment  
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PROFILE PORTRAIT OF A PROPER PRETTY WOMAN IN LOGANSPORT, INDIANA

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This post cabinet card era portrait features a profile view of a pretty woman. She looks quite proper in her fashionable clothing and with her hair gathered atop her head. She is wearing flowers as well as a lace-like necklace hanging down the front of her dress. I can’t decide it’s purpose but perhaps it is to hold a pocket watch. In fact, I believe I may see a timepiece peeking out from the top of her skirt. This image comes from the A. N. Donaldson studio in Logansport, Indiana. He did a terrific job with the soft backlighting seen in this photograph. Research revealed some biographical information about the photographer Albert Newton Donaldson (1841-1906). He settled in Logansport in 1867. Earlier, he had participated in the civil war. In 1861 he entered the service as a private and after some time left the service as a corporal. He served in Indiana’s 10th Infantry (Company H). One source reports that Donaldson deserted from his unit on 6/15/1862 at Corinth, Mississippi. A second source never mentions the desertion. The 1880 US census revealed that he was married in 1865 to Susan E Donaldson. The 1880 census, as well as the 1900 census, listed his occupation as being a photographer.

A GENTLEMAN WITH FREE RANGE WHISKERS AND A BOWLER HAT IN PROVIDENCE, RHODE ISLAND

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A nicely dressed gentleman wearing a bowler hat, poses for his portrait at the studio of Hosea Q Morton in Providence, Rhode Island. The man is adorned with an interesting facial hair style. His whiskers don’t seem to be attached to a beard, mustache or sideburns. He has “free range whiskers”. To view other photographs by this photographer, click on the category “Photographer: Morton”. The photograph below shows Hosea Morton (on the far left) at a birthday party. He was more than 90 years of age when this photo was taken. His obituary reports that he was born in Maine and lived from 1839 until 1938 The article states that he was a veteran of the civil war. He served in both the 1st (company E) and 6th (company D) Maine regiments. He rose in the ranks from Private to Sergeant. He served between 1861 and 1865 and was a wounded warrior (shot in the neck). In 1870 he was working in a Providence trunk shop. He then worked two years as a salesman and in 1873 he began his photography business. He was still working in Providence as a photographer in 1910 but by 1913 he was residing the National Military House in Malibu, California. He died there in 1938 and was buried in the Los Angeles National Cemetery. Morton outlived three wives.

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YOUNG MAN IN A STUDIO ROWBOAT IN CARTHAGE, MISSOURI (CARTE DE VISITE)

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A young man dressed in winter clothing gently rows his boat down a river. In actuality, the boat and the river were props inside the studio of E. E. Roessler in Carthage, Missouri. Carthage was the site of two battles during the American civil war and in a third incident,  most of the city was burned down. The photographer, Edward E. Roessler was born in 1850 and married Annie Befferin in 1896. He robbed the cradle as Annie, an accomplished pianist, was 21 years younger than her husband. The town of Carthage was the site of two battles during America’s civil war. During the war, in a seperate incident, it was nearly completely burned down. This carte de visite photograph was likely taken not too many years after the war. Roessler also worked as a photographer in Shelbyville, Illinois as well as San Bernadino, California. He died in 1935 in Alameda, California.

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Published in: on October 9, 2015 at 9:40 am  Leave a Comment  
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PORTRAIT OF A LOVELY COUPLE IN HOMESTEAD, PENNSYLVANIA

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This cabinet card portrait features a lovely couple photographed by the McLane studio in Homestead, Pennsylvania. The couple are attractively dressed and well groomed. The woman has a lovely figure that is assisted by a corset. She is standing next to a bouquet of flowers. The gentleman has a nice mustache which curls at it’s ends. Note his shined shoes. Perhaps this is the couple’s wedding portrait. The photographer, John G. McLane (1849-?) apparently moved around a lot. He can be found in directories working as a photographer in Bradford (at least 1885-1887), Titusville (at least 1893-1895) and Pittsburg (at least 1900-1902). All of these cities are in Pennsylvania. One of McLane’s photographs can be found in the book, “Victorian Fashion in America (2013). McLane was a civil war veteran. He fought for three years as a member of the 142nd Pennsylvania Infantry. He entered the unit as a drummer. The last years of his life were spent at a home for disabled veterans. He is buried in Grove Hill Cemetery (Oil City, Pennsylvania).