FIVE PORTRAITS OF PRETTY EUROPEAN STAGE ACTRESS LIANE HAID

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POSTCARD 1

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POSTCARD 2

haid 3      POSTCARD 3  (SOLD) 

estonia1POSTCARD 4   (SOLD)

This image has an empty alt attribute; its file name is haid10.jpgPOSTCARD 5

 

 

These vintage real photo postcards features European film star Liane Haid (1895-2000). In the top postcard she poses holding a tennis racket and wearing a hair band to keep her hair out of her eyes. She is quite beautiful but how can we interpret her facial expression. To me, it looks like she is rolling her eyes as if she is bothered by something. Who is Liane Haid? She was born in Vienna, Austria and received training in both dance and singing. She gained the nickname of “Sweet Viennese Girl”. Haid was a prima ballerina, dancer, singer and stage actress. She worked in Budapest and Vienna as a dancer. Her stage career was mostly in Berlin and Vienna. She became a popular pin-up star through the 1920’s and 1930’s. Her first movie role was in a World War I propaganda film. She was employed by UFA and appeared in a number of comedy films  alongside other movie stars including Willi Forst, Bruno Kastner, and Georg Alexander. UFA was a major German Film producer and distributor that operated between 1917 through the end of World War II. Liane Haid refused a number of Hollywood offers but in 1942, she escaped Nazi Germany and went to Switzerland according to Wikipedia, “because of the regime, because everything was bombed, and because all the good directors had left”. Soon thereafter she got married and retired from films. She was married three times. The IMDB web site states that she has 92 film credits from 1915 through 1953. Notable films include “Lady Hamilton” (1921), “Lucrezia Borgia” (1926), and “The Song is Ended” (1930). The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company.               

 The second vintage postcard portrait of Miss Haid was also the work of Alexander Binder. The actress looks beautiful in her art deco lace headdress. Her eyes can be described as spell binding. The postcard was published by Germany’s Ross Verlag and is part of a series (no. 544/4). Also credited for this photograph is “Micco Film”. Before working for Micco Film, Haid was employed by Kunstfilm. She was very successful working for the company but in 1920 she sued the company for physically exploiting her (placing her in dangerous situations) and for making her financially responsible for her own makeup and costuming. Haid’s husband, industrialist Fritz  von Haymerle, built her a studio (Micco-Film) in Vienna to further promote her career.                         

 The third real photo postcard, seen above, was produced by publisher Ross Verlag (Berlin). Once again, Liane Haid appears beautiful in her portrait. The photograph was taken by the Ring studio in Vienna, Austria. A logo for Micco-Film appears in the lower right hand corner of the postcard.  SOLD                                                                                      

Postcard 4 is a vintage real photo postcard featuring  a young and long haired Liane Haid. She is flashing a very sweet smile. The postcard was published by Ross Verlag of Berlin, Germany. It is part of a series (No. 528/2). Miss Haid was photographed by Frieda Riess (1890-1955?), a female Berlin photographer. One of her photographs can be found in Great Britain’s National Portrait Gallery. The postcard has the logo for Micco-Film in the bottom right hand corner and is postmarked 1929. The card was mailed from Denmark to Estonia.  SOLD   

Postcard 5 features a vintage real photo of Miss Haid. As usual, she looks quite pretty. The actress is flashing a lovely smile. She is wearing a string of pearls and a hair band. This photograph was taken by the talented and prolific celebrity photographer, Alexander Binder. The postcard was published by Ross Verlag (Berlin) as part of a series (no. 545/1). The logo for Micco-Film can be seen on the bottom right hand corner of the postcard. The card was postmarked in 1925 and is in very good condition (see scans).                      

haid-1              REVERSE OF POSTCARD 1

haid-1     REVERSE OF POSTCARD 2

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 REVERSE OF POSTCARD 3

estonia3REVERSE OF POSTCARD 4

 

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REVERSE OF POSTCARD 5
POSTCARD 6

Postcard 6 offers another view of Miss Haid. She looks beautiful as always. This photograph was taken by the Becker & Maas studio. The firm was located in Berlin Germany. The publisher of the card was Ross Verlag. The postcard is part of a series (No.4190/1). The postcard is in good condition (see scans). Note the crease in the lower left hand corner. The postcard’s image is unscathed. The card is priced accordingly to condition.

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REVERSE OF POSTCARD 6

GRETE WEIXLER : ADORABLE AND VIVACIOUS GERMAN STAGE ACTRESS

POSTCARD 1
POSTCARD 1 (CLOSE-UP)

   Postcard 1 features Miss Weixler at a younger age than postcard 2. The image shows Grete in her night clothes and holding a teddy bear in her left hand. A second stuffed animal lies near her feet. Note Grete’s long braided hair, worn over the front of her left shoulder. This image was created at the Helga Schmitt studio which had two locations in Germany (Wehl and Friedenau). The postcard was published by Photochemie, a firm located in Berlin. The card is part of a series (No 1506). The message on the reverse of the postcard indicates that it was written in 1917. Miss Weixler was about 17 years-old when this photograph was taken.  This vintage real photo postcard in in very good condition (see scans).         

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POSTCARD 2

                                                                                 POSTCARD 2 (CLOSE-UP)            

Postcard 2  features German silent film actress, Grete Weixler (1900-1921). She appears to be quite young in this photograph; possibly in her teenage years. Grete has the appearance of a cute and vivacious young woman. She was the younger sister of actress Dorrit Weixler (1892-1916). Her grandfather was a successful actor in Hungary. She made her film debut in 1915 in a film directed by Franz Hofer, who was married to her sister Dorrit. In an interview, Grete described the different type of roles that she played in comparison to her sister. She states that Dorrit specialized in playing child-like young woman who “know nothing but know everything”. She added that Dorritt had “a shade of humor”. On the other hand, Grete asserts that she herself was drawn to more “serious” roles. Dorrit had a tragic life. She became addicted to morphine and died from suicide in 1916. In addition to acting in film, Grete was also a theatre actress. Her last film was the “The Daughter of the Seduced”. The IMDb reports that Grete appeared in 37 films between 1915 through 1921. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no. 121/2). The logo for the motion picture company “Film Sterne” can be seen in the lower left hand corner of the postcard. The photo studio that took this photograph was Becker & Maas. The firm was located in Berlin, Germany. This portrait postcard is in very good condition (see scans).                                                                   

                                                    

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POSTCARD 2

POSTCARD 1

LOTTE NEUMANN : PRETTY GERMAN ACTRESS, SCREENWRITER, AND FILM PRODUCER

This vintage real photo postcard features German actress, screenwriter, and producer; Lotte Neumann (1896-1977). She was active in the film industry between 1912 and 1958. Neumann was born in Berlin, Germany. At age 13, she took vocal training and acting lessons. She also studied dance and piano. Neumann also sang in two choirs. She originally desired to be a singer but after some advice from Max Mack, a German screenwriter, silent film producer and director; she chose to pursue a career in film. She made her debut in a short silent film, “Whims of Fate” (1912).  Neumann became a popular actress in Germany. In 1917 she began acting in films which she produced herself. She established her own film company (Lotte-Neumann-Film-GmbH) which operated between 1916 and 1919. In 1919, she began working for UFA, a major German film producer and distributor that was active between 1917 through the end of World War II. In 1920 she starred in two films directed by Ernst Lubitsch. He was a German born American film director, producer, writer, and actor. It was prestigious for Neumann to appear in his productions. She remained popular through the 1920’s but her career declined with the advent of sound film. This was a dreaded fate suffered by many actors and actresses during the transition to talkies. Her final screen appearance was in 1931. After retiring from acting she continued to write screenplays and partnered with her her husband, Walter Wassermann, in creative endeavors. They worked together from 1935 until his death in 1944. The IMDb reports that Neumann appeared in 69 films, wrote 24 films, and produced 14 films. Neumann’s film career accomplishments are very impressive. This vintage postcard was published by Film-Sterne as part of a series (no.194/1). The photographer of Miss Neumann’s photo was the Becker & Maass studio in Berlin. The message on the reverse of the postcard was written in 1918. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is in fair condition. Please note that there are two very thin creases located on the left and center bottom of the card. The photo postcard is priced accordingly.

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THREE PORTRAITS OF THE BEAUTIFUL GERMAN SILENT FILM ACTRESS: ALLY KOLBERG

                                                                     Postcard 1 (#3319)   

kolberg 2                                                                 Postcard 2   (SOLD)

kohlberg 7c                                                                      Postcard 3   (SOLD)

 * This vintage real photo postcard  (Postcard 1) features beautiful German silent film actress, Ally Kolberg. Her movie career was brief. She appeared in films between 1916 and 1923 and they included 16 German films and 1 Swedish production. She was often directed by female directors. During her career she was also credited as Ally Bing and Ally Kay Bing.  Initial research revealed very little about the life of Miss Kolberg. More intensive investigation is required. This postcard was published by Rotophot, which began publishing “RPH” postcards sometime around 1916. This postcard is part of a series (no 4794/3). The production of film star postcards was continued by the Ross Verlag company who’s origins can be traced back to the earlier Rotophot postcard company. This postcard has a Bavarian stamp and is postmarked from Weilheim, Bavaria.

    *  The second postcard (Postcard 2) features a real photo portrait  of Miss Kolberg. She is dressed in a more subdued fashion in this photograph than in the first postcard. She is wearing “every day” clothing compared to the high fashion, attention grabbing style seen in the first postcard. In this photo, Ally is posed clasping her hands and looking dreamingly toward heaven. The backdrop behind her could be viewed as sky. As in the first postcard, Miss Kolberg is quite beautiful. This postcard was also, like the first, published by Rotophot and has the “RPH” logo. The message on the reverse of the postcard dates the card to 1913. This date is a bit earlier than when some sources believe RPH began publishing postcards. The sources are close, but incorrect. This postcard was part of a series (no. 3697/5).   (SOLD)

 *  Ally Kolberg is the subject of this third vintage real photo postcard (Postcard 3). Miss Kolberg’s beauty is apparent in this photograph. She is wearing a long translucent veil and an alluring smile. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no. 119/1). The logo for the motion picture company “Film Sterne” can be seen in the lower left hand corner of the postcard. The photo studio that took this photograph was Becker & Maas. The firm was located in Berlin, Germany.   (SOLD)

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                                                                      Postcard 1 

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                                                                   Postcard 2 

kohlberg 7a                                                            Postcard 3 

THE TRAGIC LIFE OF STAGE AND FILM ACTRESS MARIA ORSKA

This vintage real photo postcard features stage and film actress Maria Orska (1893-1930). She was a major star in Germany during the 1920’s. She was born in Russia and her birth name was Rachel Blindermann. She was born into a Jewish family that lived close to Odessa in the Russian Federation. Today, her birthplace is located in the Ukraine. Her father was a lawyer. Just prior to World War I she moved to Vienna, Hamburg and Berlin. Orska must have been bright because she was fluent in German, French, Italian, Russian, and Polish. In Berlin, she worked with Rudolf Bernauer, Max Reinhard, and other well known directors. She became popular in Germany for her film parts, though she favored theater. Her first movie was “Damon Und Mensch” (1915) and it was produced by Jules Greenbaum, a pioneer of the German cinema. Oscar Kokoschka, an Austrian artist, drew Orska’s portrait, and lithographs of the work are now part of several museum’s collections. Orska married a much older man who was an influential Jewish banker from Berlin. They married in 1920 and divorced in 1925. Her next significant relationship was with a wealthy Jewish industrialist and geologist named Julius Heinrich Koritschoner from Vienna, Austria. In 1928 he fatally shot himself, leaving Orska a letter. Koritschoner’s morphine addiction was thought to have led to his suicide. Orska’s sister had committed suicide just two years earlier. She committed the act of self destruction just after having an intense argument with Maria. Orska was extremely popular in Central Europe during the 1920’s. The IMDb credits Maria Orska with 14 movie appearances between 1915 and 1923. She was seen as an extraordinary actress and her photographs appeared on many magazine covers and postcards. Suicide had taken the lives of her ex husband and her sister; and she too, eventually succumbed to self-annihilation. She committed suicide in 1930 while in Vienna. It was speculated that, like her ex-husband, morphine addiction resulted in her suicide. Here is some information about this postcard. It was published by Film Sterne. Around 1916 Rotophot began publishing three series of postcards with the RPH logo (see bottom left corner of above image).The first series was called “Buhnen-Sterne” (stage stars) and was comprised of German stage performers. The second series was named “Film Sterne” (film stars) and this postcard portrait of Maria Orska is part of that series (no. 118/1). The third set of postcards, “Film Sterne” (film scenes) showed scenes from German films and identified both the film and the performers. The photographer of this postcard portrait of Miss Orska, was the Becker & Maass studio, located in Berlin.    SOLD

OSSI OSWALDA: BEAUTIFUL GERMAN SILENT FILM STAR

                                                                        POSTCARD 1

                                                                        POSTCARD 1

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                                                                     POSTCARD 2 (#2434)

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                                                                   POSTCARD 2 (#2434)

The beautiful actress seen in the top vintage real photo postcard is named Ossi Oswalda (1897-1947). She was born in Germany and appeared predominately in silent films. She was a leading lady, popular comedienne,  dancer, and singer. Due to her popularity, she  was known as “the German Mary Pickford”. Ossi began her career as a ballerina and she danced in a chorus line for a theater in Berlin. She made her film debute in “Night of Horrors” (1916) and was noticed by actor/screenwriter Hanns Kraly, who introduced her to director Ernst Lubitsch. Oswalda’s early career began with appearances in several Lubitsch films. In 1921, she and her husband started a film production company that produced four films over four years, all starring Miss Oswalda. After 1925, she was under contract to UFA, a German film company. After the transition to “talkies”, Oswalda joined the ranks of actresses and actors, who’s career took a nose dive. She only acted in two sound films. Her final screen appearance was in “The Star of Valencia”. She then began acting on the stage. She appeared in operettas in Germany and Vienna. When the National Socialists took power in Germany, she emigrated to Prague with her “Jewish life partner”, Julius Aubenberg. In 1943, she wrote a story for a Czechoslovakian film. In summarizing Ossi’s career, the IMDb credits her with 51 film appearances,  producing 5 films, and 1 screen writing credit. It is reported that she frequently played child-like spoiled women. She appeared in drag in at least one film. Oswalda’s first marriage (1919-1925) was to a Hungarian baron. After her divorce, the actress began a highly publicized romantic relationship with Crown Prince Willhelm (1882-1951). Simultaneously, the actress Lily Damita, was having an affair with the Prince’s son. The royal family put a kibosh to both “inappropriate” relationships. In 1947, she died in Prague at age 48, bankrupt and suffering from multiple health problems. This German real photo postcard is published by Ross Verlag soemetime between 1919 and 1924. The photograph of Miss Oswalda was taken by Becker & Maass of Berlin. Note her pretty hat and fan. Hopefully, she wasn’t allergic to feathers. Oswalda was young when this photograph was taken. She was beautiful and no older than 27 years of age. The YouTube clip below features Ossie Oswalda in the “The Doll” (1919), directed by Ernst Lubitsch.                                                       The second postcard features Miss Oswalda in a very skimpy costume. Her feathered hat is quite showy . She has a wonderful smile and pretty eyes. This risque postcard was part of  a series (no. 1050/2) and published by Ross Verlag of Berlin, Germany. The logo of UFA, a German film company, appears on the lower right hand corner of the postcard. The reverse of the postcard reveals that that the photographer is Strobl J. Nandor of Budapest, Hungary. This postcard is in very good condition (see scans).

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HENNY PORTEN: MAJOR GERMAN FILM ACTRESS WITH ADMIRABLE PRINCIPLES (RESISTED THE NAZI GOVERNMENT)

 

Henny Porten (1890-1960) is the subject of this real photo postcard. Porten was a German actress and film producer of the silent era. She was Germany’s first major film star and appeared in more than 170 films produced between 1906 and 1955. Along with Asta Nielsen and Pola Negri, she was one of the three most popular German actresses. Her father was a film director and her sister was an actress/screenwriter. She began her film career without any stage experience which was an unusual phenomenon for German actresses. Porten was not well known outside of Germany. A large number of her early films were directed by her husband, Curt Stark. Stark died during World War I (1916) while serving on the Eastern Front. In 1921 she remarried a Jewish man named Wilhelm von Kaufmann. When the Nazis took power, she received much pressure to divorce her husband. She refused to comply and her career plummeted. She was denied a visa to emigrate. Her career blossomed again after World War II. The photograph of Miss Porten seen on this postcard is by the Becker & Maass studio of Berlin, Germany. The photographers were well known for portrait and fashion photography in the first decades of the twentieth century. They photographed dozens of German film stars for magazines and postcards. You can view more of this studios photographs by clicking on the category “Photographer: Becker & Maass”.  The postcard is published by Rotophot which began publishing “RPH” postcards in 1916. There were three different series: Buhnen-Sterne (stage star), Film Sterne (film star), and Film Sterne (displayed scenes). This postcard is from the Film Sterne series and was no. 216/3. The film star series ran from number 61 through number 224. The front of the Film Sterne cards included the name of the film studio represented. This card advertises Messter-Films of Berlin. These postcards were continued by the Ross Verlag company who’s origins can be traced back to the earlier Rotophot postcard company. The You Tube clip below presents Henny Porten in some scenes from “24 Hours from the Life of a Woman” (1931).

 

PORTRAIT OF PRETTY ACTRESS TAMARA DESNI AND A LIFELIKE DOLL (VINTAGE REAL PHOTO POSTCARD)

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The pretty subject of this vintage real photo postcard is actress Tamara Desni (1910-2008). She has an exotic appearance. She was a German born daughter of a Ukrainian born silent film actress named Xenia Desni (1894-1962). Tamara begin her stage and film career as a child in Berlin, Germany. She also appeared in several British made films in the 1930’s and 1940’s.  She also starred in German films. In 1931 she had a major role in the operetta “White Horse Inn” which appeared in London. It was a spectacular hit at the Coliseum Theater. She next appeared in another leading role at the Coliseum in “Casanova”. She then had success in the British films “Falling For You (1933)”, “Forbidden Territory (1934)”, “Jack Ahoy (1935)”, and “Dark World (1935). Desni also played a supporting role in “Fire over England (1937)” which starred Laurence Olivier and Vivien Leigh. She continued her film career through 1950. Tamara Desni’s social life must have been quite interesting. She was married five times. She must have learned from her four mistakes because her fifth marriage lasted half a century and only ended with her husband’s death. Tamara Desni appears in this postcard holding a life-like doll. Desni is flashing a beautiful smile. The photograph was taken by Becker & Maass of Berlin, Germany. The postcard was published by Ross Verlag and was part of a series (No. 6346/1). The company printed real photo postcards of excellent quality. Some consider their portrait photos the finest movie/theater star postcard portraits ever published.