OSSI OSWALDA: BEAUTIFUL GERMAN SILENT FILM STAR

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The beautiful actress seen in the top vintage real photo postcard is named Ossi Oswalda (1897-1947). She was born in Germany and appeared predominately in silent films. She was a leading lady, popular comedienne,  dancer, and singer. Due to her popularity, she  was known as “the German Mary Pickford”. Ossi began her career as a ballerina and she danced in a chorus line for a theater in Berlin. She made her film debute in “Night of Horrors” (1916) and was noticed by actor/screenwriter Hanns Kraly, who introduced her to director Ernst Lubitsch. Oswalda’s early career began with appearances in several Lubitsch films. In 1921, she and her husband started a film production company that produced four films over four years, all starring Miss Oswalda. After 1925, she was under contract to UFA, a German film company. After the transition to “talkies”, Oswalda joined the ranks of actresses and actors, who’s career took a nose dive. She only acted in two sound films. Her final screen appearance was in “The Star of Valencia”. She then began acting on the stage. She appeared in operettas in Germany and Vienna. When the National Socialists took power in Germany, she emigrated to Prague with her “Jewish life partner”, Julius Aubenberg. In 1943, she wrote a story for a Czechoslovakian film. In summarizing Ossi’s career, the IMDb credits her with 51 film appearances,  producing 5 films, and 1 screen writing credit. It is reported that she frequently played child-like spoiled women. She appeared in drag in at least one film. Oswalda’s first marriage (1919-1925) was to a Hungarian baron. After her divorce, the actress began a highly publicized romantic relationship with Crown Prince Willhelm (1882-1951). Simultaneously, the actress Lily Damita, was having an affair with the Prince’s son. The royal family put a kibosh to both “inappropriate” relationships. In 1947, she died in Prague at age 48, bankrupt and suffering from multiple health problems. This German real photo postcard is published by Ross Verlag soemetime between 1919 and 1924. The photograph of Miss Oswalda was taken by Becker & Maass of Berlin. Note her pretty hat and fan. Hopefully, she wasn’t allergic to feathers. Oswalda was young when this photograph was taken. She was beautiful and no older than 27 years of age. The YouTube clip below features Ossie Oswalda in the “The Doll” (1919), directed by Ernst Lubitsch.               

Postcard 2 features Miss Oswalda in a very skimpy costume. Her feathered hat is quite showy . She has a wonderful smile and pretty eyes. This risque postcard was part of  a series (no. 1050/2) and published by Ross Verlag of Berlin, Germany. The logo of UFA, a German film company, appears on the lower right hand corner of the postcard. The reverse of the postcard reveals that that the photographer is Strobl J. Nandor of Budapest, Hungary. This postcard is in very good condition (see scans).

  Postcard 3 is a German real photo postcard that was published by Ross Verlag. Miss Oswalda’s photo was taken by celebrity photographer Alex Binder.   (SOLD)

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LUCY DORAINE : HUNGARIAN FILM STAR OF THE 1920’S

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loraine                                   POSTCARD 2 (SOLD)     

loraine 1                                                             POSTCARD 2  (SOLD)                                                                                   

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                                                     2020-04-14_214558 doraine 2                                                                       POSTCARD 3

The pretty young woman featured in this risque vintage real photo postcard (Postcard 1) is Hungarian actress, Lucy Doraine (1898-1989). She began her film career shortly after her teenage years. Her mentor was Hungarian director, Michel Curtiz. He was also the first of four husbands. The pair worked together for about five years in Budapest and Vienna. They had gone to Vienna in 1919 to flee the political and military morass in Hungary. Doraine remained a European film star until 1927. Eventually, Doraine left for Hollywood, but her career did not take off. She was confined to playing supporting roles and she was young for this loss of starring roles to occur (about 30 years of age). She retired from her film career in 1933, but remained in the United States. The IMDb lists her as having 31 acting credits between 1916 and 1931.This postcard is of German origin and was published by Ross Verlag as part of a series (no.572/2). The postcard was published between 1919 and 1924. The photograph was a publicity still for her appearance in Sodom and Gomorrah (1922), The youtube video below shows Lucy Doraine appearing in a 1922 film. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. (POSTCARD 1 SOLD)                                                            Lucy Doraine is also the subject of postcard 2. Once again Miss Doraine is adorned with an elaborate and large feathered head piece. Apparently, she was quite showy. This postcard was published by Ross Verlag and was part of a series (no. 3438/1). Doraine’s photograph was taken by Alex Binder who practiced his profession in Berlin, Germany.  A number of actress portrait postcards by Binder can be found in the Cabinet Card Gallery. To view those images, place his name in the site’s search box.  (POSTCARD 2 SOLD)                                                                                                                                         Postcard 3 features Miss Doraine in flamboyant attire. She is alluring, beautiful, and photogenic. Note her fur stole and pearls. Her hat is fantastic. This postcard was published by Ross Verlag and is part of a series (no.2046/2). The photographer of Miss Doraine’s portrait is Ernst Schneider.  Schneider was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s). He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. This postcard is in very good condition (see scans).

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doraine 2            POSTCARD 1   (SOLD)

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PORTRAIT OF ACTRESS GERDA MAURUS AND HER AIREDALE

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cuban milkman 5 The lovely actress seen in this vintage real photo postcard is named Gerda Maurus (1903-1968). She is posed next to a beautiful Airedale terrier. This unusual profile photograph was taken by celebrity photographer Alex Binder. His studio was located in Berlin, Germany. Maurus was active in film and television between 1928 and 1968. She was an Austrian actress of Croatian descent. Maurus was the daughter of an engineer/inventor. She grew up in Vienna and received training as a singer and dancer. She hit the stage at age fifteen. The IMDb biography of Maurus describes her as ” a strikingly beautiful blonde with high cheekbones an expressive blue eyes”. She began her career on the stages of Vienna. She was “discovered” by director Fritz Lang and he cast her in the female lead in the silent film “Spione” (1928). Lang was smitten by maurus and his marriage was destroyed. She then appeared in a number of German films during the Weimar and Nazi eras. Maurus married director Robert A. Stemmie in 1937. He directed her in  “Daphne and the Diplomat” (1937). Like many actresses of her time, her acting career was hurt by the introduction of “talkies”. Further complicating matters was her nebulous association with Nazi propaganda minister Joseph Goebbels. This relationship had negative impact on her career after World War II. Due to lack of film offers, Maurus retreated to the German stage. The IMDb filmography of Gerda Maurus lists 33 credits. Here is a side note about Airedales. The first World War increased the popularity of Airedales because they became famous for their bravery on the battlefield. In the US, Presidents Theodore Roosevelt, Calvin Coolidge, and Warren Harding all owned Airedales. In the 1920’s, Airedales became the most popular dog in the US. This postcard was published by Ross Verlag and is part of a series (no. A1320/1).  (SOLD)

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LILLIAN ELLIS – DANISH STAR IN GERMAN FILMS

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ellis2 This vintage real photo postcard features Danish actress, Lillian Ellis (1907-1951). She made fer film debut in 1928. Many of her roles were in German films. Her stardom in Germany peaked at the end of the 1920’s. The IMDb credits Ellis with 18 acting roles between 1928 and 1959. This vintage postcard was published by Ross Verlag and was part of a series (no. 5281/1). The photographer who took this photograph was Alex Binder, a celebrity photographer located in Berlin, Germany. This portrait postcard is in very good condition.

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TRUUS VAN AALTEN: PRETTY, SPUNKY, AND FUNNY DUTCH/GERMAN ACTRESS

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The top vintage real photo postcard features Dutch actress, Truus van Aalten (1910-1999). She appeared in many German films in the 1920’s and 1930’s. She is flashing a wonderful smile as she holds a cute little dog. Truus worked as a milliner after finishing school and then worked as a salesgirl in a clothing store in Amsterdam. What she really wanted to do, was to become a movie actress. Unfortunately, at the time,  the movie industry was not producing many films in the Netherlands. In 1896, Truus entered a beauty contest sponsored by a Dutch magazine. The winner of this contest would be given the opportunity to audition for a film role. Truus was selected and joined about two hundred other women in Berlin to try out for the film part. She excelled on the screen test and won the role. The movie was being produced by Ufa, a German film company. The cast of the film included Betty Balfour and Willy Fritsch. Three photos of Miss Balfour can be found in the Cabinet Card Gallery by searching for “Balfour”. The name of Truus’s first movie was “A Sister of Six” (1926). Keep in mind, Truus had no training or experience as an actress. Even though Truu’s command of the German language was weak, Ufa offered her a contract and promised to train her and offer her opportunities in other films. The Ufa executives appreciated her sparkly and funny personality as well as her photogenic appearance. Truus’s father signed the contract and she moved to Berlin. The celebrated actress Olga Tschechowa took Truus under her wing and became her unofficial mentor and mother figure in the film industry. Olga nicknamed the young actress “Trulala”. Truus second film appearance was in “His Late Excellency” (1927). This movie included Willy Fritsch and Olga Tschechowa among it’s stars. Truus appeared in five movies that were released in 1928. She was certainly a busy actress. As Truus started to appear in more and more silent films, it became clear that she was talented; pretty, spunky, and funny. Truus’s greatest talent was seen in her comedic roles. She slowly became a fan favorite. She was the subject of interviews and photos in movie magazines. She also got work appearing in advertisements.  Truus had “a look” of her own. She was described in one article as having a “mixture of boyish yet feminine energy”. Her bobbed hair and her uninhibited style was similar to actress Colleen Moore. Truus made a successful transition into “talkies”, despite her Dutch accent. By 1930, she was a very well known actress. Her photograph appeared in many postcards and tobacco cards. As Nazism rose in Germany, members of the film industry felt extremely vulnerable. Her film appearances became less frequent, partially because the parts written for females, during the Hitler era,  were not particularly desirable to Truus. In 1934, she starred in her only film in Dutch and she was well received. Her next film wasn’t until 1939 and it turned out to be her final film appearance. In 1940, she returned to live in German occupied Netherlands. She was offered movie roles there, but refused them, because they were propaganda films. After the war, there was little activity in film production in Germany or Netherlands. Finding roles in English or American movies was unsuccessful. In 1954, Truus established a successful importing and exporting business in the Netherlands. The IMDb credits Truus with 28 film appearances from 1926 to 1939. The YouTube video below demonstrates just how cute and engaging Truus was as an actress. She was incredibly adorable.                                                                                                        Postcard  1 was published by Ross Verlag. The postcard is part of a series (no. 4184/1). Miss van Aalten’s portrait was taken by photographer Alex Binder, who operated a studio in Berlin. He was one of Berlin’s premier photographers and photographed many stars of the stage and film. This postcard is in excellent condition (see scans).                                       Postcard 2 was also published by Ross Verlag. The card is part of a series (no. 3884/1). The portrait was taken by photographer Hanni Schwarz of Berlin. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. Before becoming a photographer, she was a teacher at her father’s school in Basel. In 1904 , she and Anna Walter took over the photo studio of Johannes Hulsen in Berlin. In 1908, she and Wilhelm von Gloeden presented nude photographs at an exhibit in Berlin. Sometime around 1909 she ran her studio with photographer Marie Luise Schmidt. During the Brussels World’s Fair in 1910, Schwarz exhibited nudes In 1914, she began working with color photography. In 1919 the studio’s name only included Miss Schwarz, and she was reported to specialize in portrait and dance photography. The last known year of Schwarz’s work was 1930. This vintage postcard is in excellent condition (see scans).

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tua & dog 2                           Postcard 1 

trus 2 2 POSTCARD 2                                                                      

ELISABETH PINAJEFF: EUROPEAN ACTRESS, ARTIST, AND PART OF THE “BALLETS ROSES SCANDAL”

This vintage real photo postcard features German actress Elisabeth Pinajeff (1900-1995). In the 1920’s and 1930’s she starred in French and German films. Her first sound film was in 1929. The actress was born in Russia. Her father was an architect and her mother was a countess. In the 1910’s Pinajeff studied drama in the Ukraine. When she was 19 years old she married an engineer and his career required the couple to move to Germany. In 1929, Pinajeff met Austrian photographer, Alex Binder. Binder will be a familiar name to those that follow the cabinet card gallery. Many of his beautiful postcard portraits of theater stars can be found in the gallery (you can see his photos by placing his name, “Binder”, in the search box).  Binder had the largest photo studio in Europe during the 1920’s. Pinajeff modeled for Binder and later, married him. The couple lived in Paris. There is some debate about the years that they were together.The IMDb reports that Pinajeff appeared in 35 films between 1922 and 1938. After appearing in a bit part in a 1938 film about Rasputin, she retired from acting and focused on her painting. In 1950, Pinajeff became a friend of Andre Le Troquer, a “very connected” lawyer and politician. The couple surrounded themselves with political, artistic, and intellectual leaders.   In 1959, she was involved in a scandal known as the “Ballets Roses Scandal”. She was one of more than twenty people enmeshed in the scandal. She was accused of organizing erotic ballets with underaged girls for an “elite” audience. Some prospective show biz mother’s had consented to their daughters participation in this ballet with hopes that it would help launch their performance career.  Although Pinajeff was not convicted. Miss Pinajeff had artistic talent. She painted a number of famous personalities including the British Queen. She successfully exhibited a number of her paintings. This postcard is somewhat risque in that the photograph shows Miss Pinajeff’s bare back. The actress was a very pretty woman and had an engaging smile. This postcard was published by Russ Verlag and is part of a series (no. 2060/1). The photographer was the aforementioned Alex Binder and the photo was taken in Berlin.