TRUUS VAN AALTEN: PRETTY, SPUNKY, AND FUNNY DUTCH/GERMAN ACTRESS

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The top vintage real photo postcard features Dutch actress, Truus van Aalten (1910-1999). She appeared in many German films in the 1920’s and 1930’s. She is flashing a wonderful smile as she holds a cute little dog. Truus worked as a milliner after finishing school and then worked as a salesgirl in a clothing store in Amsterdam. What she really wanted to do, was to become a movie actress. Unfortunately, at the time,  the movie industry was not producing many films in the Netherlands. In 1896, Truus entered a beauty contest sponsored by a Dutch magazine. The winner of this contest would be given the opportunity to audition for a film role. Truus was selected and joined about two hundred other women in Berlin to try out for the film part. She excelled on the screen test and won the role. The movie was being produced by Ufa, a German film company. The cast of the film included Betty Balfour and Willy Fritsch. Three photos of Miss Balfour can be found in the Cabinet Card Gallery by searching for “Balfour”. The name of Truus’s first movie was “A Sister of Six” (1926). Keep in mind, Truus had no training or experience as an actress. Even though Truu’s command of the German language was weak, Ufa offered her a contract and promised to train her and offer her opportunities in other films. The Ufa executives appreciated her sparkly and funny personality as well as her photogenic appearance. Truus’s father signed the contract and she moved to Berlin. The celebrated actress Olga Tschechowa took Truus under her wing and became her unofficial mentor and mother figure in the film industry. Olga nicknamed the young actress “Trulala”. Truus second film appearance was in “His Late Excellency” (1927). This movie included Willy Fritsch and Olga Tschechowa among it’s stars. Truus appeared in five movies that were released in 1928. She was certainly a busy actress. As Truus started to appear in more and more silent films, it became clear that she was talented; pretty, spunky, and funny. Truus’s greatest talent was seen in her comedic roles. She slowly became a fan favorite. She was the subject of interviews and photos in movie magazines. She also got work appearing in advertisements.  Truus had “a look” of her own. She was described in one article as having a “mixture of boyish yet feminine energy”. Her bobbed hair and her uninhibited style was similar to actress Colleen Moore. Truus made a successful transition into “talkies”, despite her Dutch accent. By 1930, she was a very well known actress. Her photograph appeared in many postcards and tobacco cards. As Nazism rose in Germany, members of the film industry felt extremely vulnerable. Her film appearances became less frequent, partially because the parts written for females, during the Hitler era,  were not particularly desirable to Truus. In 1934, she starred in her only film in Dutch and she was well received. Her next film wasn’t until 1939 and it turned out to be her final film appearance. In 1940, she returned to live in German occupied Netherlands. She was offered movie roles there, but refused them, because they were propaganda films. After the war, there was little activity in film production in Germany or Netherlands. Finding roles in English or American movies was unsuccessful. In 1954, Truus established a successful importing and exporting business in the Netherlands. The IMDb credits Truus with 28 film appearances from 1926 to 1939. The YouTube video below demonstrates just how cute and engaging Truus was as an actress. She was incredibly adorable.                                                                                                        Postcard  1 was published by Ross Verlag. The postcard is part of a series (no. 4184/1). Miss van Aalten’s portrait was taken by photographer Alex Binder, who operated a studio in Berlin. He was one of Berlin’s premier photographers and photographed many stars of the stage and film. This postcard is in excellent condition (see scans).                                       Postcard 2 was also published by Ross Verlag. The card is part of a series (no. 3884/1). The portrait was taken by photographer Hanni Schwarz of Berlin. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. Before becoming a photographer, she was a teacher at her father’s school in Basel. In 1904 , she and Anna Walter took over the photo studio of Johannes Hulsen in Berlin. In 1908, she and Wilhelm von Gloeden presented nude photographs at an exhibit in Berlin. Sometime around 1909 she ran her studio with photographer Marie Luise Schmidt. During the Brussels World’s Fair in 1910, Schwarz exhibited nudes In 1914, she began working with color photography. In 1919 the studio’s name only included Miss Schwarz, and she was reported to specialize in portrait and dance photography. The last known year of Schwarz’s work was 1930. This vintage postcard is in excellent condition (see scans).

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tua & dog 2                           Postcard 1 

trus 2 2 POSTCARD 2                                                                      

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PRETTY ACTRESS HERTHA FEILER AND HER ADORABLE WIRE HAIR TERRIER

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Hertha Feiler (1816-1970) was an Austrian actress. She was of Jewish descent. Feiler was married to comedian Heinz Ruhmann. The pair starred in several films together. The IMDb credits Feiler with appearing in 33 films between 1937 and 1968. Originally, Feiler wanted to be a pianist but a medical problem (inflamation in her arm) caused her to look for another artistic profession. She made her film debut at the age of 21. Over time, she became a popular actress. She often played “ladylike and cheerful roles with charm”. She fell in love with Ruhmann while he was directing her in “Louder Lies (translation)” (1938). The Nazis considered Feiler to be one fourth Jewish so there were limits placed on her acting opportunities. In the 1950’s she took on more mature roles.  She tended to play women who were confident and cheerful but pragmatic. She retired from acting in 1968 due to illness (cancer). Feiler was known to be an excellent swimmer and equestrian. Miss Feiler is very pretty in this photograph. Her dog, possibly a wire haired terrier, is adorable. The postcard was published by Ross Verlag as part of a series (no. A 3077/2). The photographer was Ludke. There is a logo of a film studio in the lower right hand corner of the image. Look below to see a youtube video featuring Hertha Feiler and Heinz Ruhmann. This portrait postcard is in very good condition (see scans).

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TWO PORTRAITS OF BEAUTIFUL SILENT FILM STAR XENIA DESNI

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These two vintage real photo postcards feature actress Xenia Desni (1894-1962). She is seen in the first postcard, snuggling with a large teddy bear. Miss Desni is beautiful and this photograph is a bit risque for it’s era. She has pretty eyes and a wonderful smile. Miss Desni was born in the Russian Empire and she and her family fled the Russian Revolution to Constantinople, which was in the Ottoman Empire. She began acting and dancing in vaudeville there and than moved to Berlin where she became involved in films. She began her career by appearing in the movie “Sappho” (1921). This was followed by a number of other film successes. The IMDb credits her with 33 acting roles between 1921 and 1940. She is most identified with “Leap Into Life” (1924),  “Der rosa Diamant” (1926)  and “The Tower of Silence” (1925). The introduction of sound movies, (she only appeared in one)  led to the death of her career. Xenia Desni was the mother of Tamara Desni, a star of British films in the 1930’s and 1940’s. The Cabinet Card Gallery has a photograph of Tamara Desni (1913-2008) which can be seen by placing her name in this blog’s search box. The photographer of this portrait is the Willinger studio which was located in Vienna. Laszlo Josef Willinger (1909=1989) was a Jewish-German photographer known for his portrait photography of movie stars and celebrities. This area of concentration began in 1937. His mother, Margaret Willinger was also a photographer. Her work included photographs of theatrical stars. Laszlo Willinger established studios in Paris (1929) and Berlin (1931). At the age of 23, he left Berlin (1933) with the rise of Adolf Hitler and relocated to Vienna, Austria. He began photographing celebrities including Hedy Lamarr, Josephine Baker, Marlene Dietrich, Sigmund Freud, and Carl Jung. Willinger was invited by studio photographer, Eugene Robert Richee to move to the United States and in 1937, he settled in Los Angeles, California. He then opened a photo studio in Hollywood and sold many of his photographs to magazines and other periodicals. He produced many magazine covers of popular stars. Among the stars he photographed were Clark Gable, Joan Crawford and Fred Astaire. Interestingly, toward the end of his career, he was accused of stalking some celebrities, including Charlie Chaplin. This postcard was published by Ross Verlag of Berlin, Germany and is part of a series (no. 1661/1).                                                                                                                    The second postcard highlights Miss Desnis’ beauty. Her dress’s “plunging” neckline makes this postcard a bit risque for it’s time. In fact, her clothing looks a lot like sleepwear. This photo portrait of Xenia Desni was taken by photographer A. Eberth of Berlin, Germany. The postcard was published by Ross Verlag and is part of a series (no. 571/1).

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BEAUTIFUL ANGLO-GERMAN FILM ACTRESS LILLIAN HARVEY

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 Real photo postcard #1 features Anglo-German actress and singer, Lillian Harvey (1906-1968). Her acting base was in Germany. Harvey was born in Hornsey, England to an English mother and a German father. During World War I her family was “trapped” in Magdeburg, Germany and Harvey was sent to live with her Swiss aunt. After the war she finished school in Berlin and than studied voice and dance at the Berlin State Opera. In 1924 she earned a role as a revue dancer in Vienna. This was followed by her first movie role which was in an Austrian film named “The Curse”. Thereafter, she starred in multiple silent films. Her first leading role was in “The Passion” (1925). Because of her voice training, Harvey was able to make the transition into “talkies”. She and actor Willy Fritsch became the “dream couple” of German movies. The pair acted together in eleven movies. In the 1930’s Harvey’s films appeared in both German and English and she became popular outside of Germany. She went to Hollywood and made four movies for the Fox Film Corporation (this postcard is from that period). In 1935, Harvey returned to Germany. She appeared in several more films and soon she was under the watchful eye of the Gestapo. Harvey had many Jewish friends in the film industry  and she was supportive of them. By 1939, Miss Harvey was forced to leave Germany, leaving behind valuable real estate holdings. She went to France where, in 1940, she made two movies for director Jean Boyer. In 1943 she was stripped of her German citizenship because she had performed for French troops. When southern France was occupied by the Nazis in 1942, she emigrated to the United States. During the war she did some theatre acting and also worked as a homeside volunteer nurse. After the war, Harvey relocated to Paris. She went on a world tour as a singer and in 1949 made appearances in West Germany. She spent her retirement on the French Riviera (Antibes) where she had a souvenir shop and raised snails for escargot. Harvey was married one time. Her four year marriage to theater director Hartvig Valeur-Larsen ended in divorce. Eventually she settled down with her female partner Else Pitty Wirth (1907-2007). Interestingly, the two women are buried together in Antibes. The imdb gives Harvey 54 acting credits between 1925 and 1940. Interestingly, Lillian Harvey’s name is mentioned in Quentin Tarantino’s film  “Inglorious Bastards” (2009). One of her songs is played on a phonograph and in addition one of the characters in the film mentions liking Harvey’s performance in a film and Joseph Goebbels becomes angry and insists her name never be mentioned in his presence. Click on the link below to hear the Lillian Harvey/Willy Fritsch duet used in the Tarantino movie. The 1936 song is titled “Ich Wollt Ich War Ein Huhn” (I Wish I Was A Chicken). Now would be a good time to discuss this postcard portrait of Miss Harvey. She is looking quite decorated in this photograph. She is wearing a garland of leaves in her hair, a very ornate necklace, a number of large bracelets, two giant rings, and a jeweled clasp on her dress near her cleavage. Note her very notable eye lashes. She is wearing a somewhat provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. The postcard was published by the German firm Ross Verlag and was part of a series (no. 8679/1). The postcard credits Fox films.                                                 SOLD                                                                                                                                                                          

The second postcard (postcard 2) features Miss Harvey in a risque costume. She is showing a “lot of leg” which is quite provocative for her time. It is likely that this image captures her in one of her film roles. The postcard was published by Argenta, which was located in Munich, Bavaria.                                                                                                                  SOLD        

The third postcard (postcard 3) presents Miss Harvey is a sexy pose. Note her dark gloves and large hoop earrings. The postcard was published by Ross Verlag and is part of a series (no. 4288/1). Note the advertising logo for the German film company UFA, located on the bottom right hand corner of the image.

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The fourth postcard (postcard 4) showcases Lillian Harvey’s beautiful smile. Miss Harvey’s not quite plunging neckline was clearly aimed to add a bit of a risque element to the photograph. This postcard was published by Ross Verlag (Berlin) and is part of a series (no. 1019/2). This portrait was taken by the talented photographer, Alex Binder. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. 

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The fifth real photo postcard (postcard 5) features Miss Harvey wearing a bathing suit and sitting in a beach chair. Her shoes and stockings don’t seem very appropriate for the beach so it is a good thing that she is actually in a photographer’s studio and sitting in front of a beach backdrop. Obviously, the mission of the photographer was not to convince viewers that Miss Harvey was at the beach. The intent of photographer Alexander Binder was to present Lilian Harvey in a provocative and sexy pose. Mr. Binder certainly succeeded in accomplishing his goal. This photo postcard was published by Ross Verlag.

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Postcard #6 features a hand colored portrait of Miss Harvey published by Ross Verlag. The postcard is part of a series (no. 3543/4). She looks fantastic wearing her print dress and plaid long scarf. I’m not convinced the dress and scarf are matching, but her beauty overcomes any mismatch. As in Postcard #3, the logo for the German film company UFA, can be seen on the lower right hand corner of the image. This photo postcard is from the 1930’s and is in very good condition (see scans).

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Postcard #7 features Lillian Harvey leaning forward as she looks into a hanging bird cage. The photographer likely chose this pose to inject some sexuality into the image. The pose reveals a small amount of the actress’s cleavage. She is wearing a relatively low-cut dress for this time period. Print on the reverse of the postcard reveals that the photograph of Miss Harvey comes from the film “Congress Dances” (1931). Her costar in the film was Willy Fritsch. The postcard was published by Ross Verlag and is part of a series (no. 6738/1). On the right hand bottom corner of the postcard is the logo for “UFA”, a German film company. This postcard is in excellent condition.

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harvey-1                                                            POSTCARD 1

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THREE PORTRAITS OF THE BEAUTIFUL GERMAN SILENT FILM ACTRESS: ALLY KOLBERG

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 * This vintage real photo postcard  (Postcard 1) features beautiful German silent film actress, Ally Kolberg. Her movie career was brief. She appeared in films between 1916 and 1923 and they included 16 German films and 1 Swedish production. She was often directed by female directors. During her career she was also credited as Ally Bing and Ally Kay Bing.  Initial research revealed very little about the life of Miss Kolberg. More intensive investigation is required. This postcard was published by Rotophot, which began publishing “RPH” postcards sometime around 1916. This postcard is part of a series (no 4794/3). The production of film star postcards was continued by the Ross Verlag company who’s origins can be traced back to the earlier Rotophot postcard company. This postcard has a Bavarian stamp and is postmarked from Weilheim, Bavaria.

    *  The second postcard (Postcard 2) features a real photo portrait  of Miss Kolberg. She is dressed in a more subdued fashion in this photograph than in the first postcard. She is wearing “every day” clothing compared to the high fashion, attention grabbing style seen in the first postcard. In this photo, Ally is posed clasping her hands and looking dreamingly toward heaven. The backdrop behind her could be viewed as sky. As in the first postcard, Miss Kolberg is quite beautiful. This postcard was also, like the first, published by Rotophot and has the “RPH” logo. The message on the reverse of the postcard dates the card to 1913. This date is a bit earlier than when some sources believe RPH began publishing postcards. The sources are close, but incorrect. This postcard was part of a series (no. 3697/5) and is in excellent condition (see scans).

 *  Ally Kolberg is the subject of this third vintage real photo postcard (Postcard 3). Miss Kolberg’s beauty is apparent in this photograph. She is wearing a long translucent veil and an alluring smile. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no. 119/1). The logo for the motion picture company “Film Sterne” can be seen in the lower left hand corner of the postcard. The photo studio that took this photograph was Becker & Maas. The firm was located in Berlin, Germany.

 

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                                                                      Postcard 1 (#2462)

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                                                                   Postcard 2 (#2463)

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RISQUE PORTRAIT OF GERMAN SILENT FILM ACTRESS DITA PARLO

This vintage real photo postcard portrait features German silent film actress, Dita Parlo (1908-1971). She was born in present-day Szczecin, Poland. At the time of her birth, the city was part of Germany. Her father was a forest ranger. She was initially trained as a ballerina but switched to studying acting at the Babelsberg film school. Producer, Erich Pommer, discovered Parlo and signed her to a contract to Ufa. She made her film debut in “Homecoming” (1928) and in short time became a popular actress in Germany. During the 1930’s she appeared in both German and French films and achieved much acclaim. Two of her films in particular are considered among the best in cinema history: “L’Atalante” (1934) and “La Grande Illusion” (1937). During World War II she was deported to Germany but returned to France in 1949 and resumed her career. Parlo made an attempt to establish herself in American films but had limited success. She did appear in a couple of American films and in the late 1930’s and she nearly had a role in the Orson Welles production of Joseph Conrad’s “Heart of Darkness”. Unfortunately, the project did not materialize. The horror! The horror! Oh the horror of disappointment she must have experienced. According to the IMDb, Parlo appeared in 28 films between the years of 1928 and 1966. Parlo was married to a Protestant pastor, Franck Gueutal (1904-1983) and the couple remained married until she died in 1971. An interesting piece of trivia is that Madonna took Parlo’s name for a character she created for her book entitled “Sex”. The singer stated that she was fascinated by Dita Parlo. This portrait postcard was published by Ross Verlag and was part of a series (no. 3972/1). The postcard displays the logo of “Ufa”, a German film company.  The video below shows Miss Parlo in the film  “Au bonheur des dames” (1930). Her co-star in the film was Pierre De Guingand (1885-1964). The movie was based on the romance of French writer Emile Zola.

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TWO PORTRAITS OF PROVOCATIVE GERMAN SILENT FILM STAR RUTH WEYHER

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This vintage real photo postcard features German silent film actress, Ruth Weyher (1901-1983). She was born in Neumark, East Prussia, Germany.  Weyher grew up in Danzig where she studied painting until she switched to a conservatory to study singing. An illness robbed her of her singing voice and in 1919 she travelled to Berlin where she studied a Max Reinhardt’s theatre school. Reinhardt was a well known director and producer. She appeared in 48 films between 1920 and 1930. She starred in director Georg Wilhelm Pabst’s film “Secrets of the Soul” (1926). She also produced a film in 1929. During her career, Weyher only appeared in a few sound movies and she abandoned acting after marrying publisher Hans Geiselberger in 1932. It is reported that she retired at her husband’s request. The video clip below features Miss Weyher in her appearance in the film “Shadows: A Nightly Hallucination” (1923). The film title translation was done by “google translate”. Weyher’s costar in this film was Austrian stage and film actor Fritz Kortner (1892-1970). A review of this film describes Weyher as “beautiful and passionate”.  Ruth Weyher’s appearance in this film can be described as risque or provocative. One of the themes of this film is infidelity. This postcard was published by Ross Verlag and is part of a series (no. 3529/1). The portrait of Miss Weyher was taken by Alex Schmoll, a photographer located in Berlin, Germany. There is Italian print on the reverse of the postcard that roughly translates as “Exclusive sale publisher: Ballerini and Fratini, Firenze (Florence, Italy). A bit of research reveals that the publishing house, Ballerini & Fratini Montespertoli began in Florence in the year 1912.                                     The second postcard featuring Ruth Weyher was also published by Ross Verlag. The postcard is part of a series (no. 3089/1). This portrait of Miss Weyher  has her posed in position to display her bare back. She has an engaging smile and holds a large fan of dark feathers. Some may find this image somewhat sexually provocative. The photographer of this photograph is Kiesel of Berlin, Germany.

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BETTY BRONSON: BEAUTIFUL ACTRESS BEST KNOWN FOR PLAYING PETER PAN IN THE 1924 SILENT FILM

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Postcard 3

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This vintage real photo postcard features American actress Betty Bronson (1906-1971).She began her career in silent films and later appeared in sound films and television. This postcard was published by Ross Verlag and is part of a series (1095/1). At the time when this postcard was released, Miss Bronson was working for Paramount Film. She appears to be quite young when she sat for this portrait. She moved to California as a teenager determined to start an film acting career. She landed a bit part at age 16 and a year later she was interviewed by the author of  Peter Pan (J M Barrie) and chosen to play the lead role in the film version which was released in 1924. Gaining this part was quite an accomplishment considering more seasoned actresses including Gloria Swanson and Mary Pickford sought the role. She became became lifelong friends with two members of the Peter Pan cast (Mary Brian and Esther Ralson). Miss Bronson had major roles in the silent films Ben Hur (1925) and a Kiss for Cinderella (1925). Betty Bronson made a successful transition into talkies. She co-starred with Al Jolson in the sound film, The Singing Fool (1928). In 1933 she took about a four year break from actingto marry a wealthy North Carolinian named Ludwig Lauerhass. While she was filming Peter Pan, Douglas Fairbanks Jr. developed a crush on her. The IMDb reports that Bronson had 41 film and television appearances during her career (1922-1971). Included in her television career were roles in Run For Your Life and My Three Sons. Overall, it is reported that Betty Bronson never lived up to her original promise. She was expected to be a major competitor to Mary Pickford but it is thought that her roles after Peter Pan were not effective vehicles to showcase her talent and to help her rise to superstardom. The YouTube clip below shows Miss Bronson in her role as Peter Pan.                                                                                                             The second postcard offers another portrait of Betty Bronson. The postcard was published by Ross Verlag and has the logo of Paramount Pictures. This postcard shows her in a movie role but the movie title is unidentified.                                                                                                            The third postcard is a portrait of Miss Bronson that was published by Iris Verlag as part of a series (#504). Iris Verlag was the most important Austrian publisher of film star postcards. It operated from Vienna during the 1920’s and 1930’s. The film star looks quite beautiful and is wearing a fancy dress, long white gloves, and a tiara. Imbedded in the photo of the actress is a logo for “Fanamet Films”.  Fanamet was an Austrian film distribution company.

                 POSTCARD 1

bronson3 2 Postcard 2

bronson 3 2 POSTCARD 3

 

ELISABETH PINAJEFF: EUROPEAN ACTRESS, ARTIST, AND PART OF THE “BALLETS ROSES SCANDAL”

This vintage real photo postcard features German actress Elisabeth Pinajeff (1900-1995). In the 1920’s and 1930’s she starred in French and German films. Her first sound film was in 1929. The actress was born in Russia. Her father was an architect and her mother was a countess. In the 1910’s Pinajeff studied drama in the Ukraine. When she was 19 years old she married an engineer and his career required the couple to move to Germany. In 1929, Pinajeff met Austrian photographer, Alex Binder. Binder will be a familiar name to those that follow the cabinet card gallery. Many of his beautiful postcard portraits of theater stars can be found in the gallery (you can see his photos by placing his name, “Binder”, in the search box).  Binder had the largest photo studio in Europe during the 1920’s. Pinajeff modeled for Binder and later, married him. The couple lived in Paris. There is some debate about the years that they were together.The IMDb reports that Pinajeff appeared in 35 films between 1922 and 1938. After appearing in a bit part in a 1938 film about Rasputin, she retired from acting and focused on her painting. In 1950, Pinajeff became a friend of Andre Le Troquer, a “very connected” lawyer and politician. The couple surrounded themselves with political, artistic, and intellectual leaders.   In 1959, she was involved in a scandal known as the “Ballets Roses Scandal”. She was one of more than twenty people enmeshed in the scandal. She was accused of organizing erotic ballets with underaged girls for an “elite” audience. Some prospective show biz mother’s had consented to their daughters participation in this ballet with hopes that it would help launch their performance career.  Although Pinajeff was not convicted. Miss Pinajeff had artistic talent. She painted a number of famous personalities including the British Queen. She successfully exhibited a number of her paintings. This postcard is somewhat risque in that the photograph shows Miss Pinajeff’s bare back. The actress was a very pretty woman and had an engaging smile. This postcard was published by Russ Verlag and is part of a series (no. 2060/1). The photographer was the aforementioned Alex Binder and the photo was taken in Berlin.

RISQUE PORTRAIT OF FILM STAR INEZ VAN BREE (PHOTO BY ESTEEMED PHOTOGRAPHER: ERNST SCHNEIDER)

This vintage real photo postcard is one of the more risque Ross Verlag postcards in the Cabinet Card Gallery. The postcard is of German origin and is part of a series (no. 1581/1). It was published between 1927 and 1928. Preliminary research found little information about Inez Van Bree. A defunct University of Toronto website labels Miss Bree as a silent movie siren/star. The photographer of this portrait appears to be Ernst Schneider and the photograph was taken in Berlin, Germany. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag.   SOLD