MIA MAY : PRETTY AUSTRIAN SILENT FILM ACTRESS

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These vintage real photo postcards feature pretty Austrian actress Mia May (1884-1980). She was born in Vienna, the daughter of a baker. Her older sister was Mitzi Telmont (1879-1958), also an actress. Mia’s stage debut was when she was five years old. She played child roles until reaching age fourteen. As a teenager she appeared as Herma Angelot and performed as an actress and singer. While a high school student, she took ballet lessons. At age 18, she married Austrian, Julius Otto Mandl. The couple’s baby (Eva Maria Mandl) was born seven weeks later. Mia’s husband changed his name to Joe May, upon his entry into the film business. He became a successful film producer and director. This is how Eva adopted her performer name. She appeared in 44 films between 1912 and 1924. Mia’s daughter, Eva May, also became an actress. In 1912, Joe, Mia, and Eva moved to Berlin, where Joe worked as a film director. In 1912 he directed Mia in a film that launched her acting career. By 1914, little Eva May made her screen debut. Joe began his own film company, May-Film Gmb, in 1915. Mia took the position of Managing Director. In 1918, Mia wrote a screen play for “Your Big Secret”. Her movie career flourished in the 1910’s and early 1920’s. From 1919 to 1920 she was the star of an eight part film series (serial) called “Mistress of the World”. Mia reached a level of popularity equivalant to Asta Nielsen, Pola Negri, and Henny Porten. In 1923, she appeared in a film with a young Marlene Dietrich. Mia stated that Marlene Dietrich was “funny and engaging, attractive and original.” She added, “no man could resist her”. Mia May’s last film appearance was in “The Love Letters of Baroness S” (1924). She retired that same year after her daughter Eva committed suicide. In 1933, after seeing the Nazis gaining power, Mia and Joe May fled to America. The couple opened a restaurant (Blue Danube) in Los Angeles but it failed.

The photo portrait of Eva May seen Postcard 1 was taken by Alexander Binder.  The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focused on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . The postcard was published by Ross Verlag (Berlin) as part of a series (no533/3). Note the “May” logo in the lower right corner of the image. Miss May was working for May-Film at the time this photograph was taken. The stamp box seen on the reverse of this postcard has an interesting story attached to it. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This vintage real photo portrait postcard has excellent clarity and is in very good condition (see scans).

Postcard 2 was also published by Ross Verlag. Once again, the photographer is Alex Binder. The postcard is part of the same series (533/2) as Postcard 1. The “May” logo can be seen on the bottom left corner of the image. This unposted postcard is in good condition (see scans).

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PRETTY ITALIAN ACTRESS AND WRITER MARCELLA ALBANI

Postcard 1

POSTCARD 2  (SOLD)

albani                   POSTCARD 3  (SOLD)

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Marcella Albani (1899-1959) was an Italian film actress that appeared in 50 films between 1919 and 1936. Albani was “discovered” by writer/director Guido Parish (Schamberg) when she was twenty years old. They became a very successful film couple until 1924 when they parted ways. Their movies were predominately tear jerkers and adventure stories. The actress also worked with other famous directors such as Joe May, Friedrich Zelnik, and Wilhelm Dieterle. Albani was a major star in the European cinema in the late 1920’s. Her films were made in five different European countries. Many of Albani’s roles were portraying elegant Latin beauties. At the advent of sound movies, Miss Albani turned to writing. One of her several novels was turned into a movie. She continued to act until 1936. Albani was married to director Mario Franchini in 1931.

Albani certainly looks elegant, sensual, and beautiful in this Postcard 1 portrait. She is dressed exquisitely. The postcard image is a bit risque for it’s era. This postcard was published by Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 538/1). This portrait of Miss Albani was taken by celebrity photographer, Alexander Binder. This vintage postcard is in very good condition (see scans).

In the photograph seen on Postcard 2, Albani again looks elegant, and beautiful. Her hat is a fashion statement in itself. The card is of German origin and published by Ross Verlag of Berlin. The postcard is part of a series (no. 1521/1). The photo is by Aafa film. According to one reliable source, the postcard was issued sometime between 1927 and 1928.

Postcard 3 features a beautiful risque portrait of Miss Albani. The publisher of this postcard is also Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 596/3). Printed on the postcard is the name “Albani Film”. The company was a film production and distribution firm and was active in 1934.

                                                        Postcard 2

albani 2                                                        Postcard 3

Postcard 1
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FIVE PORTRAITS OF PRETTY EUROPEAN STAGE ACTRESS LIANE HAID

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haid 3      POSTCARD 3  (SOLD) 

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These vintage real photo postcards features European film star Liane Haid (1895-2000). In the top postcard she poses holding a tennis racket and wearing a hair band to keep her hair out of her eyes. She is quite beautiful but how can we interpret her facial expression. To me, it looks like she is rolling her eyes as if she is bothered by something. Who is Liane Haid? She was born in Vienna, Austria and received training in both dance and singing. She gained the nickname of “Sweet Viennese Girl”. Haid was a prima ballerina, dancer, singer and stage actress. She worked in Budapest and Vienna as a dancer. Her stage career was mostly in Berlin and Vienna. She became a popular pin-up star through the 1920’s and 1930’s. Her first movie role was in a World War I propaganda film. She was employed by UFA and appeared in a number of comedy films  alongside other movie stars including Willi Forst, Bruno Kastner, and Georg Alexander. UFA was a major German Film producer and distributor that operated between 1917 through the end of World War II. Liane Haid refused a number of Hollywood offers but in 1942, she escaped Nazi Germany and went to Switzerland according to Wikipedia, “because of the regime, because everything was bombed, and because all the good directors had left”. Soon thereafter she got married and retired from films. She was married three times. The IMDB web site states that she has 92 film credits from 1915 through 1953. Notable films include “Lady Hamilton” (1921), “Lucrezia Borgia” (1926), and “The Song is Ended” (1930). The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company.               

 The second vintage postcard portrait of Miss Haid was also the work of Alexander Binder. The actress looks beautiful in her art deco lace headdress. Her eyes can be described as spell binding. The postcard was published by Germany’s Ross Verlag and is part of a series (no. 544/4). Also credited for this photograph is “Micco Film”. Before working for Micco Film, Haid was employed by Kunstfilm. She was very successful working for the company but in 1920 she sued the company for physically exploiting her (placing her in dangerous situations) and for making her financially responsible for her own makeup and costuming. Haid’s husband, industrialist Fritz  von Haymerle, built her a studio (Micco-Film) in Vienna to further promote her career.                         

 The third real photo postcard, seen above, was produced by publisher Ross Verlag (Berlin). Once again, Liane Haid appears beautiful in her portrait. The photograph was taken by the Ring studio in Vienna, Austria. A logo for Micco-Film appears in the lower right hand corner of the postcard.  SOLD                                                                                      

Postcard 4 is a vintage real photo postcard featuring  a young and long haired Liane Haid. She is flashing a very sweet smile. The postcard was published by Ross Verlag of Berlin, Germany. It is part of a series (No. 528/2). Miss Haid was photographed by Frieda Riess (1890-1955?), a female Berlin photographer. One of her photographs can be found in Great Britain’s National Portrait Gallery. The postcard has the logo for Micco-Film in the bottom right hand corner and is postmarked 1929. The card was mailed from Denmark to Estonia.  SOLD   

Postcard 5 features a vintage real photo of Miss Haid. As usual, she looks quite pretty. The actress is flashing a lovely smile. She is wearing a string of pearls and a hair band. This photograph was taken by the talented and prolific celebrity photographer, Alexander Binder. The postcard was published by Ross Verlag (Berlin) as part of a series (no. 545/1). The logo for Micco-Film can be seen on the bottom right hand corner of the postcard. The card was postmarked in 1925 and is in very good condition (see scans).                      

haid-1              REVERSE OF POSTCARD 1

haid-1     REVERSE OF POSTCARD 2

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 REVERSE OF POSTCARD 3

estonia3REVERSE OF POSTCARD 4

 

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REVERSE OF POSTCARD 5
POSTCARD 6

Postcard 6 offers another view of Miss Haid. She looks beautiful as always. This photograph was taken by the Becker & Maas studio. The firm was located in Berlin Germany. The publisher of the card was Ross Verlag. The postcard is part of a series (No.4190/1). The postcard is in good condition (see scans). Note the crease in the lower left hand corner. The postcard’s image is unscathed. The card is priced accordingly to condition.

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REVERSE OF POSTCARD 6

ELIZZA LA PORTA : PRETTY ROMANIAN BORN ACTRESS : APPEARED IN ANTI-ABORTION FILM

This vintage real photo postcard features Romanian born film actress, Elizza La Porta (1902-1997). She appeared in a number of German silent films between 1926 and 1930. The IMDb credits he with 19 film appearances. Some of her films had racy titles. She performed in “The Bordellos of Algiers” (1927), as well as “The Vice of Humanity” (1927). La Porta also appeared in a social commentary type film entitled “The Right of the Unborn” (1929). This silent film dealt with the issue of abortion and took a generally anti-abortion stance. La Porta retired from the film business with the advent of sound film. This vintage postcard was published in 1927 by Ross Verlag (Berlin, Germany). The card is part of a series (no.1694/1). The front of the postcard includes a logo advertising Sokal Films. Harry Sokal (1898-1979) was Romanian born and became a German film producer. He produced 22 films between 1926 and 1977. This portrait of Elizza La Porta was taken when she appeared in Sokal’s film, “The Student of Prague” (1926). This postcard is in very good condition (see scans). 

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CLOSE-UP PHOTO OF ACTRESS MARIA PAUDLER WITH A GOOSE UNDER EACH ARM : RPPC

This vintage real photo postcard features actress Maria Paudler (1903-1990). She was an Austro-Hungarian born German actress. She was the daughter of an architect. She received her acting training in Prague, performing on stage in both classical and modern roles from 1923 to 1938. After World War II she was imprisoned in the Czech Republic and was only set free after intervention from the Red Army. In 1949, she was severely injured in a car accident. The injuries almost ended her acting career. In 1951 she returned to acting and also directed some theatre productions. Paudler received offers from Hollywood but always rejected them. She published her memoirs in 1977.  She was married to actor Georg Czimaq and when that marriage ended, she became engaged to actor Harry Liedtke. The IMDb credits Paudler with 63 acting appearances between 1926 and 1985. This photo postcard features Miss Paudler being upstaged by the geese that she is holding; one under each arm. Miss Paudler looks surprisingly comfortable in this pose. This postcard was published by Ross Verlag as part of a series (no. 3122/3). The logo for a film company appears in the lower right hand corner of the image. This vintage postcard is in very good condition (see scans).

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Published in: on May 27, 2021 at 12:00 pm  Leave a Comment  
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BILLIE DOVE: BEAUTIFUL FILM ACTRESS, GIRL FRIEND OF FLORENZ ZIEGFELD AND HOWARD HUGHES

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This image has an empty alt attribute; its file name is billiedove_20210520_0003.jpgPOSTCARD 2 (CLOSE-UP)

Billie Dove (1903-1997) was an American actress. Her parents were Swiss immigrants. During her teenage years, she worked as a model to support her family. Florenz Ziegfeld hired her as a teenager to appear in the Ziegfeld Follies Revue. She was not a particularly talented dancer or singer, her beauty and acting ability were her major assets. In the early 1920’s she moved to Hollywood and began appearing in silent films. It has been written that Ziegfield’s wife, actress Billie Burke, helped facilitate Dove’s transition to films. Apparently, Burke was trying to separate Dove from her husband because the pair were having an affair. It did not take long for her to become one of the more popular actresses of the 1920’s. Among her better known films was “The Black Pirate” (1926) with Douglas Fairbanks, and “The American Beauty” (1927). Dove was a ravishing beauty and was very photogenic. She married director, Irvin Willat, in 1923. The marriage had a six year duration. She then had a three year romance with Howard Hughes. Dove’s other interests included being a pilot, painter, and poet. After her last film, “Blondie of the Follies” (1932), Dove retired from films. It is thought that she retired because she was distraught about her role in her last film being “trimmed” by her co-star’s (Marion Davis) influential boyfriend (William Randloph Hearst). Hearst was upset because Miss Davis’s acting was overshadowed by Dove’s acting. Mr Hearst owned Cosmopolitan Productions which produced the movie. After retirement, Dove married oil executive Robert Kenaston in 1933 and the couple remained together until Kenaston’s death in 1970. She had a brief third marriage to an architect. It is interesting to note that jazz singer, Billie Holiday, borrowed Billie Dove’s first name when picking out her own stage name. Miss Holiday was an admirer of Miss Dove. The IMDb lists 50 movie credits for Billie Dove between 1921 and 1962.

Postcard 1 was published by “Ross Verlag”, The photographer of Miss Dove’s portrait was Defina of First National Pictures. This postcard is in excellent condition (see scans).

Postcard 2 was also published by “Ross Verlag”.  Billie Dove looks beautiful in this portrait. Note the old style phone she is using. The postcard was sold exclusively by Ballerini & Fratini of Florence, Italy. The firm was known for producing a large number of postcards, including film stars of the 1920’s. I do not know why there were two publishing firms involved in producing this postcard. Perhaps there was a distribution agreement of some kind between the two companies. This vintage postcard is in very good condition (see scans).

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POSTCARD 2

ERNA MORENA : PRETTY AND SUCCESSFUL GERMAN FILM ACTRESS

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POSTCARD 1 (CLOSE-UP)

This vintage real photo postcard (Postcard 1) features pretty German film actress, Erna Morena (1885-1962). In addition to being a performer, she was also  a film producer and screen writer during the silent era. The IMDb reports that Morena appeared in 122 films between 1913 and 1951. Morena grew up in a middle-class family in Bavaria. At age 17, she attended applied art school in Munich. In 1909, after a short stint in Paris, she moved to Berlin where she worked as a nurse. She became a student at the German Theater’s drama school and in 1910 was hired as an actress by Max Reinhardt, Austrian-born theater and film director. She played a number of small theater roles and in 1913, Morena made her film debut in “The Sphinx”, produced by Leteraria Film. She was a “big time” actress. She worked under many well known directors and with some of the most well known actors in German film. Morena made a bid to become a film producer and formed her own film company which produced films in 1918 and in 1920. By the mid 1920’s, she was considered one of the biggest stars in German films. With the advent of talkies, her career declined. However, she did appear in supporting roles during the 1930’s.  Between 1915 and 1921, Morena was married to the German writer, Wilhelm Herzog. He was a historian of literature and culture, a dramatist, the author of an encyclopedia, and a well known pacifist. Their marriage ended in divorce. Morena appeared in the 1940 film “Jud SuB”. The movie was a Nazi Germany historical drama propaganda film. The film was produced on the order of Joseph Goebbels, the Nazi politician and trusted aide to Adolph Hitler. The movie is considered one of the most anti-semitic films of all time. Postcard 1 was published by Ross Verlag and is part of a series (no.1752/1). The company was located in Berlin, Germany. Morena was photographed by the German photographer, Ernst Schneider. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. This postcard, a former resident of a postcard album, is in very good condition (see scans below).            

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Postcard 2
POSTCARD 2 (CLOSE-UP)

Postcard 2 also features the lovely Miss Morena. This postcard was published by Photochemie, located in Berlin, Germany. The card is part of a series (no.k149). Photochemie published postcards of only German film stars or European performers performing in German films. The postcards were published between 1914 and 1919. The firm also produced postcards of other subjects. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company. This postcard has a Hamburg, Germany postmark and is dated 1918. The postcard is in very good condition (see scans)

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POSTCARD 2

EDDA CROY : BURST INTO, AND OUT OF SILENT FILMS IN 1927

This vintage real photo postcard features silent film actress, Edda Croy. Edda has “the girl next door” look. Preliminary research uncovered little about her. Edda had a very short career. She played in three German silent films, all release in the same year (1927). One of these films was directed by Robert Wiene. He is well known for directing the silent film “The Cabinet of Dr. Caligari” (1920) and other expressionist films. Popular actor, Harry Liedtke, appeared in all three of her films. Actress Erna Morena, who’s photograph can be seen elsewhere in the Cabinet Card Gallery, apppeared in one of Edda’s films. This postcard was published by Ross Verlag (Berlin). It is part of a series (no.1923/1). Miss Croy’s photograph was taken by photographer Hans Natge. Natge was very involved in German film production. He played roles in the realm of cameras, directing and assistant directing. He was born in Berlin in 1893. His filmography on IMDb reports that he has 28 film credits between 1924 and 1949. Nineteen of these credits were for his role as the film’s “still photographer”. It is likely safe to assume that he took this photograph of Miss Croy in 1927. This vintage portrait postcard is rare and in very good condition (see scans).

croy10

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PRISCILLA DEAN: TALENTED SILENT FILM ACTRESS AND LESS TALENTED “TALKIE” ACTRESS

POSTCARD 1  (SOLD)

priscilla1POSTCARD 2

POSTCARD 3   (SOLD)

POSTCARD 3 (CLOSE-UP)   (SOLD)

Priscilla Dean (1896-1987) was a popular American actress who appeared in both silent films and theatre productions. Her career spanned two decades. She was born in New York to a theatrical family. Her mother and father were actors. She attended a convent school until she was fourteen and than launched her film career. Priscilla made her stage debut at the ripe old age of four and, as previously stated, her film debut at fourteen in films produced by Biograph and several other studios. She was signed to a contract by Universal (IMP) in 1911 and soon gained popularity as the female lead in the comedy series of Eddie Lyons and Lee Moran. She reached stardom after appearing in “The Gray Ghost” (1917). The advent of sound to the film industry impaired Dean’s career. She was relegated to low-budget films for minor independent studio during the 1930’s and her career fizzled out. Priscilla Dean has been called “an unlikely Diva”. She was described as being a plain woman, but cheerful. She is said to have had heavy features, a crooked smile, and an “unfashionably curvaceous figure”. However, her intensity on screen was considered “unmatched”. Dean was married to actor Wheeler Oakman (1890-1949) who was also under contract at Universal. The couple appeared together in “The Virgin of Stamboul”  (1920) and “Outside the Law” (1920). The pair divorced in the mid 1920’s and a few years later she married Leslie Arnold, a famous aviator. Dean died at the age of 91. Perusal of Miss Dean’s filmography reveals that she has 95 credits as an actress between 1912 and 1932. To view Miss Dean in the talkie film “Behind Stone Walls” (1932), click the You Tube link below. Keep in mind that she was considered a significantly better silent film actress than a “talkie” actress.

Postcard 1 was published  by Ross Verlag of Berlin, Germany. It was part of a series (No. 547/2) and was produced for Universal Studios. It was published sometime between 119 and 1924. The photographer of this portrait was Roman Freulich (1924-1974). Freulich was born in Poland and immigrated to the United States at the age of 14. He learned his trade from New York photographer Samuel Lumiere. He moved to Hollywood in the mid 1920’s where his brother Jack was a portrait photographer at Universal Pictures. Roman became a still photographer for Universal and produced many portraits of their major stars. He stayed at Universal until 1944 when he moved to Republic Studios. After Republic stopped production, Freulich did much work for United Artists.   (SOLD)

 Postcard 2 offers a close-up view of Priscilla Dean. She has a lovely smile. This photo postcard was produced by the Foto Luz studio, located in Bucharest, Romania. The postcard is part of a series (no.431). The postcard was exclusively sold by G. B. Falci of Milan, Italy. This vintage postcard is in very good condition (see scans).

 Postcard 3 features Miss Dean in an elaborate attention grabbing costume. She likely wore it in a film role. This close-up photo highlights Priscilla Dean’s beauty. This vintage postcard was published by Ross Verlag of Berlin. A logo for “Unfilman” can be seen in the lower left hand corner of the image. “Unfilman” is an abbreviation for “Univeral-Film-Man. Co”. This vintage photo portrait postcard is in excellent condition (see scans).   (SOLD)

POSTCARD 1   (SOLD)

priscilla2 POSTCARD 2

POSTCARD 3   (SOLD)

CHARLOTTE SUSA : GERMAN STAGE AND FILM ACTRESS : SIGNED BY MGM AS RIVAL TO GRETA GARBO

This vintage real photo postcard features German actress, Charlotte Susa (1898-1976). Sosa was very pretty and the “look” she gives the camera indicates that she knew it. She certainly has a sultry appearance in that dress. Susa was born in Memel, East Prussia. One of her parents was Italian and the other was Swiss. Her first stage appearance was in 1915. She began a successful career as both a singer and an actress. She played in a number of German opera and operetta venues. Her film debut occurred in 1926 with an appearance in a German silent movie. She became a popular actress and appeared in many femme fatale roles. After the advent of sound films, Susa began assuming leading roles.  In 1932 she signed with MGM, relocated to the United States, and started an international film career. One newspaper columnist of the time wrote that Susa, Lilian Harvey, Anna Sten, and Henry Garat were all important “foreign talents” that were joining Hollywood pictures. Susa was projected to be a rival to Greta Garbo. Success in Hollywood did not come to fruition. She cancelled her contract in 1934. She stopped acting  in films but returned to the stage after World War II.  Susa, like many film stars, had multiple marriages. Susa stopped replacing husbands after her third marriage. Her third husband was Andrews Engelmann (1901-1992), a Russian born German actor. He appeared in German and British films during his career. Charlotte Susa died in Basel, Switzerland. The IMDb reports Susa had thirty-six film credits ranging from 1926 to 1941. This postcard portrait was photographed by H. Gartner and published by Ross Verlag as part of a series (no.5309/1). Eichberg Films is credited on this postcard. Richard Eichberg (1888-1952) began his career as an actor but became a succssful film director and producer in the German film industry. He directed 87 films and produced 77 films. At the time that Susa’s photograph was taken for this postcard, she was employed by Eichberg’s company.  (SOLD)