Vermont. The man has an educated appearance emanating from his beard and pince-nez spectacles.Pince-nez are a style of spectacles that was popular in the nineteenth century. These glasses were not supported by ear pieces but instead, stayed on the wearer by pinching on the bridge of his or her nose.  The clergyman  is wearing a pin near his collar and part of the chain from his pocket watch is visible at the bottom of the image. The Photographic Journal of America (1890) mentions photographer, C. A. Moore of Ludlow, Vermont. He is likely the same Moore that created this image.  (SOLD)

Published in: on September 13, 2022 at 12:01 pm  Comments (1)  
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This vintage real photo postcard features two young women posing together for their portrait. Perhaps the pair are mother and daughter although I believe they may be sisters. The woman in the dark dress and hat is wearing a pince nez. Both woman are wearing at least two rings. The postcard, on AZO paper, was produced sometime between 1904 and 1918.  SOLD

Published in: on September 28, 2020 at 12:00 pm  Leave a Comment  
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This cabinet card features a young woman wearing a pair of unusual eyeglasses. The spectacles are of the pince-nez var iety and what makes the glasses odd are the dark color and the thickness of the frames. This portrait was produced by the Tuttle Studio in Belfast, Maine. William  C. Tuttle (1835-1901) was an early Belfast photographer. In addition to working as a photographer, he also wrote about the practice of the profession. Tuttle wrote an article in the journal Mosaics {1878} which was titled “Babies”. The article dispensed humorous tips on how to effectively photograph babies. A book by Joseph Williamson entitled “History of the City of Belfast” (1913) reveals that Tuttle’s studio burned down in a major fire occurring in Belfast in 1885. At one point in his career, Tuttle also had studios in other Maine towns including Winthrop, Castine, Kent’s Hill, and Northport. A classified listing  in the Bulletin of Photography (1918) advertises that Tuttle’s Belfast studio was up for sale. The advertisement stated that one of its selling features was that there was “no competition” in Belfast. Tuttle had at least one son that entered his business so it is possible that this son may have been the photographer of this cabinet card. The 1870 Federal Census reveals that Tuttle was married to Georgia Tuttle, a woman who was 14 years his junior. At the time of the census, the couple had a seven month old son named Adrian. Research also discovered that Tuttle had enlisted in the Union army during the civil was. In 1861 he joined Maine’s 13th Infantry regiment as a musician. During the war he reached the rank of full Drum Major. Tuttle is buried in the Grove Cemetery in Belfast.

Published in: on June 29, 2014 at 12:16 pm  Comments (4)  
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This cabinet card features a very interesting looking and nicely dressed gentleman. He is wearing a straw hat and  pince nez glasses. He has the appearance of someone well educated. The subject of this portrait has a unique looking beard. To view other distinctive beards, click on the category “Beards (Only the Best). The photograph was produced by the McDonald Studio of South Bend, Indiana. The McDonald studio remains in business today. It is the oldest photography studio in the Michiana area. What is Michiana? Michiana is a region in northern Indiana and southwestern Michigan centered on the city of South Bend.. Albert J. McDonald founded the gallery in 1861. He operated the business for 41 years and was succeeded by his son. The Bulletin of Photography (1917) printed  McDonald’s obituary. The article reports that he was born in Rochester, New York in 1841. His family moved to South Bend when he was nine years of age.

Published in: on August 13, 2012 at 12:01 am  Leave a Comment  
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The gentleman pictured in this cabinet card has the appearance of a scholarly man. The man’s pince nez eyeglasses, and his beard contribute to his studious look. Pince-nez glasses are a style of spectacle that is supported without earpieces, by pinching the bridge of the wearer’s nose. The name has French origin and this type of eyewear reached peak popularity between 1880 and 1900. The photographer of this cabinet card is H. T. See & H. (I. or J.) Epler. The middle initial of Epler is unclear in the reference where it was found. An advertisement for the See & Epler studio appeared in the Columbia Spectator (1899). The advertisement stated the studio was the “Photographer to Columbia University” and that the firm offered special rates to students. The studio was located in New York City and Saratoga, New York.

Published in: on July 11, 2011 at 12:01 am  Leave a Comment  
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