LILLIAN RUSSELL: CELEBRATED AMERICAN ACTRESS AND SINGER

russell_0002CABINET CARD 1

CABINET CARD 2

CABINET CARD 3

LIL RUSSSELL_0002CABINET CARD 4

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 CABINET CARD 5

RPPC SIX (SOLD)

RPPC SEVEN (SOLD)

Lillian Russell (1860-1922) is pictured in the Cabinet Card 1 photograph by famed New York celebrity photographer, Falk. Lillian Russell is captured in costume as she appeared in “Pepita” (1886). Russell was a very famous American actress and singer who was known for her beauty, style, voice and stage presence. Her theater career began with roles in comic operas including the work of Gilbert and Sullivan. She married composer Edward Solomon in 1884 and two years later, he was arrested for bigamy.  She performed in New York and elsewhere in starring roles in comic opera and musical theatre. In 1904 she switched to dramatic roles due to voice problems. She later also appeared in vaudeville. She retired from the stage in 1919. She later wrote newspaper columns, advocated for women suffrage, and was a popular lecturer.  She married four times and her longest marriage was to Diamond Jim Brady who supported her extravagant lifestyle for four decades. It is interesting to note that the New York Times (4/2/1886) reported that during the performance of “Pepita”, an opera by her husband, Edward Solomon; there were obvious signs of marital discord observed on stage. The newspaper blamed issues revolving around Russell’s interfering mother, as well as, issues pertaining to Russell’s sudden prosperity. The newspaper article correctly predicted that there would soon be a divorce.

Cabinet card 2 is also photographed by Falk. This photograph provides a close-up image of Lillian Russell and is a testimonial to her beauty.

Cabinet card 3 was published by Newsboy and used by the tobacco company as a premium (#340). The photographer was Falk and the image was copyrighted in 1893. To view a collection cabinet cards by Falk; click on the category “Photographer: Falk”.

Cabinet card 4 is another image produced by B. J. Falk. Miss Russell is in costume and is posed provocatively partially behind sheer lace.

Cabinet card 5, also by Falk, provides a terrific profile portrait of the beautiful Miss Russell.

Lillian Russell is pictured in this vintage real photo postcard (RPPC 6). This undivided back postcard was published in 1907 or earlier. (SOLD)

RPPC 7 is an undivided back postcard portrait of Miss Russell. She is in costume. The publisher of this card is Pascalis, Moss & Company. The firm was London based and ceased publishing postcards in 1902. At that time Charles H. Pascalis (c1877-?) left the company and the firm changed it’s name to Henry Moss & Company. (SOLD)

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EXQUISITE LOOKING “JERSEY GIRL” : IMMIGRANT JEWISH PHOTOGRAPHER : NEWARK, NEW JERSEY (CABINET CARD)

An exquisite looking teen beauty poses for her portrait at the studio of Fieldman. Fieldman had two galleries, and they were located in Newark and Jersey City, New Jersey. This Jersey girl has a fine hat and a fine figure. The photographer of this cabinet card photograph was Isidore Fieldman (1869-?). He was born in Russia and arrived in America during 1891. He was listed as a photographer in the 1900 through the 1930 U.S. Census. He and his wife Rose (born in Poland) spoke Yiddish, indicating that they were of the Jewish faith. During at least some of their years, the couple and their family lived in Elizabeth, New Jersey. Their children included Esther (born 1890), Milton (born 1901), Margaret (born 1901), Herman (born 1906), George (born 1914). Milton and Margaret were likely twins. Herman joined his father’s photography business. Note that this cabinet card has excellent clarity, edge wear, and light stains on the bottom border below the image.   (SOLD)

Published in: on September 16, 2021 at 12:01 pm  Comments (4)  
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ADELINA PATTI SINGS THE PRAISES OF THE CHICAGO CORSET COMPANY (TRADE CARD)

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This item is a vintage trade card advertising corsets for the Chicago Corset Company. The card dates back to the 1880’s. The wasp waisted women seen in a number of the photographs of the cabinet card era, didn’t get that way from going to Jenny Craig and the gym. Their secret weapon was wearing a corset. This trade card utilizes a “celebrity spokesperson”.  Adelina Patti, a famous opera singer, sings the praise of Ball’s Corsets which were manufactured by the Chicago Corset Company of Aurora, Illinois. She ordered eight corsets and testified that she wished that she had known about them sooner. The company advertising on the card brags that “they need no breaking in” and that they provide “health and comfort”. This particular trade card is also advertising the T. J. Elcock & Company which was a Dry Goods, Carpet, and Notions store in Mechanicsburgh, Pennsylvania. Here is a little information about the Chicago Corset Company, The business is cited in Robin Shepard’s “The Best Breweries and Brewpubs of Illinois (2003). The author writes that in the late 1800’s and early 1900’s Aurora was considered the corset capitol of the world. There were at least three corset companies operating their factories there and one of the largest was the Chicago Corset Company. In fact, I read elsewhere, that the company was the second largest corset company in the world. At one point, the business employed 600 people and produced 2 million corsets a year. The word “corset” began to be used in the English language in about 1828. “The Ladies Magazine” described it as a “quilted waistcoat”. The primary reason for using corsets was to slim the body and help it conform to a fashionable silhouette. Generally speaking, the corset reduces the waist and exaggerates the bust and hips. Apparently there were “overbust corsets” and “underbust corsets”. Sometimes, corsets were used for medical or for fetish purposes. I’ll refrain from elaborating about the medical and fetish purposes and leave detailed explanation to your imagination. The corset company’s spokesperson on this trade card is Adelina Patti (1843-1919). She was a celebrated 19th century opera singer who earned a great deal of money for her performances at the height of her career. She sang in both Europe and America and is probably one of the most famous sopranos in history. She was born in Madrid. Her father was tenor Salvatore Pattie and her mother was soprano Caterina Barilli. Her parents were Italian and she grew up in the Bronx, New York. She sang professionally from childhood. At sixteen years of age, she made her operatic debut at the Academy of Music in New York City. At age eighteen she began performing in Europe. She later performed “Home Sweet Home” for President Lincoln and his wife shortly after the death of their son, Willie. The bereaved parents requested an encore. She was associated with the song for her entire career. In her prime, Adelina Patti demanded to be paid five thousand dollars a night. She asked to be paid in gold, prior to each performance. She demanded top billing and that her name be in bigger font than others in the company. She also demanded that she not be obligated to attend rehearsals. Did someone say, DIVA? It was reported that she trained her parrot to say “Cash, Cash”. Be sure to look below to see some interesting images pertaining to corsets as well as an image of Miss Patti.   (SOLD)                   

Adelina Patti
Corset Shop Window
Polaire was famous for her tiny, corseted waist, which was sometimes reported to have a circumference no greater than 16 inches (41 cm)
A woman models a corset in this 1898 photograph.

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Brooklyn Museum Costume Collection at The Metropolitan Museum of Art

PORTRAIT OF A TALL AND THIN YOUNG LADY : TIGHTLY CORSETED

The young woman in this cabinet card portrait is tall, thin, and wearing a dark dress. She is very well dressed. The woman is tightly corseted, which is typical for the era of this photograph. She is holding a folded fan. This photograph was taken in Florence, Massachusetts at a gallery operated by Ferdinand William Schadee (1840-1901). Schadee was born in Bavaria, Germany. I found no record of when he arrived in the United States. In 1869, he married Eliza A Schadee and the couple eventually had at least three children. Schadee was a Mason. A publication entitled “The History of Florence, Mass.” (1895) reveals that Schadee established his gallery there in 1885. Prior to that time, he ran a studio in Northampton, Mass. That studio was operated under the name of “Hardie & Schadee”. The 1880 US Census lists Schadee as a photographer as does a number of editions of the Northampton and Easthampton directory. He was listed in the directory up to 1901, indicating that he was working as a photographer until his passing. (SOLD)

Published in: on July 12, 2020 at 12:00 pm  Leave a Comment  
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PRETTY YOUNG WOMAN: FASHIONABLE : WASP WAISTED: CORSET

An attractive young woman appears in this post cabinet card era photograph. She seems to be holding back a smile. Note her corset assisted thin waist. The subject of this photograph is unidentified as is the photographer and the location of the studio. This photo measures about 3″ x 4 3/8″.   (SOLD)

 

 

 

 

Published in: on January 25, 2020 at 12:00 pm  Comments (2)  
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TWO CORSETTED YOUNG WOMEN SHARE A FAN IN NEWPORT, PENNSYLVANIA

big fan big fan 1Two young women pose for their portrait in Newport, Pennsylvania. Both women are grasping one end of a fan that they hold behind their heads. Their raised arms highlight their hour glass figures which are given an assist by the corsets they are wearing. The photographer is named William Easter Lenney. He was located in Newport in the early 1890’s and moved to Atlanta, Georgia where he became a well known portrait photographer between 1894 and 1920. He and his family then moved to California. (SOLD)

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Published in: on December 19, 2019 at 12:01 pm  Comments (2)  
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A PRETTY WASP WAISTED ACTRESS NAMED HATTIE IN CHICAGO, ILLINOIS (HATTIE HARVEY: A MYSTERY AND A STORY OF INFATUATION)

cc hattieCABINET CARD 1   (SOLD)

cc hattie 1CABINET CARD 1  (SOLD)

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hattie harvey_0002CABINET CARD 2

A pretty corseted actress poses for this cabinet card portrait by theatrical photographer, J. B. Scholl, in Chicago, Illinois. The wasp waisted actress is posed a bit provocatively by the photographer. She has her hands on her hips and her head is slightly tilted. She is also exhibiting a mischievous grin.The reverse of the image is inscribed and dated. The cabinet card is signed “As ever yours, Hattie”. There is a possibility that her name is “Nattie” because the first letter of the name is not very legible. The back of the card is dated 1892. In addition to the State Street address, during his career, Scholl also had studios at two locations on South Halsted in Chicago. Perhaps a visitor to the cabinet card gallery can identify this actress. It is my opinion that this actress is Miss Hattie Harvey. The opinion is formulated by viewing other images of Miss Harvey and by her connection to Chicago. An article about Hattie Harvey appeared in the New York Times (1892). The article was entitled “Hattie Harvey’s Infatuation”. It seems the young Chicago actress had developed an infatuation for an Englishman in her company named Brooks (now we know why she has such a mischievous grin in this photograph). Her parents were not pleased and when the company’s production closed, her father promised to arrange more engagements for the company if his daughter would give up Mr Brooks. She refused his manipulative offer and there were some “exciting scenes” that occurred in the Grand Hotel concerning this family conflict. In addition, Hattie’s mother had two fainting spells “over the affair”. The newspaper article described Harvey as a “very pretty girl of nineteen” and reported that she declared she would marry the fifty year-old Brooks. However, public speculation was that Brooks, who was recently divorced, still had another wife back in England. Hattie Harvey’s parents threatened to “cast her off” if she continued the relationship with the”adventurer”.  (SOLD)

The second photograph produced by Newsboy (#379) as part of a series of tobacco premiums, is a portrait of  “Miss Infatuation”, Hattie Harvey. Compare the photograph with the one above and decide whether the two women are one and the same. It is my view that the portraits both feature Miss Harvey. Please leave a comment if you have an opinion about this matter. In the second photograph, Miss Harvey appears to be in wardrobe for one of her stage appearances. She certainly was an attractive woman.

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PAULINE HALL (1860-1919): BEAUTIFUL MUSICAL THEATRE STAR

CABINET CARD 1

CABINET CARD 2

CABINET CARD 3   (SOLD)

pauline hallCABINET CARD 4   (SOLD)

The top cabinet card features Pauline Hall (1860-1919), one of the most popular turn of the century prima donnas. She began her career as a dancer in Cincinnati, Ohio at age 15. She joined the Alice Oats Opera Company but left to tour in plays with famed actress Mary Anderson. By 1880, she worked for well known producer Edward Everett Rice in musical productions. Early in their association, he gave her a role in “Evangeline”. Her shapely figure allowed her to take male roles as she did in “Ixion” (1885). Her greatest success came in the title role of the first American production of  “Erminie” (1886). She played in more than two dozen Broadway operettas. Her final role was in the “Gold Diggers” (1919). This photograph was taken by famed celebrity photographer, Elmer Chickering of Boston, Massachusetts. Other photographs by Chickering can be seen by clicking on Cabinet Card Gallery’s category of “Photographer: Chickering, E.”.

The second cabinet card, photographed by B. J. Falk, of New York City, captures Pauline Hall in stage costume. The photograph is #305 in a series from Newsboy. The tobacco company (Newsboy) gave away cabinet cards as a premium with the purchase of their products. This cabinet card shows a copyright date in the 1890’s. The exact date has become illegible over time. To view other Newsboy or Falk cabinet cards, click on the categories “Photographer: Falk” or “Photographer: Newsboy”.

The third cabinet card portrait was also photographed by Falk. Ms. Hall looks quite beautiful in this image. She is wearing earrings and an interesting hat. The photograph is a bit risque. Much of her neck and shoulders are exposed. In addition, her dress accentuates and reveals significant cleavage. Is the material at the base of her scoop neckline part of her dress; or was it added in order to make the photograph less provocative? Perhaps a visitor to the cabinet card gallery will be able to provide an explanation.

The fourth cabinet card image, once again photographed by B J Falk, features Miss Hall wearing a dark dress, long gloves, a lovely hat, and a purse. Pauline Hall certainly was a stage beauty as attested by this photograph.

HANDSOME VICTORIAN COUPLE IN GENEVA, NEW YORK

GENEVA COUPLE_0003 A handsome young Victorian couple pose for their portrait at the Wood studio in Geneva, New York. The gentleman in the photograph has a long mustache, a handkerchief rises from his jacket pockent, and he is displaying the chain to his pocket watch. He sits in a interesting chair that seems to be braided and designed with just one arm. The young woman is wearing a lot of jewelry including a ring, pin, and earrings. Her figure appears to be enhanced by a corset. The reverse of the cabinet card reveals some information about the photographer. Theo. H. Wood’s studio was located at 4 & 6 Seneca Street in Geneva.   Theodore Wood was born in England in 1844 and immigrated to the United States in 1850. He is listed as a  photographer in Geneva City directories from 1901 until 1905. The 1907 directory reports his occupation as “retired”. Wood also makes appearances in the 1900 and 1910 US census. In both surveys he is listed as single and as living as a lodger in a boarding house.

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Published in: on April 14, 2014 at 9:41 am  Comments (1)  
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PRETTY FASHIONISTA IN NEW YORK CITY (1899)

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This photograph features a pretty young woman in a beautiful dress. She has a nice figure enhanced by a corset. She is wearing a ring and earrings. This image could be placed under the categories of “fashion” as well as “beautiful women”. The photographer is Albert Naegeli (1844-1901) who operated a photographic studio in New York City’s Union Square. Naegeli was a native of Germany who came to the United States at the age of sixteen in 1860. He settled in New York City. He began his photography business in New York City in 1864 during the CDV era. He moved the business to the 46 East Fourteenth Street location in 1876. He partnered there with Edward M. Estabrooke who was a tintype expert. Their partnership ended in 1880 and Estabrooke relocated to Elizabeth, New Jersey. Naegeli trained his sons Albert (photographer) and Henry (Technician) in the photography business. Naegeli specialized in portraits of theater stars. The subject of this photograph could very well be an actress of this era. Naegeli was a smart businessman and invested wisely in Real Estate and became a very wealthy man. The cause of his death remains a mystery. He died from a gun shot wound to his head. His son, Albert, claimed that the death was accidental but others thought that he committed suicide because he was depressed about the recent death of his daughter from a spinal disease. Whatever the reason for his death, New York City lost a talented photographer at the time of his demise. The photograph above is an example of his acumen.  The format of the photograph and advertising beneath the image is identical to photographs that Naegeli  took in 1899, indicating  that this photograph dates back to around that year. The photograph measures 5″ X 7″.The image is sharp.

Published in: on January 27, 2014 at 4:28 pm  Comments (1)  
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