Florence Gilbert (1904-1991) is the subject of this vintage real photo postcard. She was a film actress active between 1920 and 1927. Gilbert’s hometown was Chicago. Florence’s mother wanted her to become the next Mary Pickford. In fact, she resembled Pickford in some ways. Florence’s mother had mailed photos of Florence to Pickford who encouraged her to take Florence to Hollywood. At age 14, she moved with her mother and brother to Los Angeles. She started off as Mary Pickford’s double. She was discovered by Monty Banks, an Italian comedian, film actor, director and producer. Apparently, she looked older than her fourteen years. She played a number of roles in films for Mack Sennett studios. She also worked in Hollywood for Fox Studios. Although she was still a teenager, she became the breadwinner of her family. According to IMDb she made 68 film appearances beginning in 1920. She appeared in the first Laurel and Hardy film, ‘The Lucky Dog” (1921). She was married three times. Her first husband was Ashton Dearholt (1894-1942), an American silent film actor. She permanently left acting after marrying Dearholt. She divorced him when he returned home from filming in Guatemala, accompanied by co-star Ula Holt. He was determined to have Holt live in the house he shared with Gilbert. She divorced Dearholt after he made his outrageous demand. Dearholt later married Holt. Husband number two was Edgar Rice Burroughs (1875-1950), an American fiction writer. He was the creator of Tarzan. The marriage ended in divorce due to his drinking. Her third husband was Dr Albert Stillman Chase. She had two children with Dearholt; both were adopted by Chase. Another source “credited her” with two additional marriages. This vintage postcard was published by Ross Verlag, located in Berlin, Germany. The card was part of a series (no.1640/1). Note the Fox studio’s logo in the bottom right hand corner of the image. This postcard is in excellent condition (see scans).


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June Caprice started life named Helen Elizabeth Lawson. She was born in 1895 in Arlington, Massachusetts. June was a silent film actress. She attended school in Boston. Her acting career began on the stage. In 1916, she signed with the Fox Film Corporation to make films. William Fox had been searching for an actress to compete with Mary Pickford. Caprice had won a Boston Mary Pickford look-a-like contest. When he discovered Caprice, he boldly predicted that she would become the best known female on the screen within the upcoming six months. A press release introducing her to film fandom, stated that she was seventeen years of age. In fact, she was about twenty years old at the time. Caprice made her screen debut in a move entitled “Caprice of the Mountains” (1916). A film critic, writing in the New York Times described her as “young, pretty, graceful, petite, with an eloquence of gesture that augurs a bright future in the movies”. Her first film provided her with her stage name, “June Caprice”. June became quite popular. She received a lot of attention from fan magazines and was one of Fox’s most profitable stars toward the end of the 1910’s. She made sixteen films while with Fox. Her director for half of the movies was Harry F. Millarde. The pair began a relationship and eventually married. Caprice also worked at one time for Pathe studios. She left the film industry to begin a family and in 1922 she gave birth to a daughter. Caprice’s career took a downturn after World War I. The sweet, pure and innocent look lost popularity and was replaced by the jazz age flapper look. She later returned to working on stage and modelling. In 1931, her husband died at the young age of 46. Five years later, Caprice had a fatal heart attack while in Los Angeles. At the time, she also was suffering with cancer. She was just 40 years old at the time of her death. Caprice’s daughter was only aged 14 when she was orphaned. She was raised by her grandparents on Long Island, New York. She became a “cover girl” and actress. She used the name Toni Seven. Her photo and brief biography can be found elsewhere in the Cabinet Card Gallery. Seven inherited three million dollars from her family. The IMDb credits June Caprice with 22 film appearances between 1916 and 1921. This vintage real photo postcard was published by Pictures Ltd which was located in London, England. It was published with the perimission of the Fox Film Co. The card is part of a series (no.12) labelled “Pictures” Portrait Gallery. This vintage postcard is in very good condition (see scans).


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This vintage snapshot is highly unusual. A couple poses with two cute young foxes. The gentleman in the photo is holding the two fox pups on his lap. The woman is wearing pants and sitting on the automobiles side board. The old car is a nice backdrop, Note the man’s cool cap. This photograph measures about 2 3/8″ x 3 3/8″ and is in excellent condition.

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Published in: on February 5, 2020 at 8:26 pm  Comments (2)  
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marie legault_0001French theater actress, Marie Legault, is the subject of this cabinet card photograph by internationally acclaimed celebrity photographer Charles Reutlinger. This image was produced in Reutlinger’s Paris studio in 1880. To view other Reutlinger photographs, click on the category “Photographer: Reutlinger”. Marie Francoise (Maria) Legault (1858-1905) entered the Paris Conservatory in 1872. That same year she finished second in the comedy competition. She was just fourteen years old at the time. She was awarded a stipend to continue her studies and she won the competition the following year. During her theatrical career she appeared at a number of venues including the Gymnase, the Palais-Royal, the Vaudeville, the Comedie-Francaise, and the Theatre Michel in St. Petersburg. Legault created the role of Roxane in Rostand’s Cyrano de Bergerac (1872) and of Marie Louise in L’Aiglon (1900) with Sarah Bernhard. Her obituary appears in the New York Times (1905).


This cabinet card features a fox hunter, posing in his hunting clothing, and his double barreled shotgun. He is also posing with his pet fox and his bounty from his hunt, a dead fox. He is holding the pet fox by a chain. This is a very ambivalent hunter. On one hand, he hunts and kills foxes, and on the other, he keeps a fox as a pet. The hunter appears to have been a very conflicted young man. The photographer of this cabinet card is Frank D. Sullivan of Kendallville, Indiana. The Bulletin of Photography (1922) announced the purchase of Sullivan’s studio to A. D. Conkle, “formerly of Kenton, Ohio. The journal also reported that Sullivan and his wife had moved to Portland Oregon.

Published in: on March 25, 2011 at 1:34 pm  Leave a Comment  
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