This 1988 press photo features two beautiful young women modelling swimsuits for the international retail clothing firm, “C & A”. Model, Roxanna Hudson is wearing a “turquoise racerback swimsuit” with a Mickey “I Love You” logo. The second model, “Bertie”, is wearing a red and white spotted bikini with a Mickey and Minnie logo. It is interesting to note that Miss Hudson is holding a “Le Clic” camera. Produced by Keystone, these cameras were fashionable and inexpensive.  Manufactured in the late 1980’s, they had Kodak Disc technology and were easy to load and had a reusable flash. This photograph was published by Universal Pictorial Press. The publisher was located in London, England. Twenty-eight portraits from Universal can be found in the United Kingdom’s National Portrait Gallery. This press photograph has wonderful clarity and is in very good condition (see scans).

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This vintage real photo postcard features a portrait of a pretty performer named Debry. She was photographed by a famous photographer with the last name of Nadar. The question exists whether the photographer is Paul Nadar (1856-1939) or Gaspard-Felix Tournacon (AKA Nadar) (1820-1910). This postcard dates back to circa 1904, and by that time the elder Nadar was 84 years old and not active in studio photography. Therefore the photographer was the younger Nadar. Paul was the son of Gaspard-Felix. Both were famous in the field of photography but their talent stretched to other disciplines. Paul’s talent extended to art, printing, and writing. In 1874, Paul managed his father’s Paris studio.  In around 1885 their relationship fractured. However the following year, the two collaborated on what is thought to be the first photo-interview in history. The subject of the interview was a prominent 101 year-old chemist and color theorist. That same year, Paul began photographing from a hot-air balloon. Paul liked experimenting and this led to him studying artificial lighting and developing a patented projection system for animating still pictures. Kodak named him their agent in France in 1893…. Gaspard Felix (G.F.), in addition to being a photographer, was a caricaturist, journalist, novelist, balloonist and advocate of manned flight. Portraits by G.F. can be found in a number of national museum collections. He opened his photography studio in Paris in 1854. He was a celebrity photographer (Actors, Politicians, Writers, Painters, and Musicians). He attracted many famous sitters because he was considered the best photographer in France. He was no fan of studio props. He preferred natural daylight. F.G. was most interested in focusing his photography on his subject’s face.He wanted the subjects to wear dark clothing for their portraits and often hid their hands from the camera. Although, he photographed many women, he preferred to photograph men. He believed that women believe “the images are too true to nature to please” them; even the most beautiful of the women. He once wrote that the most vain portrait sitters were actors and the second vainest group was soldiers. Ballooning was another area of F.G’s interest.  He was involved with writer Jules Verne in an organization supporting the development of “air machines”. In the 1850’s G.F. was experimenting taking aerial photographs. During the siege of Paris in 1870, Nadar was a principal in organizing balloon flights to do reconnaissance and carry the mail, creating the first airmail service. This postcard portrait was part of a series (no.769).  (SOLD)




This vintage real photo postcard features a parade on a street lined with spectators. The caption below the image states “A large coach of horsemen and their darlings”. “Charros” are traditional horsemen from the central-western regions of Mexico. The definition of “Chinas” was difficult to pinpoint. Research yielded several definitions but the one that fit best was “darlings” or “honeys”. The Kodak (Sello) stamp box on the reverse of the postcard indicates that it dates back to 1941. The postcard was published by Kodak Mexican Ltd.  SOLD


Published in: on February 1, 2019 at 12:06 pm  Comments (2)  
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country couple

country couple 1

This vintage photograph features a young couple posing for their photograph in a farm field. A tall wooden wagon is directly behind the pair. It is likely that the wagon was used to collect the crop and bring it to storage or market. The image was photographed by Foxco in the 1940’s. It was found with several photographs taken in San Antonio. The company has an interesting history.  The Fox Photo Studio was opened by Arthur C. Fox in 1906 in San Antonio, Texas. After being bought by another company, it became the largest Kodak finishing firm. Ultimately, the company grew to 12,000 dealers nationwide. The photo is printed on paper thinner than stock used for cdvs or cabinet cards. The photograph measures about 3″ x 2 1/8″ and is in very good condition (see scans).

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country couple 2

Published in: on November 17, 2018 at 12:00 pm  Comments (1)  
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An inscription on the reverse of this cabinet card portrait reveals that the subject’s name in Edwin Phelps. The photograph was taken at the Brainerd Photo Company in Rome (Oneida County), New York. Preliminary research tells us a little bit about Mr. Phelps. He was born in Oneida County in 1829. He was married to Amanda Howard (1832-1904). The 1880 census indicates that the couple had three sons living at home with them. He worked as a carpenter during at least four decades.  He died in 1902 in Baltimore, Maryland and is buried in Forest Park Cemetery in Camden (Oneida County), New York. The images seen below include a portrait of Phelps taken at a later date than the portrait seen above, and a photograph of Phelps’s gravestone. The photographer that produced this image is Jonathan Millard Brainerd (1851-1926). Brainerd was born in Oneida, New York. After finishing school, Brainerd began working for photographer H. Hovey and after two years the two men became partners in a firm named appropriately Hovey & Brainerd. The business partnership lasted ten years until Brainerd bought out Hovey. Brainerd was married to Sarah C. Knight in 1874. Brainerd’s studios included locations in Rome (112 West Dominick Street) and in Oneida (28 Main Street). He had an interest in public service which is reflected in the three years that he spent as an alderman and his position as treasurer of State Custodial Asylum. He died in Utica, New York and is buried in Rome Cemetery in Rome, New York. His obituary appeared in the Rome Sentinel (1926) and the article included an interview with his colleague, photographer Betty Filchard. She noted that Brainerd was a friend of the famed photography entrepreneur George Eastman, one of the founders of Eastman Kodak. She stated that Brainerd was a genius and had invented a new camera shutter that Eastman had patented under his own name and “broke Jonathan’s heart”.  SOLD


                                                                                                                               LATER PORTRAIT OF EDWIN PHELPS



                                                                                                                                     GRAVESTONE OF EDWIN PHELPS



                                                                                                                           PORTRAIT OF JONATHAN MILLARD BRAINERD




carnival kids

This vintage real photo postcard features two adorable young children wearing carnival costumes. This postcard is a rare studio portrait by an unidentified photographer. The children are seated at a table and on the table is a set of blocks. This postcard was printed on Kodak postcard paper.

carnival kids 2

Published in: on April 14, 2016 at 12:00 pm  Comments (1)  
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A woman poses for her portrait at the Lindenmuth Studio in Allentown, Pennsylvania. She likely viewed her self as foremost, a musician. She chose to pose herself, or approved the photographers instructions, to pose sitting and holding her violin and bow. The photographer, Arlington Nelson Lindenmuth (1856-1950) is a noted American landscape and portrait painter. He worked in Allentown which is located in the Lehigh Valley area of Pennsylvania. He was a member of the Baum Circle which was a group of artists who were influenced by the work of Pennsylvania impressionist painter Walter Emerson Baum. Lindenmuth studied painting under Peter Alfred Gross and also in Europe. His paintings were exhibited in Philadelphia and New York City. He also painted a number of murals which still can be seen in a number of Allentown’s buildings. Lindenmuth is also known as one of the pioneer photographers in the Lehigh Valley. He operated a photography studio in Allentown for a number of decades. Interestingly, in addition to running a photography business, Lindenmuth taught art from his photography studio. In 1882 he worked for the Eastman Kodak Company as a traveling salesman. He was a great advocate of art appreciation. He was a proponent for the Allentown Art Museum. One of his sons, Raphael Tod Lindenmuth, had much success as an artist. Below is an example of a painting by Arlington Nelson Lindenmuth. To view other photographs by Lindenmuth, click on the category “Photographer: Lindenmuth”.




This portrait features a mother and her daughter posing at the Bretney studio in Lehighton, Pennsylvania. There appears to be some sort of emotional situation occurring during the taking of this photograph. The mother in the image seems none too pleased, while her daughter appears to be consoling her. The reverse of the photograph indicates the daughter’s name is Molly. It appears that Molly has to be strong for her mother, as her mother has suffered some sort of a loss. The History of Carbon County, Pennsylvania (1912) reports that Clement H. Bretney was the leading photographer of Lehighton. He was born in Mahoning, Pennsylvania in 1873.  After leaving public school he studied art as a private pupil of H. Parker Rolfe of Philadelphia, Pennsylvania. Next he studied at Curtis-Taylor Studio in Philadelphia. He then worked with W. D. Rishel, a Lehighton photographer. Bretney bought Rishel’s studio in 1899. It is also reported that Bretney was a “dealer in Kodaks” and carried a large stock of photographic supplies. Langdon’s list of 19th and early 20th century photographers asserts that Bretney operated his studio until 1905.