A pretty young woman sits on a bench and has her photographic portrait taken at the New York Studio in Passaic, New Jersey. She is wearing a watch, ring, and some type of fur animal. This vintage real photo postcard was produced by Defender.
This fantastic carte de visite portrait features an adorable little girl with beautiful eyes. She is wearing a white ruffle dress with lace trim. The photographer of this cdv image is Wilhelm Seiler. He operated a studio in Konigsfeld im Schwarwald, a town in Germany. This cdv is an unusual size. It measures approximately 4 1/2″ x 2″.
An adorable little boy poses for his portrait at the studio of H. Tonn in Schwerin, Germany. The young child appears quite poised and is so cute in his outfit which includes overalls (or are those straps..suspenders), bow tie, and wide rimmed hat. The cdv has an inscription on it’s reverse that I could not translate.
This vintage real photo postcard is racy for it’s time. The postcard features French cabaret artiste Ninette d’Arville. She is wearing a body stocking that is aimed at simulating nudity. Preliminary research found no biographical information about Miss D’arville. However, investigation did reveal that this postcard is part of a series that shows the actress in the same body stocking but assuming a number of different poses. The image utilized in this postcard was produced by photographer Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. Sold
The sisters seen in this cabinet card image are absolutely precious. They are also adorably attired in matching dresses and hats. The dresses have a bit of nautical style. The photographer of this photo portrait is Amere Kehur (Kenur?), at least that is how I decipher the script printed below the image. Kehur’s gallery was located in Belgrade which is the capital of Serbia.
This carte de visite portrait features three sisters posing for their portrait at the R. A. Lewis gallery in New York City. Each girl has a fabric band around just above their waist. My first impression was that the band was used by the photographer to discourage the kids from moving around during the photo shoot. I believe it is more likely that the bands are decorative. In fact, the two older girls are wearing identical dresses. In addition, note the handkerchief stuffed into the middle child’s dress pocket. Magnification confirms that it is a handkerchief and not a flaw in the photograph (see scan). Richard A. Lewis, the photographer of this image, was the son of William Lewis, a renownd Manufacturer of daguerreotype and wet plate cameras and other photographic apparatus. Richard opened a Daguerreotype studio in about the early 1840’s. Lewis moved his studio around New York City on several occasions. The Langdon Road directory contends that he was located at the 160 Chatham Street address (listed on this cdv) between 1864 and 1866 and through the 1880’s and 1890’s.
This vintage real photo postcard features a a little girl dressed in her winter clothing using her umbrella to protect her from falling snow.The little girl is adorable and is wearing a very cute expression.The postcard is a New Years card. On the message side of the postcard is a sweet note from Aimee Banchet to her "Godmother and Uncle". Google Translate came up with a rough translation indicating that the card is a message from a niece to her Aunt and Uncle wishing them much love and happiness upon the New Year. The card is addressed to Mr and Mrs Martin who resided in the town of Chonon les Bains, France.The town is located in the Auvergne-Rhône-Alpes region of eastern France. The postcard is from the early 1900's.The logo for the postcard publisher appears to be "H.B.". Two postcard publishers used those initials; Hutson Brothers Ltd (London,England) and Hoursch & Bechstedt (Cologne,Germany).
The young child seen in this carte de visite is both stylish and adorable. The photographer did an excellent job capturing the essence of this child. Kudos to mom for being an excellent fashion coordinator. The photographer of this cdv image is Herm. Kocxyk. He operated a studio in Oschatz, Germany which is a town located in the Free State of Saxony. An inscription on the reverse of the cdv reveals that the photograph was taken in 1903. I was unable to translate the rest of the inscription other than “Our favorite ………”. Perhaps a visitor to the Cabinet Card Gallery can complete the translation. ADDENDUM: I HAVE BEEN OFFERED A TRANSLATION OF THE INSCRIPTION. SEE IT BELOW.
The back of this photo says:
“Our darling Fritzel (nickname for Fritz)
3/4 of a year old (9 months)
Fritz Hänsel born 25. June 1903
Oschatz in Saxony.”
This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about gem stones, and the model for this image represents “Topaze” (Topaz). There were a number of different series published. One of the more popular series was one in which models represented different French Provinces by wearing traditional clothing from that particular area of the country. This postcard was edited by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of his early postcards were reproductions of artworks. He also produced illustrated patriotic postcards during World War I. With the onset of the 1920’s he began producing postcards of children and women. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name while others are simply marked “AN”.
This cabinet card portrait is notable for at least two reasons. First, the woman in the photograph is beautifully dressed. Note the matching trim on the cuffs of her sleeves, across her chest, and on her high collar. The second reason that makes this image special is that the photograph was taken by a female photographer. Alice Josephine Swithenbank operated the Elm Street Studio in Hunslet, Leeds, England. Hunslet is an inner-city area in south Leeds.
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