This vintage real photo postcard features German actress, Else Kupfer (1888-1974) as she appearss in Nestroy’s play, “Revolution im Krahwinkel” (1908) at the Deutsches Theater in Berlin, Germany. She is most known for her performance in “A Dangerous Woman” (1913). The IMDb lists this performance as her only film credit. This postcard portrait of Miss Kupfer presents her wearing a pretty dress and carrying a parasol. She looks adorable. Kupfe was married to Albert Arnold, brother of artist Karl Arnold. The Becker Maass studio photographed Else Kupfer for this postcard. The publisher of this card is Louis Blumenthal. His company operated in Berlin, Germany. This postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #2884
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$25.50
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #2884
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$34.00
This vintage real photo postcard features two very pretty young women wearing kimono type dresses or robes. The fabric patterns are beautiful. Occasionally, I encounter cdv’s, cabinet cards, and postcards featuring women wearing kimonos. These early photographs document that kimono popularity in the western world was evident as early as the 1880’s. The postcard was published by “NPG” (Neue Photographische Gesellschaft) as part of a series (no. 208/4). The company was a leading bromide photo printing company for many years. A. G. Steglitz, is also noted as the publisher and this photo was published circa 1905 in Berlin, Germany. Note the initial “F. E. D.” at the bottom of the image. The initials stand for Friedrich Eyfried, the printer of this card. The company was located in Dusseldorf, Germany. This postcard is in good condition. Note the slight discoloration in and near the bottom left hand corner of the card
Jenny Jugo (1904-2001) was an Austrian actress. Her IMDb filmography reveals that she appeared in fifty-three films between 1925 and 1950. Jenny, as is evident in this vintage real photo postcard, was very beautiful. She was born in the Austro-Hungarian Empire. Her father owned a factory. She received her education in a convent. At age sixteen, she married actor Emo Jugo and the pair settled in Berlin, Germany. Their marriage was of short duration (1921-1922). She gave up her husband but not his last name. The German film studio, UFA, signed her to a contract in 1924. She struggled in the dramatic roles that she was given. By the end of the silent era, she was successful in comedies and specialized in that genre through the 1930’s. She often played perky, confident characters. She was often directed by Erich Engel. In 1935, Jugo played Eliza Doolittle in Pygmalion. Writer, George Bernard Shaw was so happy with her performance that he invited her to act in all of his plays on the English stage. She made films during the Nazi regime until 1943, when she returned to her Bavarian home. She was in a relationship with film producer Eberhard Klagmann who worked on her final three post-war films. In 1950, she married actor and former co-star, Friedrich Benfer. She retired from acting at age forty-six. She was given a lifetime achievement award for her outstanding contribution to German cinema. The IMDb biography of Jugo describes her as a “lively brunet, dimple-cheeked actress with a tom-boyish, unaffected manner”. The writer of the biography contends that Jenny Jugo flirted with stardom but did not achieve it. This assessment may be too harsh. To view Jenny Jugo acting in a 1931 film, watch the youtube video below. This postcard was published by Ross Verlag and is part of the Luxusklasse series (no. 614).It is easily identifiable by the gold emblem on the reverse of the card.The postcard is larger than regular sized postcards. This vintage postcard measures about 4″ x 5 3/4″ and is in very good condition.
The parents of these five siblings must have been pleased when the photographer, Robert Ophoven, gave them this portrait. The children are beautiful, well dressed, and well posed. All three girls are wearing jewelry and their hair was carefully styled for this portrait. It is also interesting to note the intimacy between the three girls. the middle girl has an arm around the shoulders of one sister while her other arm is being grasped by her other sister. This image was photographed in Duren, Germany. This cabinet card has exceptional clarity and is in excellent condition (see scans).
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A young child and dog pose for their portrait at the photo studio of Dietrich and White in Chemnitz, Germany. On the reverse of the cdv, photographer White is further identified as “Joh Carl White”. Chemnitz is a city in eastern Germany. To be more exact, it is located in Saxony. 
Two young girls pose for a vintage snapshot photograph as they sit on the sand at the beach. One girl has her arm affectionately around the shoulder of the second girl. The recipient of the affection is displaying a sour expression. Are the girls sisters? Could they be close friends? The answer is lost to history. The girls names are written on the reverse of the photo. I can only decipher one of the names. It is “Ingrid”. A stamp on the reverse of the snapshot indicates that the photograph was developed in Dresden, Germany. Dresden is the second largest city in Saxony. It is situated on the banks of the River Elbe. It is near the border of the Czech Republic. There are beaches along the Elbe and perhaps this image captures one of them. This photograph is in good condition (see scans).
It’s wartime. To be exact, this snapshot photograph features a World War II German soldier posing in front of a military airplane. I can not identify the name of the aircraft, though I would guess the plane is a bomber or transport plane. Note the decal of the stag near the nose of the plane. It looks similar to the John Deere logo (see images below). I wonder if the decal was on all planes of this model, or if it was placed on the plane by it’s crew. The snapshot is printed on AGFA Photopaper. The company was founded in Berlin, Germany in 1876. This image is on photo paper (AGFA-Brovira ) that was produced during WW II. 
The lovely actress seen in this vintage real photo postcard is named Gerda Maurus (1903-1968). She is posed next to a beautiful Airedale terrier. This unusual profile photograph was taken by celebrity photographer Alex Binder. His studio was located in Berlin, Germany. Maurus was active in film and television between 1928 and 1968. She was an Austrian actress of Croatian descent. Maurus was the daughter of an engineer/inventor. She grew up in Vienna and received training as a singer and dancer. She hit the stage at age fifteen. The IMDb biography of Maurus describes her as ” a strikingly beautiful blonde with high cheekbones an expressive blue eyes”. She began her career on the stages of Vienna. She was “discovered” by director Fritz Lang and he cast her in the female lead in the silent film “Spione” (1928). Lang was smitten by maurus and his marriage was destroyed. She then appeared in a number of German films during the Weimar and Nazi eras. Maurus married director Robert A. Stemmie in 1937. He directed her in “Daphne and the Diplomat” (1937). Like many actresses of her time, her acting career was hurt by the introduction of “talkies”. Further complicating matters was her nebulous association with Nazi propaganda minister Joseph Goebbels. This relationship had negative impact on her career after World War II. Due to lack of film offers, Maurus retreated to the German stage. The IMDb filmography of Gerda Maurus lists 33 credits. Here is a side note about Airedales. The first World War increased the popularity of Airedales because they became famous for their bravery on the battlefield. In the US, Presidents Theodore Roosevelt, Calvin Coolidge, and Warren Harding all owned Airedales. In the 1920’s, Airedales became the most popular dog in the US. This postcard was published by Ross Verlag and is part of a series (no. A1320/1). This photo postcard portrait is in very good condition (see scans).
This carte de visite photograph features a German soldier. I believe that he is an officer in his dress uniform. Note the white gloves that he is holding and his sidearm. I bet that his sheathed knife is a frightening weapon. He is wearing an awesome hat decorated with feathers. This photograph was taken circa the late nineteenth century. The photographer was Max Seifert. He operated a studio in Freiberg, Germany. Freiberg is a town located in the the Free State of Saxony, Germany.
