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This vintage postcard is unusual (uncommon). It features two female dancers, I believe they are performing a type of ballet. The dancer that is holding up the other dancer has very muscular legs. Is she a he? An inscription on the reverse of the card appears to say “Jennoff”. I was hoping that the name “Jennoff” would lead me to more information about this postcard. It failed to do so. The story behind this Italian vintage postcard, intrigues me. (SOLD)
This vintage real photo postcard features a young black boy wearing coveralls and a young girl dressed in a maid’s uniform. The boy is holding a feather duster and looking at the girl who standing on a table and is in deep concentration as she brushes off a sculpture. This photographer produced this image in a tongue and cheek manner. A caption on this postcard states “Valet de Chambre et Soubrette” (valet and maid). This postcard is in very good condition (see scans).
This cabinet card photograph is absolutely precious. The photographer did a fantastic job of posing the child and the dog. The child is wearing a half smile and the dog is flashing a serious and inquisitive stare at the photographer. Is this child a boy or a girl? It is difficult to ascertain oftentimes in vintage young children’s photographs. One confounding factor is that many boys wore dresses till they reached five or six years-old. Sometimes, but not always, the way a child parted their hair, can be a clue to identifying their gender. Boys generally wore their hair parted on the side while girl’s hair was usually parted in the center. This photograph was taken by the Hall and Son studio, located in Detroit, Michigan. Henry M. Hall was born in New York in 1835. He married Eliza Hall in about 1855. The couple had three daughters and one son. The Detroit directory listed Henry and his son, Roswell (1864-?), as photographers as well as portrait and landscape painters in 1884. The firm employed two photographers, Alexander Campbell (1884) and John Bennett (1885). It is not clear if the photography studio operated beyond 1884-1885. During the 1890’s, Henry created a number of sign painting partnerships. He also had an interest in a cigar manufacturing company in 1898. Henry’s son, Roswell E. Hall was a painter and shipping clerk between 1879 and 1884. He worked as a photographer with his father between 1884 and 1885. He remained in Detroit and held various jobs; crockery store clerk and department manager (1886-1891), manufacturers agent and department store clerk (1892-1898), and foreman in an iron works (1899-1902 as well as in 1910). Roswell married Emma Hall in 1887 or 1888. The couple had four children. This cabinet card portrait is in very good condition (see scans)
This vintage theater postcard features two actresses appearing in the play, “Resurrection”, by Henry Bataille. The play was adapted from a novel written by Leo Tolstoy. The novel was originally published in 1899. The play was performed at the “Theatre National de L’odeon. The actresses are Mll Sylvie (1883-1970) and Mme Bertha Bady (1872-1921). Here are brief biographical skethches of the actresses. Sylvie was born in Paris, France. Her original name was Louise Pauline Mainguene. Her father was a sailor and her mother was a teacher. She started her professional career in 1903. She appeared in a number of French silent films. She was both a stage and a screen actress. She graduated from the Paris Conservatoire. Her filmography, listed by IMDb, credits her as acting in 54 films between 1912 and 1968. Berthe Bady was born in Belgium but her nationality was French. Berthe Bady attended the Brussels Conservatory and was active on the stage between 1893 and 1913. She was a beautiful actress. Berthe was a companion to both Lugne-Poe and Felix-Henri Bataille. Lugne-Poe was a French actor, theatrical director, and scenic designer. He and Bady were involved in symbolist movement of the arts. Bataille was a French dramatist and poet. A brief explanation of symbolism seems to be merited. In theatre, symbolism is a way to bring a greater meaning to something than is apparent at face value. The use of color, characters, movement, props and costumes are all methods of presenting symbolism. In 1897 Bady was the subject of a portrait by Toulouse Lautrec and her death was the subject of a poem by a leading French poet, Louis Aragon. In addition, playwright Fernand Crommelynck dedicated a play to her. Wikipedia credits her with sixteen “notable” play appearances between 1893 and 1913. She appeared in Ibsen’s “The Master Builder” on an international tour. The tour took her to London, Brussels, Amsterdam, Milan, and additional cities. In 1918 she appeared in her one and only film, “Ecce Homo”. The photo of Berthe and Sylvie was taken by Emile Allevy, a Paris photographer. The postcard was published by A.J.C. (Arthur John Carter) of Eastbourne, England. This postcard was likely published around 1902 since that is when Bady played in the play at the Theatre National de L’odeon. This vintage postcard is in good condition (see scans).
This vintage real photo postcard features three adorable little girls dressed in lacy colorful dresses and wearing flowers in their hair. The postcard was published by ABN and dates back to circa 1909. The postcard has a French stamp and a postmark from Ardeche, a department in southeast, France. The postcard in in very good condition (see scans).
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