This cabinet card portrait features an adorable and fashionable child. The child is very poised and is bright eyed and is flashing a half smile. This photograph was produced by the Hartley Studio. Edward Hartley operated his studio in Chicago, Illinois (309 Madison Street). The studio was the” largest and finest equipped photographic gallery in the world”, and was “alive with the best photographic talent possible to procure”. These accolades are attributable to Hartley. The self promoting statements were printed on the reverse of the photograph. The artwork on the reverse of the card is very well done. This cabinet card has excellent clarity and is in excellent condition (see scans). 

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Published in: on May 17, 2023 at 8:04 pm  Comments (1)  
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This cabinet card presents a pretty young woman posing for her portrait. She appears to be in her teenage years and is posed holding a bible or other religious book. She is beautifully dressed for a religious ceremony, most likely, her confirmation. Note her fingerless gloves. The photographer of this portrait is Max Schultz. He operated a studio in Chicago, Illinois between 1894 and 1900. Schultz worked from the location listed on this cabinet card (446 W. Chicago Ave) between 1897 and 1900.   SOLD

Published in: on May 16, 2023 at 6:01 pm  Leave a Comment  
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This vintage occupational real photo postcard features five construction workers (laborers) posing in their work clothing. Note that two of the men are holding tools and that all but one of the men are wearing work gloves. A couple of the men have dirty faces from their labor. The men are posed in front of, what appears to be, a large pipe. Is the pipe the focus of their work? This card was postmarked in 1911. The postcard was sent to Chicago from El Paso, Texas. The card was produced by a private studio and is nearly certain to be “one of a kind”. This antique postcard is 111 years old and in fair condition. (See Scans).


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A young woman poses wearing her bonnet at the studio of Holgenson, in Chicago, Illinois. The photograph raises the question of whether the bonnet is simply meant to be fashionable, or does the bonnet indicate that she is a member of a certain ethnic or religious groups. Please leave a comment with any hypotheses about this question.   (SOLD)

Published in: on May 18, 2022 at 12:01 pm  Comments (2)  
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This cabinet card photograph features a portrait of a very pretty young nurse, or maid. She clearly is clearly is wearing a uniform. She seems very serious as she poses for her photograph at the Louis H. Rudolph studio in Chicago, Illinois. She has a wide-eyed expression and seems very attentive to the photographer. A drawing of the photographer’s studio (street view) can be seen on the reverse of the photograph. A sign in the window of the drawn building indicates that, at the time, cabinet cards sold for two dollar per dozen photographs. A listing of Chicago’s early photographers reports that Rudolph operated a studio between 1892 and 1900. He was born in 1871 and married Henrietta S. C. Ziehn in 1895.  (SOLD)

Published in: on May 14, 2022 at 12:00 pm  Leave a Comment  
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This cabinet card features a portrait of stage actress, singer, and comedienne, Bessie Wynn. She appears quite attractive despite her rather bizarre hat. Are those grapes atop her hat? Wynn was famous for her roles in the original cast of Victor Herbert’s “The Wizard of Oz” and “Babes in Toyland”. Wynn introduced the classic song, “Toyland”. She wrote the lyrics for “Toyland” as well as for other songs. She introduced several of Irving Berlin’s songs. Wynn was a showgirl in “The Little Duchess” company that featured Anna Held. Bessie Wynn played a number of “trouser roles”. These roles were defined as roles in which a female actress played a man in men’s clothing. Wynn acted in nine Broadway shows between 1900 and 1912. The photographer of this image was James Samuel Windeatt (1861-1944). The English census (1881) found Windeatt living in Callington, Cornwall and residing with his parents and older sister. His occupation at that time was working as a photographer. The next year he emigrated to the United States and worked as a photographer in Chicago, Illinois. He was a partner in the studio of Gehrig & Windeatt and later operated his own studio. He married his wife, Augusta, in 1888. Census data indicates that he had three daughters (Blanche, Charlotte, and Dorothy). SOLD




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Celebrity photographer, William McKenzie Morrison of Chicago, Illinois, produced these photographic portraits of  actress Annie Lewis (1869-1896). Morrison’s studio was in the Haymarket  theater building. To view more photographs from the Morrison studio and to learn more about him, click on the category “Photographer: Morrison”. Lewis was a soubrette of light operas and musical comedies. She was born and raised in Washington D.C.. Her father was a clerk for the U.S. Treasury Department. Her mother was a former parlor entertainer. As a child, she showed talent for “mimicry”. By the time she was four years old, she was performing on the stage. Actually, during her early years, she often did her singing and dancing atop a piano because that vantage point, allowed her to be seen by her audience.  At the age of sixteen, Lewis was touring the country with her own performing company. She was the soubrette in production called “Little Trump”. Go figure. At seventeen years of age, she married stage actor Wilton Lackaye. He was twenty-five years old at the time and he went on to have a long successful career in both theater and film. Lewis went on to play starring roles in a number of productions. She became a popular enough actress to be mentioned in a number of articles appearing in the New York Times.  The Times (1892) called her the “bright leading lady” of the Yon Yooson company. The newspaper (1892) also reported that she she performed to “standing room only” audiences in Boston’s Bowdoin Theater. In 1893, The New York Times wrote of trouble caused by Annie Lewis at New York’s 14th Street Theater that threatened that evening’s performance of  “The Nutmeg Match”. The management had wanted to add some “specialties” to the performance and Miss Lewis threatened to quit the cast if they made the proposed changes. It was reported that the theater management had looked for an actress to replace Annie Lewis but they were unsuccessful due the extremely short time a new actress would have to prepare for the part. In 1895, she was the supporting actress to Camille D’Arville in the Broadway Theatre production of “A Daughter of the Revolution”. Not long after that appearance, illness forced her to leave the stage, and by October, 1896, Annie Lewis was dead. The cause of death was tuberculosis. She was only 27 years-old. Her obituary appeared in “The Evening Times” (Washington D.C.). The headline of the article was “Little Annie Lewis Dead”. The article reports that she had been sick for nearly a year. She was forced to cancel a number of appearances. Her friends had hoped that a trip to the Southwest and Mexico  would help restore her health. A benefit was held and enough money was raised for the trip and for her care. However, her worsening health did not allow her to travel. The obituary states that Lewis was the mascot of the “National Fencibles”. She was adopted as their “Daughter of the Regiment”. The fencibles were a Washington based militia and drill team. John Philip Sousa dedicated a march to the organization. The obituary laments that the curtain fell way too soon in the life drama of Miss Annie Lewis. 



cc hattieCABINET CARD 1   (SOLD)

cc hattie 1CABINET CARD 1  (SOLD)

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A pretty corseted actress poses for this cabinet card portrait by theatrical photographer, J. B. Scholl, in Chicago, Illinois. The wasp waisted actress is posed a bit provocatively by the photographer. She has her hands on her hips and her head is slightly tilted. She is also exhibiting a mischievous grin.The reverse of the image is inscribed and dated. The cabinet card is signed “As ever yours, Hattie”. There is a possibility that her name is “Nattie” because the first letter of the name is not very legible. The back of the card is dated 1892. In addition to the State Street address, during his career, Scholl also had studios at two locations on South Halsted in Chicago. Perhaps a visitor to the cabinet card gallery can identify this actress. It is my opinion that this actress is Miss Hattie Harvey. The opinion is formulated by viewing other images of Miss Harvey and by her connection to Chicago. An article about Hattie Harvey appeared in the New York Times (1892). The article was entitled “Hattie Harvey’s Infatuation”. It seems the young Chicago actress had developed an infatuation for an Englishman in her company named Brooks (now we know why she has such a mischievous grin in this photograph). Her parents were not pleased and when the company’s production closed, her father promised to arrange more engagements for the company if his daughter would give up Mr Brooks. She refused his manipulative offer and there were some “exciting scenes” that occurred in the Grand Hotel concerning this family conflict. In addition, Hattie’s mother had two fainting spells “over the affair”. The newspaper article described Harvey as a “very pretty girl of nineteen” and reported that she declared she would marry the fifty year-old Brooks. However, public speculation was that Brooks, who was recently divorced, still had another wife back in England. Hattie Harvey’s parents threatened to “cast her off” if she continued the relationship with the”adventurer”.  (SOLD)

The second photograph produced by Newsboy (#379) as part of a series of tobacco premiums, is a portrait of  “Miss Infatuation”, Hattie Harvey. Compare the photograph with the one above and decide whether the two women are one and the same. It is my view that the portraits both feature Miss Harvey. Please leave a comment if you have an opinion about this matter. In the second photograph, Miss Harvey appears to be in wardrobe for one of her stage appearances. She certainly was an attractive woman.

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Florence Boyd posed for this cabinet card portrait in Chicago, Illinois. She is identified, in pencil, on the reverse of the photograph. The photographer is listed simply as “Boyd”. Perhaps, Florence, is married to the photographer. It is also possible that the pair may be related in some other fashion. A Samuel Boyd was a photographer in Chicago between 1887 and 1893. Earlier, he operated a studio in Cleveland, Ohio (1897 and 1900). All attempts to find further information about Samuel and Florence Boyd have been fruitless. Therefore, there is no confirmation that Florence Boyd actually slept with the photographer after the portrait. This cabinet card photograph is in very good condition.

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boyd 2

Published in: on September 13, 2019 at 4:00 pm  Comments (2)  
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This vintage real photo postcard advertises the Whitney Opera House, which was located in Chicago, Illinois. It was located on East Van Buren Street. Also advertised on the postcard is the show that was playing there at the time of the postcard’s publishing. The production was named, “My Cinderella Girl” and the advertisement asserts that it was “Chicago’s Best Musical Show”. The advertisement credits “William Norris” (1871-1929) as the show’s producer. Research reveals that the play ran in Chicago in 1910. “The Theatre” magazine reported that the play was a popular success. “The Advocate” (1910), a Jewish newspaper, asserted that audience members thought it was the funniest play ever written. The newspaper adds that the show was close to becoming the longest running show in the history of the Whitney. It was not mentioned that the Whitney had been open for less than one year. The writer also stated that the show included some of the prettiest girls ever to appear on a Chicago stage. The “Dramatic Mirror” (1910) reveals that Norris was a big hit among female theatergoers. I wonder how the ladies felt, when in 1910, Norris married one of his co-stars in the “My Cinderella Girl” cast (Mabel Blanche Mordaunt). The show was a farce about a character named Tom Harrington. Harrington was a college student and captain of the schools baseball team. The play focuses on his romantic life and the pranks and stunts he pulled as he attends college. William Norris played Harrington. The Whitney Opera House has an interesting history. It has had many names.The theater was originally located in the Chicago Musical College Building which was designed in 1895. The theater had 850 seats and was known as Steinway Hall, since the piano company had built the building. By 1900, the theater was known as Ziegfeld Hall. A short time later, the theater became the Kelly and Leon Opera House and in 1910, it’s name was changed to the Whitney Opera House. By 1915, the hall was renamed, and even more names followed. It became a movie theater in 1930. Sadly, the theater finished its life as an adult film theater. The theater was closed in the late 1960s and was demolished in 1970. This photo postcard was published in Chicago by the Fine Arts Journal. The journal was published between 1899 and 1919.   SOLD

Published in: on August 18, 2019 at 12:00 pm  Comments (3)  
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