russell_0002CABINET CARD 1






Lillian Russell (1860-1922) is pictured in the Cabinet Card 1 photograph by famed New York celebrity photographer, Falk. Lillian Russell is captured in costume as she appeared in “Pepita” (1886). Russell was a very famous American actress and singer who was known for her beauty, style, voice and stage presence. Her theater career began with roles in comic operas including the work of Gilbert and Sullivan. She married composer Edward Solomon in 1884 and two years later, he was arrested for bigamy.  She performed in New York and elsewhere in starring roles in comic opera and musical theatre. In 1904 she switched to dramatic roles due to voice problems. She later also appeared in vaudeville. She retired from the stage in 1919. She later wrote newspaper columns, advocated for women suffrage, and was a popular lecturer.  She married four times and her longest marriage was to Diamond Jim Brady who supported her extravagant lifestyle for four decades. It is interesting to note that the New York Times (4/2/1886) reported that during the performance of “Pepita”, an opera by her husband, Edward Solomon; there were obvious signs of marital discord observed on stage. The newspaper blamed issues revolving around Russell’s interfering mother, as well as, issues pertaining to Russell’s sudden prosperity. The newspaper article correctly predicted that there would soon be a divorce.

Cabinet card 2 is also photographed by Falk. This photograph provides a close-up image of Lillian Russell and is a testimonial to her beauty.

Cabinet card 3 was published by Newsboy and used by the tobacco company as a premium (#340). The photographer was Falk and the image was copyrighted in 1893. To view a collection cabinet cards by Falk; click on the category “Photographer: Falk”.

Cabinet card 4 is another image produced by B. J. Falk. Miss Russell is in costume and is posed provocatively partially behind sheer lace.

Cabinet card 5, also by Falk, provides a terrific profile portrait of the beautiful Miss Russell.

Lillian Russell is pictured in this vintage real photo postcard (RPPC 6). This undivided back postcard was published in 1907 or earlier. (SOLD)


The pretty woman seen in this cabinet card portrait is actress, Carrie Perkins. Her acting included productions on Broadway, as well as, appearances on the Burlesque and Vaudeville stage. One of Perkins’s claims to fame, is that she was considered to be the actress that wore the tightest fitting costumes in all of vaudeville. She appeared in much advertising such as premium cards for cigarette brands. The website, “Broadway Photographs” provides a biography of Miss Perkins. She is described as “a vaudevillian with a trim body and a smart tongue”. The site states that “she plied both the visual and verbal dimensions of entertainment”. Although she was known for her tight gowns, the biographer states that “it was her urban girl wit that won her a ticket to Broadway”. She became known to the theatrical world in Garrick’s burlesque “Thrilby” (1895). She wasn’t considered beautiful enough to play lead roles. Instead she played roles that showcased “feminine audacity”. She appeared in nineteen Broadway productions according to the Internet Broadway Database (IBDB). These appearances occurred between 1888 and 1911. These performances included “Jack and the Beanstalk (1898), “The Casino Girl” (1901), and “The Merry Shop Girl’s” (1905). Her final show was “The Fascinating Widow”. which was a touring production with the popular actor and female impersonator Julian Eltinge. There seems to be agreement that Perkins was long on personality and appearance, but short on talent. Perkins rarely received praise from theatre critics. She found her place on the stage as a supporting actress/dancer/singer. This cabinet card photograph was taken by the Sparks Photo-Publishing Company. The studio was located in Philadelphia, Pennsylvania. The artist/manager of the studio was Elliott Houseworth. The 1880 census lists Elliott A. Houseworth as being born in 1855, residing in San Francisco, California, and working as a photographer. Houseworth also appears in the 1900 census as living in Norwood, Pennsylvania and working as a manager. These demographics fit the photographer of this image, since Houseworth managed Sparks Photography Studio and Norwood is only about eleven miles from Philadelphia. A stamp on the reverse of the image states “Russell Brothers, 126 Tremont Street, Boston”. Perhaps the Russell Brothers were photograph collectors or a photo gallery that sold celebrity photographs. Photographs of Miss Perkins are rare and this image is beautiful remnant of turn of the century Broadway theater. SOLD


This vintage real photo postcard features a portrait of the multi talented actress, dancer, and singer, Gaby Deslys (1881-1920). Miss Deslys performed at the beginning of the twentieth century in both Europe and the United States. She was extremely popular worldwide. In fact, she was able to earn four thousand dollars a week when performing in the United States. She performed several times on Broadway. She had a dance named after her, “The Gaby Glide” (1911). You can find the sheet music, with Gaby on the cover, elsewhere on ebay. Her love life was the topic of much public gossip. She probably added to the sensationalism surrounding her by posing in a number of risque postcards. She was courted by many wealthy and powerful men, including the King of Portugal. Her life was cut short by the “Spanish” influenza. This postcard is not at all common. It was published by E. A. Schwerdtfeger Company of London and printed in Berlin (no. 0291/1). The company also had an office in New York (opened in 1910). This publishing house printed many different types of real photo postcards but was known for its hand-colored real photo postcards of actresses and fashionable women in exotic costumes. The photographer was the Talbot studio. The creator of Miss Deslys’s hat is also credited (Lewis). This particular real photo postcard stands out because it offers a colorized and very clear view of this beautiful and talented performer.  SOLD





Image 1 is a vintage postcard that features French actress Lucy Gerard (1872-1941). She appeared both on stage and in film. She began her stage career in 1888 at the Theatre de la Renaissance and continued her career in France through 1900. She was absent from the performance scene for quite awhile until she returned to the stage with a “new” name, Lucy Mareil. During her stint away from the stage, she became an antique dealer. Equipped with her new name, Gerard landed numerous roles in theater and cinema from 1911 to 1923. In  The IMDb credits Gerard with 24 film roles. The IBDb reports that she appeared in one Broadway play, “A Night with the Pierrots / Sesostra / The Whirl of Society” (1912). Lucy Gerard was a very pretty actress and her photo on this postcard shows her in what appears to be a Middle Eastern costume. On the top left hand corner of the front of the card is the word “Vaudeville”. At the time that this photo was taken, Miss Gerard was appearing at the “Theatre du Vaudeville” in Paris. The photographer of this postcard photo was Charles Pierre Ogerau (1868-1908). He was a Frenchman and was considered an excellent photographer. He was also known to be an anarchist activist at the beginning of the twentieth century. Ogerau opened his photographic studio on boulevard Montmartre in around 1885. He specialized in photographing actresses and his subjects included Cleo de Merode and Emma Calve. This vintage postcard portrait is uncommon.   (SOLD)

Image 2 is a Cabinet Card portrait of the Miss Girard. She looks beautiful in this photograph. She is dressed in a fancy gown. This photo was taken at the celebrated Reutlinger studio. The Reutlinger Photography Studio was opened by Charles Reutlinger in Paris in 1850. Reutlinger was of German descent. The studio took portraits of many of the world’s beautiful, rich and famous people of the era. In 1880, Charles’ brother, Emile (1825-1907) took over operation of the studio. He was joined by his son Leopold (1863-1937) in 1883. Leopold began running the studio in 1890 and operated the business until 1930 when he lost an eye in an accident involving a champagne cork. A stamp on the reverse of  this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City. (SOLD)





  • This cabinet card portrait features stage actress, Blanche Kelleher. The IBDB reports that Miss Kelleher appeared in two Broadway productions. The first production, “Trelawney of the ‘Wells” was a comedy that appeared at the Lyceum Theatre (1898-?). Other performers in the play included Mary Mannering and Hilda Spong. The play was produced by Daniel Frohman. In 1928, this play was the basis of a film, “The Actress” . The second Broadway show that featured Miss Kelleher, was “The Ambassador” (February 5, 1900 – March 19, 1900). The show was a comedy produced by Daniel Frohman. It was presented at Daly’s theatre, and was on Broadway for 51 performances. This cabinet card portrait was taken at Ye Rose Studio, in Providence, Rhode Island.  The studio opened in 1886 and was located in the Conrad building in downtown Providence. The building still exists. On the reverse of this photo is a stamp which indicates that the image once belonged to Frank A. Munsey (1854-1925). You may not have ever heard of Mr. Munsey but he was a well known man during his time. He was an American newspaper and magazine publisher. He was also an author of several novels. Munsey also founded a major financial institution. His accomplishments go on and on. Munsey provided major funding for Theodore Roosevelts ill fated campaign for the 1912 Republican Party nomination for President. In reaction to Roosevelt not receiving the nomination, he had his hand in the formation of the “Bull Moose Party”. Although he was born in Maine, he spent most of his life in New York City. The city of Munsey, New Jersey is named after him. Munsey receives credit for developing the idea of using high speed printing presses to print on cheap, untrimmed, pulp paper in order to produce affordable magazines. Many of these peiriodicals were sold for just ten cents. The stories appearing on this paper were often action and adventure fiction. The magazines were aimed at working class readers and were called “pulp magazines”. Think “Pulp Fiction”. Munsey eventually expanded into publishing newspapers. In 1925, Munsey died from a burst appendix. When he died, he left a fortune of 20 to 40 million dollars, which by today’s standards, would equal 250 to 500 million dollars. Among those that received sizable funds from Munsey’s estate was Bowdoin College and New York City’s Metropolitan Museum of Art. This cabinet card has excellent clarity and is in very good condition (see scans). Note the tiny chip near the top of the left edge of the card’s border. SOLD


This vintage real photo postcard features film actress, Alice Brady (1892-1939). Brady was born in New York City into a theatrical family. Her father was a theatrical producer, and her mother was a French actress. When Alice was four years old, her mother died. Her father remarried and her step-mother was actress, Grace George. George (1879-1961) was a successful American stage actress. She had a long Broadway stage career and appeared in two films.  Alice knew she wanted to be an actress, like her mother and step-mother, at an early age. Her first stage appearance was at the age of 14. Her first Broadway appearance was in 1911, at the age of 18. In 1913, she appeared with John Barrymore in “A Thief for The Night”. She performed on Broadway over a span of 22 years. She began her career during the silent film era and was one of the minority of actresses that successfully made the transition into sound movies. Brady’s films included “My Man Godfrey” (1936) and “In Old Chicago” (1937). Alice made her first silent feature appearance in 1914. She appeard in 53 films over the next ten years. Simultaneously, she continued to perf0orm on stage. In 1923, she took a ten year hiatus from the stage. In 1922 she made her first talkie, an MGM production. Over the next seven years, she made 25 more films. Her final film was “Young Mr. Lincoln” (1939). In 1937, Brady won the Academy Award for Best Supporting Actress for the film, “In Old Chicago”. She had been nominated for the same award the previous year. In all, Brady appeared in more than 80 films. It is important to mention Brady’s Broadway career. The IBDb reports that she appeared in over 40 Broadway productions. Some of the “Great White Way” productions (1911-1932) that included Brady were “H.M.S. Pinafore” (1911), “The Pirates of Penzance” (1912), “The Mikado” (1912), “The Yankee Princess” (1922), “A Most Immoral Lady” (1928), and “Morning Becomes Electra” (1931).  Alice was married once. Her marriage to actor, James Crane, lasted from 1919 until they divorced in 1922. The marriage produced one son. Her life and career were cut short by her death from cancer just a day short of her 47th birthday.  The “Cyko” stamp box on this postcard indicates that it was published between 1904 and the 1920’s. This vintage portrait postcard is in good condition (see scans). 

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3193

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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #3193

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This vintage real photo postcard features American stage and film actress, Mayo Methot (1904-1951). Until encountering this postcard, I had never heard of Miss Methot. However, a Hollywood historian would easily recognize her name. The exact reason for her name recognition will become apparent in just a bit. Methot’s acting career spanned between 1909 and 1940. She was married three times and divorced three times. Her third husband was actor Humphrey Bogart. Their seven year marriage, beginning in 1938, is one of the reasons she is known by Hollywood aficionados. Their marriage was turbulent.  The press reported many of their violent fights. The press called them the “Battling Bogarts”. Methot struggled with alcoholism and was diagnosed as a paranoid schizophrenic after she attempted suicide in 1943. Methot appeared in over 30 films, as well as many Broadway productions. The IBDb credits her with 11 appearances in Broadway shows.  She was raised in Portland, Oregon, where she began her theater career at the age of 5. She was a prolific child actress and continued to perform in Portland through the 1910’s and 1920’s. In 1922 she moved to New York to pursue a career in Broadway theater. After starring in more than ten Broadway shows, she relocated to Los Angeles in 1930. She emigrated to the west coast to begin a film career. She was signed by Warner Brothers and appeared in a variety of supporting roles. She often portrayed hard edged women. The IMDb credits Methot with 28 film appearances between 1930 and 1940. After divorcing Bogart, Methot’s film career stalled and she returned to Portland. Her drinking  and depression worsened and she died there from complications from alcoholism.   This card was published by Societe Industrielle de Photograpie (SIP) of Rueil, France. It is part of the 77 series (no.5). Methot’s photograph was taken by celebrity photographer Jacob Schloss (1856-1938) in his Manhattan studio. Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s. This postcard formerly resided in a postcard album.   SOLD

Published in: on April 22, 2020 at 12:00 pm  Leave a Comment  
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petrass POSTCARD 2   (SOLD)

Sari Petrass (1888-1930) was a Hungarian operetta actress and singer. She played leading soprano parts during the 1910’s and 1920’s. She appeared all over the globe. She gave performances in Budapest, Vienna, London, and Broadway. In 1911 she made her debut as a lead singer in a show in Budapest. The show became an international hit. Petrass wasted little time learning to sing in English. She performed in “Gipsy Love” (1912) at England’s Daly’s Theatre. The show ran for 299 performances. She next appeared at Daly’s in “The Marriage Market” (1913). This postcard features her in the role of “Mariposa Gilroy” in that show. She appeared alongside Gertie Millar. Interestingly, Petrass was a skillful horse rider and had an opportunity to ride a donkey in the opening scene of the play. The show ran for 423 performances. A photo from the show can be seen below. Sari Petrass and her costar, Robert Michaelis are seen in the photograph.  In 1916, Petrass was the subject of a rumor in America. It was falsely reported that she was executed in Hungary for being a British spy during World War 1. It was “fake news”. In late 1916, she moved to New York where she starred in “Miss Springtime” at the New Amsterdam Theatre on Broadway. In 1917, she married a Long Island stock broker named Felix Augustus Eugene Sommerhoff. Sommerhoff was the nephew of composer Robert Schumann. Petrass continued performing after her marriage. In 1930, Sari Petrass and a friend (Lady Horne) were killed in an accident while in Belgium. Their chaufffeur was attempting to drive onto a ferry but he was blinded by beam from a lighthouse and crashed into the Scheldt River. Both Petrass, and her friend, died from drowning.                                                                                                                               

Postcard 1 is part of the “Arcadian Series” (no. A 67). The publisher was formerly The Arcadia Bazaar Co and was also known as the A B Company based in Ramsgate, England. Petrass was a sitter in six portraits in the collection of the National Portrait Gallery. The photographer of this image is Rita Martin. Miss Martin was well known for her expertise in taking portraits of theater stars and other celebrities. The message on the reverse of the postcard is signed in a cute manner, “Heaps of Love, Lucy”. (SOLD)       

Postcard 2 is a close-up portrait of Miss Petrass. Her beauty is captured in this photograph by Rita Martin. The postcard is published by Beagles Postcards as part of a series (no. 218 K). The publishing house was located in London, England.  (SOLD)


petrass 1 POSTCARD 2  (SOLD)


This vintage real photo postcard features actress Miss Mildred Claire. She is quite pretty and is dressed for cold weather (pre global warming). A fur muff protects her hands and a fur stole (pre PETA) wrapped around her shoulders. I could find very little information on this pretty actress. I learned from the Internet Broadway Data Base (IBDb) that Mildred Claire had acted in three Broadway shows between 1900 and 1905. I discovered little else. An actress named “Mildred Clair” appeared in a film titled “Treason” (1918).  Perhaps this film actress was our Mildred Claire. There was also an actress named Mildred Claire who changed her name to Claire Rochelle and than had a successful film career. I do not believe the two “Mildred Claire’s” are one and the same person because Claire Rochelle was born in 1908, too late to be an adult when this postcard was issued. This portrait postcard was published by Rotary Photo as part of a series (no.4373 C). It was part of the Rotary Photographic series. The postcard is in very good condition (see scans). (SOLD)       

Published in: on October 6, 2019 at 1:52 pm  Comments (1)  
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This cabinet card photograph features actress Katherine Florence (1874-1952). She was born in Birmingham, England and died in Astoria, Queens, New York. She received her education from a convent in Peekskill, New York. She furthered her education by studying in Paris, and later, Montreal. Florence was a popular American stage actress who performed from the late 1880’s through the early twentieth century. Her mother was a famous actress named Katherine Rogers. Two of Katherine Florence’s sisters became successful stage actresses Their names are Violet Rand and Eleanor Moretti. She gained her early acting experience in her mother’s theatrical company. Her major debut took place in New York City, 1887 in the drama, “As In A Looking Glass”. Lily Langtry was also in the production. She appeared on the New York stage every year of her theatrical career except one. Florence was married to stage actor Fritz Williams in 1892 and their marriage ended with his death in 1930. Her resume includes acting in “The Lost Paradise (1892)”, “The King’s Musketeers (1898”), and “Letty (1905)”. During her career she played opposite excellent actors including Stuart Robson, E. H. Sothern, and William Gillette. The Interned Broadway Data Base credits Miss Florence with appearing in fourteen productions between 1893 and 1913. This cabinet card was produced by Newsboy, a tobacco company. The photograph was used as a premium to encourage customers to buy the tobacco products.   SOLD


Published in: on July 29, 2019 at 12:00 pm  Leave a Comment  
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