Vintage real photo Postcard 1 features a portrait of the multi talented actress, dancer, and singer, Gaby Deslys (1881-1920). Miss Deslys performed at the beginning of the twentieth century in both Europe and the United States. She was extremely popular worldwide. In fact, she was able to earn four thousand dollars a week when performing in the United States. She performed several times on Broadway. She had a dance named after her, “The Gaby Glide” (1911). You can find the sheet music, with Gaby on the cover, elsewhere on ebay. Her love life was the topic of much public gossip. She probably added to the sensationalism surrounding her by posing in a number of risque postcards. She was courted by many wealthy and powerful men, including the King of Portugal. Her life was cut short by the “Spanish” influenza. Postcard 1 is not at all common. It was published by E. A. Schwerdtfeger Company of London and printed in Berlin (no. 0291/1). The company also had an office in New York (opened in 1910). This publishing house printed many different types of real photo postcards but was known for its hand-colored real photo postcards of actresses and fashionable women in exotic costumes. The photographer was the Talbot studio. The creator of Miss Deslys’s hat is also credited (Lewis). This particular real photo postcard stands out because it offers a colorized and very clear view of this beautiful and talented performer.  SOLD

Postcard 2 was photographed by Edouard Stebbing. He was active in Paris between 1890 and 1910. Stebbing taught at a University in Paris and invented the stebbing camera, and was known for his work with emulsions. It is reported that he was friends with the artist Monet. He died in 1914 and his wife (Celestine) died five years earlier. Stebbing was a prolific photographer during the Belle Epoque Paris. He appears to have been an expatriate from England. He published many articles in British Photographic journals. Stebbing photographed many theatrical stars. A frequent publisher of these postcards was Monsieur G.Piprot, of “Etoille” or “Star” publishing in Paris. The “Photographic Times and American Photographer” (1883) cited Stebbing as “one of the bright lights of the French Photographic Society. The card has a 1908 postmark.  SOLD

Postcard 3 is not common. It was published by Rotary Photo of Great Britain as part of a series (no.11843 A). This postcard portrait was taken by the Foulsham & Banfield studio. Gaby Deslys was certainly a beautiful and talented performer.  SOLD





A pretty young woman sits sideways on a chair and holds an open magazine as she poses for her portrait at the Talbot studio in Loveland, Colorado. If she is indeed sitting sidesaddle on the chair; it is an unusual pose. She is wearing an interesting and uncommon dress. Perhaps a visitor to the cabinet card gallery can tell us something about the dress. What kind of material is this dress made from? What is the material of the fabric that is sewn over parts of the dress? What kind of hair accessory is she wearing atop her head?  Note that she is also wearing a ribbon which can be partially seen behind her head. Are you wondering about the “Mammoth Potato Hoax” yet?  I’ll get right to that intriguing story after a brief description of the town where the Talbot studio was located. In the early seventies (the nineteen, not the eighteen seventies) I used to ski Loveland’s slopes and mail valentine day cards from the Loveland post office. It was considered extra romantic to have a Loveland postmark on your Valentines Day cards. I enjoyed the town, but never knew the story of how Loveland got it’s name. Research reveals that Loveland was founded in 1877 and was named in honor of William A. H. Loveland, the President of the Colorado Central Railroad. Not many years later, Adam H. Talbot operated a photography studio in Loveland. In 1894, he was recognized nationally and internationally for his involvement in the “Mammoth Potato Hoax of Loveland, Colorado”. The hoax actually started very innocently. The editor of the Loveland Reporter wanted to help a local potato farmer, Joseph B. Swan, promote his spud sales at a Loveland street fair. The farmer was well respected for his potato production. He had grown 26,000 pounds of potatoes on one acre of land over a years period. He had claimed to have grown a giant potato weighing 13 lbs, 8 ozs.  In an effort to create a humorous advertisement for farmer Swan, the newspaper editor recruited photographer Talbot to use trick photography to create a photograph of Swan holding a massive potato over his shoulder. Printing below the image stated that the potato weighed over 86 pounds. Unfortunately, or fortunately, depending on the participants point of view, many people believed that this attempt at humor was actually reality. Word spread about this amazing potato. Eventually, a New York City attorney sent the photograph to the editors of the Scientific American. The attorney included a note that stated that the actual potato had been on exhibit at the  Loveland Reporter offices.   The editors ordered an engraving of the photograph to be made and than published it as real news in an 1895 issue. Eventually, the editors became aware of the truth about the photograph and published an angry retraction. The magazine reported it was victim of a “gross fraud” and stated unkind opinions about photographer Talbot. They asserted that “An artist who lends himself to such methods of deception may be ranked as a thoroughbred knave, to be shunned by everybody”. The story of the “mammoth potato hoax” went viral, 1890’s style. It was widely reported but still many were not aware that the giant potato never existed. Farmer Swan was besieged by letters asking for information and offering to buy his amazing potato seeds. Swan would try to explain that the famous potato never existed, but people did not believe him. Eventually, Swan just told inquirers that the potato had been stolen. Incredibly, the story of the huge potato appeared in The Strand Magazine (1897), and it was reported as true news. After some years had passed, Talbot finally received some positive acclaim in the St. Louis and Canadian Photographer (1902). Talbot was recognized for producing photographs for a book named “Loveland, Colorado Illustrated”.  SOLD