GRETE WEIXLER : ADORABLE AND VIVACIOUS GERMAN STAGE ACTRESS

POSTCARD 1
POSTCARD 1 (CLOSE-UP)

   Postcard 1 features Miss Weixler at a younger age than postcard 2. The image shows Grete in her night clothes and holding a teddy bear in her left hand. A second stuffed animal lies near her feet. Note Grete’s long braided hair, worn over the front of her left shoulder. This image was created at the Helga Schmitt studio which had two locations in Germany (Wehl and Friedenau). The postcard was published by Photochemie, a firm located in Berlin. The card is part of a series (No 1506). The message on the reverse of the postcard indicates that it was written in 1917. Miss Weixler was about 17 years-old when this photograph was taken.  This vintage real photo postcard in in very good condition (see scans).         

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POSTCARD 2

                                                                                 POSTCARD 2 (CLOSE-UP)            

Postcard 2  features German silent film actress, Grete Weixler (1900-1921). She appears to be quite young in this photograph; possibly in her teenage years. Grete has the appearance of a cute and vivacious young woman. She was the younger sister of actress Dorrit Weixler (1892-1916). Her grandfather was a successful actor in Hungary. She made her film debut in 1915 in a film directed by Franz Hofer, who was married to her sister Dorrit. In an interview, Grete described the different type of roles that she played in comparison to her sister. She states that Dorrit specialized in playing child-like young woman who “know nothing but know everything”. She added that Dorritt had “a shade of humor”. On the other hand, Grete asserts that she herself was drawn to more “serious” roles. Dorrit had a tragic life. She became addicted to morphine and died from suicide in 1916. In addition to acting in film, Grete was also a theatre actress. Her last film was the “The Daughter of the Seduced”. The IMDb reports that Grete appeared in 37 films between 1915 through 1921. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no. 121/2). The logo for the motion picture company “Film Sterne” can be seen in the lower left hand corner of the postcard. The photo studio that took this photograph was Becker & Maas. The firm was located in Berlin, Germany. This portrait postcard is in very good condition (see scans).                                                                   

                                                    

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POSTCARD 2

POSTCARD 1
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PORTRAIT OF A PRETTY YOUNG WOMAN HAVING A BAD HAIR DAY

This vintage real photo postcard provides a portrait of a pretty young woman with a sweet smile. She appears to have experienced a “bad hair” day. In reality, her hairstyle was likely appropriate for her time. She is wearing a headband to keep her hair up. She is wearing a bracelet, ring, and earrings. The woman in this photo was a “postcard model”. This postcard was published by Photochemie (PH) as part of a series (no142). The company was located in Berlin, Germany. Photochemie published postcards of only German film stars or European performers performing in German films. The postcards were published between 1914 and 1919. The firm also produced postcards of other subjects. The postmark on this card reveals it was stamped in Hildesheim, a city in northern Germany. Note the marks above the woman’s left elbow. Overall, this postcard is in very good condition (see scans).

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Published in: on October 27, 2020 at 12:00 pm  Leave a Comment  
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ERNA MORENA : PRETTY AND SUCCESSFUL GERMAN FILM ACTRESS

POSTCARD 1
POSTCARD 1 (CLOSE-UP)

This vintage real photo postcard (Postcard 1) features pretty German film actress, Erna Morena (1885-1962). In addition to being a performer, she was also  a film producer and screen writer during the silent era. The IMDb reports that Morena appeared in 122 films between 1913 and 1951. Morena grew up in a middle-class family in Bavaria. At age 17, she attended applied art school in Munich. In 1909, after a short stint in Paris, she moved to Berlin where she worked as a nurse. She became a student at the German Theater’s drama school and in 1910 was hired as an actress by Max Reinhardt, Austrian-born theater and film director. She played a number of small theater roles and in 1913, Morena made her film debut in “The Sphinx”, produced by Leteraria Film. She was a “big time” actress. She worked under many well known directors and with some of the most well known actors in German film. Morena made a bid to become a film producer and formed her own film company which produced films in 1918 and in 1920. By the mid 1920’s, she was considered one of the biggest stars in German films. With the advent of talkies, her career declined. However, she did appear in supporting roles during the 1930’s.  Between 1915 and 1921, Morena was married to the German writer, Wilhelm Herzog. He was a historian of literature and culture, a dramatist, the author of an encyclopedia, and a well known pacifist. Their marriage ended in divorce. Morena appeared in the 1940 film “Jud SuB”. The movie was a Nazi Germany historical drama propaganda film. The film was produced on the order of Joseph Goebbels, the Nazi politician and trusted aide to Adolph Hitler. The movie is considered one of the most anti-semitic films of all time. Postcard 1 was published by Ross Verlag and is part of a series (no.1752/1). The company was located in Berlin, Germany. Morena was photographed by the German photographer, Ernst Schneider. Research about Mr Schneider yielded a great deal of information. He was considered to be one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s. He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. This postcard, a former resident of a postcard album, is in very good condition (see scans below).            

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Postcard 2
POSTCARD 2 (CLOSE-UP)

Postcard 2 also features the lovely Miss Morena. This postcard was published by Photochemie, located in Berlin, Germany. The card is part of a series (no.k149). Photochemie published postcards of only German film stars or European performers performing in German films. The postcards were published between 1914 and 1919. The firm also produced postcards of other subjects. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin.  He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937. It is thought that the real photographer of these new postcards was Hubs Floeter (1910-1974) who was employed at the studio as an operator. The studio continued to be owned by Binder’s widow, Mrs. Binder Alleman and their two daughters. The studio was managed by the Jewish Elisabeth Baroness Vonhedlis Stengel who was later deported to the Theresienstadt concentration camp. In 1938 the Nazi’s closed Binder’s studio and it was later taken over by an Aryan photographer, Karl Ludwig Haenchen . Haenchen continued to produce celebrity portraits for postcards. His publishers included Film-Foto-Verlag. After World War II the studio was taken over by the Hasse und Wiese company. This postcard has a Hamburg, Germany postmark and is dated 1918. The postcard is in very good condition (see scans)

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3253

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