WOMAN IN OLD WEST CLOTHING SITTING SIDE SADDLE ON A STUFFED HORSE: BOYFRIEND OFFERS MORAL SUPPORT

A young woman sits side saddle on a small horse, or donkey, as her boyfriend, or husband provides moral support. The horse has appaloosa type coloring. The woman is wearing a fringed western dress and a nice smile. The gentleman is wearing a suit accessorized with a bow tie and a bowler hat. This vintage real photo postcard is from a private studio; not mass produced. The postcard was published sometime between 1904 and 1918.

 

Buy this original Real Photo Postcard (includes shipping in the US) #2445

To purchase this item, click on the Pay with PayPal button below.

$28.50

 

 

Buy this original Real Photo Postcard (includes International shipping outside the US) #2445

To purchase this item, click on the Pay with PayPal button below.

$36.50

 

 

Published in: on June 21, 2018 at 12:00 pm  Comments (1)  
Tags: , , ,

THE TRAGIC LIFE OF STAGE AND FILM ACTRESS MARIA ORSKA

This vintage real photo postcard features stage and film actress Maria Orska (1893-1930). She was a major star in Germany during the 1920’s. She was born in Russia and her birth name was Rachel Blindermann. She was born into a Jewish family that lived close to Odessa in the Russian Federation. Today, her birthplace is located in the Ukraine. Her father was a lawyer. Just prior to World War I she moved to Vienna, Hamburg and Berlin. Orska must have been bright because she was fluent in German, French, Italian, Russian, and Polish. In Berlin, she worked with Rudolf Bernauer, Max Reinhard, and other well known directors. She became popular in Germany for her film parts, though she favored theater. Her first movie was “Damon Und Mensch” (1915) and it was produced by Jules Greenbaum, a pioneer of the German cinema. Oscar Kokoschka, an Austrian artist, drew Orska’s portrait, and lithographs of the work are now part of several museum’s collections. Orska married a much older man who was an influential Jewish banker from Berlin. They married in 1920 and divorced in 1925. Her next significant relationship was with a wealthy Jewish industrialist and geologist named Julius Heinrich Koritschoner from Vienna, Austria. In 1928 he fatally shot himself, leaving Orska a letter. Koritschoner’s morphine addiction was thought to have led to his suicide. Orska’s sister had committed suicide just two years earlier. She committed the act of self destruction just after having an intense argument with Maria. Orska was extremely popular in Central Europe during the 1920’s. The IMDb credits Maria Orska with 14 movie appearances between 1915 and 1923. She was seen as an extraordinary actress and her photographs appeared on many magazine covers and postcards. Suicide had taken the lives of her ex husband and her sister; and she too, eventually succumbed to self-annihilation. She committed suicide in 1930 while in Vienna. It was speculated that, like her ex-husband, morphine addiction resulted in her suicide. Here is some information about this postcard. It was published by Film Sterne. Around 1916 Rotophot began publishing three series of postcards with the RPH logo (see bottom left corner of above image).The first series was called “Buhnen-Sterne” (stage stars) and was comprised of German stage performers. The second series was named “Film Sterne” (film stars) and this postcard portrait of Maria Orska is part of that series (no. 118/1). The third set of postcards, “Film Sterne” (film scenes) showed scenes from German films and identified both the film and the performers. The photographer of this postcard portrait of Miss Orska, was the Becker & Maass studio, located in Berlin.    SOLD

PORTRAIT OF THE WEAVER FAMILY AND THEIR LOOM (VINTAGE PHOTOGRAPH)

This vintage photograph features a young woman at a loom. There are four more people in the room but we are compelled to guess who they are. My hypothesis is that the children belong to the young woman and the gentleman on the bench is her husband. The man standing may be the grandfather to the children. Your guess is as good as mine. A knowledgeable source asserts that this image dates back to Imperial Russia (c. 1917). There is a question clawing at me. I wonder if this photograph was taken in a weaving room, or if the photo was taken in a photographer’s studio. The walls of the room appear to be painted, as if they are backdrops. However, I have never seen a loom used as a prop in vintage photographs. This photo is in very good condition (see scans).

Buy this original Vintage Photograph (includes shipping to the US) #2442

To purchase this item, click on the Pay with PayPal button below.

$85.00

 

Buy this original Vintage Photograph (includes International shipping outside the US) #2442

To purchase this item, click on the Pay with PayPal button below.

$93.00

Published in: on June 18, 2018 at 12:00 pm  Comments (1)  
Tags: , ,

PORTRAIT OF ONE OF THE MOST BEAUTIFUL WOMEN OF FRANCE (PHOTO BY JEAN AGELOU)

This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about the Provinces of France, and the model for this image represents La Berrichonne (The Berry). This postcard is no. 41 in the series. There were a number of different series published. The Province series was one of the more popular series. The models in this series represent different French Provinces and wear traditional clothing from that particular area of the country. The province of Berry is a historical province of France that disappeared with the French Revolution. It is one of the oldest agricultural areas in France. To view other postcards from the provincial series, place the words “Les Plus Belles” in the search box. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of his early postcards were reproductions of artworks. He also produced illustrated patriotic postcards during World War I. With the onset of the 1920’s he began producing postcards of children and women. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name while others are simply marked “AN”. The photographer of this postcard portrait is Jean Agelou (1878-1921). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. He had a favorite model. Her name was “Fernande” and in addition to modeling, she was Agelou’s lover. Her full name was Fernande Barrey (1893-1960). She was a prostitute by trade. She also modeled for for painters (Amadeo Modigliani and Chaim Soutine). Fernande later became a painter. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Fernande remained popular and her erotic photographs were enjoyed by soldiers on both sides during World War I. Jean Agelou died in 1921; the result of a car accident. His brother George, who managed Jean’s business, also was killed in the crash.   (SOLD)

Published in: on June 17, 2018 at 12:00 pm  Leave a Comment  

PORTRAIT OF AN ATTRACTIVE WEDDING COUPLE IN BERNAU, GERMANY

This cabinet card wedding portrait features an attractive and well-dressed couple. The bride is beautiful. She has a bouquet of flowers on her lap and she is wearing a crown of flowers along with her veil. The bespectacled groom has a boutonniere on his lapel and is wearing pince-nez eyeglasses. The photographer of this wedding photo is V. Teichmann who operated a studio in Bernau, Germany. Bernau is a town in the Barnim district and is located about six miles northeast of Berlin. This cabinet card photograph is in very good condition (see scans).

Buy this original Cabinet Card photograph (includes shipping to the US) #2440

To purchase this item, click on the Pay with PayPal button below.

$31.50

 

Buy this original Cabinet Card (includes International shipping outside the US) #2440

To purchase this item, click on the Pay with PayPal button below.

$39.50

 

Published in: on June 16, 2018 at 12:00 pm  Leave a Comment  
Tags: , , ,

PORTRAIT OF AN ADORABLE TYKE ON A TRIKE IN HULL, ENGLAND

This vintage real photo postcard is special. The photograph features an adorable little boy riding a tricycle. Note the bell on the handlebars.He is wearing a long coat and cap. He is also wearing a happy expression as he poses for female photographer, Alice Gibson in Hull, England. Hull is a port city in East Yorkshire, England.  (SOLD)

 

 

Published in: on June 15, 2018 at 12:00 pm  Comments (1)  

MISS ANNIE HUGHES, ENGLISH STAGE ACTRESS, POSES WITH HER CHILD AND HER JACK RUSSELL TERRIER

This vintage real photo postcard features stage actress Annie Hughes (1869-1954). The actress poses in this photograph with her child and her Jack Russell Terrier. Miss Hughes was born in England. As a child actress she was associated with the role of “Little Lord Fauntleroy”. The actress was married three times. She was in the title role of “Miss Tommy”, first produced at the Gaiety Theatre in 1907. In 1912 she took the production on a tour of the United States. This postcard was published by Philco and was part of a series (No. 3075 B). Philco was located in London. The postcard has a postmark indicating that it was mailed in1905. The photographer of this image was the Lafayette studio. The firm was founded in Dublin in 1880 by James Stack Lauder. His father, Edmund Lauder was a pioneering and successful photographer. The elder Lauder used the name “Lafayette’ to give the company a touch of Paris, which was a a city considered the center of the art and photography world. James was joined in business by his three photographer brothers. By the 1900, the company had studios in Glasgow, Manchester, London and Belfast. The studio also was invited to photograph Queen Victoria. The company still exists today.

Buy this original Real Photo Postcard (includes shipping to the US) #2438

To purchase this item, click on the Pay with PayPal button below.

$13.50

 

Buy this original Real Photo Postcard (includes International shipping outside the US) #2438

To purchase this item, click on the Pay with PayPal button below.

$21.50

 

PORTRAIT OF A CHAMPION: TOMMYKINS MEOWS HIS WAY TO SUCCESS

There is a story behind this vintage press photo. The year is 1930. Miss Lucille Armstrong is holding a large trophy won by her two months old kitten, named Tommykins. According to the notes on the reverse of the photograph, the kitten is an orange persian tabby. The caption reports that Tommykins “meowed his way in the innermost social circles of the cat-world by winning a first prize”. The location of the tabby’s great success was the Beresford Cat Club show in Beresford, Illinois. The Beresford Cat Club of America was organized in Chicago, Illinois in 1899. The Beresford Club held one of the first cat shows in the United States and started the first American Stud Book on Cats. The club also established the first American Cat Show rules. This photograph comes from the archives of the “Acme News Pictures Company”. This vintage press photograph measures about 5″ x 7″ and is in excellent condition (see scans).  (SOLD)

Published in: on June 13, 2018 at 12:00 pm  Comments (1)  
Tags: , , ,

PORTRAIT OF A “CUTIE PIE” IN BRISBANE, AUSTRALIA

Let me introduce you to cousin Betty Hudson. She is a cutie pie. This vintage real photo postcard of Betty was taken by a studio in Brisbane, Queensland, Australia. The photographer used lighting in creating this photo that is reminiscent of the work of artist Coles Phillips. An inscription on the reverse of the postcard indicates that this photograph was taken in 1917. This photo postcard is in good condition (see scans).

Buy this original Real Photo Postcard (includes shipping to the US) #2436

To purchase this item, click on the Pay with PayPal button below.

$21.50

 

Buy this original Real Photo Postcard (includes International shipping outside the US) #2436

To purchase this item, click on the Pay with PayPal button below.

$29.50

 

Published in: on June 12, 2018 at 12:00 pm  Comments (5)  

PORTRAIT OF MAC BARNES PLAYING JESUS IN A THEATRICAL PRODUCTION (PHOTO BY MAX PLATZ)

This cabinet card photograph features actor Mac Barnes. He certainly looks like that he is in character to play Jesus in a theatrical production. His long hair, beard, and robe lead me to this hypothesis. An inscription below the image on the cabinet card states “Peace! Sincerely, Mac”. Before seeing this inscription, I thought my generation (Baby Boomers) were the first cohort to use the word “peace” when addressing each other. Mac Barnes (1863-1923) is listed in the IMDb. He was born in Bedford, Indiana, He was a vaudeville, stage, and screen actor. He was known for his roles in “The Food Gamblers” (1917), “The Haunted House” (1917), and  “Experience” (1921), His filmography includes 21 credits from 1909 through 1921. The photographer of this cabinet card photograph is Max Platz (1850-1894) who operated a studio in Chicago Illinois. Platz was born in Germany. His father was a tanner and he moved the family to Racine, Wisconsin when Platz was still a lad. He began his career at age 16 as a “positionist” in his brother-in-laws photographic gallery. His brother-in-law was Henry Rocher, a very talented and well respected photographer. He was Rocher’s primary assistant from 1867 through 1881. In 1881 Platz established his own photography business and encountered immediate success. He was a life long bachelor and clubman and was known for his wit, friendliness, and story-telling. He developed quite a following from members of the theater, German-American society, and the fashion world. His studio was decorated very elaborately. He employed antiques as props, much in the same way as Napoleon Sarony. It is written that his posing style resembled his friend, Benjamin Falk. Platz was an active member of the Chicago Photographic Association in 1893, he played an major role in the Department of Art for the Columbian Exposition. When Platz died in 1894, his studio and negatives went to his friend and fellow Rocher Student Joseph Gehrig and his pupil, James Samuel Windeatt. Wilson’s Photographic Magazine (1904) declares that a photographic session with Platz could be quirky. It seems that he had a habit of disappearing mid-sitting in order to find a quiet place to ponder the best poses he could utilize for his sitter. Platz earned the nickname “The Sarony of the West”. This cabinet card portrait is in very good condition. (see scans).   (SOLD)