Two beautiful children pose for their portrait at Gibbon Brothers Studio in Utica, New York. The children are most likely siblings and judging by their fashionable outfits, they appear to be from a well-to-do family. These kids are the “Abercrombie” kids of their era. This cabinet card has excellent clarity and gold beveled edges. This cabinet card is in Excellent Condition (see scans).
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In this striking cabinet card photograph, young Anita Manson sits poised in an elegant white dress, her delicate hands clasped gently together. Her soft curls frame a face of quiet intensity, her large, expressive eyes gazing into the distance with a look that seems both wistful and contemplative. There is a serene grace in her posture, a stillness that suggests innocence yet carries an air of maturity beyond her years. This image is the work of renowned celebrity photographer José Mora, who operated a prestigious studio on Broadway in New York City during the late 19th century. Mora, having secured the exclusive rights to photograph Anita, captured her beauty in at least fifty different poses—each new image eagerly anticipated by an adoring public. It is said that she was first discovered by Napoleon Sarony, another famous photographer of the era, who was captivated by her striking appearance while she was out with her nurse. With permission, he photographed her, thus launching her into the realm of celebrity. Anita Manson was not only a celebrated child model but also an admired figure in private theatricals and entertainment circles. Her portraits, such as this one, were in such high demand that in Boston alone, over 25,000 copies were sold. Her delicate lace-trimmed gown, the rich textures of the draped fabric beside her, and the dramatic lighting of the photograph all contribute to the ethereal quality of her image. She was, as the newspapers of the time declared, a true “child beauty”—a young girl whose face enchanted a generation and whose likeness became one of the most sought-after images of its time. SOLD
Two adorable kids pose for their cabinet card portrait at the studio of Myer, in Shell Rock, Iowa. The children are most likely siblings; possibly even twins. They are sitting on a large wicker chair. The young girl is smiling and wearing a cute striped dress. The young boy appears less happy than his sister and is wearing a white shirt with ruffles. This cabinet card portrait has some foxing and corner wear and is in fair condition.
Buy this Cabinet Card Photograph (includes shipping within the US) #6543
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$22.48
Buy this Vintage Original Cabinet Card (includes International shipping outside the US) #6543
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This real photo postcard captures a moment in time outside St. Leo’s School, a two-story wooden schoolhouse with a central bell tower topped by a cross. The sign above the doorway clearly reads “ST. LEO SCHULE,” suggesting a German influence in the local community. The school stands in what appears to be a rural area, with a few trees and a distant building visible in the background. In front of the school, a large group of schoolchildren—boys and girls of various ages—stand in an orderly line. The girls are dressed in long skirts or dresses, many wearing aprons over them, while the boys are attired in dark suits, jackets, and trousers, appearing more formal. A single teacher, possibly Joseph, who wrote the message on the card, stands among them, dressed in a longer coat. The handwritten inscription on the front of the postcard identifies the scene:“This is St. Leo’s School, taken last year. My school, St. Leo’s, So. Min.” On the back, a brief note is addressed to Mr. B. S. Kuchen in Albany, Minnesota, and is signed Joseph. He mentions receiving a letter and promises to respond soon, adding: “Teaching is fine now I suppose. It’s cold. Regards, Joseph.” The postmark is from Saint Leo, Minnesota, dated October 12, 1908, and features a one-cent Benjamin Franklin stamp. This postcard is a wonderful historical artifact, offering a glimpse into early 20th-century rural education in Minnesota. The presence of a German-language school sign and the formal attire of the children suggest a tight-knit immigrant community. (SOLD)
This cabinet card photograph, taken by C. Hempsted in Coshocton, Ohio, depicts a family of eight—most likely two parents with their six children. The formal arrangement and careful clothing suggest this was a significant family portrait, perhaps taken to commemorate an important event. The parents of this family are both seated. The father is dressed in a dark three-piece suit with a tie, reflecting the formality of the occasion. His robust features, thick mustache, and confident posture suggest he may be of Eastern European descent—possibly Polish, Hungarian, or Jewish. The name “Rubin” handwritten on the lower left corner of the card might correspond to the family surname, which is common among Jewish and Slavic communities. His serious expression reflects the dignified tone often captured in Victorian-era portraits. The mother wears a high-necked black dress with intricate detailing, signifying modesty and respectability. Her calm yet serious demeanor speaks to her role as the matriarch of the family. The older daughters are dressed in fashionable blouses and skirts, accessorized with sashes and bows. Their hairstyles are neat and adorned with ribbons, suggesting the family valued appearances and formality. The younger children are also well-dressed. The toddler, wearing a delicate white lace dress, is held protectively by one of the parents. The young boy standing at the far right wears a suit with a flower pinned to his jacket, hinting that this may have been taken on a special occasion such as a wedding, religious milestone, or holiday. The handwritten name “Rubin” and the father’s features suggest Eastern European or Jewish ancestry. The word “Ansonia,” written on the lower right corner, could have multiple meanings. “Ansonia” may be a first or last name belonging to a pictured family member. Ansonia is also a small town located in Darke County, Ohio, about 100 miles west of Coshocton. This may indicate a family connection to that town.The photographer is C. Hempsted. He operated a studio in Coshocton. Coshocton is located in east-central Ohio, Coshocton, and was a vibrant industrial and agricultural hub in the late 1800s. Its location along the Muskingum River and Ohio-Erie Canal made it accessible to immigrants and settlers, including Germans, Irish, and Eastern Europeans.(SOLD)
This vintage real photo postcard features a handsome well dressed young boy sitting on a wall next to his white dog. The canine appears to be a Samoyed. The child is wearing a wonderful expression. He seems to have found his time at the photographers studio to be quite amusing. The boy is clearly not really near oceans edge. In fact, he is posing at the T. A. Manning studio in Long Beach, California. The AZO stamp box indicates that the postcard was produced between 1904 and 1918. SOLD
This cabinet card photograph presents two young girls, posed in a formal studio setting. The standing girl is wearing a stylish hat adorned with a large feather. Her dress has a lace collar and appears layered combining light and dark fabrics. She is wearing gloves that cover her hands and wrists. She is holding what appears to be a slender stick or cane. The seated girl is the youngest of the two. She is dressed in a dark satin or silk dress with puffed sleeves and decorative elements. Her hat is whimsical, with an unusual antenna-like detail. Her hat may suggest that her costume is meant to be playful rather than conventional fashion. The seated girl is also wearing gloves. Both girls have neutral, serious expressions. The seated girl looks directly at the camera, her gaze is steady and composed, while the standing girl appears slightly more reserved. The naturalistic backdrop features a painted outdoor scene with trees and foliage. This photograph was taken by J. W. Fyfe, whose studios were located in Aberdare and Merthyr, South Wales. SOLD
This cabinet card photograph features two children, one seated in a vintage baby stroller and the other standing beside it. The baby is dressed in a detailed white gown with lace trimming, while the older child wears a matching white outfit with puffed sleeves and ruffled details, typical of late 19th to early 20th-century children’s clothing. The stroller is constructed with metal and has an ornate design typical of its era. It features large, spoked wheels, a curved handle, and a cradle-like seat, showcasing the craftsmanship of the time. The photograph was taken by Hugo Schwichtenberg, whose studio was located in the Avis Building, next to the Post Office, in Pomona, California. He was an active photographer between the 1880’s and about 1900. The text at the bottom of the card highlights the “Superior Platinum Finish,” a marketing feature of the studio’s work. This photograph is a beautiful representation of period fashion, studio portraiture, and craftsmanship in both photography and product design. SOLD
This unusual and uncommon cabinet card features an adorable little boy. He is holding what appears to be a spear. On a slate next to him, there are the words that state, “What Fools These Mortals Be”. This is a line from “A Midsummer Night’s Dream” by William Shakespeare. The line is delivered by the mischievous fairy, Puck. Is the boy in this photograph in costume and taking part in a play? Alternatively, is this photograph just the result of a creative, Shakespeare aware, photographer. The photographer of this cabinet card portrait is W. Busse. His studio was located in Morrisania, New York. Morrisania is a residential neighborhood in the Bronx, New York. SOLD
This vintage photograph features a child sitting in an antique toy wooden pedal airplane. The plane has a propellor and it’s pedals are clearly visible in the photo. This vintage photograph measures about 3 1/2 x 4 7/8 inches. SOLD
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