This vintage real photo postcard features three adorable little girls dressed in lacy colorful dresses and wearing flowers in their hair. The postcard was published by ABN and dates back to circa 1909. The postcard has a French stamp and a postmark from Ardeche, a department in southeast, France. The postcard in in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3079
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$24.38
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #3079
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$32.88
This vintage real photo postcard features five well dressed citizens being photographed by the Elite Studio, located on the boardwalk in Atlantic City, New Jersey. The gents and ladies look like they wandered off the set of “Boardwalk Empire”. Note the hats worn by this gathering of older adults. The 1919 Boyd’s Atlantic City Directory reports that the Elite Studio was operated by photographers Erna Hoefle and Ferdinand U. Latimer. Erna is a female name. Women operating photo studios during this era was not very common. This postcard has an Artura stamp box which indicates that the card was published sometime between 1908 and 1924. This vintage postcard is in excellent condition (see scans).
This vintage real photo postcard features boxer Jack Walker (Leone Jacovacci). His story is fascinating. He was born in Pomba (Belgian Congo) in 1902. His father was an Italian agronomist and his mother was Congolese. At age three, his father took him away from his mother and went to Italy where he left Jack to be raised by grandparents. Jack’s dad returned to the Congo. The child was a victim of racism in Italy so at sixteen years of age, he went to work as a “cabin boy” on a British ship. After arriving in England, he changed his name to John Douglas Walker, thinking the English name would help him be more socially accepted. He enlisted and served in the British army. Upon discharge, he learned to box in England and began his fighting career. During his boxing career he weighed about 150 pounds and his height was 5″ 10″. His final record as a fighter was 21 Wins, 22 Losses, and 5 Ties. His official record is thought to be incomplete. He began boxing in 1920 and his career ended in 1932. His fights were in Europe. He fought in England, France, Switzerland, Belgium, Italy, Norway, Austria, Denmark, and Spain. He fought using Italian citizenship and became the Middleweight Champion of Europe. Despite a number of successes in the ring, Jack never was accepted in Italy the way he would have liked. The racist and fascist society did not allow him to really feel like a full Italian citizen or enjoy the fruits of his boxing successes. After ending his boxing career, he became a wrestler for a few years and moved to France. He was trapped there through World War II. His companion, Berthe Salmon, changed her last name to avoid being identified as Jewish. Berthe gave birth to their only child, a daughter. Post war, he worked for the United Nations and assisted refugees. Later he was employed as a bit player in the Italian film industry. In his old age, he worked as an apartment doorman and janitor. Walker died in Milan, Italy in 1983. This postcard was published by Dix, a company located in Paris. Apparently, they published a series of portraits of boxers of the day. The Cabinet Card Gallery has another postcard from the series (Pierre Calloir: French Bantam Weight). SOLD
This vintage real photo postcard features a pretty young woman and her black cat. She appears to be in her teenage years. Note her coy smile. Her cat is certainly photogenic. This French postcard is dated 1925 and was published by Alfred Noyer. Noyer was well known and acclaimed for his work photographing nude, or partially clad, beautiful women. His Paris studio operated between 1910 and the 1940’s. This postcard is in very good condition (see scans).
This vintage real photo postcard features a well dressed father and presumably, his daughter. The child rests her hand on the shoulder of her father. Judging by her expression, physical contact with her father appears to have given her a sense of security and confidence. The young girl’s hat may indicate her nationality or ethnicity. The only clue that I have about that matter is that the card was purchased from a collector in Greece. This postcard is in very good condition (see scans).
The pretty woman featured in this real photo postcard is Mable Woods. She was a theater actress. I could find little biographical information about her. I did discover that sometimes her name appeared as “Mabel” Woods rather than “Mable” Woods. I stumbled across a couple of real photo postcards in which Miss Woods made an appearance. Two of these cards were individual portraits of the actress but another postcard paired her with an actress name Rose de Vella. Mable Woods and Miss de Vella toured India together, performing in the chorus line for one of the “Gaiety Girls” touring companies. Irish born, George Edwards (1852-1915) was the theater manage of London’s Gaiety Theater. At one point he had sixteen touring companies. He had a propensity for hiring pretty young women to work as “Gaiety Girls”. These women were the chorus girls appearing in Edwardian musical comedies that began in the 1890’s. These women were an important ingredient for staging a successful musical production. They danced and appeared on stage in bathing attire and in the latest fashionable clothing. Unlike the corseted actresses from earlier musical burlesque shows, Gaiety Girls were viewed as respectable and refined. One writer reports that Gaiety girls “were polite, well-behaved young women”. Many Gaiety girls progressed to very successful acting careers. The list of former Gaiety girls reads like a hall of fame of celebrated actresses. Gaiety girls that catapulted to major roles include Marie Studholme, Mabel Love, Ellaline Terriss, Lily Elsie, Gladys Cooper, Phyllis Dare, and Gabrielle Ray. These and other starring alumni of the chorus, kept the moniker “Gaiety Girls”. The young women performing in Edward’s shows peaked the interest of wealthy gentlemen who became known as “Stage Door Johnnies”. They would wait outside the stage door and invite the actresses to dinner at fine restaurants. A number of women accepted the invitation. Sometimes the women would eventually marry one of these dates. A number of these women married noblemen, while others became the wives of professionals. In the book, “The Gaiety Years”, author Alan Hyman refers to the chorus as becoming “a matrimonial agency for girls with ambitions” to marry titled men. This postcard is in very good condition (see scans).
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