This vintage real photo postcard features American actress and model, Carol Ohmart (1927-2002). She appeared in many films and television shows from the early 1950’s until the 1970’s. She appeared in a number of well known horror films. She was born to a Mormon family in Utah. In 1946 she competed for and won the title of Miss Utah. She placed fourth in the Miss America contest. She then launched a modelling career. Paramount Pictures signed her in 1955 and promoted her as “the next Marilyn Monroe”. This postcard portrait, produced for Paramount in 1956, clearly is an example of Paramount’s attempt to market Ohmart’s resemblance to Marilyn Monroe. She made her film debut in “The Scarlet Hour” (1956). She then began appearing in television shows and in several horror films including “House on Haunted Hill” (1959). Her last film appearance was in 1974. In 1973, while filming for “Barnaby Jones”, she was attacked on the street by three men. She sustained significant injuries for which she was prescribed painkillers. This led to a several year struggle with addiction to prescription drugs. After acting, she studied New Age philosophy and spiritualism, and wrote poetry and short stories. Ohmart was married three times. She was married for only two years in both her first and second marriages. Her third marriage had a duration of 22 years and ended upon her death. This postcard was published by Kores, a French company. The card is part of a series (#786). The series is comprised of 100 postcard portraits. (SOLD)
This postcard is a vintage real photo card featuring stunning French actress, Martine Carol (1920-1967). She was France’s major sex symbol of the early 1950’s. “Sex Symbol” is an awful term, but it certainly was spoken without much controversy when this postcard was published. Her popularity was short term. She was succeeded by another beautiful French actress, Brigitte Bardot. Little is known about Carol’s childhood. A random encounter with French film and stage actor, Andre Luguet, led her to seek a career in the theatre. She made her stage debut in 1940. Her first film role was in Wolf Farm (1943) and although she was a photogenic beauty and was at ease in front of the camera; her acting ability was limited. Throughout the 1940’s Martine acted in supporting roles and became a popular pin-up. She also appeared in stage roles. Martine was often considered the French version of American actress, Marilyn Monroe. After an affair with married actor Georges Marechal ended poorly, Martine attempted suicide by overdosing on alcohol and drugs, and jumping into the Seine River. The taxi cab driver that took her to the river, rescued her. The unhappy business of her suicide attempt resulted in renewed fan interest in the actress. In 1950, she had her first major film success in “Caroline Cherie”. At least part of her success was attributed to her semi-nude scenes and displays of “seductive sexuality”. She continued to appear in several films that IMDb refers to as “costumed teasers”. Her last popular role was starring in “Lola Montes” (1955). Later roles failed to peak moviegoers interests and Martine became depressed. A severe accident, and substance abuse in the 1960’s, sabotaged her career. At age 46, Martine died of cardiac arrest in the bathroom of a Monaco hotel. News accounts suggested that she died of a drug overdose but the story was never confirmed. Martine was married and divorced three times and left her fourth husband a widower. Her longest marriage was just short of five years duration. An interesting side note is that she was once kidnapped by French gangster, Pierre Loutrel (AKA Crazy Pete). The kidnapping was brief, and the kidnapper sent her roses the next day as a gesture of apology. Martine Carol’s filmography, according to IMDb, includes 50 film credits between 1941 and 1967. The photographer of this portrait photo is Sam Levin (1904-1992). He was born in the Ukraine but emigrated to France when he was two years of age. He is famous for his stage photographs and his portraits of movie stars. His studio was in Paris. Levin was a film photographer for 75 films. He was arrested by the Nazis during World War II and was sent to a camp. His crime was, being Jewish. The fact that he was sent to a detention camp rather than a death camp, indicates there was a high ranking Nazi official acting as his guardian angel. He photographed nearly all the major French and European movie stars of the 1950’s and 1960’s. He is particularly celebrated for his photos of Brigitte Bardot. Levin did over 180 magazine covers in the United States. This postcard was published by the Globe Edition (Paris) and is part of a series (no. 132). The card is in good condition (see scans). SOLD
This vintage real photo postcard provides a “feel good” impact on it’s viewers. A young well-dressed boy rides a tired looking donkey and he is wearing a smile that extends from ear to ear. He seems to be having the time of his life and his smile is infectious. A nice smile serves people well in life. Marilyn Monroe must have been in agreement about the importance of smiling when she said “A smile is the best makup any girl can wear”. Note that the donkey has a pennant hanging on his forehead. The pennant has “Illinois” printed on it. We can probably posit that this photo was taken in the “Land of Lincoln” (Illinois). This postcard has an “AZO” stamp box indicating that it was produced sometime between 1904 and 1918. The postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3144
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This vintage real photo postcard features Diana Dors (1931-1984). English film and television and singer. Diana began her film career by being promoted as a “blonde bombshell”. She was marketed as an English version of Marilyn Monroe. She maintained her image by appearing in sex film-comedies and risque modeling. As her career progressed, it was apparent that she actually had talent. She had success as a television actress, singer, cabaret peformer, and frequent talk show guest. She also showed acting prowess in some of her latter films. Upon birth, her name was Diana Fluck. When she began her film career, she was encouraged to change her last name. As she explained, there was concern that if her name was in lights , one of the letters could go out, causing embarassment. At the age of 14, she began studies at the London Academy of Music and Dramatic Art. A year later, she signed a contract with the J. Arthur Rank Organization and began appearing in films. By 1949, Diana was taking on leading roles. In 1956, Dors signed a contract with RKO to act in a movie with George Gobel. In 1958, the studio canceled the contract stating that Dors had become an “object of disgrace” for her off screen behavior. Dors had a problematic social life. This postcard was likely issued sometime between 1956 and 1958. She liked hosting parties and did so regularly. It was important that she made the tabloid headlines to keep her glamorous and sex star reputation. Her first husband exploited her for money and influence. After Dors death, biographers and friends stated that her husband would loan her out sexually to producers and leading actors on condition they put her in their films. She was known to have a number of affairs with the likes of Rod Steiger and other movie people. At one point, she was married to Richard Dawson, the actor/comedian associated with “Hogans Heroes”, “Match Game” and “Family Feud”. She had a total of three marriages. Dors filmography appearing in IMDR states that she had 100 film credits. This postcard was published by International Press in the mid 1950’s. (SOLD)
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