BEAUTIFUL MEMORIAL PHOTOGRAPH OF AN ADORABLE CHILD POSING NEXT TO LATE MOTHER’S PORTRAIT

This cabinet card portrait is one of those special photographs that appears to be trying to tell the viewer a story. Here is the story as I see it. An adorable and well dressed young child stands on a chair next to the photo portrait of his/her mother. The child’s mother has died and this cabinet card photograph was taken to serve as a keepsake memorial photo. The child can refer to this photo to preserve the memory of his/her mother. This image was beautifully photographed. The pose and the props, as well as the clarity of the image, help make this an exceptional photograph. The talented photographer of this cabinet card is the Bates & Nye Studio in Denver, Colorado. Photographer W. L. Bates appears in the 1881 Denver city directory under the occupation of photographer.  A Colorado genealogical site contends that Bates worked as a photographer in Denver between 1880 and 1890. Preliminary research yielded no information about the second partner in the gallery (Nye).   (SOLD)

Published in: on January 1, 2018 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A PRETTY YOUNG GIRL IN COATESVILLE, PENNSYLVANIA (THE GREAT MEMORIAL CARD DEBATE)

This cabinet card portrait features a relatively close-up view of a pretty girl dressed in dark clothing. She appears to be in her late adolescence. Her photograph is presented as if it is on a scroll. I have come across much debate as to whether the “scroll images” are memorial photographs. After reading both sides arguments, I tend to believe that they are not necessarily memorial photographs. The teen seen in this photograph is wearing a hat that reminds me of an old adage, “A bird on the hat is worth two in the bush”. Perhaps I may be confused about that proverb but the young lady seen in this cabinet card is wearing a “bird hat”. This style hat is not one of my favorite examples of millinery design. At the turn of the 19th century it became the style in the US and Europe to wear feathers and even whole taxidermied birds on their hats. This resulted in the killing of millions of birds all around the world. An article in “Sociological Images” (2014) reports on a single order of feathers by a London dealer in 1892 requiring the “harvesting” of 6,000 Birds of Paradise, 40,000 Hummingbirds, and 360,00 of various East Indian birds. Ornithologists started to speak out in resistance to this practice. One asserted that 67 types of birds were at risk for extinction. Ornithologists and their supporters began to target women who were supporting the practice of slaughtering birds. Women were receiving the blame for the barbarism being committed against birds. The writer, Virginia Woolf (1882-1942) reminded readers that it was men who were actually murdering the birds and making a profit from them. Interestingly, middle class women were major advocates in the bird preservation movement. In the US the movement sparked the development of the first Audubon societies. The Massachusetts Audubon Society organized a feather boycott, and soon the US government passed  conservation legislation that protected the birds. The photographer of this cabinet card is J. B. Gibson who operated a studio in Coatesville, Pennsylvania. John Banks Gibson is reported to have been a photographer from the 1870’s until the 1890’s. He initially worked producing ferreotypes (tintypes). In 1893 he sold his business to photographer Robert Young. Gibson was born in East Nottingham, Pennsylvania and died in 1913 in Coatesville at 75 years of age. He learned photography as a young man from Alexander McCormick of Oxford, Pennsylvania.

Published in: on August 15, 2017 at 12:00 pm  Comments (2)  
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