This Cabinet Card photograph is an image of a Salvation Army Worker. Note her uniform and the “S” on her collar. The photographic studio that produced this image is Fisher & Monfort of Plainfield, New Jersey. This photograph is one of a number of photographs of Salvation Army workers that can be found in the Cabinet Card Gallery. Take a look at them in the “Salvation Army” category. There is also a category for “Photographer: Fisher & Monfort” where other pictures by these photographers may be viewed. Their full names are Charles W. Fisher and George W. Monfort.
BESPECTACLED SALVATION ARMY WORKER IN PLAINFIELD, NEW JERSEY
ALBERT STROUT WEARS A STRING TIE
An inscription on the reverse of this cabinet card indicates that the man sitting for this portrait is Albert Strout. The photograph was recently purchased from an estate in Porter, Maine. Research discloses that there is an Albert Strout (1847-1925) buried in Cedar Crest Cemetery in Otisfield, Maine. Albert Strout was married to Ida M. Spurr Strout and records suggest that he may have been a carpenter. It is very possible that the biographical information discovered is accurate but it certainly may be incorrect. Albert Strout is a not an extremely rare name and the photographer who produced this image (Smith) does not list the location of his studio on the cabinet card. Perhaps this photograph followed Strout’s ancestors to Maine but originated in another part of the country. Note that Albert Strout is wearing a pin on his lapel and a string tie.
CUTE BABY POSES FOR PORTRAIT IN LYONS, NEW YORK (IS THAT A MOHAWK?)
An adorable wide-eyed baby poses for a cabinet card portrait at the photographic studio of Stanley, in Lyons, New York. The child is wearing a gown and a very interesting hair style which looks like a predecessor to the modern day mohawk. She is wearing a pin on her collar. The pin has lettering that may spell her name. The letters are unclear but it appears to say “Darlene”. Perhaps a visitor to this site can decipher the word on the pin and leave a comment with the correct information.
BIJOU HERON: BEAUTIFUL AMERICAN STAGE ACTRESS
This Cabinet Card presents the image of American stage actress Bijou Heron (1863-1937). She was the daughter of composer Robert August Stoepel and actress Matilda Heron. She began her career as a child. She married Broadway producer, writer, actor, and director, Henry Miller (1858-1926). Her son, Gilbert Miller became a very successful Broadway producer. The photograph was published for the Union Square Theatre Company. The photographic studio was Bradley & Rulofson in San Francisco, California. The reverse of the card indicates that the studio has the only “Elevator Photography” in the world. Perhaps a visitor to this site can explain the meaning of “Elevator Photography”. Research reveals that in 1872 the partners installed what they claimed to be the first hydraulic elevator ever to be associated with a photographic studio. The elevator cost them four thousand dollars. Henry William Bradley (1813-1891) and his partner William Rulofson (1826-1876) were partners in a photographic studio that photographed many notable Californians. Bradley was born in Wilmington, North Carolina, and grew up in New Orleans, Louisiana. He opened his San Francisco studio in 1850 and took in his partner in 1860. When he retired in 1878 his studio was considered the best on the west coast and won first prize at the Centennial Exposition at Philadelphia in 1876. Mr Rulofson had quite a controversial and interesting life and associated with many famous people including Ambrose Bierce. Rulofson died in a fall from the roof of his studio and was heard to say during the descent, “I am killed”. You can view a second cabinet card of an actress by these photographers by clicking on the category “Photographer: Bradley & Rulofson”. Ms. Heron is dressed in costume for this portrait. It is likely that she was appearing in San Francisco with a touring company from the Union Square Theatre. The costume that she is wearing is one that she wore in the play “The Two Orphans” in which she appeared with actress Maud Harrison circa 1880. This cabinet card indicates that Bijou Heron was a strikingly beautiful woman.
THE BRIDE WORE BLACK: WEDDING COUPLE IN BAY CITY, MICHIGAN
A bride and groom are posing for their wedding portrait in this Cabinet Card by Drago of Bay City, Michigan. The groom is wearing a three piece suit, flowers, and a pocket watch. The bride is wearing a dark wedding dress with a white veil. Check the “Wedding” category in the Cabinet Card Gallery to find some interesting comments about the history of dark wedding dresses. Research found little about the photographer except that his complete name was Albert Drago.
COOL LONG HAIRED MAN IN FARIBAULT, MINNESOTA (WILLIE NELSON TYPE)
This Cabinet Card photograph is an image of a very interesting looking man. His long hair and beard makes him look like Willie Nelson. This gentleman is from Faribault, Minnesota; or perhaps he was from elsewhere and just “on the road again”. The photographic studio was Peavey and Peterson of Faribault, Minnesota. Louis Peavey (c1832-1902) was a photographer active in Decorah, McGregor, and Ossion, Iowa (1864-1870). He opened a studio in Faribault, Minnesota in 1870 and partnered with Christian Peterson in about 1878 until near the end of the 1890’s.
