A very pretty and flamboyantly dressed woman poses for her photograph at the studio of E. Bieber. Bieber had two locations in Germany; Berlin and Hamburg. Emilie Bieber was a female German photographer who ran her Hamburg studio from 1852 through 1872 when she was joined by her nephew, Leonard Berlin-Bieber. Emilie Bieber died in 1884. The beautiful woman in this image is dressed to the hilt. Her dress and hat are covered with flowers and feathers. Perhaps she is an actress which judging by her expression, pose, and dress; is a likely possibility. This photograph is not a standard sized cabinet card but instead is known as a Boudoir Card. The card is 8 1/2 x 5 1/4 inches. To view other photographs by the Bieber studio, click on the category “Photgrapher: Bieber”.
BEAUTIFUL AND FLAMBOYANT GERMAN WOMAN: BOUDOIR CARD PHOTOGRAPH
MAUD GRANGER: BROADWAY STAGE ACTRESS
Maud Granger (c 1851-1928) was a popular nineteenth century actress who belonged to a number of east coast theatre touring companies. She played in 17 Broadway productions between 1879 and 1924. She also became an early cinema screen personality. This cabinet card was photographed by the studio of Gilbert & Bacon of Philadelphia, Pennsylvania. This studio was one of the best known photographic studios in Philadelphia and produced portraits of many celebrities. To view other photographs by this studio, click on the category “Photographer: Gilbert & Bacon”.
MARIE BURROUGHS: AMERICAN STAGE ACTRESS
Marie Burroughs (1866-1926) is the subject of this cabinet card portrait by Newsboy. Newsboy used this cabinet card as a premium to boost sales of their tobacco products. Marie Burroughs was born in San Jose, California and after completing her convent education, she was invited to join the Madison Square Theatre Company (c 1883). She appeared in many productions including “Saints and Sinners” (1885,1887) and “Foregone Conclusion” (1886). She was a prominent leading lady but wasn’t considered to have enough star power to carry a production by herself. In 1890 she married actor Louis Massen who had helped train her to become an actress. They separated within two years and she went on to have two other marriages.
LINDA DEITZ: STAGE ACTRESS INSULTED BY THE NEW YORK TIMES (1879)
Linda Deitz poses for this cabinet card portrait by famed celebrity photographer, Sarony of New York City. Deitz was a well known American actress in the 1870’s and 1880’s. She was photographed a great deal but her theatrical career was of only about ten years duration. She made her stage debut replacing actress Fanny Davenport in a production at Daly’s 5th Avenue Theatre. View Ms Davenport’s cabinet card image under the category of Actresses located on this site. In 1879 a theatre column in the New York Times announced that Deitz was being cast as a leading lady. The critic reported that the decision “does not strike us as very happy”. The article goes on to describe her as a respectful actress within a limited range of parts but “she can scarcely hope to fulfill worth the severe duties of a leading lady”. Later that year, Linda Deitz left New York to join the Hare and Kendal theatre company at St. James Theatre in London. Deitz died in 1920.
RISQUE THEATRE ACTRESS SYLVIA GERRISH
Sylvia Gerrish (1858-1906) is the subject of this Cabinet Card published by Newsboy. The photograph of the noted comic opera actress and singer was a premium given to users of Newsboy Tobacco products. Sylvia Gerrish was a stage beauty noted in the United States as well as England. She was born in California, sang in her church choir and came to New York and pursued the theatre life. Millionaire Henry Hilton became enamored of her and sacrificed his marriage and fortune to be with her. The story of their relationship was extensively covered by the newspapers of the time. Gerrish ended up dying in poverty.
BIJOU HERON: BEAUTIFUL AMERICAN STAGE ACTRESS
This Cabinet Card presents the image of American stage actress Bijou Heron (1863-1937). She was the daughter of composer Robert August Stoepel and actress Matilda Heron. She began her career as a child. She married Broadway producer, writer, actor, and director, Henry Miller (1858-1926). Her son, Gilbert Miller became a very successful Broadway producer. The photograph was published for the Union Square Theatre Company. The photographic studio was Bradley & Rulofson in San Francisco, California. The reverse of the card indicates that the studio has the only “Elevator Photography” in the world. Perhaps a visitor to this site can explain the meaning of “Elevator Photography”. Research reveals that in 1872 the partners installed what they claimed to be the first hydraulic elevator ever to be associated with a photographic studio. The elevator cost them four thousand dollars. Henry William Bradley (1813-1891) and his partner William Rulofson (1826-1876) were partners in a photographic studio that photographed many notable Californians. Bradley was born in Wilmington, North Carolina, and grew up in New Orleans, Louisiana. He opened his San Francisco studio in 1850 and took in his partner in 1860. When he retired in 1878 his studio was considered the best on the west coast and won first prize at the Centennial Exposition at Philadelphia in 1876. Mr Rulofson had quite a controversial and interesting life and associated with many famous people including Ambrose Bierce. Rulofson died in a fall from the roof of his studio and was heard to say during the descent, “I am killed”. You can view a second cabinet card of an actress by these photographers by clicking on the category “Photographer: Bradley & Rulofson”. Ms. Heron is dressed in costume for this portrait. It is likely that she was appearing in San Francisco with a touring company from the Union Square Theatre. The costume that she is wearing is one that she wore in the play “The Two Orphans” in which she appeared with actress Maud Harrison circa 1880. This cabinet card indicates that Bijou Heron was a strikingly beautiful woman.
MABEL EATON: STAGE ACTRESS AT THE HAYMARKET THEATRE IN CHICAGO, ILLINOIS
This Cabinet Card is an image of stage actress Mabel Eaton. Eaton’s appearances on Broadway in New York City included the productions of “Diplomacy” (1892) and “Woman and Wine” (1900). She appeared in many stage productions in Chicago and New York City. She appeared in Shakespeare productions. She was married to prominent stage and film star, William Farnum (1876-1953). An 1893 edition of the New York Times reported that her hotel room (Ashland House) was robbed while she was appearing in “Diplomacy” at the Fifth Avenue Theater. Eaton also appeared in a short silent film (1914). In 1916, Eaton died in Chicago, Illinois. The photographer of this Cabinet Card is celebrity photographer Morrison, located in the Haymarket Theatre. The Haymarket Theatre opened in 1887 as a legitimate playhouse with seating for an audience of 2,475. By 1896, it became a vaudeville house and between 1916 and 1932 the theatre was one of Chicago’s best known burlesque houses. Between 1932 and 1948, the Haymarket became a second-run movie theater and it was condemned in 1949. William Morrison began his photography business in 1889 at the Haymarket. He was born in Detroit in 1857 and educated in Chicago’s public schools and at the Metropolitan Business College. The New York Times reported in 1892 that there was a fire at the Haymarket that badly damaged offices, saloons and stores in the building. The article states that Morrison’s business had the worst damage of all the businesses, while the theatre itself only suffered water damage. Morrison’s studio lost 37,000 negatives. In 1899 he moved his business to the Champlain Building.
LILY HANBURY: ENGLISH THEATRE ACTRESS
Lily Hanbury (1874-1908) appears on this Cabinet Card by Sarony of New York City. Sarony was one of the celebrated photographers of Theater Stars of the day. Hanbury was an English Stage Performer. She was born and educated in London. Her theatrical debut was in 1888 when she appeared in W. S. Gilbert’s “Pygmalion and Galatea” at the Savoy Theatre. She played on most major English stages and in such productions as “The Three Musketeers”, “The Stranger”, “Lights O London”, and Ibsen’s “Enemy of the People”. She became very popular with her performances in Shakespeare, acting in plays under the management of both Wilson Barrett and Beerbohm Tree. Tragicially, Hanbury lost her life at a young age when she died of complications after delivering a still-born baby. She was cremated and buried in the Jewish Cemetery at Willieden, England.
ODETTE TYLER: THEATER ACTRESS AND DAUGHTER OF A CONFEDERATE GENERAL
This Cabinet Card is a photograph of actress Odette Tyler (1869-1936) and it is photographed by famed celebrity photographic studio, the Pach Brothers. Tyler appeared in many productions including “The Love Route” (1906) which appeared on Broadway. She was an American actress and comedienne. She worked for Charles Frohman and was a member of a number of theater companies including the Madison Square Company (1884-1885). She authored a book, “Boss: A Story of Virginia Life”. Tyler was born Elizabeth Kirkland in Savannah, Georgia. Tyler’s father was a West Point graduate and served as a Confederate General during the Civil War (General William Kirkland). Odette Tyler is quite pretty in this image and her feathered hat can be described as elaborate. To view other photographs by this studio, click on the category “Photogapher: Pach Bros.”.
YOLANDE WALLACE: THEATER ACTRESS WHOSE ONLY REDEEMING ACTING QUALITY WAS HER “GOOD LOOKS”
Yolande Wallace is the subject of this Cabinet Card photographed by J. H. Melrose of New York City, New York. Wallace was a stage actress and singer whose early appearances included a period with actor Henry E. Dixey. Her appearances on Broadway included “Little Christopher Columbus” (1894), “The French Maid” (1897), and “The Show Girl” (1902). In 1894 the New York Times critic panned “Little Christopher Columbus” and stated that he wished Sherlock Holmes was still alive so he could find out who could have been clapping at the shows dreadful first performance. The critic also penned that Wallace, in her role of “Guinevere”, offered only one redeeming quality and that was her “good looks”.
THE CABINET CARD GALLERY 