AFRICAN AMERICAN BOYS : COMRADES : RAPHAEL TUCK : ANTIQUE POSTCARD : 1905

This postcard is a powerful and historically important antique illustrated postcard titled “Comrades,” copyrighted 1905 and published by Raphael Tuck & Sons (No.2181), one of the most influential postcard publishers of the late 19th and early 20th centuries. The image depicts two African American boys standing arm-in-arm on a wooden walkway beside tall marsh grasses at sunset. Their clothing—patched trousers, work shirts, and bare or worn footwear—signals rural labor and economic hardship, while their relaxed posture and direct gaze convey dignity, friendship, and resilience. The boys are presented as equals and companions, underscoring the title’s emphasis on solidarity and shared experience. The card is color-printed from an original photograph, a common Raphael Tuck practice, combining photographic realism with painterly color enhancement. The image bears the printed line “Copyright 1905 by V. G. Schreck”, identifying the photographer whose work Tuck adapted for postcard publication. Schreck supplied images that were frequently used by Tuck for genre scenes reflecting American life. V.G. Schreck (Victor G. Schreck) was a turn-of-the-century (c. 1900s) photographer known for capturing everyday life, especially early African American culture. His work documented urban life and posed subjects, leaving behind valuable historical photographic records. The reverse identifies the publisher as Raphael Tuck & Sons, with the familiar “Art Publishers to Their Majesties the King and Queen” designation, and references “The Sunny South” postcard series—an indication of the card’s intended thematic framing. The undivided back format places production squarely in the pre-1907 period. Founded in London in 1866, Raphael Tuck & Sons became the most important postcard publisher of the era, with production facilities in England, Germany, and the United States. Tuck was known for commissioning and adapting photographic images into finely printed postcards, often emphasizing sentiment, narrative, and moral framing. Cards from Tuck’s American series are especially historic due to their role in shaping visual culture and public perception. This postcard occupies a complex and significant place in American visual history. While published within a commercial framework that often romanticized Southern life for white audiences, “Comrades” departs from caricature by portraying Black children with humanity, mutual affection, and quiet strength. The absence of overt stereotyping, combined with the emphasis on companionship, makes the image notable within early 20th-century postcard production. This postcard is in good antique condition. The card has edge and corner wear, surface toning consistent with age, and minor handling marks. The image remains strong with good color retention. The postcard has no writing and is  postally unused (see scans).

This cabinet card is available for purchase at my store, The History Peddler, for $16.48 or Best Offer.   

Interested collectors may view the listing here:

https://www.ebay.com/itm/336350276660

Published in: on December 21, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , ,

BLOOD BANK EVENT : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO : AFRICAN AMERICAN HISTORY

This original black-and-white press photograph was taken by noted Cleveland photographer Jimmy Baynes, whose stamp appears on the reverse. Baynes was a prolific photojournalist and chronicler of Cleveland’s African American community during the mid-20th century. His work documented civic events, political gatherings, cultural programs, and the everyday lives of African Americans in Cleveland. His images today stand as a vital record of local history and are increasingly valued by collectors of press photography and African American ephemera. The photograph depicts a group at the Associated Community Blood Banks booth (Cleveland, Ohio). The booth is labeled “54 Associated Community Blood Banks” on the backdrop. Five individuals are present. One of the individuals is a young woman wearing a white uniform and holding testing equipment. She is likely a  nurse or a blood bank technician. The scene captures both the professionalism and community service focus of Cleveland’s blood bank efforts in the late 1960s or 1970s, with an emphasis on outreach, participation, and health education. The candid but posed composition reflects Baynes’s signature style of highlighting people within civic and cultural spaces. The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century.  (SOLD)

Published in: on November 30, 2025 at 12:05 pm  Leave a Comment  
Tags: , , , , , , ,

PRETTY YOUNG AFRICAN AMERICAN WOMAN : STANDING BY FRONT PORCH : FLOWERS : RPPC

This is a vintage real photo postcard (RPPC) portrait of a young African American woman standing in front of a porch in front of a house. She holds a vase of flowers in one hand, and with the other she lightly rests on a wooden chair beside her, on which her hat lies. Along the porch railing (behind her) are potted plants that add a charming domestic detail to the setting. She’s dressed in a light-colored, modest dress with three-quarter sleeves. Around her neck is a pendant necklace suspended from a fine chain. The pendant appears to be a small oval or medallion (hard to see the exact motif, but visible in closeups). Her hair is styled simply (likely bobbed or softly waved), and her expression is calm, with a slight, poised gaze toward the camera. The photo was taken outdoors (natural light) in front of a porch, likely in a residential neighborhood. The background includes lattice or railings, and potted plants suggest someone cared for the space. The chair beside her provides a prop that complements the composition. On the reverse, the card bears an AZO stamp box, with two triangles at the top pointing upward and two triangles at the bottom pointing downward. That is a known style used in ASO / AZO postcard backs, and those two-up/two-down triangles typically date a postcard to the ~1918 to 1930 period. Also, the reverse has the handwritten name and address. The name is Hattie Gilmore and the address is in Los Angeles. Presumably, the woman in the photo is Hattie.  (SOLD)

Published in: on November 27, 2025 at 12:00 pm  Leave a Comment  
Tags: , , ,

PRIEST & KIDS : 1st COMMUNION : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO c 1956

This original vintage press photograph (measuring approximately 8 by 10 inches) beautifully captures a celebratory moment in a church or parish hall, taken by noted African-American Cleveland photographer Jimmy Baynes. The scene shows a priest, dressed in his clerical robes, cutting a large frosted cake surrounded by children and adults. The children are dressed formally, with several girls wearing white communion dresses and veils, suggesting this may be a First Communion or confirmation celebration. The boys wear smart suits in both light and dark colors, complete with ties or bow ties. Their attire reflects both the solemnity of the religious occasion and the joy of the gathering. Some children smile brightly toward the camera, while others look on with curiosity and seriousness, lending authenticity and personality to the scene. Behind the children stand several women, elegantly dressed, who appear to be family members or parishioners sharing in the celebration. The priest’s presence at the cake table underscores the ceremonial importance of the event, blending sacred tradition with communal joy. The composition is lively and warm, with details like the children crouched at the front grinning toward the photographer, the ornate veils of the girls, and the cutting of the cake all contributing to a vivid record of mid-20th century African-American community life. The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s. This is a powerful image not only for its documentary value but also for its warmth and charm, preserving a moment of community, faith, and celebration. (SOLD)

Published in: on November 12, 2025 at 12:19 pm  Leave a Comment  
Tags: , , , , , , , ,

STYLISH AFRICAN AMERICAN WOMEN : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO c1956

This dynamic vintage press photograph captures a joyous and stylish moment at what appears to be a mid-century African-American social event or pageant, photographed by Jimmy H. Baynes, a notable African-American photographer who was active in Cleveland, Ohio. The image dates likely to the late 1950s or early 1960s, an era when such gatherings were vital community affairs celebrating Black excellence, fashion, and music. The central focus is a beautifully posed group of six African-American women, all elegantly dressed in cocktail or evening wear. The women wear a range of fashionable 1950s attire, from a sharp houndstooth pantsuit and flowing evening gowns to a crisp white suit. Their hairstyles are elegant and era-appropriate, and their expressions range from joy to pride to graceful composure. The setting appears to be a formal banquet hall or community venue, likely in Cleveland. Each woman holds a trophy, suggesting the conclusion of a pageant, award ceremony, or fashion competition. The photograph is the work of Jimmy H. Baynes, a prominent African-American photographer who chronicled the Black social and cultural scene in Cleveland throughout the mid-20th century. His work often captured the heart of the community—beauty pageants, civic events, family milestones, and musical gatherings—preserving an important visual history that is increasingly recognized and appreciated by collectors and scholars.  The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s.  (SOLD)

Published in: on September 15, 2025 at 12:00 pm  Comments (2)  
Tags: , , , , ,

STYLISH AFRICAN AMERICAN WOMEN : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO c 1956

This dynamic vintage press photograph captures a joyous and stylish moment at what appears to be a mid-century African-American social event or pageant, photographed by Jimmy H. Baynes, a notable African-American photographer who was active in Cleveland, Ohio. The image dates likely to the late 1950s or early 1960s, an era when such gatherings were vital community affairs celebrating Black excellence, fashion, and music. The central focus is a beautifully posed group of eight African-American women, all elegantly dressed in cocktail or evening wear. Each woman wears a dress that reflects the fashion of the era—from sleek satin to lace, florals, and polished tailoring. Their heels, jewelry, and stylish hairdos speak to pride and sophistication. Several wear ribbons or corsages, suggesting this might be a pageant, cotillion, or civic recognition event. The women’s expressions range from warm smiles to dignified calm, exuding confidence and unity. In the background, we see a small jazz ensemble, including a guitarist in a white jacket and a saxophonist, adding to the lively, celebratory atmosphere. The wall décor includes two large theatrical masks (tragedy and comedy), enhancing the impression that this event took place at a community center, fraternal hall, or social club with cultural significance. The photograph is the work of Jimmy H. Baynes, a prominent African-American photographer who chronicled the Black social and cultural scene in Cleveland throughout the mid-20th century. His work often captured the heart of the community—beauty pageants, civic events, family milestones, and musical gatherings—preserving an important visual history that is increasingly recognized and appreciated by collectors and scholars. This original black-and-white photograph measures approximately 8 x 10 inches and is in very good condition with only minimal corner wear. The contrast is strong, the image is sharp, and all details are well preserved (see scans). The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s.  SOLD

Published in: on August 3, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , , ,

BLACK PHOTOGRAPHER : PRETTY YOUNG WOMAN : NEW BEDFORD, MASS : CABINET CARD

This cabinet card portrait features a fun looking vivacious young woman. She looks pretty and fashionable in her spring like clothing. She is wearing a wonderful hat and a beautiful smile. She shows an excellent and relaxed presence in front of the camera. Perhaps she was a local or touring actress. This young woman’s photograph was taken by the Headley & Reed studio in New Bedford, Massachusetts. The Headley & Reed partnership was an interracial one. Phineas Camp Headley (1858-1921) was a white man while James E. Reed (1864-1939) was an African American man. They operated a studio at 5 Purchase Street. Reed was an important figure in New Bedfords early history. He took photos of city streets, whaleships and people. His human subjects were both white and black. He had a passion for the field of photography and was prolific in his work. By 1895, he was making enough money to open his own studio, which he did with his partner, Mr. Headley. Headley, a white man, besides being a photographer, was a successful cotton broker. Headley & Reed were the premier studio in New Bedford and operated successfully from 1890 until 1896. One of Reed’s claims to fame was that he photographed Frederick Douglas. It is not known why Headly left the business. Reed continued running the business until 1914. Reed moved on to become the first Photostat (photocopier) Operator for the Massachusetts State Archives, a position he held until he retired. During Reed’s photography career, his wife, Anna Jourdain, colorized and tinted his photographs. She also worked on tiffany style lampshades. She was educated in art at the Swain School of Design (New Bedford).  SOLD

Published in: on July 24, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , , ,

PHOTO OF YOUNG WOMAN : BLACK PHOTOGRAPHER : DAVID BECKFORD : BOSTON : CABINET CARD

This original 1899 cabinet card photograph features a charming and elegant young woman identified on the reverse as Hattie Dakin. Her portrait is beautifully posed and lit, capturing her in a high-necked gown typical of the late Victorian period—with puffed gigot sleeves, delicate pleats, and a structured bodice. Her hair is styled in curls, pulled up with a ribbon bow, and her expression is serene, with just a hint of a smile. The reverse inscription provides her name. This cabinet card was discovered as part of a larger group of similar photographs, all featuring young women, each dated and named—supporting the theory that these were likely taken to commemorate a school graduation in 1899. What makes this particular image especially significant is the identity of the photographer: David C. Beckford, an African American photographer whose studio—Beckford Photo, 43 Winter Street, Boston, Massachusetts—was among the leading photography establishments of its time. David C. Beckford was a native of Jamaica, born in 1856, and immigrated to the United States in 1872. He originally worked for Walter E. Chickering (a disreputable businessman), and eventually took over the business in 1888, renaming it under his own name. His studio employed four assistants and was highly respected. Beckford operated his photography studio until at least 1909, while also managing a hardware business in Jamaica, which he rebuilt after a devastating earthquake. Beckford’s status as a Black photographer in turn-of-the-century Boston is noteworthy. He received recognition in the book “Boston: Its Commerce, Finance, and Literature,” and is also referenced in a 1909 article in The Southern Workman, confirming both his heritage and his professional stature. His life reflects the resilience and entrepreneurship of a man who overcame barriers of race and geography to establish himself as a photographic artist and businessman. Photographs by African American photographers from the 19th century are uncommon. (SOLD)

Published in: on July 16, 2025 at 12:00 pm  Leave a Comment  
Tags: , , ,

ELEGANT AFRICAN AMERICAN MEN : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO 1950’s

This striking black-and-white photograph, taken by Cleveland photographer Jimmy Baynes (1922–2010), captures a moment of unity, elegance, and pride. The image showcases a distinguished group of African American men, impeccably dressed in matching metallic-toned tuxedo jackets, crisp white dress shirts, and black bow ties. Their tailored jackets gleam under the light, emphasizing their polished, formal appearance. Completing their attire, neatly pressed black trousers and polished dress shoes reflect a commitment to both style and sophistication. Standing in a carefully arranged formation, the men present a sense of camaraderie and professionalism. Their expressions range from confident smiles to serious, poised looks—perhaps reflecting the anticipation of a performance or an important social event. Each man exudes dignity, their upright postures and synchronized attire reinforcing a sense of unity. The background is simple and unembellished, allowing the focus to remain on the subjects themselves, their expressions, and the sharp contrast of their gleaming jackets against the darkened floor. The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s. (SOLD)

Published in: on July 2, 2025 at 12:00 pm  Comments (2)  
Tags: , , ,

STYLISH AFRICAN AMERICAN WOMEN : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO 1956

A group of elegantly dressed African American women gathers for a formal event, their smiles warm and inviting. The air is filled with laughter and the quiet hum of conversation, the kind shared among close friends and social circles. Captured through the lens of Jimmy Baynes (1922-2010), this striking black-and-white photograph offers a window into a bygone era of grace and refinement. The photograph was taken in 1956. Each woman stands poised in a display of sophistication, dressed in the finest evening attire of the time. Flowing cocktail dresses and full-skirted gowns drape effortlessly, adorned with delicate lace, satin finishes, and off-the-shoulder silhouettes. Wrist corsages add a touch of tradition, suggesting the occasion could be a gala, a debutante ball, or an exclusive sorority event. Their accessories—clutch purses, pearl necklaces, and elegantly styled hair—complete their timeless looks, reflecting the pride and elegance of their community. The setting, a well-appointed room with patterned wallpaper and a shelf filled with trinkets, provides an intimate backdrop for this moment of celebration. The women lean into each other slightly, exuding warmth, camaraderie, and joy. This is more than just a photograph; it is a glimpse into a world where fashion, culture, and history intertwine. Baynes, a Cleveland-based photographer known for documenting African American life, produced this image which holds both artistic and historical significance. He is renowned for capturing the vibrancy of African American life from the 1950s through the 1980s. Initially working as a postal worker, Baynes pursued photography as a passionate side venture, eventually establishing Baynes Foto Service. ​Over more than three decades, Baynes documented a wide array of events, including weddings, beauty contests, burlesque shows, and live music performances. His portfolio features candid and authentic glimpses into Cleveland’s African American community, encompassing local politicians, nightclub entertainers, and everyday social gatherings. Notably, he photographed prominent figures such as Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. ​Baynes’ work has been recognized and preserved by institutions like the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, where a collection of his photographs is housed, primarily focusing on music and entertainment. His images offer a rich narrative of mid-20th-century African American public life in the Midwest, reflecting both the cultural significance and everyday experiences of the community.​ In the summer of 2010, just months before his passing, Baynes’ photographs were featured in a group exhibition titled “Polaroid: Instant Joy” at a gallery in Brooklyn, New York, highlighting the enduring impact of his visual storytelling. (SOLD)

Published in: on March 11, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , , ,
« Older Entries