This cabinet card features a full-length studio portrait of a young girl posed beside a chair. The photographer’s mark at the bottom reads “Ensminger, Morristown, New Jersey”. The girl appears to be around 5 to 7 years old. She is dressed in a dark, heavy dress or coat with prominent white lace trim at the collar and cuffs, characteristic of children’s fashion around the 1895–1905 period. Her long hair, possibly a wig or enhanced with hairpieces for the photo session, is styled to one side and adorned with two large ribbon bows, adding a touch of charm and formality. She wears a wide-brimmed hat tilted forward, which also features oversized decorative bows—this style was quite popular in Edwardian children’s portraiture. Her high-button black boots are visible under the hem of her dress, and she rests one hand on a wooden chair, adding a subtle compositional balance to the portrait. Her expression is solemn, yet alert—typical of long-exposure portrait photography of the era. The neutral studio backdrop and ornate rug on the floor enhance the formality and timelessness of the portrait. The reverse of the card is marked simply in ink with the handwritten notation: “Mrs. M. S.” This may be a clue to the identity of the child’s mother or the recipient of the photograph—perhaps a keepsake. Henry Ensminger was a notable photographer based in Morristown, New Jersey, during the late 19th and early 20th centuries. He operated a photography studio in Morristown from approximately 1894 to 1922, producing a variety of portrait photographs. (SOLD)
PORTRAIT OF A MOST ADORABLE CHILD WEARING A BIG HAT (PHOTOGRAPH BY CHARLES DEFOREST FREDRICKS)

The adorable little girl with the big hat seen in this cabinet card was photographed by a talented and well known celebrity photographer by the name of Charles DeForest Fredricks (1823-1894). Fredricks was an innovative American photographer. He learned the art of producing daguerreotypes from the great photographer , Jeremiah Gurney. Fredricks worked in South America through the early 1850’s and then he operated out of Charleston, South Carolina; and Paris, France. He was the first photographer to make life-size portraits. He hired artists to color them using pastel. Fredricks then returned to New York City and rejoined Gurney. In 1854 he developed a new enlarging process and in 1855 he ended his association with Gurney. In the late 1850’s Fredricks ran his studio in Havana, Cuba, and in the 1860’s he opened a studio on Broadway, in New York City. He retired in 1889. Be sure to view the fancy advertisement printed on the reverse of this photograph. (SOLD)

LITTLE GIRL PAINTING : “PETITE ARTISTE PEINTRE” : SCHOOL ART SCENE : RPPC
This charming vintage photograph/postcard captures a young girl engaged in a painting activity, likely from the 1920s or 1930s. The handwritten caption on the reverse reads “Petite Artiste Peintre”, which translates from French to “Little Artist Painter.” The girl, who appears to be around five or six years old, has a sweet and confident expression as she looks directly at the camera. Her dark, wavy hair is adorned with a large bow, giving her a classic, period-appropriate appearance. She wears a checkered smock dress with ruffled shoulders, which was likely intended to protect her clothing while she paints. Sitting at a wooden school desk, she holds a paintbrush in her small hand, mid-stroke, as she creates her artwork. The paper in front of her shows a simple yet enthusiastic painting, possibly of a person and a fish. Around her, several small paint pots are scattered on the desk, with some open, revealing the rich tones she is using. The background features a set of shelves lined with neatly arranged objects, possibly classroom materials or art supplies, reinforcing the setting as a school or children’s art class. The overall composition of the image captures both the innocence and creativity of childhood. (SOLD)
BOY ON SLED : BY MISS CLARKE : DOYLESTOWN, PA : VINTAGE PHOTOGRAPH c.1905-1912
This charming vintage photograph captures a young boy seated on a wooden sled, dressed in winter attire. The image is mounted on gray cardstock with a debossed border, a style prevalent between 1900 and 1915. The boy is dressed in a thick woolen outfit, high leather boots, and a wide-brimmed hat, typical of early 20th-century winter wear. He sits on a wooden sled, which resembles designs manufactured between 1895 and 1915, commonly used in Northern states. The photographer’s signature, “Miss Clarke,” is embossed in script on the lower right corner. The photographer is Miss Clarke, possibly the celebrated Sara Maynard Clark. The photograph was taken at Miss Clarke’s Doylestown, Pennsylvania studio. Various aspects of the photograph indicate that the photo was taken sometime between 1905 and 1912. Sara Maynard Clark (1891–1973) was a prominent writer, editor, historian, and photographer based in Bucks County, Pennsylvania. After relocating to the area in 1933, she contributed extensively to local publications such as The New Hope, Bucks County Traveler, and New Bucks County Magazine, often incorporating her own photographs into her articles. She also collaborated with her husband, Harold (Hal) Clark, and their son, Maynard Clark, both photographers, to document the evolving character of Bucks County through photography. Her work is preserved in the Bucks County Artists Database and has been featured in exhibitions at the Michener Art Museum. If I have dated this photograph correctly, the photographer is likely a different woman than Sara Maynard Clark because she was likely living in Iowa, and not Pennsylvania, when this photo was taken. In addition, Clark is spelled Clarke on this photograph’s mount. Further research is required to confirm the identity of the female photographer who took this photo. (SOLD)

PREPPY LOOKING TEENAGE GIRL ON THE CHEAPSIDE

This cabinet card portrait features a sweet looking teenage girl dressed in what today we might call, a “preppy look”. Perhaps she is a student. Be sure to note her scarf and hat. The girl’s eyes are wide open and she appears to be suppressing a smile. The photographer’s camera captured the girl in an outdoor setting. The photographer was Hy. Flett who operated a studio in London. Interestingly, the studio was located at 119 Cheapside. This image is actually the second cabinet card in the “Cabinet Card Gallery” from a studio on Cheapside. Research revealed that Cheapside is the name of a street in the city of London. The name Cheapside is derived from the term “marketplace”. Henry Flett (1872-1948) was born in St. Leonards in Sussex. He operated two London studios. The Cheapside studio existed between 1897 and 1940. His second studio was located at 103 Newgate Street (1903-1909). He partnered with Arthur Frame Stevens in the 1930’s. SOLD

YOUNG BOY IN SUIT : DORÉ GALLERY : SAN FRANCISCO : CABINET CARD c1890s
This handsome 1890s cabinet card portrait captures a young boy dressed in a refined double-breasted suit with brass buttons, short trousers, and dark stockings. A large white collar and a ribbon-style bow tie accent his formal ensemble. His neatly parted hair and composed facial expression give him the appearance of a thoughtful, well-mannered child, likely from an affluent San Francisco family. He stands confidently with one hand tucked into his jacket in a pose that evokes dignity and early Victorian formality, leaning gently on a faux balustrade surrounded by foliage in an elaborately staged studio setting. This photograph was produced by Cobb’s Doré Gallery, located at 1144 Market Street, San Francisco, as indicated on both the front and reverse of the mount. The studio succeeded the earlier firm Edouart & Cobb, one of the better-known names in late 19th-century California photography. Doré Gallery was active in the 1880s and 1890s, during the heyday of elaborately posed cabinet portraits. The backdrop features what appears to be a painted garden scene with a Mediterranean-style colonnade, adding a romantic flair to the image. (SOLD)
TWO SWEET YOUNG SISTERS POSE FOR THEIR PORTRAIT : LUDLOW, VERMONT : CABINET CARD
his cabinet card captures two young girls posing for their portrait at the Moore studio in Ludlow, Vermont. These well dressed children look very sweet and are likely sisters. The Photographic Journal of America (1890) mentions photographer, C. A. Moore of Ludlow, Vermont. He is likely the same Moore that created this image. SOLD
ANNIE AND MAGGIE: ADORABLE YOUNG SISTERS POSE IN HOUSTON, TEXAS

Annie and Maggie Fleming pose for this cabinet card portrait at the Anderson’s photographic studio, located at 85 Main Street in Houston, Texas. An inscription on the reverse of the card identifies the little girls and indicates that this photograph was given to their cousin. These cute siblings appear to be a bit dubious of the photographer and their photographic session. The photographer, Samuel Anderson, operated out of the address on this cabinet card, between 1886 and 1892. To see other photographs by Sam Anderson, click on this sites category, “Photographer: Anderson”.
PORTRAIT OF TWO AFFECTIONATE YOUNG GIRLS AT THE BEACH

Two young girls pose for a vintage snapshot photograph as they sit on the sand at the beach. One girl has her arm affectionately around the shoulder of the second girl. The recipient of the affection is displaying a sour expression. Are the girls sisters? Could they be close friends? The answer is lost to history. The girls names are written on the reverse of the photo. I can only decipher one of the names. It is “Ingrid”. A stamp on the reverse of the snapshot indicates that the photograph was developed in Dresden, Germany. Dresden is the second largest city in Saxony. It is situated on the banks of the River Elbe. It is near the border of the Czech Republic. There are beaches along the Elbe and perhaps this image captures one of them. SOLD
















