This photograph features a handsome uniformed fireman posing for his portrait at the Steinhaus studio in Sheboygan, Wisconsin. It is unknown whether this fireman was a member of the Sheboygan fire department or some other department. The badge on his hat displays the #2 which is likely his unit within his department. Note that his badge displays a fire hydrant, crossed axes, hose nozzles, and hook and ladder. The photographer of this image is Roland A. Steinhaus. Interestingly, research revealed where Mr. Steinhaus received his training. The Professional and Amateur Photographer (1900) has an article which announces the “arrival for January term” of a group of students for the purpose of attending the Illinois College of Photography. Steinhaus was listed as one of these students and his hometown was reported to be Sheboygan. The town of Sheboygan was founded in 1846 and by 1849 was noted for its German population. Steinhaus, judging by his last name, was part of this German population. To view other photographs of firemen, click on the category “Firemen and Policemen”.
UNIFORMED FIREMAN IN SHEBOYGAN, WISCONSIN
YOUNG WOMAN POSES BY FRAMED PHOTOGRAPH IN CHICAGO, ILLINOIS
This cabinet card portrait captures a curly haired young woman posing next to a framed photograph standing on a table. Her hand rests on the photograph’s frame and there is an open book on the table. Advertising on the reverse of the image states that Edward F. Hartley operated his studio at 309 Madison in Chicago, Illinois. To learn more about Hartley, and to view more of his photographs, click on the category “Photographer: Hartley”.
MUTTON CHOPS MAN IN LEOMINSTER, MASSACHUSETTS
A distinguished older gentleman poses for his portrait at the Richardson studio in Leominster, Massachusetts. He is nicely dressed and wearing a wonderful necktie. He has wonderful silver mutton chops that the photographer has captured effectively in this image. Lucius Augustus Richardson was born in Leomister in 1840. After completing his education, he went to work as printer for four years. He then learned photography and began working as a travelling photographer throughout New England. He then spent three years in Boston followed by working three years in Ashland. In 1860 he married Louisa Fitch of Maine. In 1873 he opened a photography studio in Leomister. His daughter Lillian Janette Richardson worked in the studio as a retoucher and printer of photographs.
SLOUCHING DAD PULLS YOUNG DAUGHTER ON A SLED IN BELLEVUE, OHIO
This studio portrait captures a slouching dad pulling his daughter on a sled. Dad is wearing a suit, hat, and gloves while the child is bundled up in a winter jacket and warm winter cap. She is holding the sleds steering rope. She won’t go far on the sled considering it is atop straw instead of snow. Dad has assumed a very awkward slouching position for this photograph. Perhaps he is disabled. It is also possible that the photographer did a poor job of posing the father. In fact, the photographer, S. P. Gaugler, shows little skill in his production of this photograph. The subject of this photograph is actually the owner of the Bellevue, Ohio studio that produced this image. According to the previous owner of this photograph, the album that this cabinet card was taken from indicated that the subject is Simon Peter Gaugler and the little girl is his oldest daughter, Edith. It is surprising that a photographer would do such a poor job of posing for this photograph. The 1880 US census lists Simon Gaugler (1840-1915) as residing in Bellevue, Washington and working as a photographer. He was forty years old and living with his 27 year-old wife Lorinda. The couple had married in 1874 and were raising a four year-old daughter (Edith) with the help of a live-in servant. The 1900 census found the couple still residing in Bellevue and living with their 15 year-old daughter (Ethel). Simon continued to work as a photographer. By the time 1910 arrived, Simon and Lorinda were living in Lyme, Ohio with their daughter Ethel and her husband John. Simon was still operating a photo gallery even though he was seventy years old. In 1914 Lorinda died in Bellevue and a year later, Simon passed away in Atlanta, Georgia. He had moved to Georgia to be with his daughter Edith, the adult version of the little girl pictured above. Edith Gaugler (1876-1960) had become Mrs. Frederick Schanck on 9/10/99. At the time of their marriage, she was a school teacher and her groom was a telegraph operator and clerk. Census data reveals that the couple lived in Lyme, Ohio (1900), and moved to Atlanta, Georgia sometime before 1920. The couple still lived in Atlanta at the time of the 1940 US census.
SCHOLARLY LOOKING GENTLEMAN HOLDING PHOTOGRAPH ALBUM IN SPRINGFIELD, MASSACHUSETTS
The balding and bespectacled gentleman posing for this cabinet card portrait appears to be a studious man. He is holding a photographic album and and there are books and another album on the table beside him. Hiram C. Moore was the proprietor of the Photo Parlor that produced this photograph. Moore’s studio was located in Springfield, Massachusetts. An advertisement for his studio appeared in the fourth volume of Good Housekeeping (1886). At one time Hiram was partners with his brother Chauncey L. Moore in a Springfield studio. To view photographs by Chauncy Moore, click on the category Photographer: Moore (Chauncey).
A RELIGIOUS MAN ASKS “DOST THOU BELIEVE IN THE SON OF GOD?”
This cabinet card portrait features a religious man and a poster board with a religious message. By all appearances, it seems that he is fervent preacher of his religious beliefs. He was photographed by the Cooper & Sanders studio in London, Ontario, Canada. The gentleman has a bushy beard. On the reverse of this image is a note that indicate the photograph was taken in 1905. In addition, the name “Bertha” or possibly “Butha” is written on the back of the cabinet card. Cooper & Sanders were in business in London, Ontario between 1896 and 1909. To view other photographs by Cooper and to learn more about him, click on the category “Photographer: Cooper”.
EIGHT TEENAGERS POSE FOR A GROUP PHOTO IN DYSON, OHIO
Six young woman and two young men pose for a group photo at the studio of W.D. Archer in Dyson, Ohio. It is possible that this image is a graduation picture. The young man sitting on the floor is holding a piece of paper in his hands. Perhaps the paper is relevant to the reason these eight teenagers are gathered for this group photograph.
A GENTLEMAN IN EVANSTON, ILLINOIS
Photographer Charles E. Smith photographed the gentleman in this photograph at his studio in Evanston, Illinois. The studio was located at 701 Davis Street. The subject is well groomed and well dressed. His pose in this portrait gives an appearance of confidence. Photographer Smith is cited as an exhibition participant in the Bulletin of Photography (1912)
TWO STYLISH DANDIES POSE IN DENVER, COLORADO
This cabinet card features two dandies posing at the Bates studio in Denver, Colorado. The studio was located in the Tabor building at Sixteenth and Larimer Streets. The subjects of this photograph are well dressed and wearing hats. Both men are holding walking sticks. The reverse of the image has an inscription that states ” Nellie Sanborn’s, 1882″. Research revealed very little about the identity of Nellie Sanborn. The only lead found is that there was a Nellie Sanborn born in Colorado in 1863 who appears in the Iowa State Census of 1885. At the time of the census she was living in the town of Keokuk and was twenty-two years old. Nellie Sanborn’s connection to the gentlemen in this image is unknown. Photographer W. L. Bates appears in the 1881 Denver city directory under the occupation of photographer. A Colorado genealogical site contends that Bates worked as a photographer in Denver between 1880 and 1890.
PORTRAIT OF A WHISKERED OLD GENTLEMAN
The subject of this cabinet card portrait is unidentified. The photographer and his studio’s location is also unknown. The whiskered gentleman featured in this image is wearing his sunday best for his day at the photography studio. The old gentleman appears as if he has had a lot of experiences over the course of his life. He looks quite wise.




