This bust portrait of an attractive short haired young woman is the product of the Millard studio in Detroit, Michigan. The woman is wearing a lace collared dress and earrings. She has magnificent deep hypnotizing eyes.  C. A. Millard is mentioned in The Industries of Detroit (1887) as being the proprietor of the oldest photographic studio in Detroit. It is reported that he bought out a Mr. Powelson in 1879 and at the time of the books publication, Millard employed ten to fifteen artists in his studio. An interesting side note concerns Millard’s death in 1891. Frank Scott Clark (1865-1937), a noted backdrop painter, came to Detroit in 1892 to manage Millard’s studio for Millard’s estate. Among his accomplishments, Clark was an extremely talented photographic background specialist. In fact, during his career, he created, made, and set up backgrounds for both Napoleon Sarony and Jose Maria Mora. Not too shabby a resume for Mr  Clark. This cabinet card portrait is in good condition (see scans).

Buy this original Cabinet Card Photograph (includes shipping within the US) #3215

To purchase this item, click on the Pay with PayPal button below

24.50 $

Buy this Cabinet Card Photograph (includes International shipping outside the US) 3215

To purchase this item, click on the Pay with PayPal button below

33.00 $

Published in: on October 12, 2020 at 12:01 pm  Comments (3)  
Tags: , , , , , ,


WAGONGIRLThe Huntington & Clark studio of Detroit, Michigan, produced this wonderful photograph of an adorable little girl and her toy wooden wagon. The child’s hair is well styled and she is wearing a pretty frilly dress. Historical author, Thomas Yanul included Frank Scott Clark (1865-1937) in his series “Business & the Baroque: Six Portrait Photographers of America”. Clark was born in Peru, Indiana and claimed that his family lived in America during Revolutionary War times. Clark began his work career by working many different jobs in eastern United States and Canada. Around 1880 Clark was hired by prominent background painter, Lafayette W. Seavey. Seavey was very popular during the cabinet card era. Clark was then hired by a friend of Seavy who happened to be famed New York portrait photographer, Napoleon Sarony. Clark was involved with creating, making and setting up backgrounds for Sarony. He also worked as a camera operator. He worked several years with Sarony and also studied and was employed  briefly with celebrated New York photographer, Jose Maria Mora. In the next phase of his career, he worked doing portraits, backgrounds, and theater scenery. In 1892, Clark moved to Detroit and managed the the Charles  A. Millard studio estate. In 1894, Clark partnered with George Huntington and they worked together until 1903 when Clark began operating a studio on his own. The above portrait was taken during this partnership. Clark prospered and became very involved with Detroit’s upper crust. He not only served as their photographer but he also was active in their sport, social, literary and art circles. In his narrative, Yanul states that Clark “became a larger than life character of the Detroit scene”. He describes Clark as being a “slightly bohemian figure”. Yanul adds that Clark had a charismatic personality, dressed in an artistic fashion, and was quite intellectual.