HILDA HANBURY : BRITISH STAGE ACTRESS : STAGE BEAUTY : CABINET CARD

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This cabinet card (Photo 1) features early British theatre actress, Hilda Hanbury (1875-1961). She is dressed for winter in this portrait. Note her warm looking coat and her hand-warming muff. Her hat is quite elaborate. Hilda’s sister, Lily Hanbury (1874-1908), was also an actress. Lily’s cabinet card photo portrait can be found elsewhere in the Cabinet Card Gallery. Hilda and Lily were cousins to actress Julia Neilson. Hilda began her acting career in the late 19th century and went on to have a successful stage and film career that spanned several decades. Hanbury made her professional stage debut in 1897 and went on to perform in a variety of plays throughout her career, including Shakespearean productions and contemporary dramas. She was particularly known for her performances in the plays of Noël Coward, and appeared in several of his works, including “The Vortex” and “Hay Fever.” Hanbury also appeared in a number of films during the 1930s and 1940s, including “The Ghoul” (1933) and “The Saint in London” (1939). Unlike her sister Lily, her film appearances were often in supportive roles. However, Hilda was considered a “stage beauty” and her image was popular on cabinet cards, cigarette cards, and postcards. Hanbury continued to act into her seventies, and her final stage appearance was in a production of Coward’s “Waiting in the Wings” in 1960. Hanbury was a close friend of playwright Noël Coward, and she appeared in several of his plays over the course of her career. Hanbury was known to be an avid bicyclist and a passionate gardener and was a member of the Royal Horticultural Society. She was a judge at flower shows and often exhibited at the Chelsea Flower Show. Hilda married Arthur William Fox (1870-1956) in 1905. After the marriage, she retired from the stage and lived in a sixteen-room house. The couple had nine servants. Hilda and her husband divorced in 1923. The divorce was precipitated by her husband’s adultery. The photograph seen on this cabinet card was taken by the London Stereoscopic Company, located in Cheapside, England. The photo was taken sometime in the 1880’s or 1890’s. Interestingly, there is warning notice on the reverse of the photograph concerning it’s copyright. In addition, there is an advertisement offering photography lessons, on the card’s reverse. There is also an advertisement from H. G. Pearce & Co., a stationer and printer. SOLD

Photo 2 is a vintage real photo postcard featuring Hanbury holding her cute black dog over her shoulder. Note her flat hat. This postcard was published by Stewart & Woolf (London, England). SOLD

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Published in: on May 15, 2024 at 12:00 pm  Leave a Comment  
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BEAUTIFUL BUT NOT SO TALENTED THEATER ACTRESS: NORA KERIN

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The top vintage real photo postcard features actress Miss Nora Kerin (1883-1970) as she appeared in the theatrical production of “The Prince and the Beggar Maid”. The actress is absolutely beautiful as is her costume. The play opened at the Lyceum in June of  1908 and ran for 82 performances. Miss Kerin played Princess Monica. The actress was born in London and her family was chock full of actresses including sister, Eileen Kerin and cousing Julia Neilson, Lily Hanbury, and Hilda Hanbury. Photographs of Miss Neilson and Mis Lily Hanbury can be found elsewhere in the Cabinet Card Gallery. Nora Kerin made her stage debut in 1899. In conducting my preliminary research about Nora Kerin, I was struck by the number of negative reviews of her acting that I encountered. One review concerned her performance as Juliet in “Romeo and Juliet”. The production was at the Lyceum Theater in 1908 and the review appeared in London’s “Daily Mail”.  The reviewer wrote “‘Oh, Juliet. Juliet, wherefore art thou Juliet?’ This is, of course, an inversion and a parody; but, seriously, the Juliet of Miss Nora Kerin cannot be taken so. She declaims in the conventional old-fashioned style. She somehow destroys – on the stage – her own personality, and instead of looking the pink of charm and youth (as she is when “taking a call”) she manages to conceal both. Many of her lines were badly spoken, falsely intonated and punctuated. She had moments … melodramatic outbursts … but she is not the personality … she has not the witching simplicity of the real Juliet”. Clearly, Miss Kerin was not a luminary actress of her time. However, she was quite pretty and fifteen portraits of her can be seen in the National Portrait Gallery. The photographer of this postcard image was Rita Martin, a celebrated female photographer. She is considered one of the best British photographers of her time.Her studio was in an exclusive neighborhood at  at 74 Baker Street, Marylebone. She was born Margareta Weir Martin in Ireland.  Margareta “Rita” Martin started her career in photography in 1897 by assisting her elder sister Lallie Charles in running her studio. In 1906 Rita opened her own studio. She had a style of photographing subjects in pale colors against a pure white background and she tended to avoid photographing men and older boys.  Rita had a specialty in photographing actresses including Lily Elsie and Lily Brayton. She was also well known for her child studies which often involved children of well known actresses. Lily’s sister, Lallie Charles was more known as an excellent society photographer. Many of Rita Martin’s photographs can be found in the National Portrait Gallery. A photograph of Rita Martin, by Rita Martin can be seen below. This vintage real photo postcard was produced by the Rotary Photo Company and was part of a series (no. 1796 Z).                                                                                                                 The second postcard portrait of Miss Kerin is also a good representation of her beauty. In addition she is wearing a beautiful lace dress and an extraordinary hat. The photographers of this terrific image, Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s. This postcard is part of the Rotary Photographic Series (no. 1796 H) and is of English origin and is postmarked 1907.                                                                                                        The third postcard features Nora Kerin in her role as Juliet in “Romeo and Juliet”. Unlike the first two portraits, in this image she is wering her hair down and is projecting an air of innocence through the placement of her hands and her vulnerable expression. Just like the top postcard, this image was photographed by Rita Martin and the postcard was part of the Rotary Photographic Series (1796 S) by the Rotary Photo Company.  SOLD

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REVERSE OF TOP POSTCARD

kerin 2REVERSE OF SECOND POSTCARD
                                                                                                                                                            by Rita Martin, sepia-toned matte postcard print, 1900s

 PORTRAIT OF RITA MARTIN BY RITA MARTIN 

Published in: on September 2, 2016 at 12:00 pm  Comments (2)  
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