This cabinet card features a full-length studio portrait of a young girl posed beside a chair. The photographer’s mark at the bottom reads “Ensminger, Morristown, New Jersey”. The girl appears to be around 5 to 7 years old. She is dressed in a dark, heavy dress or coat with prominent white lace trim at the collar and cuffs, characteristic of children’s fashion around the 1895–1905 period. Her long hair, possibly a wig or enhanced with hairpieces for the photo session, is styled to one side and adorned with two large ribbon bows, adding a touch of charm and formality. She wears a wide-brimmed hat tilted forward, which also features oversized decorative bows—this style was quite popular in Edwardian children’s portraiture. Her high-button black boots are visible under the hem of her dress, and she rests one hand on a wooden chair, adding a subtle compositional balance to the portrait. Her expression is solemn, yet alert—typical of long-exposure portrait photography of the era. The neutral studio backdrop and ornate rug on the floor enhance the formality and timelessness of the portrait. The reverse of the card is marked simply in ink with the handwritten notation: “Mrs. M. S.” This may be a clue to the identity of the child’s mother or the recipient of the photograph—perhaps a keepsake. Henry Ensminger was a notable photographer based in Morristown, New Jersey, during the late 19th and early 20th centuries. He operated a photography studio in Morristown from approximately 1894 to 1922, producing a variety of portrait photographs. (SOLD)
LUCY BERTHET : PRETTY OPERA SOPRANO : BY NADAR : HAND-TINTED : RPPC 1905
This exquisite early 20th-century hand‑tinted portrait postcard features the renowned Belgian‑born opera soprano Lucy Berthet (1866–1941), captured in profile by the eminent French studio Nadar. Gaspard‑Félix Tournachon, known as Nadar, was born 6 April 1820 and died 23 March 1910. His son, Paul Nadar (8 February 1856 – 1 September 1939), took over the studio. It’s believed this card is by Paul Nadar, as he is known to have photographed Lucy Berthet. Lucy trained at the Conservatoire de Paris , where she won the First Prize in opera singing in 1892. She debuted at the Paris Opera (Académie Nationale de Musique) in 1892 as Ophélie in Hamlet. She went on to perform major soprano roles: Juliette in Roméo et Juliette, Gilda in Rigoletto, Elsa in Lohengrin, Ortlinde in a French version of Die Walküre, Marguerite in Faust, Thaïs in Thaïs, and more through 1899. She was renowned as a long‑standing pensionnaire (resident artist) of the Paris Opera during the 1890s. This postcard features Lucy Berthet in a lavish embroidered costume, hand‑tinted with pastel purples and soft yellows, wearing a velvet choker with a jewel‑inset cross and matching headscarf. The publisher of this postcard was G. Piprot. He operated a studio in Paris. This card is part of a series (N. 769 – Th. 70). This postcard is in very good condition. It offers a crisp vignette with rich coloring. It has minor age toning and mild edge wear. The card was mailed in 1907 from St‑Jean‑de‑Luz (Basses‑Pyrénées, France) to Madame Ch. Boulliez in Paris. The postcard has a 5c green French stamp and a brief message, “Souvenir affectueux (affectionate remembrance),” The postcard is signed by E. Coutan,”. This card is part of the Belle Époque tradition of theatrical portrait postcards by top photographers. Paul Nadar frequently captured prominent performers—including Lucy Berthet. (SOLD)

VICTORIAN BEAUTY ASKS “DO YOU THINK I’M SEXY?” IN GREAT YARMOUTH, ENGLAND
A Victorian beauty poses for her portrait in Great Yarmouth, England. She certainly has chosen a provocative pose. The young woman may be a stage actress or dancer. She is not helping the stereotypical image of female stage performers who were viewed by much of the public as equivalent to prostitutes. This risqué (for the era) image was photographed by Tilley Brothers studio. The photographers were successors to Boughton and Sons. Great Yarmouth is a coastal town in Norfolk, England. It has been a seaside resort since 1760. SOLD
CARL SCHURZ ; CIVIL WAR GENERAL & SENATOR : WARREN’S, BOSTON : CABINET CARD
This striking 19th-century cabinet card features The Honorable Carl Schurz (1829-1906), a distinguished Civil War general, U.S. Senator, and reform-minded statesman. The photograph was taken at Warren’s Portraits, a prestigious Boston studio located at 465 Washington Street and renowned for its elegant images of notable figures during the late 1800s. In this formal portrait, Schurz is captured in a three-quarter view, seated in a dark, double-breasted coat with a subtle bow tie at his collar. His thick, well-kept beard and wavy hair give him a scholarly yet commanding presence. He gazes slightly to his left, a monocle suspended at his eye—projecting a look of intellectual rigor and seriousness. The background is a simple studio gradient, helping focus all attention on Schurz’s intense expression and refined appearance. On the reverse, the card is elegantly marked with the Warren’s Portraits logo. In pencil is written: “Hon. Carl Schurz,” affirming the identity of the sitter. Carl Schurz was born in Liblar, Prussia (modern-day Germany) in 1829. A revolutionary in his youth, he fought in the 1848 German uprisings, which ultimately failed, forcing him to flee Europe. He emigrated to the United States in 1852, where he quickly became involved in politics and the anti-slavery movement. During the American Civil War, Schurz was appointed brigadier general of Union volunteers by President Lincoln in 1862. He eventually rose to the rank of major general. Though courageous and respected, his battlefield performance received mixed reviews. He fought in key engagements including: the Second Battle of Bull Run (1862), the Battle of Chancellorsville (1863), and the Battle of Gettysburg (1863), where his XI Corps was flanked on the first day. While he was not a professional military man, Schurz’s service was notable for his efforts to advocate for German-American troops and his commitment to the Union cause. He did not have prior military experience in Europe before serving in the U.S. Army. After the war, Schurz enjoyed a long and prominent career in politics. He served as a U.S. Senator from Missouri (1869–1875) and later as Secretary of the Interior under President Rutherford B. Hayes (1877–1881). A staunch advocate of civil service reform and anti-corruption measures, he became one of the leading voices of the Liberal Republican movement. This cabinet card was produced by Warren’s Portraits, one of Boston’s most prominent photography studios in the 19th century. Operated by William Shaw Warren, the studio specialized in elegant, high-quality portraits and was especially known for photographing celebrities, politicians, military figures, and distinguished members of Boston society. Warren’s operated primarily during the 1860s through the 1890s. Warren’s images often feature clean studio backdrops, strong lighting, and detailed retouching, emphasizing refinement and dignity—qualities clearly present in this cabinet card of Carl Schurz. (SOLD)
LA BELLE ALEXIA : ACTRESS & DANCER : RISQUE : MAURICE MANES : PARIS : RPPC
This vintage real photo postcard features pretty performer, La Belle Alexia. She was a dancer and was also likely an actress. Preliminary research found no biographical information. This photograph of Alexia is risque due to her low cut dress. She is wearing a lot of jewelry around her neck. Alexia is flashing a lovely smile. This postcard was published by EPJ (Maurice P Manes, Paris) as part of a series (no.579). SOLD

FRENCH AFRICAN WOMAN : PHOTO BY CHARLES REUTLINGER : UNCOMMON : CABINET CARD
This cabinet card features a portrait of a young woman who appears to be French African. She is well dressed and her hair is well coiffed. She is wearing a beaded necklace and a bow at her collar. Her figure is enhanced by a corset. The photographer who took this portrait of this lovely woman was the celebrated photographer, Charles Reutlinger (1816-1881). Charles Reutlinger was part of a prominent and talented family. Charles Reutlinger was of German descent and founded the Reutlinger Photography Studio in Paris in 1850. The studio took photographs of many of the city’s rich and famous residents and visitors until 1937. The British Journal of Photography (1867) provides a wonderful description of Reutlinger’s studio. Charles’s brother Emile took over the studio in 1880 and he ran it until 1890. Emile’s son, Leopold took over in 1890 and among his accomplishments was that he developed the company’s esteemed and economically successful postcard business. The studio became known for it’s unusual art nouveau style of postcard designs. These were very notable in it’s portraits of actresses. Leopold also introduced risque/erotic postcards. He operated the business until losing an eye in an accident with a champagne cork in 1930. He died seven years later. SOLD
TWO PRETTY FASHIONABLE AND WELL ACCESSORIZED WOMEN : CARTE de VISITE
This carte de visite photograph features two pretty and fashionable women posing for their portrait at the Smale & Fowler studio. During his career, Smale operated studios in both Ottumwa and Des Moines, Iowa. Webster B. Smale (1858-1928) is listed in the Des Moines Business directory from at least 1889 through 1903. The women seen in this image are very well accessorized. Note their hats and the belt worn by the woman who is standing. Be sure to also note the hypnotizing pattern of the sitting woman’s skirt. SOLD
WOODWARD STOCK CO : ACTOR PORTRAIT : BY JAMES MATZEN : OMAHA, NEB : CABINET CARD


This is an original cabinet card photograph issued as a compliment of the Woodward Stock Company, New Auditorium, Omaha, Nebraska, and photographed by James Matzen of Omaha. The image features a young actor posed in a casual, reclining position across a wooden bench. He wears a light-colored ribbed turtleneck sweater, checked trousers, dark socks, laced boots, and a checkered flat cap. His gaze is directed confidently toward the camera, with a subtle, knowing smile that suggests both charm and theatrical poise. The relaxed pose contrasts with the formal studio background, giving the portrait a sense of personality and individuality. The photograph is well composed, with strong detail in the face and costume. His expression conveys ease and charisma—qualities likely intended to resonate with audiences of the Woodward Stock Company’s theatrical productions. The Woodward Stock Company was a leading theatrical troupe based in Omaha, Nebraska, during the late 19th and early 20th centuries. They performed at the New Auditorium, also known as the Omaha Auditorium, which opened in 1898 and became a center for local and traveling productions. The Woodward troupe featured a rotating cast of actors who appeared in a wide range of plays and dramas, and cabinet card portraits such as this were distributed as souvenirs and promotional pieces. The photographer, James Matzen, was a prominent Omaha studio photographer who produced cabinet cards and theatrical portraits. This cabinet card has light edge wear and age toning; back shows surface wear; and the image is clear with strong detail. (SOLD)
DO DO WATTS : BRITISH STAGE AND FILM ACTRESS : CAREER WOMAN
This vintage real photo postcard features British stage and film actress, Dodo Watts (1910-1990), She had one appearance on Broadway in “The Middle Watch” (1929).When she retired from acting, she became a career woman. She owned a successful millinery firm in London. She also worked as a casting director for three films. She cast Diana Rigg in her role in “The Avegers” television series. Watts also worked as a theatrical agent. The IMDb credits her with19 film credits between 1925 and 1953. This card was published by Picturegoer as part of a series (no.537). The photograph seen on this card was taken by George Mannell. His firm was located in London, England. SOLD
PORTRAIT OF TWO ADORABLE LITTLE GIRLS : FANCY HATS : PC PARIS : RPPC

This vintage real photo postcard captures two very adorable and beautifully dressed little girls. They have magnificent smiles and sparkling eyes. This postcard was produced by PC Parisas part of a series (No.1510). The P.C logo is an abbreviation for Papeteries d Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of pretty models, nudes, views, and holiday cards. The company was active in the 1920’s. SOLD

















