J A Bodie of Honesdale, Pennsylvania photographed this lady and her lab at the Bodie Art Studio located on the Keystone Block. The woman is holding a wonderful large hat featuring what appears to be long feathers. The lady and her canine companion are posed atop bales of hay. The dog is likely a labrador retriever and he or she has very expressive eyes that seem sad and lonely and begging for attention. The photographer of this cabinet card is either Joseph Alonzo Bodie (1852-1935) or his son, Joseph A. Bodie Jr.. Junior followed his father into the family business. The senior Bodie learned photography from E. I. Stearns and in 1875, Bodie bought half interest in Stearns’s studio. By 1878, Bodie became the sole proprietor of the studio. The Bulletin of Photography (1912) reported that Bodie’s studio was totally destroyed by fire and the loss was valued at $2500.00 and was only partially covered by insurance. In a later issue, the same journal stated that Bodie had rebuilt the studio.
A WOMAN AND HER LABRADOR RETRIEVER IN HONESDALE, PENNSYLVANIA
PORTRAIT OF A COUPLE IN CHATSWORTH, ILLINOIS (JOSEPH AND ELLA FRANCIS)
This cabinet card features a couple posing for their portrait at the studio of A. H. Hall in Chatsworth, Illinois. The gentleman has an interesting long and narrow beard, The woman has a dress with many buttons and is wearing a pin on her collar. Note the mans hat is on the floor directly in front of where the couple is sitting. It is not uncommon to see cabinet card portraits that include hats prominently displayed on the floor. Perhaps the hats were viewed as important enough to belong in the picture but it was considered inappropriate to wear hats indoors. The couple in this photograph are identified on the reverse as Joseph and Ella Francis. Investigation reveals that Joseph Francis served in the civil war. In 1864 he enlisted as a private in Company D of the Illinois 45th Infantry Regiment.He mustered out as a private in 1865. The 1880 US census identifies Joseph S. Francis (1846-1930) as a farmer of Irish descent living in Illinois. The 1910 census finds the Ohio born, Francis living in Forrest, Illinois and working as a railroad car inspector. He was 64 years old at the time and living with his wife Ella Svedaker Williamson Francis (1862-1938) and four of their children. The 1930 census that Joseph Francis, at age 84, was still employed. He was working as an assessor for his township. Research found death certificates for both Joseph (1930) and Ella (1938). The photographer of this image was Albert H. Hall. The History of Livingston County (1878) provides a brief biography of Hall. He was born in 1849 and at age 22 went to Chicago to learn the trade of photography. In 1872 he moved to Chartsworth and opened a photography and gem gallery. He married a woman named Dora Knapp.
PORTRAIT OF TWO WOMAN IN MASSIVE HATS
The Cabinet Card Gallery is fortunate to have many historical fashion experts among its visitors. Hopefully, one or more of them will leave comments that offer an explanation about the history behind the hats seen in this cabinet card. The two women featured in this image are wearing shawls and massive hats. Are these hats part of a uniform or costume of some sort of order or organization? Are these hats on steroids? There is no identifying information concerning the subjects or the photographer written on either side of the cabinet card.
BUFFALO LADY DISCOVERED UNDER GIGANTIC OUTRAGEOUS HAT
A nicely dressed and beautiful young woman poses for her portrait at the Werner Art Gallery. A. L. Werner operated his studio out of 101-103 Genesee Street in Buffalo, New York. The woman is identified on the reverse of the photograph as “Aunt Christine”. She appears to be very fashionable but her millinery taste is somewhat suspect. By today’s standards, her hat can best be described as ostentatious. However, her choice in headwear was likely quite stylish for her time. To view other photographs by Werner and to learn more about him, click on the category “Photographer: Werner”.
THE “SPRING LAKE GYPSIES” IN WAVERLY, IOWA
This cabinet card features two pretty young woman dressed in multiple layers of clothing and holding baskets of flowers. The pair are wearing large straw hats. The subject’s names, Mattie and Lottie, are written below the photograph. The reverse of the photograph has an inscription which states “These are Spring Lake Gypsies”. Although these women could be gypsies it seems more likely that the writer of the inscription was commenting about these women’s propensity to travel around a lot. A printed advertisement on the back of the cabinet card names the photographer as the A. Garner Art Gallery, located in Waverly, Iowa (“Four Doors East of Breemer House”). No information could be found about “Breemer House”. Interestingly, the town of Waverly is located in “Bremer” county. Is there a connection between Breemer and Bremer? As a side note, Bremer County received it’s name from Governor Hempstead who admired Swedish feminist writer Fredrika Bremer. The phrase “Spring Lake Gypsies” was researched and no information was uncovered. In addition, investigation yielded no last names for Miss Mattie or Miss Lottie. Little could be learned about photographer A. Garner other than the discovery of an article in the Report of the Iowa State Horticultural Society (1890) which includes the text of his speech to the group. The topic of his lecture was “Photography and Horticulture”.
EARLY CABINET CARD PORTRAIT OF A PRETTY WOMAN IN CANANDAIGUA, NEW YORK
This cabinet card captures the image of a pretty young woman dressed in a fur trimmed winter coat and wearing a fancy hat. She is also wearing a necklace. The photographer who produced this image is Finley & Sons. The studio was located in Canandaigua, New York. This cabinet card likely dates back to the 1870’s. The Finley & Sons studio was established by Marshall Finley as a daguerreotype gallery. His son, Horace M. Finley (1839- ?) joined his father in business in the early 1860’s. The 1870 Ontario County Directory has an advertisement for the gallery. The ad reveals that in addition to “photographic work”, Finley & Sons (172 Main Streeet) was “Canandaigua’s Music Store”. The Finley’s sold pianos (including Steinway and Chickering brands) as well as other instruments and music supplies. In 1888, Horace Finley took on a partner named William N. Freeman. There are many stereoview cards, cdvs, and cabinet cards produced by this studio that can be found today as the Finleys were known to run a prolific studio. To view other photographs by Finley, click on category “Photographer: Finley”.
“WHEN I WORE A YOUNGER MAN’S CLOTHES” IN PHILADELPHIA, PENNSYLVANIA
An older man poses for his portrait at the studio of Adolph W. Rothengatter in Philadelphia, Pennsylvania. While looking at this photograph I thought of a line in the lyrics of Billy Joel’s song “Piano Man”. “When I wore a younger man’s clothes” popped into my head. Something about the image made me think that this elderly man was wearing clothing that he had not worn for many years. At the time of this photograph, I think he looked a bit out of place in his “business clothes”. My thoughts on this matter probably reflect some sort of ageism. However, they are my thoughts and for some reason I wanted to share them. The photographer of this cabinet card operated his own business but during his career he also had partnerships which included “Rothengatter & Dillon” and “Rothengatter & Casselberry”.
BEAUTIFUL BUSTY WOMAN IN COLUMBUS, OHIO
The Baker Art Gallery of Columbus, Ohio, produced this portrait of a pretty and busty young woman. A corset likely assists her wasp waist and lovely figure. Apparently, she is well aware of her beauty and capitalizes on it with a “come hither” expression. Take note of her interesting hat; its truly a work of art. The Cabinet Card Gallery has a number of images from the Baker Art Gallery. To view these images and to learn more about the Baker studio, click on the category “Photographer: Baker Art Gallery”.
PRETTY WOMAN WEARING FUR COAT POSES FOR WALTER CHICKERING IN BOSTON, MASSACHUSETTS
A pretty young woman poses for her portrait at the studio of Walter E. Chickering in Boston, Massachusetts. The woman is wearing a winter coat which appears to be made from fur. Her sleeves are definitely fur trimmed. She is wearing gloves and a lovely hat. The subject of this portrait is unidentified. Walter E. Chickering was a well known Boston photographer. He was concerned about being confused with a photographer named Elmer Chickering, who also operated a studio in Boston. The reverse of this image has a printed advertisement describing Walter Chickering as “the original photographer of that name”. The ad is a bit grandiose in its description of Walter Chickering’s studio as being “mammoth” in size. To view other photographs by the Chickering (both Walter and Elmer), and to learn more about them, click on the category “Photographer: Chickering, W.”.
A LOVELY YOUNG LADY AND HER HAT
A lovely young lady is featured in this photographic portrait. She is beautifully dressed and is wearing a hat that is nicely adorned with flowers. The name of the photographer and his location are unknown. SOLD
THE CABINET CARD GALLERY 