This vintage real photo postcard features five pretty female Japanese musicians and their instruments. The three women in the front row are playing percussion type instruments. The other two women are playing a flute and stringed instrument respectively. This is an early private postcard postmarked 1904. The postcard was mailed from Canada to Lexington, Massachusetts. It has both a Quebec and a Massachusetts postmark. (SOLD)
The pretty woman in this photograph is French actress, Odile Versois (1930-1980). She appeared in 50 television and film productions between 1948 and 1980. Her IMDb biography describes her as “docile, delicately beautiful, and light haired”. I wonder why the writer chose the word “docile”. The IMDb article asserts that “she moved audiences most with her portrayals of fragile, often tragic heroines in romantic drama”. She appeared in a number of British films in the 1950’s. She had three sisters who became actresses, including Marina Vlady, known for her sultry roles. Her parents were also performers. Her father was a well known opera singer and her mother was a dancer. Odile began acting as a child and also briefly pursued a ballet career. She was a child ballerina with the Paris Opera Corps de Ballet. Her film career began at the age of 16. For much of her career; she played leads. She married actor Jacques Rene Dacqmine in 1951 but the marriage was of only one year duration. She married a second time in 1953 and had four children before being divorced. Her second husband was a Count and a Corsican politician who became a Russian diplomat. She died of cancer just after she turned 50 years old. This French postcard is part of a series (no1296) and is in excellent condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3209
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This vintage real photo postcard features an attractive young woman who appears to be in her teenage years. She looks glamorous in her fabulous dress, her funky jewelry, and her large flower pinned to her dress. To top it all off, is her big hat with accompanying ribbons and feathers. The young lady has picked a pedal off the flower and one wonders if she is asking herself, “he loves me?, he loves me not?”. The game has French origin and it’s purpose is to ascertain whether a person’s object of affection reciprocates that affection. A pantomime version of this game is seen in the ballet “Giselle” staged in 1841. The teenage subject of this photograph exhibits an expression that exudes self-assurance and a good sense of humor. She also looks, forgive the term, “cool”. This vintage postcard has a French stamp and was postmarked in 1909. Note the creases in the top left hand corner of the reverse of the postcard. Overall, the postcard is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3206
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17.50 $
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This vintage real photo postcard raises a lot of questions but not a lot of answers. On the surface, this looks like a portrait of four older women and two younger women dressed like nuns. The older women have a strong family resemblance and I am hypothesizing that they are sisters. Taking a closer look at the image, I can not be certain that the younger women are nuns. Their clothing looks more simple then I typically see in portraits of nuns of that era. However, there certainly could be cultural differences, as well as order differences, in regard to the habits worn by nuns around the world. I also question whether a nun, such as one of the young ladies in this portrait, would be wearing a pin, presumably attached to a pocket watch. I am also uncertain whether it would be expected that the two young ladies in this image are wearing closely similar, but not identical “habits”. Is it possible that the two “nuns” are actually “nurses”? This portrait postcard was “found” in Vancouver, Canada. However, it was part of a collection of Scottish images. This real photo postcard is in excellent condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3208
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18.50 $
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This vintage real photo postcard features two young women posing together for their portrait. Perhaps the pair are mother and daughter although I believe they may be sisters. The woman in the dark dress and hat is wearing a pince nez. Both woman are wearing at least two rings. The postcard, on AZO paper, was produced sometime between 1904 and 1918. SOLD
This vintage real photo postcard features a portrait of four Native Americans on horseback. The foursome are members of the Kiowah tribe. Among the group are Chief Qualupah and Chief Hunting Horse.The other two riders appear to be women. The four are dressed in Native American clothing. They are in a field which has lines of rope holding American flags. Perhaps they are invited guest to an Amrican patriotic holiday celebration. Researching Chief Qualupah was an exercise in frustration. I learned nothing about him. There were chiefs mentioned that had names close to “Qualupah”, leading me to believe that there are several different spellings of his name. Information about Chief Hunting Horse was plentiful. He was a well known scout during the Custer, Sheridan, and Sherman era. In 1871 he enlisted for a two year stint in the Seventh Cavalry commanded by Gerneral Custer. By the end of his legendary scouting career, his friends included Theodore Roosevelt and Geronimo. He was born in Medicine Lodge Kansas in 1846. He was the son of a Kiowa war chief and a Spanish woman who had been kidnapped in Mexico and raised by the Kiowas. Hunting horse came to “Indian Territory” (Oklahoma) at the age of fifteen. In 1917 he appeared in the silent Western film, “Daughter of the Dawn”. In the early 1900’s relatives began celebrating his birthday. These celebrations occurred every year until his death. Military and political figure were often among the attendees. Chief Hunting Horse died at the age of 107 and his funeral included full military honors. Who are the Kiowa? They were considered a nomadic tribe of the plains. It is thought that they originated in the northern basin of the Missouri River but migrated to the Black Hills around 1650. They lived peacefully there with the Crow Indians until they were invaded by the Cheyenne, Arapaho, and Sioux; resulting in the Kiowas moving further south. There they fought with the Comanche, but with the help of the Spanish, the two tribes formed an alliance and agreed to share their land. Joined by the Plains Apache, they hunted, traveled and fought war together.They raided settlements in Texas and New Mexico. They stole horses and mules which they used to trade with the Plains Indian tribes. In 1867, the Kiowa signed a treaty and agreed to settle on a reservation in Oklahoma. In 1901 their lands were open for settlement by whites and dissolving the contiguous reservation. Today, there are more than 12,000 Kiowa tribe members in Oklahoma and throughout the Southwest. The photograph taken for this postcard was taken by the Electric Studio. The postcard has an AZO stamp box indicating that the postcard dates back to sometime between 1910 and 1930. This postcard is in very good condition (see scans).
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This vintage real photo postcard features twelve identically dressed bridesmaids standing in a row. These young women are not ordinary bridesmaids; they are professional bridesmaids. The women are professional bridesmaids. These professional bridal party stalwarts are for hire. This photo was taken in 1931 and the women resided in the fishing village of Redwing in Cornwell, England. In reality, the women in this photograph are actresses appearing as the bridesmaids chorus in the Gilbert and Sullivan comic opera, “Ruddigore”. The words “Sutton Coldfield” are written in pencil on the reverse of the postcard. Sutton Coldfield is a suburban town in Birmingham, England. Perhaps this is the venue where the comic opera appeared. A penciled inscription on the reverse of this postcard indicates that James Speight (1879-1977) is the photographer of this image. His father was the headmaster of a school in Rugby but later established a successful photography business. In 1897, at age 18, James went to work at H M Whitlock’s photography studio in West Bromwich. Speight’s interest in photography must have been in his genes. All 5 of his brothers became photographers. After working for a few more photographers, James decided to go to Paris for a few months, and once there, he worked for the celebrated photographer, Reutlinger. In his diary, James wrote that his retouching work for Reutlinger included making waists smaller. James returned to England and in around 1902, opened his Sutton Coldfield studio. He continued to operate the studio until he retired in 1950. This vintage postcard was published by K Ltd sometime between 1918 and 1936. This vintage postcard is in very good condition (see scans).
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June Caprice started life named Helen Elizabeth Lawson. She was born in 1895 in Arlington, Massachusetts. June was a silent film actress. She attended school in Boston. Her acting career began on the stage. In 1916, she signed with the Fox Film Corporation to make films. William Fox had been searching for an actress to compete with Mary Pickford. Caprice had won a Boston Mary Pickford look-a-like contest. When he discovered Caprice, he boldly predicted that she would become the best known female on the screen within the upcoming six months. A press release introducing her to film fandom, stated that she was seventeen years of age. In fact, she was about twenty years old at the time. Caprice made her screen debut in a move entitled “Caprice of the Mountains” (1916). A film critic, writing in the New York Times described her as “young, pretty, graceful, petite, with an eloquence of gesture that augurs a bright future in the movies”. Her first film provided her with her stage name, “June Caprice”. June became quite popular. She received a lot of attention from fan magazines and was one of Fox’s most profitable stars toward the end of the 1910’s. She made sixteen films while with Fox. Her director for half of the movies was Harry F. Millarde. The pair began a relationship and eventually married. Caprice also worked at one time for Pathe studios. She left the film industry to begin a family and in 1922 she gave birth to a daughter. Caprice’s career took a downturn after World War I. The sweet, pure and innocent look lost popularity and was replaced by the jazz age flapper look. She later returned to working on stage and modelling. In 1931, her husband died at the young age of 46. Five years later, Caprice had a fatal heart attack while in Los Angeles. At the time, she also was suffering with cancer. She was just 40 years old at the time of her death. Caprice’s daughter was only aged 14 when she was orphaned. She was raised by her grandparents on Long Island, New York. She became a “cover girl” and actress. She used the name Toni Seven. Her photo and brief biography can be found elsewhere in the Cabinet Card Gallery. Seven inherited three million dollars from her family. The IMDb credits June Caprice with 22 film appearances between 1916 and 1921. This vintage real photo postcard was published by Pictures Ltd which was located in London, England. It was published with the perimission of the Fox Film Co. The card is part of a series (no.12) labeled “Pictures” Portrait Gallery. (SOLD)
The pretty actress seen in this vintage real photo postcard is Christiane Jansen (1929-?). She was born in Germany. The IMDb credits her for 26 film performances between 1951 and 1972. Christiane appears very relaxed in this photograph. The logos from two film companies can be seen on the front of this card. “Berolina” was a film production company which operated in West Germany between 1948 and 1964. The second company is “Herzog Film”. Jansen was clearly employed by these conpanies at some point in her career. The photographer of this photo is K. L. Haenchen and it was taken while she was making “Mikosch Rockt Ein” (1952). The English translation of the movie title is “Mikosch Rocks On”. Christiane was 23 years of age when this photo was taken. The postcard was published by Kunst and Bild as part of a series (no.A636). This vintage postcard is in very good condition (see sans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3195
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$4.50
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This vintage real photo postcard features an adorable little girl, with mussed hair, posing for her photo alongside her kitten. The darling child has a wonderful grin as she gets as close as she can to he pretty cat. The kitten is perched on a table and is looking directly at the camera. This postcard is part of a series (70 no7676). This card was published by Rotophot GmbH of Berlin, Germany. The postcard is in good condition (see scans and note wear on bottom left-hand corner).
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$28.00
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