JNGEBORG RONNBLAD : PRETTY SWEDISH ACTRESS WITH UNPRONOUNCABLE NAME (c. 1909)

This vintage real photo postcard features the Swedish actress Jngeborg Ronnblad (1873-1915). If you can pronounce her first name, please accept my congratulations. If you are Swedish, you are not eligible for this challenge. Miss Ronnblad is quite pretty and fashionable. Her dress and hair (or wig) are covered with roses. Note that she is wearing two large rings. I wonder if she is dressed in a costume from one of her films. Just below her name in the top right corner, are the words “i Lifvets dal”. The translation of these Swedish words is “In the Valley of Life”. Could this be a film title? Ronnblad was born in Sweden. Her parents ran a theater society. Her husband was Swedish actor, Hugo Ronnblad. She worked a an actress, at least between 1888 and 1895. The publisher of this postcard was Paul Heckscher. The card is part of a series (no2011).This publishing house specialized in art reproductions, artist signed cards, black and white views, and hand colored real photos. The company was headquartered in Stockholm, Sweden. The Paul Heckscher publishing company operated between 1900 and 1917. Their postcards were printed in England. This vintage postcard portrait is in very good condition (see scans),

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Published in: on October 15, 2020 at 12:00 pm  Comments (1)  
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VINTAGE PORTRAIT OF FOUR FIREMEN, A FIRE TRUCK, AND FIRE HOSE (RPPC) c. 1910

This vintage real photo postcard features a firetruck with four uniformed firemen on board. This is a great looking truck. Note the starting crank, the fire bell, the lantern, and the bug eye headlights. The truck is parked in front of the fire station’s garage, Another garage can be seen in the photo, and that garage houses a fire hose on wheels. The location of this firehouse is unidentified. The AZO stamp box on the reverse of this postcard indicates that it was published sometime between 1904 and 1918. SOLD

Published in: on October 11, 2020 at 12:00 pm  Comments (1)  
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EDDA CROY : BURST INTO, AND OUT OF SILENT FILMS IN 1927

This vintage real photo postcard features silent film actress, Edda Croy. Edda has “the girl next door” look. Preliminary research uncovered little about her. Edda had a very short career. She played in three German silent films, all release in the same year (1927). One of these films was directed by Robert Wiene. He is well known for directing the silent film “The Cabinet of Dr. Caligari” (1920) and other expressionist films. Popular actor, Harry Liedtke, appeared in all three of her films. Actress Erna Morena, who’s photograph can be seen elsewhere in the Cabinet Card Gallery, apppeared in one of Edda’s films. This postcard was published by Ross Verlag (Berlin). It is part of a series (no.1923/1). Miss Croy’s photograph was taken by photographer Hans Natge. Natge was very involved in German film production. He played roles in the realm of cameras, directing and assistant directing. He was born in Berlin in 1893. His filmography on IMDb reports that he has 28 film credits between 1924 and 1949. Nineteen of these credits were for his role as the film’s “still photographer”. It is likely safe to assume that he took this photograph of Miss Croy in 1927. This vintage portrait postcard is rare and in very good condition (see scans).

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BETTY COMPSON : PROLIFIC AND PRETTY AMERICAN FILM ACTRESS : SITS IN SPORTS CAR

This vintage real photo postcard features American actress and film producer, Betty Compson (1897-1974). She was nicknamed “the prettiest girl in pictures”. Compson was born in a mining camp in Beaver, Utah. Her father was a mining engineer, a gold prospector, and grocery store owner. Her mother was a maid in hotels and private homes. Betty graduated from Salt Lake High School. She was hired as a violinist at age 16 in a theater in Salt Lake City. She then played in vaudeville touring companies and it was during this stint she was discovered by a film producer (Al Christie) who signed her to a contract. She began her career during Hollywoods’s silent film era. Her debut film was “Wanted, a Leading Lady” (1915). After this film, her career rocketed. She appeared in 25 film in 1916. All but one, were shorts. In 1918 she was offered a contract by studio head Mack Sennett. She rejected the offer because the salary was too low. She continued to make numerous short films until the middle of 1918. She was frequently paired with Roscoe “Fatty” Arbuckle. She started making only feature films. She became a rising star after appearing opposite Lon Chaney in “The Miracle Man” (1919). Paramount became interested in her and signed her to a five year contract. In 1921, Compson established her own production company in order to have creative control over screenplays and financing. The first movie she produced was “Prisoners of Love” (1921). After she completed acting in “The Woman With Four Faces” (1923), Paramount refused to give her a raise. She wanted an increase in her $2500 per week salary. Compson was angry enough at Paramount, to leave the company, and sign with a British film company. She made four films in England, two of them were films penned by Alfred Hitchcock. Paramount lured her back to Hollywood from England by offering her a top dollar contract. She then appeared in a movie by director, James Cruze. The pair married in 1924, but divorced four years later. The divorce from Cruze nearly ruined her financially because of debt accrued by Cruze. After Paramount did not offer her a contract renewal, she began freelancing in lower budget films. In 1928 she appeared in a “part talkie” called “The Barker”. She played a manipulative carnival girl. She was nominated for a “Best Actress” for this role by the Academy Awards. In 1929, she gained much recognition for her role in “The Docks of New York”. She played a suicidal prostitute. These two films resulted in her popularity returning to it’s previous high level. She appeared in many “talkie” films. Unlike a lot of silent film stars, Compson made a successful transition into sound films. In fact, she even appeared in a number of early musicals. When she played singing parts, her voice was dubbed. Her career flourished. In 1930, she appeared in 9 films. Her last “hit’ was in “The Spoilers”. Her costar was Gary Cooper. Her popularity waned and she only got roles in low budget, less successful studios. Her last film was in 1948. After retiring from her movie career, she started a cosmetic line and assisted her husband in a business named “Ashtrays Unlimited”. In total Compson was married three times. Her second marriage, to agent/producer Irving Weinberg ended in divorce after four years. Her third marriage was to a professional boxer. The marriage lasted 18 years and ended upon his death in 1962. She had no children. She died in 1974 after suffering a heart attack. She had much impact on the early movie industry. The IMDb reports 209 film credits between 1915 and 1948. This vintage postcard is in excellent condition (see scans). Take a look at the YouTube video below. The video features Betty Compson appearing in the silent film, “The Docks of New York” (1928). The music accompanying this video is obviously modern, but, in my opinion, it is excellent. Compson demonstrates incredible acting ability. Her facial expression and her eyes speak for her. SOLD

Betty Compson in “The Docks of New York” (1928)
Music: “Marry Me” By Dave Pagett and Viv Jones (Sax)

FIVE FEMALE JAPANESE MUSICIANS IN TRADITIONAL COSTUME (VINTAGE RPPC)

This vintage real photo postcard features five pretty female Japanese musicians and their instruments. The three women in the front row are playing percussion type instruments. The other two women are playing a flute and stringed instrument respectively. This is an early private postcard postmarked 1904. The postcard was mailed from Canada to Lexington, Massachusetts. It has both a Quebec and a Massachusetts postmark. (SOLD)

Published in: on October 6, 2020 at 12:00 pm  Leave a Comment  
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ODILE VERSOIS : PRETTY FRENCH FILM AND TELEVISION STAR

The pretty woman in this photograph is French actress, Odile Versois (1930-1980). She appeared in 50 television and film productions between 1948 and 1980. Her IMDb biography describes her as “docile, delicately beautiful, and light haired”. I wonder why the writer chose the word “docile”. The IMDb article asserts that “she moved audiences most with her portrayals of fragile, often tragic heroines in romantic drama”. She appeared in a number of British films in the 1950’s. She had three sisters who became actresses, including Marina Vlady, known for her sultry roles. Her parents were also performers. Her father was a well known opera singer and her mother was a dancer. Odile began acting as a child and also briefly pursued a ballet career. She was a child ballerina with the Paris Opera Corps de Ballet. Her film career began at the age of 16. For much of her career; she played leads. She married actor Jacques Rene Dacqmine in 1951 but the marriage was of only one year duration. She married a second time in 1953 and had four children before being divorced. Her second husband was a Count and a Corsican politician who became a Russian diplomat. She died of cancer just after she turned 50 years old. This French postcard is part of a series (no1296) and is in excellent condition (see scans).

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Published in: on October 4, 2020 at 12:00 pm  Leave a Comment  
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PORTRAIT OF A GLAMOROUS FRENCH “FLOWER CHILD” (HE LOVES ME, HE LOVES ME NOT)

This vintage real photo postcard features an attractive young woman who appears to be in her teenage years. She looks glamorous in her fabulous dress, her funky jewelry, and her large flower pinned to her dress. To top it all off, is her big hat with accompanying ribbons and feathers. The young lady has picked a pedal off the flower and one wonders if she is asking herself, “he loves me?, he loves me not?”. The game has French origin and it’s purpose is to ascertain whether a person’s object of affection reciprocates that affection. A pantomime version of this game is seen in the ballet “Giselle” staged in 1841. The teenage subject of this photograph exhibits an expression that exudes self-assurance and a good sense of humor. She also looks, forgive the term,  “cool”.  This vintage postcard has a French stamp and was postmarked in 1909. Note the creases in the top left hand corner of the reverse of the postcard. Overall, the postcard is in good condition (see scans).

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Published in: on October 3, 2020 at 12:00 pm  Leave a Comment  
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PORTRAIT OF FOUR OLDER WOMEN AND TWO YOUNG NUNS OR NURSES

This vintage real photo postcard raises a lot of questions but not a lot of answers. On the surface, this looks like a portrait of four older women and two younger women dressed like nuns. The older women have a strong family resemblance and I am hypothesizing that they are sisters. Taking a closer look at the image, I can not be certain that the younger women are nuns. Their clothing looks more simple then I typically see in portraits of nuns of that era. However, there certainly could be cultural differences, as well as order differences, in regard to the habits worn by nuns around the world. I also question whether a nun, such as one of the young ladies in this portrait, would be wearing a pin, presumably attached to a pocket watch. I am also uncertain whether it would be expected that the two young ladies in this image are wearing closely similar, but not identical “habits”.  Is it possible that the two “nuns” are actually “nurses”? This portrait postcard was “found” in Vancouver, Canada. However, it was part of a collection of Scottish images. This real photo postcard is in excellent condition (see scans).

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Published in: on October 1, 2020 at 12:00 pm  Comments (1)  
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A PORTRAIT OF TWO NICELY DRESSED AND PRETTY YOUNG WOMEN (VINTAGE RPPC)

This vintage real photo postcard features two young women posing together for their portrait. Perhaps the pair are mother and daughter although I believe they may be sisters. The woman in the dark dress and hat is wearing a pince nez. Both woman are wearing at least two rings. The postcard, on AZO paper, was produced sometime between 1904 and 1918.  SOLD

Published in: on September 28, 2020 at 12:00 pm  Leave a Comment  
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PORTRAIT OF FOUR KIOWAH NATIVE AMERICANS ON HORSEBACK : FOURSOME INCLUDES CHIEF QUALUPAH AND CHIEF HUNTING HORSE

This vintage real photo postcard features a portrait of four Native Americans on horseback. The foursome are members of the Kiowah tribe. Among the group are Chief Qualupah and Chief Hunting Horse.The other two riders appear to be women. The four are dressed in Native American clothing. They are in a field which has lines of rope holding American flags.  Perhaps they are  invited guest to an Amrican patriotic holiday celebration. Researching Chief Qualupah was an exercise in frustration. I learned nothing about him. There were chiefs mentioned that had names close to “Qualupah”,  leading me to believe that there are several different spellings of his name. Information about Chief Hunting Horse was plentiful. He was a well known scout during the Custer, Sheridan, and Sherman era. In 1871 he enlisted for a two year stint in the Seventh Cavalry commanded by Gerneral Custer. By the end of his legendary scouting career, his friends included Theodore Roosevelt and Geronimo. He was born in Medicine Lodge Kansas in 1846. He was the son of a Kiowa war chief and a Spanish woman who had been kidnapped in Mexico and raised by the Kiowas. Hunting horse came to “Indian Territory” (Oklahoma) at the age of fifteen. In 1917 he appeared in the silent Western film, “Daughter of the Dawn”. In the early 1900’s relatives began celebrating his birthday. These celebrations occurred every year until his death. Military and political figure were often among the attendees. Chief Hunting Horse died at the age of 107 and his funeral included full military honors. Who are the Kiowa? They were considered a nomadic tribe of the plains. It is thought that they originated in the northern basin of the Missouri River but migrated to the Black Hills around 1650. They lived peacefully there with the Crow Indians until they were invaded by the Cheyenne, Arapaho, and Sioux; resulting in the Kiowas moving further south. There they fought with the Comanche, but with the help of the Spanish, the two tribes formed an alliance and agreed to share their land. Joined by the Plains Apache, they hunted, traveled and fought war together.They raided settlements in Texas and New Mexico. They stole horses and mules which they used to trade with the Plains Indian tribes. In 1867, the Kiowa signed a treaty and agreed to settle on a reservation in Oklahoma. In 1901 their lands were open for settlement by whites and dissolving the contiguous reservation. Today, there are more than 12,000 Kiowa tribe members in Oklahoma and throughout the Southwest. The photograph taken for this postcard was taken by the Electric Studio. The postcard has an AZO stamp box indicating that the postcard dates back to sometime between 1910 and 1930. This postcard is in very good condition (see scans).

 

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