J. B. Scholl, well known Chicago photographer, produced this wedding portrait of a smartly dressed bride and groom. The groom has a nice handlebar mustache. The bride is wearing a pretty floral wedding veil and appears to be holding the grooms sleeve rather than his hand. Despite their lack of physical contact, the pair are standing much closer to each than seen in many other wedding photographs. I wonder why the photographer posed the gentleman with one foot elevated on a curb. At first, I speculated that the rationale was to add height to a groom who was shorter than his bride. However, the gentleman has both knees bent which certainly restricts his reaching full height. My final conclusion was that the photographer, normally quite skillful, had a bad day and was careless setting up this particular pose.To view more of Mr. Scholl’s photographs and to learn more about him, click on the category “Photographer: Scholl JB.
WEDDING COUPLE IN CLEVELAND, OHIO
Frank Becker, a photographer in Cleveland, Ohio, produced this wedding portrait. The bride is wearing a long white floral veil and the couple clearly spent some money at their local florist. The groom has a handsome mustache. As frequently seen in wedding photographs from the cabinet card era, the groom is seated and the bride stands. Perhaps the reason for this type of pose is to showcase the bride’s wedding gown. Frank Becker was an active photographer in Cleveland between 1886 and 1900 or later. He was born in Germany in 1865 and emigrated to the United States in 1881.
PHOTOGRAPH OF WEDDING COUPLE EXHIBIT AT AMERICA’S FIRST WAX MUSEUM
This photograph features an exhibit from America’s first wax museum. Note how real the wax bride and groom appear in this exhibit. The groom is sitting in a decorative chair and wearing a pocket watch and corsage. The bride is wearing a wedding band, flowers, and a bridal veil. Her dark wedding dress is beaded and intricately ornate. This wedding couple looks so real. In fact, they are real. They just look waxen. No offense is meant toward this couple. They are probably posing the way they photographer had instructed them. The photographic process was not generous to their appearance. Writing this description caused me to wonder when wax museums came into existence. Research quickly revealed that the first wax museum originated some time in the early 18th century. However, the creation and use of wax figures for ceremonies occurred many years before that. This cabinet card presents a mystery that I was unable to resolve despite spending quite a bit of time on the endeavor. The mystery involves identifying the photographer of this image. I have copied his studio stamp that was on the reverse of this cabinet card and it can be seen above. Any attempt by the Cabinet Card Gallery’s vast unpaid research department (the gallery’s visitors) to discover the photographers identity would be appreciated. I did not find the name of the photographer to be legible. It also didn’t help that no town, city, or state was listed. For those up to the challenge, good luck in your search.
A YOUNG WEDDING COUPLE IN MANKATO, MINNESOTA
A young couple pose for their wedding portrait in Mankato, Minnesota. The photographer is the Snow Art Gallery. The reverse of the photograph has an inscription that states “Mrs Fred Drury”. Presumably, Mrs Drury is the woman seen in this image. John R. Snow, the proprietor of the Snow Gallery, was born in New Brunswick, Canada, in 1868. At nine years old, he and his family moved to Maine where he finished common school. After graduating, he went to work in a sardine and lobster factory. He left Maine for Wisconsin and it is there that he began his photography career as a tent photographer. He travelled in this capacity and covered the area between Wisconsin and Kentucky. He later had studios in Fort Dodge, Iowa, and Zumbrota, Minnesota. He bought a studio in Mankato in 1893. His addresses in Mankato included 118 East Jackson (1893-1902), and 313 South Front Street (1912-1919). The 1910 US Census lists both John and his wife Margaret as Mankato photographers. Their son, Cecil J. Snow (1894-?), worked as a photographer in Mankato in the 1920’s and 1930’s.
PORTRAIT OF A WEDDING COUPLE IN AUSTIN, MINNESOTA
This wedding portrait was produced by the Fairbanks studio in Austin, Minnesota. The bride is wearing a beautiful dress and veil. The groom is a handsome and wearing a fancy suit with a white bow tie. The wedding couple are wearing flowers galore. The photographer of this image is likely one of the Fairbanks brothers. In 1891,Henry Durant Fairbanks started a photography studio in Austin. He was joined by his brother, Guy L. Fairbanks in 1894. Henry Fairbanks appears in the US census (1900, 1910, and 1920). The census reveals that he was born in Vermont circa 1870. At the time of the three censuses he was married to Katie Fairbanks and was working as a photographer.
FASHIONABLE COUPLE IN RENSSELAER, INDIANA
A fashionable couple poses for their portrait at the Sharp studio in Rensselaer, Indiana. It is possible that this image is a wedding portrait. Joseph A. Sharp (1846-1903) was born in Frankfurt, Kentucky. He married Martha (Mattie) Stively (1849-1936) in 1874. Sharp’s obituary appears in the Semi Weekly Rensselaer Republican. The article states that Sharp began his photography career at age 21 while living in Ballfontaine, Ohio. He later lived in Kenton, Ohio and moved to Rensselaer in 1877. He worked about a year as a travelling photographer but the rest of his career he operated a studio in Rensselaer. The obituary asserts that one of the reasons he chose photography as a career was because at a young age he developed a hip disease which left him lame and unable to pursue a more active occupation. Sharp is buried in the Weston Cemetery in Rensselaer. Look below to see a photographic portrait of Joseph Sharp as well as an image of the tombstone he and his wife share.



PORTRAIT OF FOUR YOUNG BRIDESMAIDS AT JUNE 1891 WEDDING
This portrait captures four young bridesmaids at a wedding in June, 1891. The reverse of the photograph has an inscription that lists the girls names as well as the name of the bride. The handwriting is not clear and some of the names are not completely decipherable. Three of the four girls share a last name with the bride. The photographer and setting are unidentified. This photograph is significantly larger than a cabinet card.
WEDDING PARTY IN BROOKLYN, NEW YORK
This photograph captures a wedding party which likely includes the bride, groom, best man, and maid of honor. The bride has garlands of ribbon cascading from her bouquet. She is wearing a locket and bracelet. The groom is wearing gloves. The photographer is A. Werner and he operated his studio out of Brooklyn, New York. August Werner is listed as a Brooklyn photographer in both the 1900 and 1920 Federal Census. For much of his career his studio was located at 709 Broadway. He was born in Germany in 1863, immigrated to the US in 1874 and married his wife Kate in 1888.
YOUNG AND ATTRACTIVE BRIDAL COUPLE IN NEW BEDFORD, MASSACHUSETTS
This photograph has significant damage but it finds it’s way to the cabinet card gallery because it features an attractive and very young looking bride and groom as well as an interesting photographer. Both of the subjects are holding formal gloves. The photographer of this image is M Goulart of New Bedford, Massachusetts. Manuel Goulart is a noted historical figure in American photography. In fact, he and his brother Jose Goulart were the subject of a book, “Two Brothers Goulart: Photography in New Bedford and the Azores” (1996). The Azorean brothers became interested in photography in the 1870’s. They were from the Portuguese island of Faial in the Azores and came to New Bedford in 1889. Between 1892 and at least 1899, Manuel Goulart’s studio was located at 109 South Sixth Street in New Bedford. New Bedford had a significant population of people of Portuguese ethnicity. It is likely that the bride and groom in this portrait were part of that Portuguese community. The brothers are noted for their late 19th century and early 20th century photographs from the Azores, Madeira, and Portugal. The New Bedford Whaling Museum has a large collection of Goulard photographs.
HANDSOME WEDDING COUPLE IN VIENNA, AUSTRIA
The Cabinet Card Gallery is appreciative of the talent of Austrian photographer S. Weitzmann and the site is developing a nice collection of his work. To view other images from Weitzmann’s Vienna studio, click on the category “Photographer: Weitzmann”. This photographic portrait captures a well dressed wedding couple. The bride is holding a bouquet of flowers in one hand and the groom’s arm in the other hand. The groom is wearing a flower on his lapel and has a wonderful mustache. Note his top hat on the table beside him. He is holding a pair of white gloves and is wearing his newly acquired wedding band.







