A pretty young lady poses for her portrait at the studio of A. Deutsch in Vienna, Austria. The woman is beautifully dressed. Perhaps she is wearing a wedding gown. Her fancy dress indicates that she probably comes from an affluent family. She is holding a bouquet of flowers in one hand and white gloves in the other hand. She is wearing a bracelet on each wrist. She appears to be in her teenage years or slightly older. The reverse of this cabinet card has pretty and unusual advertising for the Deutsch studio. This portrait cabinet card has excellent clarity and is in very good condition (see scans).
Buy this Vintage Cabinet Card photograph (includes shipping within the US) #5126
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Buy this Vintage Cabinet Card photograph (includes shipping outside the US) #5126
To purchase this item, click on the Pay with PayPal button below
Vintage postcard 1 features British stage and film actress, Miss Ethel Oliver. She is wearing a costume from one of her performances. Little information is readily available about Miss Oliver. She is listed as being a chorus member in the play at the Gaiety Theater, “The Orchid” (1903), In 1917, Oliver starred in the musical comedy “Pomponette at the Newcastle upon Tyne Theatre Royal. The IMDb reports that she acted in two films; “The Return” (1921) and “A Soul’s Awakening” (1922). Oliver was also a dancer. She was a sitter for twelve portraits in Britain’s National Portrait Gallery. This vintage close-up portrait postcard was published by Philco as part of a series (No.3260 E). (SOLD)
Postcard 2 is a vintage close-up portrait postcard. It was published by Rapid Photo as part of a series (No.3387). (SOLD)
This vintage undivided back real photo postcard features a sweet little boy riding a handcar. The message on the reverse of the card reveals that the boys name is Robert and the card was mailed to his grandparents in Alliance, Ohio. The message is written by the boy’s parents in wording as if the boy himself wrote the card. Robert tells his grandparents that he has much fun on the handcar and that he wishes that they could see how fast he can ride. The message also reveals that the postcard was written in 1906 and that Robert and his family resided in Minneapolis, Minnesota. Typically, a hand car is a railroad car that is powered by it’s passengers. They were used by the railroads as well as in mines. (SOLD)
A pretty young lady poses for her portrait at the George M. Bretz gallery in Pottsville, Pennsylvania.The woman has a serious facial expression. She is beautifully dressed. She is wearing a dark dress, dark gloves, and is holding an umbrella. She is certainly a fashionista. Her dark manner of dress may indicate that she is wearing a mourning dress. George M. Bretz (1842-1895) is a well known and acclaimed American photographer. He is best known for his photographs of the Northeastern Pennsylvania Coal region as well as for his portraits of coal miners. This cabinet card is in very good condition (see scans). The Smithsonian’s National Museum of American History and the University of Maryland both have collections of his photographs. His images were displayed at the World Expositions of 1884 and 1993. Bretz built the reputation of his being an authority about coal mining. Many articles about his photography were published. SOLD
This vintage real photo postcard portrait (Postcard 1) features American actress Mary Philbin (1902-1993). She was active in film between 1918 and 1930. One of her most noted film roles was in “The Phantom of the Opera” (1925). She co-starred with Lon Chaney. A number of her roles involved playing the “beauty” in “Beauty and the Beast” type stories . Mary was born in Chicago, Illinois. Her parents were middle-class and of Irish descent. Her mother was convivial but controlling and domineering. She pushed her strong religious beliefs onto Mary. She adored her father who was “quiet, shy, and reserved”. She was very similar, personality-wise, to her dad. She would accompany him to the theater and there she developed a passion for the stage. She pursued dance and played the pipe organ and piano. She lacked a singing voice, and surprisingly, never received training in acting. Mary’s acting career was launched after she won a beauty contest sponsored by Universal Pictures. The motion picture company promptly signed her to a contract. Her screen debut was in 1921 and during the following year she was named a WAMPAS Baby Star. This prestigious annual award, given by an association of film advertisers, was awarded to thirteen young women each year. These women were predicted to be on the verge of becoming major movie stars. During the 1920’s, Mary’s film career blossomed and she starred in a number of successful films, including “Drums of Love (1920), directed by D. W. Griffith. When “talkies” arrived, she played in a few films and even dubbed her own voice for the sound version of “Phantom of the Opera”. Unfortunately, her voice was considered too “girlish” to be suitable for talking pictures. She retired from the screen in the early 1930’s in order to become a caretaker for her elderly parents. She lived the rest of her life as a recluse. She never married and seldom made public appearances. An exception occurred when she attended the Los Angeles opening of Andrew Lloyd Webber’s musical version of “Phantom of the Opera”. She died of pneumonia at the age of ninety and is buried in Los Angeles, California. The IMDb reports that Mary appeared in 34 film between 1921 and 1929. She never married. In 1926 she became engaged to Universal producer, Paul Kohner. When her family learned of the engagement, they were infuriated. They demanded a meeting with Kohner and all went reasonably well until the subject of religion arose. Kohner was Jewish and Mary’s family was Catholic. Mary’s mother was adamant in her belief that Kohner would attempt to convert Mary to Judaism. Paul and Mary informed her parents that no such thing would happen. An argument developed between Paul and Mary’s parents. She was told by her parents that she would be disowned if she proceeded with her wedding plans. Mary was ambivalent but, in the end, despite still loving Paul, she returned her engagement ring to him. A biographer contends that this traumaticrd experience is the reason Mary never married. This vintage postcard was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 968/1). The name of the film distribution company (Filmhaus Bruckmann) can be seen on the bottom right corner of the image. A stamp on the reverse of the postcard indicates that it once was part of a collection belonging to Herman Overeem, of Utrecht, the Netherlands. (SOLD)
Postcard 2 was published by Ross Verlag, of Berlin, Germany. It is part of a series (no. 3239/1). The name of the film company (United Artists) can be seen on the bottom left corner of the image. (SOLD)
This Cabinet card is an image of Sir Charles Skelton. Research about this interesting man reveals that his name shows up in all sorts of places. He was a busy man with many interests. He died in 1913 after suffering a stroke. He was considered a modern puritan. He was very engaged in and financially supportive of the Methodist New Connexion Body in Sheffield, England. He was also very active in the big spending highway committee of the Sheffield City Council. He was a major proponent of the use of granite in highway and transportation construction. This was a controversial issue and a anti-granite association was formed to oppose him. In 1895, he became Mayor of Sheffield. In 1897, during a visit from Queen Victoria, Skelton was knighted. Sir Charles Skelton is cited in many varied publications. In 1897, he was mentioned by the British Medical Journal as active in advocating the study and eradication of Tuberculosis. In 1904, The Zoophilist and Animals Defender, reports that Skelton was an active advocate of the antivivisection organization. (Vivisection is conducting surgery on animals for simply experimental purposes). Skelton was a man before his time; if alive today he would be anti animal testing and a member of PETA. It is written that “he was one of the really big men of the City” who was known for his integrity, thoroughness, and “unswerving honesty of purpose”. The man was a non conformist; he opposed militarism (the boer war), and was a teetotaller and opposed liquor traffic. The photographer of this image is J. Crosby of Rotherham, England. Rotherham is a town in South Yorkshire. Rotherham and Sheffield are about four miles apart. The reverse of this card has an inscription stating “Uncle Sir Charles Skelton”. (SOLD)
This snapshot photograph features an outstanding view of an antique Mercedes and it’s sell dressed owner. He has a nice smile for the camera, and who can blame him? He owns a beautiful automobile. Note the European (German) license plate and the Mercedes hood ornament. (SOLD)
This cabinet card portrait features three young boys and a young girl. They are presumably siblings. Note the youngest boy’s plaid bow.. Large enough? The children are standing on a stoop. The photographer of this image is the Ramus studio of Brooklyn, New York. There is nice art on the reverse of the card. (SOLD)
This vintage real photo postcard features two smiling bathing beauties posing at the beach. This photograph is risque for it’s era. The photographer and publisher are unidentified. This photo portrait postcard is in very good condition (see scans).
This vintage real photo postcard features French stage actress Mlle. Ziska. Preliminary research found little information about this actress. There are a few postcard views of Mlle. Ziska that can be seen online. One of the cards is a photograph of her appearing in “Salome”. However, I could not find her first name or any other biographical information.This postcard close-up portrait of Miss Ziska highlights her beauty. The photograph was taken by Walery. He was a well known and talented celebrity photographer who operated out of Paris, France. The postcard is hand colored. The card was published by SIP as part of a series (no.5096). (SOLD)
POSTCARD 2 (SOLD)
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