This vintage real photo postcard features a view of domestic and family life in the 1913 United States. I hypothesize that the women in this photograph are a mother and her two daughters. The mom and one of her daughters is sewing, while the second daughter is reading a book. Note the antique bench that the reading daughter is sitting on. This vintage postcard’s CYKO stamp box is consistent with the 1913 notation written on the card. The original owner of this postcard identified two women in the portrait, but not herself. The id’d women are Dagmar Miller and Marie Petersen. The location is noted as Askov, Minnesota. The town is located on the middle of the eastern border of the state. Askov was settled primarily by Danish immigrants. Interestingly, the name “Dagmar” is of Scandanavian origin. The 2010 census identified 364 residents of Askov. SOLD
A young girl, buttoned up in her fur trimmed winter jacket, poses with her sled in front of a painted winter scene. She is wearing a cute cap with a tassel and is pulling her sled by a rope. The photographer of this image is S. J. Dixon. Dixon’s Electric Light Photo Gallery was located in Toronto, Canada. The studio was established in 1872. Dixon was very involved in the Photographic Association of Canada, holding a number of offices on the executive committee. He became the organization’s President in 1889. Dixon was a noted athlete and acrobat. The Photographic Times (1891) reported that he walked a three quarter-inch wire stretched across the Whirlpool Rapids at Niagara. “The cable was from 300 to 400 feet above the torrent, and stretched about 400 feet in length”. He completed the “perilous journey” in about 17 minutes. During his tight rope walk, he performed various antics, including lying at full length across the wire. Not surprisingly, Mr. Dixon insured that his feat would be recorded for posterity. J. C. Hemment, a well known instantaneous photographer, photographed Dixon during his mid-air walk. (SOLD)
This antique photograph features three young women sitting on a Thor VII motorcycle. A man is observing them and an antique car is in the background. Thor was an American manufacturer of motorcycles and motorcycle engines. The company was founded in 1901 and was located in Aurora, Illinois. Between 1901 and 1907, Thor made engines for Indian Motocycles and also made their own motorcycles. They ceased making motorcycles around 1920. There are only two surviving Thor VII bikes in the entire world. This photo measures 2.5 x 4.12 inches. It is a former resident of a photo album evidenced by the paper residue on the reverse of the photo. (SOLD)
A young boy wearing a white dress naval uniform poses for a photographer in Brooklyn, New York. The photograph was produced by the Huttenlocher Studio. Note the lads interesting cap. One wonders whether the cap is part of a regulation uniform of a particular nation’s navy. The cap has an insignia on its brim. The meaning of the insignia is unknown. The photographer, Frederick Huttenlocher was mentioned in an article in the Telephone Review (1915) published by the New York Telephone Company. Mr Huttenlocher was presented as kind and as heroic. A company called the Patchogue Commercial Office, located in Brooklyn, New York, had a fire, causing the office to shut down. The company was across the street from Huttenlocher’s studio and due to Huttenlocher’s kindness, the Patchogue Commercial Office was able to open a temporary headquarters inside of the studio within thirty minutes after experiencing the fire. (SOLD)
This photograph is likely a portrait of a grandfather and grandchild. “Generation Skipping” family photographs were not at all unusual during the era of cabinet card photography. The white haired and bearded grandfather seems to have forgotten to attend to his grooming before sitting for this image. The old man and his grandchild both appear to be quite befuddled by their session with the photographer. This image was produced by the Stanton studio in Jamestown. There are a number of towns named Jamestown in the United States. It has been impossible, so far, to identify the state in which Stanton’s studio was located. This cabinet card portrait is in very good condition (see scans).
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This vintage real photo postcard features American actress exotic dancer, La Sylphe. Her off stage name was Edith Lambelle Langerfeld (1883-1968). She attracted a great deal of attention in the 1890’s while performing at the Folies Bergere. She was born in New York City. Her father was German and her mother was Irish.Her father invented a machine used in the mining of coal. Edith was a dancer, but US laws prevented her from performing on stage due to her young age. The laws were more liberal abroad so when Edith turned six, she was taken abroad by her mother. She travelled around the world for eight years, spending the majority of her time performing in Europe. She became fluent in five language. During her second world tour, she was the primary dancer at the Alhambra Theatre in London. Next, she performed at the aforementioned Folies Bergere. Her debut in the US occurred when she was fourteen. In 1899, she introduced her rendition of “The Vision of Salome” dance. When “Salome” was banned by the Metropolitan Opera in 1907, La Sylphe’s popularity in the US soared. She named her performances “The Remorse of Salome”. She adopted the Far East body dance, otherwise known as “the houchee kouchee”. She began performing in vaudeville. She did toe dances, spanish castanet dances, muscle dances (belly dances), and of course, the Salome dance. She also performed what she called the Devil dance. Some of her performances were risque. In one skit, her mid waist was covered by only pearls. In other performances she wore tights, picket fence skirts and a gossamer (light and thin) bodice. Her performances in New York shocked the public but the shows were tame compared to her routines in Europe. Some of her New York shows were attended by plainsclothes police officers to ensure that she did not cross over the morality boundary.. In 1919 and 1920, La Sylphe was in the cast of “George White’s Scandals”. Her performances included an Acrobatic act, as well as a Contortionist act. After 1928, she began performing in ballets. In one interview, La Sylphe expresses an interesting opinion about matrimony. In an article from “The Evening World” (1908), she states that being an old maid is a good idea. She asserts that she is going to be one. “Marriage is fine for men, but it’s rotten luck for a woman, This vintage real photo postcard was published by Philco as part of a series (No.3103A). The photo was taken by noted celebrity female photographer, Lallie Charles. (SOLD).
The pretty young woman seen in this vintage real photo postcards is a contestant in one of the early 1930’s Miss Europe beauty contest. She represented Spain in the competition.The Miss Europe contest was established by a French journalist in 1927. Most of the women in this event had won their own country’s national beauty contest, and used the Miss Europe contest as a warm-up for the Miss World pageant. This postcard was published by the well known and acclaimed photographer, Alfred Noyer. His Paris studio operated between 1910 and the 1940’s. Miss Spain’s portrait was photographed by the studio of M. Pergay. (SOLD)
This unusual vintage real photo postcard features a woman lying in her sickbed. The bed is located outside and she is surrounded by nine women. Most of these women look pretty solemn. Is this a farewell photograph? Perhaps the woman is terminally ill and this image is meant to be a memorial keepsake for her friends. There is a remote possibility that the woman in the bed has already passed. Whatever the purpose of this photograph, it is a very uncommon photo. (SOLD)
The subject of this photograph is a darling little girl with sausage curls under a fancy hat. She is seen faking a walk in a faux park. The little girl is holding a parasol. The photographer of this image is John D. Strunk of Reading, Pennsylvania. He was quite prolific and talented. This cabinet card photograph is in very good condition (see scans). (SOLD)
This cabinet card portrait features a pretty young girl dressed in a formal gown. The manner in she is dressed strongly suggests that she is being photographed in connection with a religious ceremony. Her appearance is also suggestive of her being a bride.This photograph was taken at the Gilbert & Bacon Studio in Philadelphia, Pennsylvania. This studio was well known for their quality work as well as their work with local and visiting celebrities. This cabin card portrait is in very good condition (see scans).
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