This vintage real photo postcard features French postcard model and silent film actress, Genevieve Felix (1901-?). Her filmography includes 23 acting credits including “Three Musketeers” (1932). Her acting career spanned from 1917 through 1932. This postcard was published by Leo as part of a series (no76). The firm was located in Pradot, France. The Leo firm operated in the mid 1920’s and published many types of real photo postcards. They were especially noted for producing a large amount of nude postcards. This postcard is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3186
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This vintage real photo postcard features an adorable little girl hugging her tortoise shell tabby cat. The child appears entranced by the gorgeous feline. This postcard was published by Alfred Noyer. He was a well known and acclaimed photographer. His Paris studio operated between 1910 and the 1940’s. This postcard is dated in the year, 1920. The card is color tinted and part of a series (no1352). I used an online translation app to learn the meaning of the caption at the bottom of this photo postcard. The translation is “kiss the mistress – he turns a deaf ear: have we, I ask you, such demands“. The quotation puts a spotlight on the strong independent nature of house cats. This real photo postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3087
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This cabinet card portrait features a Bulgarian family. The seated man and woman may be the parents of the three individuals behind them. It is also possible that the five subjects in the photograph are siblings. The man in the image is wearing a military uniform. The previous owner of this image asserted that his uniform indicates that he holds the rank of sergeant. The little boy in the image is also wearing a uniform. It may be a school uniform or possibly he is dressing in this manner in order to imitate his older brother or father. The females in this image are wearing traditional clothing. Some words are penciled on the reverse of the photograph but I do not know their translated meaning. The cabinet card gallery has several Bulgarian photographs and they are quite interesting. To view these images, click on the category “Bulgaria”. This cabinet card is in good condition (see scans).
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A pretty young woman sits sideways on a chair and holds an open magazine as she poses for her portrait at the Talbot studio in Loveland, Colorado. If she is indeed sitting sidesaddle on the chair; it is an unusual pose. She is wearing an interesting and uncommon dress. Perhaps a visitor to the cabinet card gallery can tell us something about the dress. What kind of material is this dress made from? What is the material of the fabric that is sewn over parts of the dress? What kind of hair accessory is she wearing atop her head? Note that she is also wearing a ribbon which can be partially seen behind her head. Are you wondering about the “Mammoth Potato Hoax” yet? I’ll get right to that intriguing story after a brief description of the town where the Talbot studio was located. In the early seventies (the nineteen, not the eighteen seventies) I used to ski Loveland’s slopes and mail valentine day cards from the Loveland post office. It was considered extra romantic to have a Loveland postmark on your Valentines Day cards. I enjoyed the town, but never knew the story of how Loveland got it’s name. Research reveals that Loveland was founded in 1877 and was named in honor of William A. H. Loveland, the President of the Colorado Central Railroad. Not many years later, Adam H. Talbot operated a photography studio in Loveland. In 1894, he was recognized nationally and internationally for his involvement in the “Mammoth Potato Hoax of Loveland, Colorado”. The hoax actually started very innocently. The editor of the Loveland Reporter wanted to help a local potato farmer, Joseph B. Swan, promote his spud sales at a Loveland street fair. The farmer was well respected for his potato production. He had grown 26,000 pounds of potatoes on one acre of land over a years period. He had claimed to have grown a giant potato weighing 13 lbs, 8 ozs. In an effort to create a humorous advertisement for farmer Swan, the newspaper editor recruited photographer Talbot to use trick photography to create a photograph of Swan holding a massive potato over his shoulder. Printing below the image stated that the potato weighed over 86 pounds. Unfortunately, or fortunately, depending on the participants point of view, many people believed that this attempt at humor was actually reality. Word spread about this amazing potato. Eventually, a New York City attorney sent the photograph to the editors of the Scientific American. The attorney included a note that stated that the actual potato had been on exhibit at the Loveland Reporter offices. The editors ordered an engraving of the photograph to be made and than published it as real news in an 1895 issue. Eventually, the editors became aware of the truth about the photograph and published an angry retraction. The magazine reported it was victim of a “gross fraud” and stated unkind opinions about photographer Talbot. They asserted that “An artist who lends himself to such methods of deception may be ranked as a thoroughbred knave, to be shunned by everybody”. The story of the “mammoth potato hoax” went viral, 1890’s style. It was widely reported but still many were not aware that the giant potato never existed. Farmer Swan was besieged by letters asking for information and offering to buy his amazing potato seeds. Swan would try to explain that the famous potato never existed, but people did not believe him. Eventually, Swan just told inquirers that the potato had been stolen. Incredibly, the story of the huge potato appeared in The Strand Magazine (1897), and it was reported as true news. After some years had passed, Talbot finally received some positive acclaim in the St. Louis and Canadian Photographer (1902). Talbot was recognized for producing photographs for a book named “Loveland, Colorado Illustrated”. SOLD
This vintage photograph features a little boy sitting on his wooden sled atop snow covered ground. He is not dressed in a particularly warm fashion. In fact, his ears are exposed to the cold. This vintage postcard measures about 4 1/4″ x 6 1/4″ and is in very good condition (see scans).
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This vintage real photo postcard features German actress, Charlotte Susa (1898-1976). Sosa was very pretty and the “look” she gives the camera indicates that she knew it. She certainly has a sultry appearance in that dress. Susa was born in Memel, East Prussia. One of her parents was Italian and the other was Swiss. Her first stage appearance was in 1915. She began a successful career as both a singer and an actress. She played in a number of German opera and operetta venues. Her film debut occurred in 1926 with an appearance in a German silent movie. She became a popular actress and appeared in many femme fatale roles. After the advent of sound films, Susa began assuming leading roles. In 1932 she signed with MGM, relocated to the United States, and started an international film career. One newspaper columnist of the time wrote that Susa, Lilian Harvey, Anna Sten, and Henry Garat were all important “foreign talents” that were joining Hollywood pictures. Susa was projected to be a rival to Greta Garbo. Success in Hollywood did not come to fruition. She cancelled her contract in 1934. She stopped acting in films but returned to the stage after World War II. Susa, like many film stars, had multiple marriages. Susa stopped replacing husbands after her third marriage. Her third husband was Andrews Engelmann (1901-1992), a Russian born German actor. He appeared in German and British films during his career. Charlotte Susa died in Basel, Switzerland. The IMDb reports Susa had thirty-six film credits ranging from 1926 to 1941. This postcard portrait was photographed by H. Gartner and published by Ross Verlag as part of a series (no.5309/1). Eichberg Films is credited on this postcard. Richard Eichberg (1888-1952) began his career as an actor but became a succssful film director and producer in the German film industry. He directed 87 films and produced 77 films. At the time that Susa’s photograph was taken for this postcard, she was employed by Eichberg’s company. (SOLD)
This vintage risque real photo postcard features an attractive woman sitting on a chair. The straps of her lingerie are off her shoulder, she is wearing visible stockings, and she is showing a lot of skin. This is a pretty suggestive photo postcard. The young woman is wearing earrings and a bracelet. She is holding a photo album that appears to contain real photo postcards. The photos in the album could possibly be cabinet cards. Note the interesting and unusual lamp in the background. I view the lamp as gaudy which is a perfect fit for this risque photograph. The card was published in France by P. C. Paris. The P. C. logo is an abbreviation for Papeteries de Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of women, nudes, views, and holiday cards. The company was active in the 1920’s. This postcard shows a bit of wear but it is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3179
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This vintage real photo postcard begs some answers, but I’m stumped. I have never seen the type of clothing displayed on this card before; despite my exposure to a multitude of international postcards. This interesting studio portraiture features a pretty Asian woman dressed in some unusual garb. It appears to be formal traditional clothing. I do not know which culture that this dress represents. I am hypothesizing that woman is Japanese. However, the previous owner of this postcard thought the woman may have been from Indonesia. The owner’s guess is written on the reverse of the card. The woman in this photo is holding a basket in one hand and an object I can’t identify in the other hand. There is an AZO stamp box on the back of the postcard. It reveals that this card was produced sometime between 1910 and 1930. SOLD
This vintage photograph features an older man who appears to be a farm worker. He has a rugged and weathered face. I believe that his countenance projects wisdom and gentleness. It is easy to see that he is a man that has worked with his hands. His work boots are very worn from his labor in the fields. Although I am no expert at farming equipment, I believe that the tool that he is holding, is a hoe. Note the stone wall behind the worker as well as the adjacent (barbwire?) fence. This photo measures about 4 3/4″ x 6 5/8″ and is in very good condition. The top right hand corner has a tiny chip (see scans). SOLD
This cdv portrait features an impish looking little girl posing for her portrait at the studio of G Ye Ouviere, located in Marseille, France. She is a cutie. Advertising printed on the card shows a medal from an exhibition held in 1900. This photo was produced at, or shortly after, that year. This carte de visite photograph is in very good condition (see scans).This carte de visite photograph is in very good condition (see scans) (SOLD)