STYLISH AFRICAN AMERICAN WOMEN : PHOTO BY JIMMY BAYNES : CLEVELAND, OHIO c1956

This dynamic vintage press photograph captures a joyous and stylish moment at what appears to be a mid-century African-American social event or pageant, photographed by Jimmy H. Baynes, a notable African-American photographer who was active in Cleveland, Ohio. The image dates likely to the late 1950s or early 1960s, an era when such gatherings were vital community affairs celebrating Black excellence, fashion, and music. The central focus is a beautifully posed group of six African-American women, all elegantly dressed in cocktail or evening wear. The women wear a range of fashionable 1950s attire, from a sharp houndstooth pantsuit and flowing evening gowns to a crisp white suit. Their hairstyles are elegant and era-appropriate, and their expressions range from joy to pride to graceful composure. The setting appears to be a formal banquet hall or community venue, likely in Cleveland. Each woman holds a trophy, suggesting the conclusion of a pageant, award ceremony, or fashion competition. The photograph is the work of Jimmy H. Baynes, a prominent African-American photographer who chronicled the Black social and cultural scene in Cleveland throughout the mid-20th century. His work often captured the heart of the community—beauty pageants, civic events, family milestones, and musical gatherings—preserving an important visual history that is increasingly recognized and appreciated by collectors and scholars.  The photographer of this photograph, Jimmy Baynes was  known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originally a postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. This photograph was taken in the 1950’s.  (SOLD)

PREPPY LOOKING TEENAGE GIRL ON THE CHEAPSIDE

This cabinet card portrait features a sweet looking teenage girl dressed in what today we might call, a “preppy look”. Perhaps she is a student. Be sure to note her scarf and hat. The girl’s eyes are wide open and she appears to be suppressing a smile. The photographer’s camera captured the girl in an outdoor setting. The photographer was Hy. Flett who operated a studio in London. Interestingly, the studio was located at 119 Cheapside. This image is actually the second cabinet card in the “Cabinet Card Gallery” from a studio on Cheapside. Research revealed that  Cheapside  is the name of a street in the city of London. The name Cheapside is derived from the term “marketplace”. Henry Flett (1872-1948) was born in St. Leonards in Sussex. He operated two London studios. The Cheapside studio existed between 1897 and 1940. His second studio was located at 103 Newgate Street (1903-1909). He partnered with Arthur Frame Stevens in the 1930’s.  SOLD

Published in: on September 14, 2025 at 12:00 pm  Leave a Comment  
Tags: ,

PORTRAIT OF A BOSTON BEAUTY : WALTER CHICKERING : CABINET CARD

This cabinet card portrait features a portrait of a pretty woman dressed in black. Possibly, she is wearing a mourning dress. She is wearing smooth black leather gloves and holding her purse. The young lady appears to have had trouble looking at the camera. She seems unfocused and is staring blankly away from the camera. This posed portrait would not make great advertising for the photographer who took this photograph. The studio that produced this image was operated by  Walter E. Chickering, who was located in Boston, Massachusetts. Mr. Chickering was a well-known Boston photographer and some of his images can be viewed by clicking on the category “Photographer: Chickering, W.”. Please note that a second photographer, who shared the name Chickering, was also a well known Boston photographer. His full name was Elmer Chickering.  SOLD

Published in: on September 13, 2025 at 12:00 pm  Comments (2)  
Tags: , ,

EARLY TOWN BAND : ELIDA, NEW MEXICO : BY BREEDING : MUSIC : RPPC 1907-1918

This striking real photo postcard (RPPC) captures a moment in early 20th-century New Mexico history with a beautifully composed group portrait of the Elida News Band from Elida, N.M. The band members are posed proudly in their crisp white uniforms and hats, each holding an instrument—cornets, trombones, tubas, drums, and other brass band staples. The large bass drum in the foreground is boldly labeled “Elida News Band N.M.” giving clear identification to this historic ensemble. The image is full of character, with each musician presenting a distinct expression, from serious and stoic to modestly smiling. Of special note are the two men in suits standing at the far right—possibly the band director and a community official—adding to the formality and significance of the occasion. The reverse of the postcard is marked AZO with four triangles pointed upward, dating it to approximately 1904–1918. Since the postcard has a divided back, it is likely that the postcard was actually published between 1907 and 1918. Along the left margin is the credit: “Photo by GUY O. BREEDING, ELIDA, N.M.”. Elida is a small village situated in Roosevelt County, eastern New Mexico. The closest major city to Elida, New Mexico is Lubbock, Texas, located approximately 100 miles east of Elida.  (SOLD)

Published in: on September 12, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , , , ,

YOUNG BOY IN SUIT : DORÉ GALLERY : SAN FRANCISCO : CABINET CARD c1890s

This handsome 1890s cabinet card portrait captures a young boy dressed in a refined double-breasted suit with brass buttons, short trousers, and dark stockings. A large white collar and a ribbon-style bow tie accent his formal ensemble. His neatly parted hair and composed facial expression give him the appearance of a thoughtful, well-mannered child, likely from an affluent San Francisco family. He stands confidently with one hand tucked into his jacket in a pose that evokes dignity and early Victorian formality, leaning gently on a faux balustrade surrounded by foliage in an elaborately staged studio setting. This photograph was produced by Cobb’s Doré Gallery, located at 1144 Market Street, San Francisco, as indicated on both the front and reverse of the mount. The studio succeeded the earlier firm Edouart & Cobb, one of the better-known names in late 19th-century California photography. Doré Gallery was active in the 1880s and 1890s, during the heyday of elaborately posed cabinet portraits. The backdrop features what appears to be a painted garden scene with a Mediterranean-style colonnade, adding a romantic flair to the image.  (SOLD)

Published in: on September 11, 2025 at 12:00 pm  Leave a Comment  
Tags: , ,

PORTRAIT OF AN ABRAHAM LINCOLN LOOK-A-LIKE IN TRENTON, NEW JERSEY

lincoln

The gentleman in this cabinet card portrait looks amazingly like Abraham Lincoln (1809-1865), the 16th President of the United States. As much a I would like this to be an early photograph of Lincoln, it most certainly is not. This photograph was produced several years after Lincoln’s death. The photographer of this image was George Pine (1840-1906). For part of George’s photography career he operated a studio with his brother Robert G. Pine. Records indicate that Pine conducted his business at the 27 & 29 East State between 1878 and 1888. He operated out of several addresses over the course of his career and all of his galleries were located in Trenton, New Jersey. I was able to confirm that he ran the studios from at least 1872 through the early 1900’s. George was born in New Jersey. An 1867 business directory indicates that he and his brother had a gold and silver plating business before entering the field of photography. The 1880 US census reveals that George lived in Trenton with his wife Theodosia Burroughs Pine (1842-1900). The couple were living alone. The Trenton Evening Times (1906) ran George’s obituary. He died in Trenton although he did spend some years in Florida where his wife passed away. At the time of his death he was the curator of the Cadwalader Park Museum. The article states that after a successful photography career, George had become a “prominent naturalist”. Cadwalader Park is located in Trenton.The park is nearly 100 acres and is the city’s oldest park (construction began in 1887). The park was designed by Frederick Law Olmsted (creator of New York City’s Central Park).  SOLD

 

THREE MEN IN COSTUMES WITH ASIAN PARASOLS : BIZARRE VINTAGE SNAPSHOT PHOTO

This small vintage snapshot photograph measures 2½ inches by 3⅜ inches and offers a wonderfully quirky scene of three men posing indoors, apparently during some kind of playful or costume event. The three men are seated closely together on benches. All three are dressed in semi-formal or smart-casual clothing. The man on the left wears a suit jacket, tie, and slacks, topped off with a light-colored, wide-brimmed hat reminiscent of a pith helmet or safari hat. He has a pleasant, slightly amused expression on his face. The man in the middle, dressed in dark clothing, holds a small bouquet of artificial flowers and wears a whimsical hat cocked at an angle. His expression is earnest, almost deadpan, which adds to the surreal charm of the scene. The man on the right sports a tweed jacket, bow tie, and riding boots. He also wears a jaunty hat and is casually holding a pipe in one hand, looking slightly amused and relaxed. In the background, Asian-style paper parasols are hanging or propped against the wall, adding an even more unusual and festive element to the setting. The combination of the flowers, whimsical hats, parasols, and formal clothing creates a truly bizarre, humorous, and delightful scene, suggesting this may have been a themed party, costume event, or simply friends enjoying a bit of light-hearted fun. This delightful vintage snapshot likely dates to the late 1930s or early 1940s, based on clothing and photographic style. (SOLD)

Published in: on September 9, 2025 at 12:00 pm  Leave a Comment  
Tags: ,

HANDSOME FAMILY PORTRAIT : ADORABLE POODLE DOG : AALBORG, DENMARK : CDV

This carte de visite portrait of an attractive family includes two men, one woman, one child, and the family’s pet dog. The dog appears to be a poodle or perhaps part poodle. This photograph was taken by Ernst Gopel (1862-1919). He operated a studio in Aalborg, Denmark between 1895 and 1919. (SOLD)

Published in: on September 8, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , , ,

THE GIRLS OF SUMMER: WOMENS SOFTBALL TEAM (1934 VINTAGE PHOTOGRAPH)

softball

This vintage photograph features a women’s softball team. Judging by their smiles, the ladies were in a happy mood at the time this photograph was taken. The image was produced in the year 1934 which the text on the photo indicates celebrates “a century of progress”. Two of the players are wearing baseball caps but no baseball equipment or team logo is visible in the photograph. At that time in softball history, many leagues required the players not to use gloves.  It is also notable that this team photo includes eleven players rather than the expected baseball nine. Women’s softball teams of that era employed ten players on the field with the tenth player occupying the position of short centerfield. Perhaps the eleventh player in the photo is the coach/manager or possibly a substitute. It is also interesting to note that “A Century of Progress” was the slogan for the 1933 World’s Fair.The exposition was held along the lakefront of Chicago, Illinois. The fair was operated from June 1-November 1, 1933, and May 26-October 31, 1934. It is a safe assumption that this image was taken at the Chicago Worlds Fair grounds. Softball was one of the few team sports available to women during the 1930’s, 1940’s,and 1950’s. During the 1930’s, softball was a very popular sport around the United States. In 1933 the newly established Amateur Softball Association sponsored the first national fast pitch softball tournament for women. The association tied the tournament to the Chicago Worlds Fair. In the initial competition, eight women’s teams competed against each other. It is worth mentioning that some sources report that the games were actually sponsored by a duo comprised of a sports writer and a sporting goods salesman. This wonderful memento of softball history measures 3″ x 4 3/4″ and based on the black paper residue on it’s reverse, once found it’s home in someone’s photo album.  SOLD

softball 1

Published in: on September 7, 2025 at 12:00 pm  Comments (5)  
Tags: , , ,

CHARMING WOMAN WITH HER COLLIE DOG : LEIPZIG, GERMANY : BY BELLACH : CABINET CARD

This evocative cabinet card photograph captures an intimate and timeless portrait of a young woman and her loyal dog, taken by the studio of Carl Bellach (1848-1920) in Leipzig, Germany. The woman sits gracefully beside her canine companion, her body turned slightly but her gaze directed straight into the camera. Her expression is serene and soft, with a gentle smile that suggests both composure and affection. She wears a dark Edwardian dress with a high collar and a prominent bow at the neck, detailed with fabric-covered buttons along the front and sleeve cuffs. Her hair is styled in soft waves and pulled back, adorned with a ribbon or dark headband, reflecting the elegant fashion of the early 20th century. Next to her sits a beautiful dog, likely a rough-coated Collie or a Border Collie mix, whose thick fur and calm, attentive expression add a warm, personal touch to the image. The dog sits proudly on a patterned upholstered bench, perfectly posed as if aware of the photographic moment. The room in which they are posed is softly lit and richly decorated, with a curio cabinet or sideboard in the background, suggesting a comfortable middle-class home. A framed portrait of a man hangs on the wall—perhaps a family member, adding a sentimental layer to the setting. The overall tone of the photograph is tender and domestic, a quiet glimpse into the bond between human and animal, beautifully preserved. The sepia tones and excellent clarity make this image a fine example of studio portraiture from pre-WWI Germany. The photographer, Carl Bellach, was a known Leipzig studio operator, and his imprint appears in gold at the bottom right corner of the mount. Bellach was also known for being an entomologist (scientific study of insects).  (SOLD)

Published in: on September 6, 2025 at 12:00 pm  Leave a Comment  
Tags: , , , , ,