A distinguished looking older man with a white eard and mustache poses for his portrait at the Fenwick studio in Bloomington, Illinois. The man is dressed in his finest clothing for his day at the photographer but it seems he had no time to see a barber to tame his beard and longish hair. The photographer of this image is Richard Fenwick. He was born in England in 1845. He appears in the U.S. Census in 1870. He was living in a Bloomington boarding house and working as a laborer. The 1880 census finds Mr Fenwick (age 35) married to Alida Fenwick (age 30). The couple was married in 1875 and were living with their two children. Richard Fenwick had a 1 year-old daughter (Adda) and a 9 year-old step son (Rush Downey). Fenwick was working as a photographer. The 1900 census reveals that Fenwick still worked as a photographer and his step son, Rush, filled the manager role in the photography studio. Research reveals that between 1866 and 1875, Fenwick was associated with the Cook and Fenwick studio. This cabinet card is in good condition (see scans).
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This vintage real photo postcard features a handsome soldier. He is wearing a military uniform and cap. The pin on his hat indicates that he was a member of the 9th regiment of the infantry. I do not know the soldiers nationality. The message on this card includes the word “captivite”. Captivite, translated from the French means “captivate”. Was the writer of this postcard talking about capturing the town of Munsterlager, or was he referring to himself as being a prisoner of war? Perhaps a visitor to the cabinet card gallery will be able to translate the message for those of us with a French language deficit. This photo was taken in the mid 1910’s by the Schubert studio in Munsterlager. During the first World War (1916), the Breloh Camp was built in Munster by a regiment of gas warfare engineers. The next year there was construction of a facility for gas munitions. In all, three factories were built for the purpose of manufacturing chemical war material and related munitions. (SOLD)
This vintage real photo postcard features German actress, Else Kupfer (1888-1974) as she appearss in Nestroy’s play, “Revolution im Krahwinkel” (1908) at the Deutsches Theater in Berlin, Germany. She is most known for her performance in “A Dangerous Woman” (1913). The IMDb lists this performance as her only film credit. This postcard portrait of Miss Kupfer presents her wearing a pretty dress and carrying a parasol. She looks adorable. Kupfe was married to Albert Arnold, brother of artist Karl Arnold. The Becker Maass studio photographed Else Kupfer for this postcard. The publisher of this card is Louis Blumenthal. His company operated in Berlin, Germany. (SOLD)
This vintage real photo postcard features beautiful actress, Berthe Bady (1872-1921). She was born in Belgium but her nationality was French. Berthe Bady attended the Brussels Conservatory and was active on the stage between 1893 and 1913. She was a companion to both Lugne-Poe and Felix-Henri Bataille. Lugne-Poe was a French actor, theatrical director, and scenic designer. He and Bady were involved in symbolist movement of the arts. Bataille was a French dramatist and poet. A brief explanation of symbolism seems to be merited. In theatre, symbolism is a way to bring a greater meaning to something than is apparent at face value. The use of color, characters, movement, props and costumes are all methods of presenting symbolism. In 1897 Bady was the subject of a portrait by Toulouse Lautrec and her death was the subject of a poem by a leading French poet, Louis Aragon. In addition, playwright Fernand Crommelynck dedicated a play to her. Wikipedia credits her with sixteen “notable” play appearances between 1893 and 1913. She appeared in Ibsen’s “The Master Builder” on an international tour. The tour took her to London, Brussels, Amsterdam, Milan, and additional cities. In 1918 she appeared in her one and only film, “Ecce Homo”. This photo of Miss Bady was taken by the studio of Boyer & Bert. Paul Boyer (1861-1908) operated his studio in Paris. He was very talented and won many awards. He produced many portraits of theater performers as well as other celebrities. This postcard was published by F. C. & C. (Frederick Charles Cooper. The firm was located in Eastbourne, England. It was published circa 1905.This portrait postcard is in very good condition (see scans).
This vintage real photo postcard features two very pretty young women wearing kimono type dresses or robes. The fabric patterns are beautiful. Occasionally, I encounter cdv’s, cabinet cards, and postcards featuring women wearing kimonos. These early photographs document that kimono popularity in the western world was evident as early as the 1880’s. The postcard was published by “NPG” (Neue Photographische Gesellschaft) as part of a series (no. 208/4). The company was a leading bromide photo printing company for many years. A. G. Steglitz, is also noted as the publisher and this photo was published circa 1905 in Berlin, Germany. Note the initial “F. E. D.” at the bottom of the image. The initials stand for Friedrich Eyfried, the printer of this card. The company was located in Dusseldorf, Germany. This postcard is in good condition. Note the slight discoloration in and near the bottom left hand corner of the card. SOLD
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