BIG SISTER AND LITTLE BROTHER IN KEENE, NEW HAMPSHIRE (THE DODGE SIBLINGS)

Two sibling pose for their portrait at the studio of C. N. Stowell in Keene, New Hampshire. The reverse of the cabinet card has an inscription that identifies the children as Amy and Dexter Dodge. Photographer, C. N. Stowell is listed in the Keene, New Hampshire business directory of 1897.  Amy Lee Dodge (1889-?) was married in 1919 to John Elliott Cook in Keene, New Hampshire. Her father was Willie Alfred Dodge and he mother was Mary Jane Palley. According to city directories, Amy worked as a telephone operator between 1911 and 1920. The 1930 US census revealed that Amy Cook (her married name) was living with her husband, her 4 year-old son, and a few in-laws. Her husbands occupation was listed as “farmer”.  Dexter Rudolph Dodge (1896-?) In the 1917 and 1918 city directories (Keene), Dexter is listed as a member of the US Army Reserve. Note that these were the years of World War I and it is unknown whether Dexter actually went overseas and saw combat.  The 1920 US census found Dexter working as a clerk in a jewelry store and living with his parents in Keene. In 1921 he married Helen Lucy Winch. Research found a 1942 draft registration card which reported that Dexter owned a jewelry store and was living in Worcester, Massachusetts. City directories from 1951 through 1957 list Dexter as “retired”. This cabinet card portrait has excellent clarity and is in very good condition (see scans).

This cabinet card is available for purchase at The History Peddler for $19.95 or Best Offer.

Interested collectors may view the listing here:

https://www.ebay.com/itm/336494688816

Published in: on December 11, 2025 at 12:00 pm  Comments (1)  
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CLASSIC SCOTTISH BEAUTY ARRANGING CABINET PHOTOGRAPHS IN AN ALBUM

A pretty young woman arranges cabinet cards in a photograph album. The woman is Scottish, and she is photographed by Wohlgemuth & Company. The studio was located in Glasgow, Scotland. The studio operated between 1887 and 1914. However, a photography journal reported that Benjamin Wohlgemuth was elected to the Glasgow Photographic Association in 1879. The reverse of the image has a penciled inscription that includes a name and address. The name is difficult to decipher, but it is something close to Prince H. France. The address is 22 Short Street, Leichhardt, Sydney, New South Wales. This cabinet card portrait is in good condition (see scans).

This cabinet card is available for purchase at The History Peddler for $55.00 or Best Offer.   

Interested collectors may view the listing here:

https://www.ebay.com/itm/336360722832

Published in: on December 10, 2025 at 12:01 pm  Leave a Comment  
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FRANCIS WILSON: EARLY AMERICAN THEATRE STAR, PLAYWRIGHT, AND AUTHOR

Francis Wilson (1854-1935) was an American actor born in Philadelphia, Pennsylvania. He began his career in minstrel shows but by the time he was 24 year-old he was playing in Philadelphia’s Chestnut Theatre. He worked several years in regular comedy and later took up opera, most successfully in “Eminie” (1886). He later starred in “The Oolah” (1889), The Lion Tamer (1891), The Little Corporal (1898), and then in a play that he authored, “The Bachelor’s Baby (1909). Wilson authored additional plays as well as books. He wrote  books about fellow actors Joseph Jefferson and John Wilkes Booth. He also penned an autobiography. The photographer of this cabinet card portrait of the handsome Wilson, is Falk, a photographer known for his celebrity portraits. This cabinet card has an extremely slight curl and is in overall good condition (see scans).

This cabinet card is available for purchase at The History Peddler for $48.00 or Best Offer.

Interested collectors may view the listing here:

https://www.ebay.com/itm/336413315586

Published in: on December 9, 2025 at 12:00 pm  Comments (1)  
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STAGE BEAUTY IN BOOTS & SWORD : BELLE EPOQUE THEATER POSTCARD : EUROPEAN c1902

Original undivided-back theatrical postcard, printed in Germany/Austria for the European markets, ca. 1900–1905. Studio portrait of a pretty female performer in trouser-role/musketeer costume—small plumed hat, velvet tunic with braid, lace cuffs, short skirt, thigh-high boots, and a rapier. Multilingual back (German “Postkarte,” “Weltpostverein,” French, Italian, Russian, etc.) confirms early Continental printing for export; publisher and photographer uncredited, as issued.  (SOLD)

Published in: on December 8, 2025 at 12:00 pm  Leave a Comment  
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TWO DAPPER MEN IN HATS : MENS FASHION : SALEM, OHIO : CABINET CARD

Two dapper men, looking quite professional, pose for their portrait at the Leeper studio, in Salem, Ohio. These men look like their on business. Are they lawmen?  The gentleman who is standing is extremely handsome so perhaps the men are actors. The photographer is Burt Leeper. Leeper was born in Pennsylvania in 1865. He worked in Salem at the end of the nineteenth century. An article in a photographic journal (1900) cites Mr. Leeper as being part of a “Picture Trust”.  It seems that he was part of a “price fixing” combine that was formed to resist the lowering of photographic studio prices as a result of fierce competition between photographers. Leeper and three other photographers agreed to match each others prices for services and goods. In addition, Leeper and two of the other photographers agreed to take turns being open for business on Sundays. The fourth photographer declined, preferring to stay closed on all Sundays. This cabinet card photograph is in good condition (see scans).

This cabinet card is available for purchase at The History Peddler for $38.00 or Best Offer.   

Interested collectors may view the listing here:

https://www.ebay.com/itm/336097384157

Published in: on December 8, 2025 at 12:00 pm  Leave a Comment  
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ILSE WERNER : GERMAN FILM STAR : GLAMOUR PORTRAIT : BY FOTO-QUICK : RPPC

This striking vintage real photo postcard features a glamorous close-up portrait of Ilse Werner, a celebrated German-Dutch actress and singer known for her charismatic screen presence and unique whistling talent. In this image, Werner is draped in a shimmering veil that frames her face with a soft, radiant glow. Her expressive eyes, long lashes, and glossed lips project a poised, serene beauty, while the glinting fabric around her adds a mystical, almost cinematic aura. The postcard was published by Film-Foto-Verlag, a major distributor of German film star postcards during the 1930s and 1940s, and is marked “A 3732/1” in the lower left corner. The photo credit goes to Foto Quick. .On the reverse is the wartime disclaimer: “Zivile Verwendung im Inland für Autogrammzwecke nicht gestattet” (Civilian use for autograph purposes not permitted), reflecting its origin in Nazi Germany. The cards were meant for building national morale and not private autograph collecting. A small fawn symbol in the stamp box area marks it as part of the Film-Foto-Verlag series. Ilse Werner was born in 1921, in Batavia, Dutch East Indies (now Jakarta, Indonesia), where her father worked as a Dutch colonial official. Her mother was German, and the family moved to Germany when she was a child. She trained at the Max Reinhardt Seminar in Vienna, one of the premier acting schools in the German-speaking world, and made her film debut in 1939. Her breakout role came in the film Wunschkonzert (1940), one of the most popular and propagandistic films of the Nazi era. She quickly became a favorite among German audiences, known not only for her acting but also for her unusual skill as a professional whistler, which she often demonstrated in her recordings and film appearances. During the Nazi period, Ilse Werner became one of Germany’s most beloved film stars, appearing in state-approved entertainment. Though she never joined the Nazi Party, her films were often apolitical and aligned with the regime’s values of escapism and wholesome entertainment. Her popularity made her a public symbol of the Third Reich’s cultural life, though she was not considered an overt political supporter. After the war, her Dutch citizenship initially barred her from performing in postwar Germany due to denazification policies, which caused a temporary decline in her career until restrictions were lifted. lse Werner was married to actor Tony Rödel for a brief period. The marriage ended in divorce. She did not have children. Her later years were marked by occasional television appearances and nostalgic performances of her trademark whistling songs. She passed away in 2005 at the age of 84.  (SOLD)

Published in: on December 7, 2025 at 12:00 pm  Leave a Comment  
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MAN W/ MUTTON CHOPS & GLASSES : DANA & HARGRAVE : NEW YORK CITY : VINTAGE PHOTO

Offered here is a striking and highly detailed cabinet card photograph of a distinguished older gentleman, taken by the celebrated New York photographic firm Dana & Hargrave, located at 1183 Broadway, New York City. The image likely dates to the 1890s. The subject is dressed in formal 19th-century attire, wearing a three-piece wool suit with a buttoned vest, a high-collared white shirt, and a neatly tied bow tie. His long, full sideburns and clean-shaven chin—a style known as “friendly mutton chops”—are an impressive feature, accentuating his age, dignity, and gravitas. He wears round spectacles perched low on his nose, giving him a scholarly or ministerial air. His expression is serious and contemplative, with a quiet confidence that reflects the formality of the period. The photograph is crisp and beautifully lit, with sharp contrasts and soft tonal gradation typical of high-quality late 19th-century studio work. This portrait was taken by Dana & Hargrave, a respected photographic studio based at 1183 Broadway, New York, active in the 1880s–1890s. The primary name, Dana, refers to Edward C. Dana (1852-1897), a prominent 19th-century photographer who specialized in portraiture of the elite and artistic figures of New York society. Dana was well-known for his careful composition and the lifelike quality of his cabinet cards. He developed an interest in photography during the Civil War after seeing conflict images displayed publicly in Boston. He later trained with Boston photographer James W. Turner. In 1875, he opened his first studio in Brooklyn, eventually relocating to Manhattan, where he established a gallery at 14th Street and 6th Avenue. By the late 1880s, his innovative approach—particularly his rejection of painted backdrops—brought national attention and awards, including a Gold Medal in 1887. Further honors followed, such as a gold medal from the Photographers’ Association of America in 1891, an award at the 1893 World’s Columbian Exposition, and a bronze medal in 1894. With growing prestige, he moved to 872 Broadway. Embracing advancements in halftone printing, he worked closely with leading printers and shifted his business model from selling portraits directly to the public to licensing images to editors and publishers, often with financial backing from producers seeking publicity. There is an inscription on the reverse of the photograph. The inscription identifies the subject as “Uncle John Roberge, younger brother of Grandpa Lionel Roberge”. (SOLD)

Published in: on December 6, 2025 at 12:00 pm  Leave a Comment  
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DOROTHY GULLIVER : PRETTY ACTRESS : ROSS VERLAG : UNIVERSAL PHOTO PORTRAIT : RPPC

This is a beautifully composed real photo postcard (RPPC) of Dorothy Gulliver, produced by Ross Verlag, bearing the series number 4472/1. The photograph credit on the front says “Universal phot.”, indicating the image was taken under Universal’s photographic unit. Dorothy is shown in an elegant three-quarter pose, her head slightly tilted, her eyes bright and engaging, and a gentle, confident smile touching her lips. Her coiffed hair is waved softly around her face. She wears a silky, draped garment with geometric patterned panels, possibly a robe or decorative wrap, giving a graceful, glamorous look. The lighting highlights her complexion and facial features delicately, lending the image an enchanting, almost glowing quality. Her expression is poised but warm — she seems aware of her image and projecting a subtle star quality, rather than an overly stiff studio pose. The overall look is refined, feminine, and suited to her identity as a screen actress. This postcard is part of Ross Verlag’s cinema star series, a popular line of European film star postcards in the 1920s–1930s.The inclusion of “Universal phot.” connects this portrait directly to the film studio world. Take note that Dorothy produced relatively few postcards, and this is an attractive example. Dorothy Kathleen Gulliver was born in 1908, in Salt Lake City, Utah. She was raised in a Mormon family, one of six children, and even from youth expressed a desire to act. Her break came in 1925 when she won a Universal-sponsored national contest (after earlier local pageant success) which awarded her a six-month contract with Universal. She began appearing in silent short films and serials such as The Winking Idol (1926) and Strings of Steel (1926). In 1928, she was honored as one of the WAMPAS Baby Stars, a promotional campaign that highlighted rising actresses. Throughout the late 1920s, Dorothy appeared in The Collegians series of short films produced by Universal, often paired with George J. Lewis. When sound came in, she successfully made the transition and worked frequently in 1930s serials and Westerns — titles include The Galloping Ghost, The Phantom of the West, The Shadow of the Eagle, The Last Frontier, and Custer’s Last Stand. Her film career spanned decades (officially credited in nearly 100 films), though after the 1930s her roles tended toward smaller or uncredited parts.  Remarkably, in 1968 she had a notable role in John Cassavetes’ Faces. Her final film appearance was a cameo in Won Ton Ton, the Dog Who Saved Hollywood (1976). On the personal side, Dorothy’s first marriage was in 1926 to Chester De Vito (an assistant director), which ended in divorce by 1932.  In 1947 she married Jack R. Proctor, and they remained together until his death in 1976. She passed away in 1997, in California. Interestingly, her life story encompasses the classic arc of early Hollywood: beauty contest discovery, silent film stardom, adaptation to talkies, and then gradual fading into character work.  (SOLD)

Published in: on December 5, 2025 at 12:00 pm  Leave a Comment  
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NORMA TALMADGE : BEAUTIFUL ACTRESS : PICTUREGOER SERIES : RPPC

This vintage real photo postcard features American silent film actress, Norma Talmadge (1894-1957). She was noted for her dramatic and emotionally intense performances. She was one of the most popular and highly paid actresses of her era. She starred in over 200 films during her career. Raised in a show business family, Norma and her sisters Constance and Natalie Talmadge all became successful actresses. Norma began her acting career on the stage, performing in vaudeville and musical comedies. Initially, Talmadge worked for Vitagraph Studios before signing with D.W. Griffith’s Triangle Film Corporation, where she gained recognition for her talent. In the 1910s and 1920s, Talmadge became a major star, known for her ability to portray a wide range of characters. She excelled in dramatic roles, often playing heroines with complex emotions. Some of her notable films include “The Probation Wife” (1919), Smilin Through (1922), Camille (1926), and “New York Nights” (1929). Norma Talmadge was one of the few silent film stars who successfully made the transition to talkies. However, as the era of sound films emerged, her popularity waned. After her last film in 1930, Talmadge retired from acting and focused on her personal life. She married the film producer Joseph M. Schenck in 1916, and together they founded the Norma Talmadge Film Corporation. The company produced several successful films, contributing to Talmadge’s financial success and status as one of the highest-paid actresses of her time. However, her marriage to Schenck eventually ended in divorce in 1934. After her retirement from acting, Talmadge lived a private life, seldom making public appearances. She remarried in 1946 to Carvel James, a wealthy oil broker, and they remained together until her death. This vintage postcard is part of the “Picturegoer” series (No. 145B).  SOLD

Published in: on December 4, 2025 at 12:05 pm  Comments (1)  
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SIX CHEFS ALL IN A ROW AT “ANGELO’S PLACE” IN GULFPORT, MISSISSIPPI

This vintage real photo postcard provides an inside peek at Mr. Angelo Xidis and five of his “well trusted” assistants preparing vats of meat sauce for his restaurant’s famous spaghetti. In fact, the recipe is described as “almost as secret as the atom bomb”. Chef Xidis was Greek. Xidis’s specialty was spaghetti and meatballs. A sign on the roof stated “Foods – We Feed the People”.  His restaurant was built with steel tiles and glass. The building had live oak trees growing through the roof. Hurricane Camille destroyed the restaurant in 1969. The restaurant was rebuilt and remained in business until 1985. The restaurant was located in Gulfport, Mississippi and faced the Gulf of Mexico. The postcard was published by the Gulfport Printing Co. and is part of a series (No.N36). Mention of the atomic bomb means that the postcard was published likely between 1945 and the early 1950’s.   SOLD

Published in: on December 3, 2025 at 12:00 pm  Leave a Comment  
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