This cabinet card portrait captures a young family posing at the R. B. Lewis studio in Hudson, Massachusetts. Both mother and father are each holding one of their infants on their laps. Mom looks quite pretty in her striped blouse and is wearing a long necklace and collar pin. Dad looks comfortable enough sitting in a somewhat ornate chair. To view other cabinet card photographs by R. B Lewis, click on the category “Photographer: Lewis”. SOLD
This cabinet card portrait features famous Norwegian-American sculptor Jakob Fjelde (1855-1896). Fjelde is wearing an interesting overcoat with embroidery on it’s shoulders. Perhaps this is a coat that he wore while creating his sculpture. He has a attractive bushy mustache and is holding a half smoked cigar. Fjelde was born in Alesund, Norway and arrived in the United States in 1887. He settled in Minneapolis, Minnesota. He was the father of sculptor Paul Fjelde and brother of artist Pauline Fjelde. Jakob was a prolific portraitist and created a number of public monuments. One of his most well known monuments was one dedicated to the 1st Minnesota Infantry (1897) that is located at the Gettysburg battlefield. Some of his statues in the Minneapolis / St. Paul area include “Hiawatha carrying Minnehaha”, “Minerva”, and “Ole Bull”. In 1885 he sculpted Henrik Ibsen from life and created a number of public statues and busts from the experience. The photographer of this image is the Lee Brothers who operated a studio in Minneapolis. To view more photographs by this photographer, click on the category “Photographer: Lee Bros.”
This cabinet card portrait features a little girl, dressed in traditional costume, waiting at a faux dock for a ship to arrive. It will be a long wait because she is standing inside the studio of Hermann Sontag (Art Publisher) which had two location inside of Germany. He had galleries in the towns of Wolgast and Zinnowitz. I understand why the words “Kunst-Verlag” (Art Publishing) is beside Mr. Sontag’s name. The backdrop in this portrait is masterful as is Sontag’s use of props (trunks and fishing nets). The child in this portrait is adorable. Note her interesting shoes and that she is holding a bouquet of flowers.
This cabinet card portrait captures a well-dressed handsome little boy holding a large swing in a studio portrait by the Harper studio in Corsicana, Texas. The lad is unsuccessfully holding back a smile as he looks at the photographer. He apparently was enjoying posing for the cameraman. Using swings as props in cabinet card images is not extremely rare but this is one of the finer “swing images” that I’ve seen. To view other cabinet card photographs that employ swings, click on the cabinet card gallery category “Swings”. According to advertising on the front of this cabinet card, Harper had other branches of his studio located in Texas. Besides Corsicana, he operated in Tyler, Mexia, and Waxahachie. Further research that Harper also operated other studios in Texas (Bryan, Temple, Ennis, and Calvert). Apparently, Mr. Harper was quite an entrepreneur. (SOLD)
New York photographer, Otto Sarony, son of Napoleon Sarony, photographed this pretty caped lady wearing a short tight dress. She is exhibiting quite a seductive pose. Her body language makes this image relatively risque for Sarony’s era. In retrospect, perhaps it is more provocative than risque. Otto Sarony photographed many actresses and the subject of this photograph is, despite being unidentified, most likely a theatrical player. To view other images by Otto Sarony, click on the category “Photographer: Sarony (Otto)”.
A young woman in a pretty checkered dress is the subject of this cabinet card portrait by the Kepler studio in Central City, Colorado. The woman leans on a wicker chair in an unconvincing thoughtful pose. Note the young lady’s unusual hair ornament. Something else unusual about this cabinet card is that the photograph was taken by a female photographer. The pioneer woman photographer was named Mrs. V. M. Kepler. The “Checklist of Western Photographers (1986) reports that Kepler was a photographer in Central City between 1896 and 1899.
This cabinet card portrait features a bearded gentleman posing at the Dunklee and Bau studio in Greenfield, Massachusetts. The man has a long wiry beard and an intense expression. Advertising on the reverse of the cabinet card states that the Dunklee & Bau studio had won medals at a 1890 Greenfield exhibition. Charles Dunklee was born in Rockingham, Vermont in 1842. He served four years in Company I of the 4th Vermont Infantry during the civil war. He entered as a private and was mustered out as a private. He was the Vice President of his regiments veteran group according to an 1887 news article. In 1865 he married May C. Billings and they were married 54 years until her death. Dunklee’s 90th birthday was marked in the Lewiston Daily Sun (1932). The article notes that he had photographic studios in Greenfield and Northfield, Mass. as well as Brattleboro, Vermont. This cabinet card was produced by Dunklee while in partnership with Charles Bau. The Bulletin of Photography (1914) notes that Bau had sold his studio in Brattleboro, Vermont in order to return to Greenfield to open a new photographic gallery. The article points out that Bau had left Greenfield just twelve years before. The aforementioned history tells us that this photograph was taken after 1890 and before 1902.
This cabinet card features a portrait of a very pretty young girl dressed in fine clothing and holding a bouquet of flowers. Her hair is styled for her day at the photographer and she is wearing a hair bow. This exceptional portrait comes from the studio of Heinrich Albrecht which was located in Vienna, Austria.
In 1889, a teenage girl put on her fanciest dress and travelled to the E. L. Temple studio in Milford, Massachusetts to have her portrait taken. She looked pretty in her dress which featured a striped top with striped extensions hanging down over her solid skirt. She was also wearing an unusual bow and a straw hat. The young lady certainly knew how to dress in such an attractive manner that people would notice. The reverse of this cabinet identifies the girl’s first name as being “Addie” and provides her age as “19”. The inscription also dates the photograph as being from 1889. The photographer of this image, E. L. Temple was the successor to Gould & Sears who formerly owned the photographic studio. SOLD
Amos Rheaume and his family pose for their portrait at the studio of W. G. Freeman in Keene, New Hampshire. Amos and his wife and three children comprise an attractive family. W. G. Freeman was a photographer in Keene between 1901 and 1905. At some point he moved his business to Bellow Falls, Vermont where he appears in city directories from at least 1910 through 1918. (SOLD)
 | rangerdon on BEALLSVILLE, PENNSYLVANIA : ST… |
 | bmarshphd on ELEANOR GAINES : LUBIN SILENT… |
 | phantomfamous0cbbe9d… on ELEANOR GAINES : LUBIN SILENT… |
 | summertime75 on MARY MILES MINTER : SILENT FIL… |
 | beth on WINGS CIGARETTES : ADVERTISING… |
THE CABINET CARD GALLERY 