This vintage real photo features dancer/actress Lydia de Rostow. She is dressed in a dance costume that accentuates her shapely figure. The photograph was taken by Felix studio, which was located in Paris, France. Luminous-Lint describes Felix as a “photographer of couture in the first decades of the 20th century in France”. He was an early fashion photographer who operated, according to Luminous-Lint, during two decades (1900-1920). The name “R Guilleminot” is printed on the reverse of the postcard. Guilleminot was a firm based in Paris that manufactured photographic plates and papers. Much of their photo paper was used for printing real photograph postcards. The company existed between 1858 and 1994. This vintage postcard portrait is in very good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3409

To purchase this item, click on the Pay with PayPal button below


Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3409

To purchase this item, click on the Pay with PayPal button below




OK. It may not be the biggest collar in the world, but it’s pretty big. The smiling cute young girl seen in this vintage real photo postcard, by my estimation, is curtseying after giving a dance performance. Her shoes, stockings, short dress, and the flower in her hair are all reasons for my hypothesis. And what about the collar? It appears to be on steroids. I don’t think the collar is something she would wear in everyday life. I am wondering if she is wearing a costume designed to make her look like a flower? What do you think? I must admit, the “collar” reminds me of an “Elizabethan Collar” worn by dogs after surgery. This is a very unique image. The photo was taken by a private photographer and not mass produced to be sold by studios to the general public. This real photo postcard portrait is in very good condition (see scans).

Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3387

To purchase this item, click on the Pay with PayPal button below



Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3387

To purchase this item, click on the Pay with PayPal button below


Published in: on January 17, 2021 at 12:18 pm  Comments (1)  


This vintage  postcard is unusual (uncommon). It features two female dancers, I believe they are performing a type of ballet. The dancer that is holding up the other dancer has very muscular legs. Is she a he? An inscription on the reverse of the card appears to say  “Jennoff”. I was hoping that the name  “Jennoff” would lead me to more information about this  postcard. It failed to do so. The story behind this Italian vintage postcard, intrigues me.  (SOLD)

Published in: on May 31, 2020 at 7:45 am  Comments (1)  
Tags: ,


The pretty woman in this vintage real photo postcard is the Spanish dancer, Carmen De Foya. “The Sketch: A Journal of Art and Activity (1905) reported on the De Foyas “consderable grace and skill” when she performed at the Alhambra theater in London, England. Her photo accompanied the article. “The San Francisco Call” (1905) labelled her a “famous Spanish Dancer” and announced her London appearance. The newspaper also added  that when De Foya performed in Berlin, she danced at a function attended by the Kaiser. The German leader not only complimented De Foya, but also gave her diamond earrings. It is reported that the pair had an interesting exchange about marriage. When De Foya stated she wanted to get married, the Kaiser suggested that she marry an Englishman because they make the best husbands. “The Illustrated Sporting and Dramatic News” (1905) described De Foya’s act as “poetry in motion”. “The Esoteric Curiosa” (2014) tells a racy story about Miss De Foya. It seems Spain’s King Alfonso XIII nearly went to “the limit of foolishness” over “little Carmen de Foya”. She “knew how to make eyes at a King without getting into trouble”. One night at the Madrid Opera, she kicked her satin toes right at him. The next day King Alfonso sent her flowers and a card. The card said “The loveliest flowers of Spain, to Spain’s loveliest” The King was a known womanizer and he often acted on impulse. In an effort to avoid scandal, Defoya left the next day for Paris. Another version of this story has the two romantically linked. The photograph of Miss De Foya seen on this postcard, was taken by Leopold Reutlinger, a very well respected talented photographer based in Paris. One of his specialties was theatrical photography. The postcard was published by Societe Industrielle de Photograpie (SIP) of Rueil, France. The card is part of a series (no. 1309). The postmark indicates it was stamped in Arente (Italy) in the year 1906.    (SOLD)



This vintage real photo postcard captures a “chorus line” of little girls during dance class. Perhaps they are performing in a recital. These costumed dance students are simply adorable. This photograph was taken by R. S. Parker. He operated a studio in Manchester, England. Some of his photographs are held by England’s National Archives, as well as by the Manchester Archives. During my research, I was able to find three of his photographs online. All the images were taken in schools. Perhaps, Parker’s niche was school photography. This vintage postcard is in very good condition (see scans).

Buy this vintage Real Photo Postcard (includes shipping within the United States) #2930

To purchase the item click on the Pay with Paypal button below


Buy this Vintage Real Photo Postcard (Includes International Shipping Outside the United States) #2930

To purchase the item click on the Pay with Paypal button below


Published in: on December 3, 2019 at 12:00 pm  Leave a Comment  
Tags: , , ,


The subject of this vintage real photo postcard is Miss Aida Overton Walker. The caption above her name refers to her as “A Dusky Beauty”. Seems like a racist title to me. I don’t recall ever seeing its equivalent, “A Pasty Beauty”, on a portrait of a white female performer. Aida Overton Walker (1880-1914) was known as “The Queen of the Cakewalk”. She was African-American and an American vaudeville performer, singer, actress, and choreographer. She has been called the most famous African American female performer of the early twentieth century. She was married in 1899 to vaudeville performer, George Walker. Aida and her husband performed with the highly successful Bert Williams. They were the major black vaudeville and musical comedy act of the era. She was also a solo dancer and choreographer for a number of other vaudeville shows. Aida was well known for her 1912 performance of the ”’salome” dance. Aida was born in Richmond, Virginia and moved to New York City when she was young. She was educated there and received a great deal of musical training. When she was fifteen years old she joined the “Octoroons”, a black touring group. In 1900 she gained national notice with her performance of  “Miss Hannah from Savannah” in the play, “Sons of Ham”.  The song became a major hit. Overton Walker had significant theatrical success with her performances in Dahomey (1902), Abyssinia (1906), and Bandana Land (1908). Overall, Aida was praised by critics and fellow performers. She was financially successful. In 1908 she retired to care for her ill husband. In 1910 she returned to the stage as a solo act. In 1911, her husband died. By 1912, she was on tour again. That same year, she performed on Broadway as Salome. In 1914, Walker died suddenly from kidney failure. Two years before her death, she was performing in white variety theaters. She and Bert Williams were the only Black performers “permitted” to do so. At that time, African Americans were expected to confine themselves to “lower” entertainment such as comedy and ragtime. “High” art, like dramatic theater and classical dance were reserved for whites. Aida helped break that racist tradition. During her career, Aida addressed the issue of racial relations. She stated in an article in “The Colored American Magazine (1905), her view that that the performing arts could have a beneficial effect on race relations. Walker asserted “I venture to think and dare to state that our profession does more toward the alleviation of color prejudice than any other profession among colored people.” She also worked to improve working conditions, and to expand roles for black women on the stage. During the period Walker was performing, female actresses, especially black actresses, were seen as “immoral and oversexed”. Aida wrote “a woman does not lose her dignity…when she enters stage life”. Walker also worked to develop the talents of younger black performers within the framework of refinement and elegance. In 1908, she began organizing benefits to assist such causes as the Industrial Home for Colored Working Girls. This vintage postcard was published by Raphael Tuck, of Paris, France. The photographer of Miss Walker was Cavendish Morton (1874-1939). The National Portrait Gallery possesses 104 of Morton’s portraits. Morton had several careers including electrical engineering, architecture, acting, illustrating, and in the 1890’s he took up photography. He is known for his theatrical photo portraits. His son was a well known watercolor artist. This postcard was postmarked in 1908, The postcard is in good condition. See the youtube video below. It is a tribute to Aida Overton Walker.   (SOLD)



“Madia! I’ve just met a girl named Madia. And suddenly that name. Will never be the same.” With apologies to Leonard Bernstein, I just couldn’t resist. This vintage real photo postcard features dancer Madia Borelli. She was a Parisian dancer active in the early twentieth century. The photographer of this portrait of Miss Borelli was the famed photographer Leopold Reutlinger of Paris, France. The postcard was published by S.I.P., which is the Societe Industrielle de Photograpie of Rueil, France. The postcard is part of a series (no. 1239).   (SOLD)



This vintage real photo postcard features a portrait of a teenage girl doing a split. She appears to be a gymnast or a dancer. A notation on the reverse of the  postcard identifies the girl as “Clara”. The postcard was published on Artura paper that was produced between 1908 and 1924.


Published in: on September 30, 2016 at 12:00 pm  Comments (1)  
Tags: , ,


This cabinet card portrait features pretty celebrated Italian ballerina, Carlotta Brianza (1867-c.1933). Note that the jewelry that is hanging from her necklace is shaped like a horse. It is also worth mention that this photograph is somewhat risque for the era. Brianza was born in Milan, Italy and was the prima ballerina at La Scala before going to Russia. She created a sensation in Luigi Manzotti’s ballet “Excelsior” as the Spirit of Light. She went to Russia in 1887 after completing a US tour. She was acclaimed for her work in “Sleeping Beauty” and “Esmerelda”. She returned to the west in 1891 when she became the prima ballerina for the Vienna Opera. She died in Paris under suspicious circumstances that suggest she committed suicide. This portrait was produced by celebrity photographer Benjamin J. Falk of New York City. To view other photographs by Falk, click on the category “Photographer: Falk”.


This photograph captures an attractive dancer in an unusual pose. She is doing a split, which is a very risque pose for this time era. The woman is likely a professional dancer but it is possible that she is just a very athletic, and provocative young lady. There is no identification available of the young woman or of the photographer and studio. Perhaps a visitor to the Cabinet Card Gallery will recognize the dancer and leave a comment concerning her identity.  SOLD

Published in: on December 20, 2011 at 12:01 am  Comments (2)  
Tags: ,